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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Russian Polka
Non classifié
6
Piano & claviers
Piano seul
6
Piano Facile
5
Guitares
Voix
Vents
Clarinette
2
Saxophone (partie séparée)
2
Ensemble de Flûtes
1
Hautbois (partie séparée)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
3 Clarinettes (trio)
1
Saxophone Alto
1
Clarinette et Piano
1
Flûte traversière
1
Saxophone Tenor
1
Trio de Flûtes: 3 flûtes
1
Hautbois, Piano (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Alto et Piano
1
2 Flûtes traversières (duo)
1
Flûte traversière et Piano
1
Piccolo
1
3 Saxophones (trio)
1
Saxophone Soprano et Piano
1
+ 14 instrumentations
Retracter
Cuivres
Trombone
1
Cor
1
Trompette
1
Trombone et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
4 Violoncelles
1
Violon et Piano
1
Alto, Piano
1
Violon (partie séparée)
1
Alto seul
1
Violon
1
Violoncelle
1
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Orchestre à Cordes
11
Orchestre d'harmonie
2
Orchestre
1
Xylophone
1
Orchestre de chambre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Russian Polka
Partitions à imprimer
68 partitions trouvées
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1
26
51
Russian Polka - Flute Duet
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2 Flûtes traversières (duo)
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FACILE
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Mikhail Glinka
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Lynette Auberjeunois
#
Russian Polka - Flute Duet
#
Flute Files Publishing
#
SheetMusicPlus
Flute Duet Flute - Level 2 - SKU: A0.1279996 Composed by Mikhail Glinka. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. Score. 5 ...
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Flute Duet Flute - Level 2 - SKU: A0.1279996 Composed by Mikhail Glinka. Arranged by Lynette Auberjeunois. Chamber,Classical,Contest,Festival. Score. 5 pages. Flute Files Publishing #871415. Published by Flute Files Publishing (A0.1279996). Russian Polka flute duet sheet music. Composed by Mikhail Glinka. Arranged by Lynette Auberjeunois for late beginner/early intermediate level. Digital download includes a two page flute duet score in the key of G minor. Range: Flute 1: D2 - D3, Flute 2: G1 - F2. Published by Flute Files Publishing (CL62-1036).
$2.99
Russian Polka
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Piano seul
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Russian Polka
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Hal Leonard - Digital
#
SheetMusicPlus
Interactive Download SKU: HX.459588 Edited by Jennifer Linn. This edition: Interactive Download. Classical,Polka. Educational Piano. 1 pages. Published b...
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Interactive Download SKU: HX.459588 Edited by Jennifer Linn. This edition: Interactive Download. Classical,Polka. Educational Piano. 1 pages. Published by Hal Leonard - Digital (HX.459588).
$4.99
Polka Russe-Czerny-Clarinet Trio
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3 Clarinettes (trio)
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FACILE
#
Charles Czerny
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Phil Beaman
#
Polka Russe-Czerny-Clarinet Tr
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.844571 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 1...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.844571 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages. Phil Beaman #3904129. Published by Phil Beaman (A0.844571). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part(Temporary recording of piano reduction of parts)
$5.50
Polka Russe-Czerny-Violin Trio
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Charles Czerny
#
Phil Beaman
#
Polka Russe-Czerny-Violin Trio
#
Phil Beaman
#
SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.844569 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Score and part...
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String Ensemble,String Trio - Level 2 - SKU: A0.844569 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Score and parts. 17 pages. Phil Beaman #3904049. Published by Phil Beaman (A0.844569). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part(Temporary recording of piano reduction of parts)
$5.50
Polka Russe-Czerny-Flute Trio
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Trio de Flûtes: 3 flûtes
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FACILE
#
Charles Czerny
#
Phil Beaman
#
Polka Russe-Czerny-Flute Trio
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - SKU: A0.844567 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 p...
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Woodwind Ensemble,Woodwind Trio Flute - Level 2 - SKU: A0.844567 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages. Phil Beaman #3904041. Published by Phil Beaman (A0.844567). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part
$5.50
Polka Russe-Czerny-Saxophone Trio
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3 Saxophones (trio)
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FACILE
#
Charles Czerny
#
Phil Beaman
#
Polka Russe-Czerny-Saxophone T
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Phil Beaman
#
SheetMusicPlus
Saxophone Trio,Woodwind Ensemble - Level 2 - SKU: A0.844568 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages....
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Saxophone Trio,Woodwind Ensemble - Level 2 - SKU: A0.844568 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages. Phil Beaman #3904047. Published by Phil Beaman (A0.844568). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part
$5.50
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Italian Polka for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Flute &
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Diego Marani
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.669250 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,S...
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Flute,Piano - Level 3 - SKU: A0.669250 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278246. Published by Diego Marani (A0.669250). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for flute with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Trombone &am
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Diego Marani
#
SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.669268 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Perio...
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Piano,Trombone - Level 4 - SKU: A0.669268 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278273. Published by Diego Marani (A0.669268). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for trombone (or Euphonium) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Clarinet &am
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Diego Marani
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.669252 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romanti...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.669252 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278248. Published by Diego Marani (A0.669252). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for Bb Clarinet with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Viola &
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Diego Marani
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.669246 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,S...
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Piano,Viola - Level 3 - SKU: A0.669246 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278242. Published by Diego Marani (A0.669246). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for viola with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Flute Quarte
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.657032 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,In...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.657032 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. 18 pages. Diego Marani #266120. Published by Diego Marani (A0.657032). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This funny arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) is suitable for classroom, repertoire and recital.
$9.99
Italian Polka for Alto Saxophone & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Alto Saxopho
#
Diego Marani
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - SKU: A0.669259 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278257. Published by Diego Marani (A0.669259). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for alto sax with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Soprano Saxophone & Piano
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Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Soprano Saxo
#
Diego Marani
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Roman...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.669255 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278251. Published by Diego Marani (A0.669255). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for soprano sax (or Tenor Sax) with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Oboe & Piano
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Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Sergei Rachmaninoff
#
Diego Marani
#
Italian Polka for Oboe & P
#
Diego Marani
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.669251 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,St...
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Oboe,Piano - Level 3 - SKU: A0.669251 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #278247. Published by Diego Marani (A0.669251). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for oboe with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Violin &
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,...
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Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. 8 pages. Diego Marani #278239. Published by Diego Marani (A0.669243). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for violin with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99
Italian Polka for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for String Quart
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Diego Marani
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.657043 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Clas...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.657043 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #266132. Published by Diego Marani (A0.657043). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This funny arrangement for string quartet is suitable for classroom, repertoire and recital.
$9.99
Niko Polka, quick polka by Johann Strauss jr.
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Albert Schwarzmann
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Niko Polka, quick polka by Joh
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1021844 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 84 pages. Edit...
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Concert Band - Level 4 - SKU: A0.1021844 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 84 pages. Edition Schwalbe #6497229. Published by Edition Schwalbe (A0.1021844). Johann Strauss jr. wrote this quick polka in 1859 in Pavlovsk, Russia, located 30 kilometers south from St. Petersburg, the capital of the Russian Empire. It was dedicated to Prince Niko Dadiani of Mingrelia, a very appreciated guest at the Russian court. The first performance in Vienna was in November of that year. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg. A live recording of this piece is included on the CD Von der Donau zur Wolga UMR37, