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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Roy's Daughter
Non classifié
3
Piano & claviers
Piano seul
3
Piano, Voix
2
Piano, Voix et Guitare
1
Guitares
Banjo
1
Guitare
1
Voix
Chorale SATB
2
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
1
Trompette
1
Quatuor de cuivres: 4 cors
1
Trombone
1
Cordes
Violon et Piano
1
Violoncelle
1
Harpe
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Orchestre & Percussions
Orchestre à Cordes
6
Orchestre
3
Orchestre d'harmonie
2
Ensemble de cuivres
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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Vous avez sélectionné:
Roy's Daughter
Partitions à imprimer
38 partitions trouvées
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1
26
Roy's Daughter
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.940532 Composed by Nick Clow. Cont…
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Solo Guitar - Level 3 - Digital Download SKU: A0.940532 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3379975. Published by Nick Clow (A0.940532). This is an intermediate level solo guitar piece. It might make a worthwhile addition to a student's or intermediate guitarist's repertoire. I would give it Trinity Grade 5. There is a performance on Youtube.
$2.99
2.75 €
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Guitare
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Nick Clow
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Roy's Daughter
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Nick Clow
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SheetMusicPlus
Our Mother Eve - an original Mother's Day hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701832 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701832 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Holiday,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3520239. Published by Kevin G. Pace (A0.701832). An original hymn with text by Michael Young below.YouTube video: https://youtu.be/xTMwFuQ3DeQ1. Our Mother Eve was first to see That they must fall that man may be, Then gave to Adam to partake, Convinced him it was no mistake. Take courage as our mother Eve, When faced with fear, instead believe. 2. Our mother Eve was first to hope, That she, united, then could cope, Outside their garden paradise, That heaven’s gifts would then suffice, Take courage as our mother Eve, When faced with want, then still believe. 3. Our mother Eve was first to weep, For her stray child who did not keep, All God’s commands, but turned away, One son she lost, one went astray. Take courage as our mother Eve, When faced with grief, be still, believe. 4. Our mother Eve was first on Earth, God’s daughter of a royal birth, First mother of the human race, A vessel of God’s holy grace. Take courage as our mother Eve, All through your life, stand firm, believe.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Our Mother Eve - an original Mother's Day hymn
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Kevin G. Pace
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SheetMusicPlus
Rachel's Song (I Will Dance)
Small Ensemble Guitar,Hand Percussion - Level 3 - Digital Download SKU: A0.1028579 …
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Small Ensemble Guitar,Hand Percussion - Level 3 - Digital Download SKU: A0.1028579 Composed by Leon deVose, Jr. Christian,Contemporary,Praise & Worship. Score and parts. 25 pages. Leon deVose #6404447. Published by Leon deVose (A0.1028579). I wrote this song when I reunited with an acquaintance I had not seen in about 20 years. She told me about her daughter, Rachel, who was born with two extremely rare diseases. The first is Subcortical Band Heterotopia. The other is Lennox Gastaut Syndrome. The latter, likely consequential to the first, is the more lethal of the two, as it causes severe seizures and is not controlled for long by drugs. The first, the most devastating and life-affecting is characterized by abnormal brain development which causes this delightful young woman of 25 to be locked in the brain of a pre-pubescent child or younger.Dad has left, and his legal obligation to child support ended in 2019. In NJ, disability, no matter how severe, only extends the legal child support obligation to age 23. Of course child support payments cannot possibly fulfill or replace the financial, emotional and moral support needed to care for a child without such severe disability. How much less when the child has such severe disabilities.All proceeds from sales of this song, including licensing and royalties, will be gifted to Rachel's Mom until 31 December 2032 or ten years after Rachel's decease, whichever is later.
