English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
375
Partitions
Numériques
1 360
Librairie
Musicale
5 016
Matériel
de Musique
47
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
78
PIANO & CLAVIERS
Piano seul
307
Piano, Voix
43
Accordéon
14
Orgue
11
Piano, Voix et Guitare
11
Accompagnement Piano
11
Piano Facile
7
Piano (partie séparée)
2
Instruments en Do
1
1 Piano, 4 mains
1
2 Pianos, 8 mains
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
36
Basse electrique
18
Ligne De Mélodie, (Paroles) et Accords
4
Guitare notes et tablatures
3
2 Guitares (duo)
3
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Voix seule
170
Chorale SATB
23
Chorale 3 parties
6
Chorale 2 parties
5
Voix duo, Piano
5
Chorale TTBB
5
Chorale
4
Chorale SSAA
1
Voix Soprano, Piano
1
Chorale Unison
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
56
Saxophone
51
Flûte traversière
36
Flûte à Bec
26
Flute (partie séparée)
7
2 Saxophones (duo)
7
Clarinette (partie séparée)
7
Flûte, Hautbois, Clarinette, Basson
6
2 Flûtes traversières (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Flûte traversière et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
3
Saxophone (partie séparée)
3
Hautbois (partie séparée)
3
Saxophone Alto
3
Saxophone, Clarinette (duo)
3
Ensemble de Clarinettes
3
Clarinette et Piano
3
Clarinette, Violon (duo)
2
Hautbois
2
Flûte et Guitare
2
Flûte, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
3 Clarinettes (trio)
2
Saxophone Tenor
2
3 Saxophones (trio)
2
Hautbois, Piano (duo)
2
2 Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Saxophone Tenor et Piano
1
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ocarina
1
Clarinette et Alto
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Saxophone (duo)
1
Clarinette, Basson (duo)
1
3 Hautbois
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Flûte, Trompette (duo)
1
2 Clarinettes (duo)
1
Hautbois, Basson (duo)
1
Saxophone Alto et Piano
1
Saxophone Baryton, Piano
1
Harmonica, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
23
Trombone
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trombone (partie séparée)
4
Trompette, Trombone (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Tuba (partie séparée)
3
Trompette, Saxophone (duo)
2
Trompette, Cor (duo)
2
Euphonium
2
Trombone et Piano
2
Trompette, Piano
2
Trompette, Trombone, Piano
1
2 Trompettes (duo)
1
2 Trombones (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Trombone basse
1
Trompette (partie séparée)
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Cor
1
Euphonium, Tuba (duo)
1
4 Tubas
1
Cor et Piano
1
Instrumentations suivantes
Retracter
CORDES
Violon
33
Violoncelle
31
Alto seul
28
Violon et Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violoncelle, Piano
5
Contrebasse (partie séparée)
4
Violon (partie séparée)
4
Violon, Violoncelle (duo)
4
Alto, Piano
4
Harpe (partie séparée)
2
Contre Basse
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
2 Violons (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes: 3 violins
1
4 Contrebasses
1
2 Altos (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
34
Orchestre
9
Orchestre à Cordes
9
Ensemble de cuivres
5
Percussion (partie séparée)
3
Orchestre, Violon
1
Fanfare
1
Orchestre de chambre
1
Timbales (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Robert L
Partitions à imprimer
1 360 partitions trouvées
<
1
26
51
....
1351
General Robert L. McCook's Funeral March
Piano seul
Piano - Digital Download SKU: LV.23096 Composed by F. W. Rauch. Portraits, Military…
(+)
Piano - Digital Download SKU: LV.23096 Composed by F. W. Rauch. Portraits, Military officers, Civil War--Union. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23096). General Robert L. McCook's Funeral March. Composed by F.W. Rauch. Published 1862 by R. Wurlitzer, 123 Main Str. in Cincinnati. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Military officers, Civil War--Union. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.41 €
#
Piano seul
#
F
#
General Robert L. McCook's Funeral March
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.35 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.18 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
L'Ombrelle rouge
Piano seul
Piano - intermediate - Digital Download SKU: S9.Q46146 Valse parisienne. Com…
(+)
Piano - intermediate - Digital Download SKU: S9.Q46146 Valse parisienne. Composed by Lucien Arbanot. This edition: PDF. Downloadable. Musikverlag Robert Lienau - Digital #Q46146. Published by Musikverlag Robert Lienau - Digital (S9.Q46146). Key: E flat major.
