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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Trio à Cordes: violon, alto, violoncelle
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Robert William Rast
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1
The Battle Of New Orleans
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert Willia…
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C Instrument - Level 4 - Digital Download SKU: A0.1410777 Composed by Robert William Rast. Arranged by John Fries. 20th Century,Country,Historic,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993174. Published by John Fries (A0.1410777). TYPE JOHN FIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Battle of New Orleans is a song written by Jimmy Driftwood. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music. Horton's version began with the quoting of the first 12 notes of the song Dixie, by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.
$3.99
3.56 €
#
Instruments en Do
#
Robert William Rast
#
John Fries
#
The Battle Of New Orleans
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John Fries
#
SheetMusicPlus
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 3 in A major
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Artaria Editions
#
SheetMusicPlus
String Trio No. 4 in E major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 4 in E major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 9 in A major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488294 Composed by William Shield. Arranged by Robert Hoskins. Classical. 29 pages. Artaria Editions #1065182. Published by Artaria Editions (A0.1488294). Artaria Editions AE429Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
William Shield
#
Robert Hoskins
#
String Trio No. 9 in A major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 6 in B flat major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 6 in B flat major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 7 in G major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488290 Composed by William Shield. Arranged by Robert Hoskins. Classical. 26 pages. Artaria Editions #1065178. Published by Artaria Editions (A0.1488290). Artaria Editions AE427Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
William Shield
#
Robert Hoskins
#
String Trio No. 7 in G major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 5 in C minor
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
/ Wm
#
William Shield
#
Robert Hoskins
#
String Trio No. 5 in C minor
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 8 in F major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Compose…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488292 Composed by William Shield. Arranged by Robert Hoskins. Classical. 35 pages. Artaria Editions #1065180. Published by Artaria Editions (A0.1488292). Artaria Editions AE428Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
#
Trio à Cordes: violon, alto, violoncelle
#
William Shield
#
Robert Hoskins
#
String Trio No. 8 in F major
#
Artaria Editions
#
SheetMusicPlus
String Trio No. 2 in D major
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by Willi…
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String Trio Cello,Viola,Violin - Digital Download SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
43.77 €
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Trio à Cordes: violon, alto, violoncelle
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
Angels
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1436383 By Robbie Williams. By Guy …
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Lever Harp - Level 2 - Digital Download SKU: A0.1436383 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Kim Kirkman. 20th Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1016493. Published by Kim Kirkman (A0.1436383). Robbie William's Angels.Arranged for lever harp in key of C - no levers required! Lovely contrasting left hand work.I have had to alter one chord (that occurs several) to allow no lever changes. Fits on three pages, good for playing at weddings.
$4.99
4.46 €
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Harpe
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Robbie Williams
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Kim Kirkman
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Angels
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Kim Kirkman
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SheetMusicPlus
Angels
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1436381 By Robbie Williams. By Guy …
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Lever Harp - Level 2 - Digital Download SKU: A0.1436381 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Kim Kirkman. 20th Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1016491. Published by Kim Kirkman (A0.1436381). Robbie William's Angels.Arranged for lever harp in original key (E major - 4 sharps). No additional lever changes requiredLovely contrasting left hand work.I have had to alter one chord (that occurs several) to allow no lever changes. Fits on three pages, good for playing at weddings.
$4.99
4.46 €
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Harpe
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Robbie Williams
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Kim Kirkman
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Angels
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Kim Kirkman
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SheetMusicPlus
Angels
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1436384 By Robbie Williams. By Guy …
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Piano Solo - Level 2 - Digital Download SKU: A0.1436384 By Robbie Williams. By Guy Chambers and Robert Peter Williams. Arranged by Kim Kirkman. 20th Century,Pop,Singer/Songwriter. Score. 3 pages. Kim Kirkman #1016494. Published by Kim Kirkman (A0.1436384). Robbie William's Angels.Arranged for piano in key of C - no black notes required! Lovely contrasting left hand work.I have had to alter one chord (that occurs several) to allow no lever changes. Fits on three pages, good for playing at weddings.