$4.99
4.59 €
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Leon deVose, Jr
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Subcortical Band Heterotopia
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Rachel's Song
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Leon deVose
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SheetMusicPlus
Fanfare for Caitlin's Castle-Horn in F
Cor
French Horn Solo - Digital Download SKU: A0.987724 Composed by Donald H. Sanborn II…
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French Horn Solo - Digital Download SKU: A0.987724 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421513. Published by Donald H. Sanborn III (A0.987724). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99
1.83 €
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Cor
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Donald H
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Fanfare for Caitlin's Castle-Horn in F
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Donald H. Sanborn III
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SheetMusicPlus
Fanfare for Caitlin's Castle--Trumpet in Bb #1
Trompette
Trumpet Solo - Digital Download SKU: A0.987721 Composed by Donald H. Sanborn III. C…
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Trumpet Solo - Digital Download SKU: A0.987721 Composed by Donald H. Sanborn III. Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421509. Published by Donald H. Sanborn III (A0.987721). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99
1.83 €
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Trompette
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Donald H
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Fanfare for Caitlin's Castle--Trumpet in Bb #1
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Donald H. Sanborn III
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SheetMusicPlus
Fanfare for Caitlin's Castle--Trombone
Trombone
Trombone Solo - Digital Download SKU: A0.987725 Composed by Donald H. Sanborn III. …
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Trombone Solo - Digital Download SKU: A0.987725 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Individual part. 2 pages. Donald H. Sanborn III #421519. Published by Donald H. Sanborn III (A0.987725). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99
1.83 €
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Trombone
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Donald H
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Fanfare for Caitlin's Castle--Trombone
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Donald H. Sanborn III
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SheetMusicPlus
Fanfare for Caitlin's Castle (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Digital Download SKU: A0.987723 Composed by Donald H. Sanborn III.…
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Brass Ensemble - Digital Download SKU: A0.987723 Composed by Donald H. Sanborn III. 20th Century,Contemporary. Score and parts. 9 pages. Donald H. Sanborn III #421507. Published by Donald H. Sanborn III (A0.987723). The Fanfare was inspired by my Goddaughter, to whom the piece is dedicated. When she was five, Caitlin received a toy castle for Christmas. I wanted to compose a piece for Caitlin, and I thought that every castle needs a fanfare to announce the arrival of the royal inhabitants. The piece combines the majesty of a Medieval fanfare with the whimsy of child's play.
$1.99
1.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Donald H
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Fanfare for Caitlin's Castle
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Donald H. Sanborn III
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SheetMusicPlus
Guthrie: Dardanus Variations for Solo Cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie. Contemporary,Instructional. Individual part. 9 pages. Jmsgu3 #3031709. Published by jmsgu3 (A0.547674). Dardanus Variations for Solo Cello is a set of variations on a thematic fragment from Dardanus, a tragédie-lyrique by J.P. Rameau (1683-1764). Each variation depicts a different scene from the opera.I: Entrance of Dardanus: Son of Electra and JupiterII: King Teucer proposes the marriage of his daughter Iphise to King AnténorIII: King Anténor accepts Iphise to become his brideIV: Ismenor the Wizard introduces Iphise to DardanusV: Dardanus encounters the sea monsterVI: The Sea Monster creates havoc for King AnténorVII: Dardanus falls in love with IphiseVIII: Dardanus slays the Sea Monster, saving King Anténor's lifeIX: King Teucer and Dardanus make peaceX: King Teucer permits for Dardanus to marry IphiseXI: The Proposal of DardanusXII: Iphise rejects the proposalXIII: The Second Proposal of DardanusIXV: Wedding Dance Dardanus is connected to the Trojan War through his lineage and the founding of the royal house of Troy. The Dardanoi, the descendants of Dardanus, formed a contingent among Troy's allies in the Trojan War. The House of Dardanus, of which Dardanus was the founder, played a significant role in the lead-up to the war. The city of Troy, founded by Dardanus's descendant, Ilus, was central to the myths surrounding the Trojan War. Additionally, Aeneas, a prominent figure in the Trojan War, was referred to as a Dardanian and was destined to save the House of Dardanus from extinction. Therefore, Dardanus's lineage and the founding of Troy are the critical connections between Dardanus and the Trojan War.Ancestry and Founder: Dardanus was the son of Zeus and the Pleiad Electra. He was the mythical founder of Dardania on the Hellespont and the ancestor of the Dardanians of the Troad and, through Aeneas, of the Romans.Migration and Settlement: According to mythology, Dardanus fled from Arcadia to the island of Samothrace and then to the Troad, where Teucer, the ruler of Phrygia, hospitably received him. He married Teucer's daughter Bateia and became the founder of the royal house of Troy.Family and Descendants: Dardanus married Chryse, with whom he fathered two sons, Idaeus and Deimas. He later married Batea and had several children, including Erichthonius, who became the ancestor of many famous individuals in the Troad, including Tros, Ganymede, Laomedon, and Priam.Cultural Depictions: Dardanus has been the subject of various operas by composers such as Jean-Philippe Rameau, Carl Stamitz, and Antonio Sacchini, reflecting the enduring influence of his mythological story.Legacy: Dardanus lives on in the Dardanelles, the narrow strait separating Asia and Europe, once known as the Hellespont, a name also linked to Greek mythology.These facts highlight Dardanus's role as a critical figure in the foundation of Dardania and the royal house of Troy and his rich and enduring mythological legacy.