$3.99
3.6 €
#
Piano seul
#
Lucien Arbanot
#
L'Ombrelle rouge
#
Musikverlag Robert Lienau - Digital
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.18 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
L'ultimo di di maggio
Chorale SATB
SATB choir divisi, a cappella - Digital Download On the last day of May. Composed by …
(+)
SATB choir divisi, a cappella - Digital Download On the last day of May. Composed by Ottorino Respighi (1879-1936). Arranged by Robert Sieving. Prima Cantate Series. Educational, Concert. Octavo. 16 pages. Heritage Music Press #15/3158H. Published by Heritage Music Press (
ISBN 9781429139076.<br> <br> Robert Sieving combines an anonymous sixteenth-century poem with music from Respighi's brilliant "Ancient Aires and Dances for Lute, Suite 1: Balletto" to create a light-hearted, dance-like representation of a charming lute piece.
$2.75
2.48 €
#
Chorale SATB
#
Ottorino Respighi (1879-1936)
#
Robert Sieving
#
L'ultimo di di maggio
#
Heritage Music Press
#
SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
(+)
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.02 €
#
Piano Facile
#
Claude Debussy/Robert Orledge
#
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500209 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500209 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 11 pages. Müller Publishing company #1076289. Published by Müller Publishing company (A0.1500209). Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor SoloUnveil the spiritual beauty and grandeur of SEEK YE THE LORD by John Varley Roberts with this special SATB Choir arrangement featuring a Tenor Solo, edited by L. Müller. This sacred hymn is renowned for its inspiring message and rich harmonies, offering an engaging musical experience for choirs of all levels. The sheet music is clear and easy to read, making rehearsals and performances both smooth and memorable. Perfect for worship services, concerts, and special events, this edition preserves the original key, delivering an authentic performance that honors Roberts' masterpiece.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo
#
Müller Publishing company
#
SheetMusicPlus
Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500210 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500210 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 11 pages. Müller Publishing company #1076290. Published by Müller Publishing company (A0.1500210). Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.Experience the accessibility of sacred music with SEEK YE THE LORD by John Varley Roberts, in a special SATB Choir arrangement featuring a Tenor Solo, edited by L. Müller. This version has been carefully transposed to G Major, making it more comfortable for a wider range of choir voices. Maintaining all the richness and depth of the original, this edition is ideal for rehearsals and performances, allowing more choirs to enjoy the opportunity to perform this reverent and moving piece. A perfect choice for worship services, celebrations, and reflective musical moments.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Seek Ye The Lord - John Varley Roberts - For Choir SATB With Tenor Solo in G Major.
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500317 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500317 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1076398. Published by Müller Publishing company (A0.1500317). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C MajorElevate your choir’s presentation with the complete edition of Christ is Risen from the Dead by J. V. Roberts, expertly edited by L. Müller. Each vocal part—Soprano, Alto, Tenor, Bass—is clearly laid out on its individual stave, allowing singers to follow their lines effortlessly. This format provides clarity and structure, essential for refining your choir’s performance in both rehearsals and live settings.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500321 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500321 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076402. Published by Müller Publishing company (A0.1500321). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db MajorSimplify your choir’s rehearsals with our reduced score edition of Christ is Risen from the Dead by J. V. Roberts, skillfully edited by L. Müller. This short score edition, with Soprano and Alto in the Treble Clef and Tenor and Bass in the Bass Clef, provides a streamlined view of the arrangement. Perfect for conductors and singers, this format facilitates easier reading and coordination, helping to focus on musicality and harmony.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db Major
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500318 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500318 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076399. Published by Müller Publishing company (A0.1500318). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C MajorOptimize your choir’s practice sessions with the reduced score of Christ is Risen from the Dead by J. V. Roberts, edited by L. Müller. This condensed format, featuring Soprano and Alto together in the Treble Clef and Tenor and Bass in the Bass Clef, is ideal for choirs aiming to simplify page turns and improve readability. This score format allows for a comprehensive yet concise view of the arrangement, aiding in better rehearsal efficiency and musical synchronization.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in C Major
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500320 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500320 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1076401. Published by Müller Publishing company (A0.1500320). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db MajorExperience a beautifully crafted edition of Christ is Risen from the Dead by J. V. Roberts, with each voice—Soprano, Alto, Tenor, Bass—on its own stave, edited by L. Müller. This format helps singers stay on track and supports conductors in achieving perfect balance within the choir. Ideal for choir rehearsals and performances, this version ensures every note is clear and accessible, allowing your ensemble to shine.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in Db Major
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500323 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500323 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 8 pages. Müller Publishing company #1076404. Published by Müller Publishing company (A0.1500323). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D MajorEnhance your choir’s performance with this edition of Christ is Risen from the Dead by J. V. Roberts, meticulously edited by L. Müller. This arrangement provides each voice (Soprano, Alto, Tenor, Bass) on its separate stave, offering clear, easy-to-follow notation that improves readability and rehearsal efficiency. Perfect for choirs looking to refine their harmonies and vocal lines with precision, this edition is ideal for both rehearsals and performances.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D Major
#
Müller Publishing company
#
SheetMusicPlus
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D Major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500324 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1500324 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 6 pages. Müller Publishing company #1076405. Published by Müller Publishing company (A0.1500324). Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D MajorDiscover the convenience of our reduced score edition of Christ is Risen from the Dead by J. V. Roberts, edited by L. Müller. This edition combines Soprano and Alto in the Treble Clef and Tenor and Bass in the Bass Clef, making it easier to read and reducing the overall page count. This format, commonly known as a condensed or short score, helps conductors and singers track harmonies efficiently, making it perfect for rehearsals and enhancing the overall experience of choral performance.