$4.99
4.46 €
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Piano seul
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Robbie Williams
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Kim Kirkman
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Angels
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Kim Kirkman
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SheetMusicPlus
O Worship the King (HANOVER) — hymn accompaniment for organ, brass quintet, timpani
Horn,Organ Accompaniment,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU…
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Horn,Organ Accompaniment,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431445 Composed by William Croft (1678-1727). Arranged by Todd Marchand. Christian,Sacred. 22 pages. Con Spirito Music #1007710. Published by Con Spirito Music (A0.1431445). “O Worship the King” is a free paraphrase of Psalm 104 (largely verses 1-13 and 24-33) by Sir Robert Grant (1779-1838), an Anglo-Indian lawyer who served as a member of Parliament as well as Governor of Bombay. Influenced by William Kethe's paraphrase of the same psalm, Grant's “O Worship the King” first appeared in Edward Bickersteth’s Christian Psalmody (1833) and later appeared in a posthumous volume of Grant’s work, Sacred Poems (1839), edited by his brother Charles.Grant's text includes six verses; many hymnals abbreviate it, leaving off the concluding one. This arrangement, employing the tune HANOVER by William Croft (1678-1727), includes music for verses 1-5, and may be furthered abbreviated to four by eliminating the repeat on verses 1-2. Following an introduction that contrasts short melodic fragments with answering flourishes, the arrangement proceeds as follows: • Verses 1-2: organ accompaniment• Verse 3: brass accompaniment• Verse 4: organ accompaniment with trumpet countermelody• Interlude — organ and brass• Verse 5: organ and brass accompaniment with alternate harmonization• Coda — allThe timpani part may be excluded if no timpani are available.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and poular music for instruments and voices, visit www.conspiritomusic.com
$25.00
22.33 €
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William Croft
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Todd Marchand
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O Worship the King
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Con Spirito Music
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SheetMusicPlus
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
Cloches
Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, He…
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Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00
3.57 €
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Cloches
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Frank M
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G
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Staines Morris
Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1…
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Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 4 pages. Gordon Jackson #6436745. Published by Gordon Jackson (A0.1017678). Staines MorrisThe song, Staines Morris, is very well known by singers of traditional songs. It’s a 17th century song. It’s a 19th century song. Actually, it’s both! The lyrics were certainly published, and probably written, by Robert Cox for his play Actaeon and Diana, published in 1656. The tune was first published in John Playford’s The English Dancing Master in 1651. There is no evidence that, in the 17th century, the lyrics were sung to this melody. That didn’t happen for two hundred years, when William Chappell put the two together for his Popular Music of the Olden Time, vol. 1 (1859). I have added chords to the melody. Whilst humming the tune to myself, I found myself moving into 6/8 time, and that inspired me to compose a galliard based on it, complete with ‘divisions’ (runs of semiquavers or 32nd notes) and counterpoint. The song melody and the galliard can be played separately or as parts of one piece, perhaps with the galliard played between two of the verses. I put the galliard in A minor, to provide a contrast with the D minor song melody, but play them in whatever key takes your fancy. I have also added below the lyrics, as most often sung today.Come ye young men, come alongWith your music, dance and songBring your lasses in your handsFor ’tis that which love commands Then to the Maypole haste away For ’tis now our holidayIt is the choice time of the yearFor the violets now appearNow the rose receives its birthAnd the pretty primrose decks the earthAnd when you well reckoned haveWhat kisses you your sweetheart gaveTake them all again, and moreIt will never make them poorWhen you thus have spent your timeAnd the day be past its primeTo your beds repair at nightAnd dream there of your day’s delight
$4.99
4.46 €
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Anonymous
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Gordon Jackson
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Staines Morris
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Gordon Jackson
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SheetMusicPlus
Ain't Misbehavin'
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.948593 By Hank Williams Jr. By Harr…
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Piano Solo - Level 3 - Digital Download SKU: A0.948593 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Robert Blond. Jazz. Score. 4 pages. Robert blond #4747597. Published by robert blond (A0.948593). 1929 standard popularized by the co-composer, Fats Waller, in his rakishly ebullient stylePiano solo adheres throughout to composer's melody, suitable for sing-a-longsContrasting tempos: lazy bounce, stride (oom-pah left hand)Low-down blues endingKey changeNo repeats.
$4.99
4.46 €
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Piano seul
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Hank Williams Jr
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Robert Blond
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Ain't Misbehavin'
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robert blond
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SheetMusicPlus
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