$24.95
22.96 €
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Violoncelle
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James M
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Guthrie: Dardanus Variations for Solo Cello
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jmsgu3
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SheetMusicPlus
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List: Andy Renwick's Ferret Angus Campbell Archie Menzies The Banks Hornpipe Bear River Jig Bee's Wing Hornpipe, The Belfast hornpipe, The Belfast Jig Big John McNeil Bonaparte Crossing The Alps Bonniest Lass in a' the World, The Bonny Lass of Fisherrow, The Bonny Lea Rig, The Brae Reel, The Braes of Auchtertyre, The Brenda Stubbert's Reel Caber Feidh Cape Breton Wedding Reel, The Captain Campbell Carleton County Breakdown Carnie's Canter Chaisson Reel, The Cheticamp Reel, The Chorus Jig Come Under My Plaidie Compliments To Buddy Macmaster Cutting Ferns Darlin' Don't You Meddle Me Delphine's Reel Democratic Rage, The Devil In The Kitchen Dillon Brown Dinkie's Reel Don't Be Teasing Dr Keith, Aberdeen Dragger's Reel, The Drunken piper, The Dublin Porter Duke of Gordon's Birthday, The Durang's Hornpipe East Neuk of Bear River, The Emil Gaudet's Reel Farmer's Daughter, The Farmer's Reel, The Fay's Hornpipe Fermoy Lasses Fig For A Kiss Fisher's Hornpipe (F Setting) Fred Wilson's Hornpipe Glencoe March Green Meadow Reel Haggis, The Hector's Fancy Hector's New Dance Hall High Level Hornpipe, The Homeward Bound Honeymoon, The Inverness Jig Irishman's Heart To The Ladies Iron Man, The Island Boy Jack Webster's Reel Jackson's Jig Jenny Dang The Weaver JEROME'S FAREWELL TO GIBRALTAR Jerry Holland's Jig Joe Kearney's Reel Joe MacInnis' March Kenmure's On and Awa', Willie Killiecrankie Koehler's Hornpipe Lad O'beirne's Reel Lasses of Glenaladale, The Levantine's Barrel Light and Airy Little Donald In The Pigpen Little Jack's Reel Londonderry Hornpipe Lord Gordon Lord MacDonald's Reel Macdonald's March Reel Mackinnon's Rant Marchioness of Tullibardine, The Marie ? Pierre Marquis of Huntly, The Meeting of Waters, The Miller o' Drone, The Miller's Reel Miramichi Fire, The Miss Barker's Hornpipe Miss Georgina Campbell Miss Gordon Miss Lyall Strathspey Miss Maxwell Mr. Murray Munlochy Bridge Munster Lass, The North Side of the Grampians, The Northside Tune Orange and Blue, The Ottawa Valley Reel Paddy On The Turnpike Pigeon On The Gatepost Plains of Boyle, The Poppy Leaf, ThePride of the Ball Prince Edward Island Wedding Reel Princess Reel River Bend Jig Robert Cormack, Aberdeen Robert Stubbert Rock Valley Jig Rose in the Garden, The Rose of Tennessee, The Rothiemurchus Rant, The Royal Circus Jig Shandon Bells Shores of Lough Gowna, The Silver and Gold Sleepy Maggie Souris Breakwater Southern Melody St Anne's Reel -Original Version St Anne's Reel -Prince County Version St Kilda Wedding Stack Of Barley Stella's Trip To Kamloops Stool of Repentance, The Teviot Bridge Trip To Windsor West Point Jig When I Go Out the Door Where the North River Flows Whiskey Jig Wilfred's Fiddle You Married My Daughter, and Yet
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On and Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light and Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange and Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver and Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, and Yet
$24.99
23 €
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Banjo
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Intermediate
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Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Northern Folk Harp
Harpe
Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, St. Patr…
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Harp - Intermediate - Digital Download Arranged by Beth Kolle. Folk, Celtic, St. Patrick's Day, Recital. 93 pages. Published by Afghan Press Music for the Harp
