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Rock It Science - Mallet Percussion
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Vous avez sélectionné:
Rock It Science - Mallet Percussion
Partitions à imprimer
7 partitions trouvées
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1
Rock It Science - Percussion 1
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Percussion (partie séparée)
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Robert Buckley
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Rock
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Rock It Science - Percussion 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Robert Buckley. Concert; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Robert Buckley. Concert; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Rock It Science - Percussion 2
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Percussion (partie séparée)
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Robert Buckley
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Rock
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Rock It Science - Percussion 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Robert Buckley. Concert; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Robert Buckley. Concert; Rock. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music
$6.00
Zap!
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Contemporain
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Christine Southworth
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Evan Ziporyn
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Zap!
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th...
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
I Don't Want To Miss A Thing
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Rock
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Aerosmith
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Diane Warren
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Lorenzo Bocci
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I Don't Want To Miss A Thing
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1439127 By Aerosmith. By Diane Warren. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 70 pages. Lorenzo Bocci #1019156. P...
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Concert Band - Level 3 - SKU: A0.1439127 By Aerosmith. By Diane Warren. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 70 pages. Lorenzo Bocci #1019156. Published by Lorenzo Bocci (A0.1439127). I DON'T WANT TO MISS A THING performed by Aerosmith - From The Touchstone Picture Armageddonfor Concert Band - Grade 3 - Composed by Diane Warren. Arranged by Lorenzo Bocci. Film/Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Cymbals a 2), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Don't Want to Miss a Thing is a song recorded by American hard rock band Aerosmith as the theme song for the 1998 science fiction disaster film Armageddon. The power ballad was written by Diane Warren. The song received its airplay premiere on May 12, 1998, and was officially added to radio a week later. I Don't Want to Miss a Thing, in the United States, was originally supposed to be a radio-only single from Armageddon: The Album, but due to popular demand, Columbia Records issued the song commercially in August 1998. It subsequently debuted at number one on the Billboard Hot 100, giving the band their first and only number-one single in their home country, remaining at the top for four weeks. The song was nominated for an Oscar as Best Original Song at the 71st Academy Awards of 1998, but lost to When You Believe from The Prince of Egypt.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Time After Time
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Javier Colon
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Javier MartÃnez
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Time After Time
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃn...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃnez. Pop. Score and parts. 15 pages. Arte Nova Music Lab #4736971. Published by Arte Nova Music Lab (A0.742482). Time After Time is the second single by American singer-songwriter Cyndi Lauper from her debut studio album, She's So Unusual(1983), with Rob Hyman (co-writer and founding member of the rock band The Hooters) contributing backing vocals. The track was produced by Rick Chertoff and released as a single on January 27, 1984. The song became Lauper's first number 1 hit in the U.S. The song was written in the album's final stages, after Girls Just Wanna Have Fun, She Bop and All Through the Night had been written. The writing began with the title, which Lauper had seen in TV Guide magazine, referring to the science fiction film Time After Time (1979).[2]Time After Time is composed of simple keyboard-synth chords, bright, jangly guitars, clock-ticking percussion, and elastic bassline. Lyrically, it is a love song of devotion. Music critics gave the song positive reviews, with many commending the song for being a solid and memorable love song. The song has been selected as one of the Best Love Songs of All Time by many media outlets, including Rolling Stone, Nerve, MTV and many others.[3] Time After Time was also nominated for a Grammy Award for Song of the Year at the 1985 edition.[4] The song was a success on the charts, becoming her first number-one single on the US Billboard Hot 100 chart on June 9, 1984, and remaining there for two weeks. The song reached number three on the UK Singles Chart and number six on the ARIA Singles Chart.The song is also known for its numerous covers by a wide range of artists, including Miles Davis, who recorded an instrumental version for his 1985 album You're Under Arrest, and Eva Cassidy, whose cover of the song appears on her posthumous album of the same name.R&B singer Lil Mo also covered the song for her 2001 debut album Based on a True Story. An acoustic version was sung by Lauper withSarah McLachlan on her 2005 album The Body Acoustic.[5] Lauper has performed the song live with Patti LaBelle twice in 1985 and 2004 and with Sarah McLachlan at the American Music Awards of 2005,[6] as well as with rapper Lil' Kim in 2009.Taken from https://en.wikipedia.org/wiki/Time_After_Time_(Cyndi_Lauper_song)
$20.00
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Rock It Science - Mallet Percussion