$2.99
2.7 €
#
Chorale SATB
#
John Varley Roberts
#
John Varley Roberts and L
#
Christ is Risen from the Dead - John Varley Roberts - For Choir SATB in D Major
#
Müller Publishing company
#
SheetMusicPlus
Seek Ye The Lord - John Varley Roberts - For Men's Choir TTBB with Tenor Solo
Chorale TTBB
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503545 Comp…
(+)
Choral Choir,Choral (TTBB Chorus) - Level 2 - Digital Download SKU: A0.1503545 Composed by John Varley Roberts. Arranged by John Varley Roberts and L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 11 pages. Müller Publishing company #1079005. Published by Müller Publishing company (A0.1503545). Seek Ye The Lord - John Varley Roberts - For Men's Choir TTBB with Tenor SoloExperience the power of sacred music with SEEK YE THE LORD by John Varley Roberts, in a unique adaptation for Men’s Choir TTBB featuring a Tenor Solo, arranged by L. Müller. This arrangement is designed to suit the vocal range of male choirs while preserving the emotional depth and reverence of the original composition. Perfect for rehearsals, worship services, and special performances, this edition offers a balanced and accessible rendition that enhances the choir’s expression. Bring a touch of elegance and spirituality to your musical repertoire with this beautifully crafted adaptation.
$2.99
2.7 €
#
Chorale TTBB
#
John Varley Roberts
#
John Varley Roberts and L
#
Seek Ye The Lord - John Varley Roberts - For Men's Choir TTBB with Tenor Solo
#
Müller Publishing company
#
SheetMusicPlus
Ronds de jambe en l'air sheet music
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.972880 Composed by Robert Long. 20t…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.972880 Composed by Robert Long. 20th Century. Score. 2 pages. Robert Long #6384337. Published by Robert Long (A0.972880). Original piano sheet music for ronds de jambe en l'air, by Robert Long, from his album Ballet Etudes. Smooth and lyrical, but with a distinctive rhythm to help guide learning ballet dancers.
$2.95
2.66 €
#
Piano seul
#
Robert Long
#
Ronds de jambe en l'air sheet music
#
Robert Long
#
SheetMusicPlus
Ballet Piano: Ronds de Jambe en l'air from Etudes II
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.972920 Composed by Robert Long. 20t…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.972920 Composed by Robert Long. 20th Century,Instructional. Score. 3 pages. Robert Long #6422951. Published by Robert Long (A0.972920). Ballet piano sheet music for ronds de jambe en l'air from Robert Long's album Etudes II. Graceful, gliding music in 3/4, with a recurring rhythm that compliments the movements of this ballet exercise.
$2.95
2.66 €
#
Piano seul
#
Robert Long
#
Ballet Piano: Ronds de Jambe en l'air from Etudes II
#
Robert Long
#
SheetMusicPlus
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/R…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35
9.35 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/R…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 9 pages. Musik Fabrik Music Publishing #5732669. Published by Musik Fabrik Music Publishing (A0.534658). This is the piano solo reduction of Debussy’s Wagnerian opera Rodrigue et Chimène (1890–93) which has had quite a few orchestral performances. Here the work is completed by Robert Orledge with a new concert ending.
$10.35
9.35 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Nigerien National Anthems "La Nigerienne" & "L'Honneur de la Patrie" for Brass Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital…
(+)
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1489412 By Keith Terrett. By Unknown. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 23 pages. Keith Terrett #1066158. Published by Keith Terrett (A0.1489412). La Nigérienne (French pronunciation: [la ni.ʒe.ʁjɛn]; The Nigerien) is the former national anthem of Niger. The lyrics are by Maurice Albert Thiriet; Robert Jacquet and Nicolas Abel François Frionnet wrote the music. It was adopted as Niger's anthem in 1961 and relinquished in 2023.The anthem was written by French film composer Maurice Albert Thiriet. The music was composed by two other Frenchmen, Robert Jacquet and Nicolas Abel François Frionnet. It was adopted in 1961, a year after Niger gained independence from France.On 21 November 2019, President Mahamadou Issoufou announced that he had decided to change the national anthem. The decision followed criticism that some of the lyrics appeared to express gratitude to the former coloniser, France, with Nigeriens on social media challenging lines three and four. A committee chaired by Prime Minister Brigi Rafini was charged with reflecting on the current anthem by providing corrections and if possible find a new anthem that responds to the current context of Niger. Created in 2018, it was composed of several members of the Government and about fifteen experts experienced in writing and musical composition. Assamana Malam Issa, the Minister of Cultural Renaissance, said a hymn must be found that can galvanize the population, be for us a kind of war cry to touch our patriotic fiber.On 22 June 2023 the National Assembly adopted The Honor of the Fatherland as Niger's new anthem.The Honor of the Fatherland (French L'Honneur de la Patrie) is the national anthem of Niger. It was adopted on June 23, 2023, replacing La Nigerienne, which was adopted in 1961, a year after the country's gaining of independence.Niger, a former colony of France, became an independent country in 1960. The following year, the country adopted La Nigerienne as its national anthem. In 2019, President Mahamadou Issoufou announced his plans to replace La Nigerienne, following concerns that the lyrics expressed perceived gratitude towards the colonial power. A committee was established to reflect on the current anthem and find a new anthem if necessary. On June 22, 2023, the National Assembly adopted The Honor of the Fatherland as the country's new anthem to replace La Nigerienne.