This excellent book by Beth Kolle will add some interesting "northern land" tunes to your repertoire! This 117-page book contains music from Ireland, Scotland, Sweden, Norway, Cape Breton, France, Manx, and Finland, 25 tunes in all. Each piece has an introductory page of background information. The following tunes have flute parts in addition to the harp part: Carrickfurgus, Innisheer, Brae Lochiel, Schottis 1, and The Shepherd's Daughter. The following tunes have a Harp 2 duo part: Innisheer, Reinlendar 1, and Mazurka Michel. Chords are included and measure numbers are marked at the beginning of each system. <br> Table of Contents:<br> The Bold Princess Royal, Carrickfergus, Fair-Haired Child, Inis Siar, Kitty Magennis, Morgan Meaghan, The Raven, Brae Lochiel, Harris Air, JB Reel, Long-Dance, Polska, Schottis I, Slangpolska, Huldrevals, Reinlander I, Sirivisa, Brenda Stubbert's Reel, John McColl's Favorite, Lily's Waltz, Reinlandar II, Mazurka Michel, The Shepherd's Daughter, Ti-ti-ti.This excellent book by Beth Kolle will add some interesting "northern land" tunes to your repertoire! This 117-page book contains music from Ireland, Scotland, Sweden, Norway, Cape Breton, France, Manx, and Finland, 25 tunes in all. Each piece has an introductory page of background information. The following tunes have flute parts in addition to the harp part: Carrickfurgus, Innisheer, Brae Lochiel, Schottis 1, and The Shepherd's Daughter. The following tunes have a Harp 2 duo part: Innisheer, Reinlendar 1, and Mazurka Michel. Chords are included and measure numbers are marked at the beginning of each system. <br> Table of Contents:<br> The Bold Princess Royal, Carrickfergus, Fair-Haired Child, Inis Siar, Kitty Magennis, Morgan Meaghan, The Raven, Brae Lochiel, Harris Air, JB Reel, Long-Dance, Polska, Schottis I, Slangpolska, Huldrevals, Reinlander I, Sirivisa, Brenda Stubbert's Reel, John McColl's Favorite, Lily's Waltz, Reinlandar II, Mazurka Michel, The Shepherd's Daughter, Ti-ti-ti.
$25.00
23.01 €
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Harpe
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Beth Kolle
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The Northern Folk Harp
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.41 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Eventide - a song for voice & piano
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1216738 Composed by Arthur A…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1216738 Composed by Arthur Ager. Arranged by Robert Luke Thompson. 20th Century,Christian,Praise & Worship,Religious,Spiritual. Score. 5 pages. Monkspath Music #813277. Published by Monkspath Music (A0.1216738). James Arthur Ager (1867-1947) was a British composer, organist, and music educator. He studied composition at the Royal College of Music in London under Hubert Parry and Frederick Bridge. Ager served as the organist and choirmaster at St. Andrew's Church in Birmingham for over 50 years. Ager also became Professor of Organ & Harmony at the Birmingham and Midland Institute School of Music (the predecessor of the Royal Birmingham Conservatoire) for nearly four decades. Although not as well-known as some of his contemporaries, Ager's music, including a variety of songs, choral, piano, and organ works, is worth exploring for those interested in late 19th and early 20th-century music. Perhaps his most famous composition is The Legend of St. Christopher, a cantata based on the medieval legend. Eventide is a beautiful vocal piece composed in 1916, with lyrics written by Arthur's daughter, Gladys. It is suitable for a wide range of voices (including soprano, mezzo-soprano, tenor, and baritone) and can be a great alternative to traditional hymns like Abide with Me. Often associated with evening and twilight, Eventide is a versatile piece that can be sung on various occasions where a reflective and contemplative atmosphere is desired. It is ideal for Christian worship services, funerals, memorials, candlelight vigils, recitals, or concerts where a reflective, serene, and tranquil atmosphere is desired. A PDF scan of the original publication is available via email request.For further pieces, view the Monkspath Music catalogue and click here!