$12.99
11.73 €
#
Keith Terrett
#
Keith Terrett
#
Nigerien National Anthems "La Nigerienne" & "L'Honneur de la Patrie" for Brass Quintet
#
Keith Terrett
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.02 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Casey Jones Went Down on the Robert E. Lee
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble,Brass Quintet - Level 2 - Digital Download SKU: A0.774842 Composed b…
(+)
Brass Ensemble,Brass Quintet - Level 2 - Digital Download SKU: A0.774842 Composed by Clarence M. Jones. Arranged by Bill Wilson. Jazz. Score and parts. 15 pages. Alexander Wilson #39037. Published by Alexander Wilson (A0.774842). A response to Lewis F. Muir and L. Wolfe Gilbert's Waiting for the Robert E. Lee, Clarence Jones and Marvin Lee's Casey Jones Went Down on the Robert E. Lee borrows heavily from its predecessor in terms of music, but still contains enough original ideas to stand on its own. It speaks of the instant fame of the original that both pieces were published in 1912. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Includes world parts (horn in Eb, trombone in Bb TC, tuba in Eb TC, and tuba in Bb TC). Performance time is approximately 2:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.61 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Clarence M
#
Bill Wilson
#
Casey Jones Went Down on the Robert E. Lee
#
Alexander Wilson
#
SheetMusicPlus
Variations brillantes sur la Cavatine de l’opéra Cenerentola de Rossini
Piano seul
Piano - intermediate to difficult - Digital Download SKU: S9.Q53309 Op. 60. …
(+)
Piano - intermediate to difficult - Digital Download SKU: S9.Q53309 Op. 60. Composed by Henri Herz. Edited by Robert Schafer and Wilhelm Ohmen. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 60. 18 pages. Schott Music - Digital #Q53309. Published by Schott Music - Digital (S9.Q53309). Among over 200 compositions by the Austrian-French pianist Henri (Heinrich) Herz there are eight piano concertos and numerous solo works such as a sonata, rondos, nocturnes, waltzes, marches, fantasias and variations. Robert Schumann regarded the music of his very successful colleague as shallow: ‘if anybody, apart from [Moritz Gottlieb] Saphir, was sincere with the people, it was Henri Herz, our compatriot. What does he want other than to entertain and so become rich?’ The attractive Variations on the Cavatina ‘Non più mesta‘ from Rossini’s opera ‘La Cenerentola’ (Cinderella) were published by Schott in 1830 (plate number 3428).
$4.99
4.51 €
#
Piano seul
#
Henri Herz
#
Variations brillantes sur la Cavatine de l’opéra Cenerentola de Rossini
#
Schott Music - Digital
#
SheetMusicPlus
Hymne A L'amour (If You Love Me, Really Love Me)
Piano seul
Piano Solo - Intermediate - Digital Download By lyricists: Edith Piaf (French), Geoff…
(+)
Piano Solo - Intermediate - Digital Download By lyricists: Edith Piaf (French), Geoffrey Parsons (English) and Marguerite Monnot, composer. Arranged by Robert Blond. 3 pages. Published by robert blond
A poignant footnote is the death of French boxer Marcel Cerdan, Piaf's paramour, in an airplane crash a month after release of this song.<br> Piano solo adheres to composer's melody throughout, suitable for sing-a-longs<br> Contrasting tempos: rubato, marcato<br> Key change, liberal use of rootless chords, stylized ending, no repeats.
$4.99
4.51 €
#
Piano seul
#
lyricists: Edith Piaf (French), Geoffrey Parsons (English) and Marguerite Monnot, composer
#
Robert Blond
#
Hymne A L'amour
#
robert blond
#
SheetMusicPlus
<
1
26
51
....
1351
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