$2.99
2.75 €
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Piano, Voix
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Arthur Ager
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Robert Luke Thompson
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Eventide - a song for voice & piano
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Monkspath Music
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SheetMusicPlus
Feelin' Festive Vol 3 of 101 Carols and Songs of Celebration
Lever Harp - Level 3 - Digital Download SKU: A0.1518564 Composed by Trad. Arranged …
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Lever Harp - Level 3 - Digital Download SKU: A0.1518564 Composed by Trad. Arranged by Anna Dunwoodie. Celtic,Christmas,Contemporary,Irish,Sacred. Score. 79 pages. Anna Dunwoodie #1092665. Published by Anna Dunwoodie (A0.1518564). Volume 3 of Feelin' Festive - A Celebration of 101 Carols and Songs of Celebration!Arranged by Anna DunwoodieFollowing on from where Volume 1 & 2 left off - we're up to O in the alphabet and heading to Zed (that’s Kiwi for Zee)!Thirty three songs from around the world for intermediate harp, with a few lever pre-sets and changes, a wide variety of keys, arranged to fit on a 34 string harp. Includes a range of harp effects.79 pages in total digital download Contents: O Tannenbaum, The Old Yeare Now Away Is Fled, Once In Royal David’s City, Orientus Partibus, Pat-a-Pan, Quittez Pastuers, Quando Nascette Ninno, Quelle Est Cette Odeur Agreable, Ring Out Wild Bells, Riu Riu Chiu, The Rocking Song, See Amid The Winter Snow, The Seven Joys Of Mary, Silent Night, The St Day Carol, Star in the East, Still, Still, Still, The Sussex Carol, This Is The Truth Sent From Above, To Drive The Cold Winter Away, Un Flambeau Jeannette, Isabelle! Unto Us A Son Is Born, Venez, Divin Messie, The Virgin Mary Had A Baby Boy, Watts’ Cradle Song, We Three Kings, We Wish You A Merry Christmas, The Wexford Carol, What Child Is This? While Shepherds Watch Their Flocks By Night, Zion’s Daughter.
$25.00
23.01 €
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Night, Zion’s Daughter
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Trad
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Anna Dunwoodie
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Feelin' Festive Vol 3 of 101 Carols and Songs of Celebration
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Anna Dunwoodie
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SheetMusicPlus
Three Scottish Songs for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919038 Composed by Traditi…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919038 Composed by Traditional Scottish Melodies. Arranged by L.C. Harnsberger. Celtic,Contemporary,Folk,Irish,Wedding. Score and parts. 23 pages. LCH Music #6426577. Published by LCH Music (A0.919038). This arrangement of Scottish traditional songs includes three iconic Scottish melodies: Bluebells of Scotland, Turn Again, Thou Fair Elisa, and Annie Laurie. The long soaring melodies and bagpipe-style drones of these songs work beautifully for horn quartet. These arrangements are ideal for weddings, preludes, funerals, and any recital.The origins of Scottish traditional music date back to at least the late Middle Ages, with songs passed down orally until many of the songs were published in collections in the 18th century. Scotland’s National Poet Robert Burns (1759-1796) famously collected Scottish folk songs and adapted many of the melodies to include his poetry. Today, elements of Scottish traditional music are found in epic film soundtracks such as Braveheart, Mary Queen of Scots, and Rob Roy, as well as classical symphonic works including Mendelssohn’s Scottish symphony. Bluebells of Scotland was most famously used by Arthur Pryor in his piece Blue Bells of Scotland for solo trombone and band. There are a few different versions of the melody Turn Again, Thou Fair Elisa, but the melody Robert Burns used (as published in the 1903 edition of The Songs of Robert Burns) is arguably the most beautiful. The timeless song Annie Laurie describes the ill-fated romance between Scottish soldier William Douglas and Annie Laurie, the young daughter of a British aristocrat. The music is often attributed to Lady John Scott (1810-1900).
$12.99
11.95 €
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Quatuor de cuivres: 4 cors
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Traditional Scottish Melodies
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L
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Three Scottish Songs for Horn Quartet
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LCH Music
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.22 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$17.50
16.11 €
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Piano, Voix et Guitare
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nat…
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String Orchestra - Level 4 - Digital Download SKU: A0.1286698 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698). INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$24.65
22.69 €
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Orchestre à Cordes
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.75 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
28.48 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
Cassiopeia
Piano seul
Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507272). Vain Queen Cassiopeia boasted that her beauty surpassed that of the Nereids (sea nymphs). Poseidon, angered, sent a sea monster to destroy her land. King Cepheus and Queen Cassiopeia chained their daughter Andromeda to a rock as a sacrifice to the sea monster to appease Poseidon. Luckily, Perseus heroically rescued Andromeda. Cassiopeia’s punishment for her vanity was to spend all of eternity on her throne in the sky, half the year hanging upside down. The 5-star W shape of her throne can be seen in the northern hemisphere sky. You can draw Ws or Ms as per bars 1, 2, 31 and 32 wherever her theme recurs, if you like. This piece is written in Locrian mode, creating a dissonant, dark and unstable mood. This Intermediate Piano Solo is from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 1/2 minutes. 2 pages. A nice recital set could include Cassiopeia, Andromeda, Cepheus, Perseus and Cetus. (General Instructional, 21st Century, Modern, Repertoire, Recital, Modal).
$3.99
3.67 €
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Piano seul
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Heather Cattanach
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Cassiopeia
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Heather Cattanach
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.11 €
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Orchestre
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Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
#
Orchestre de chambre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.67 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
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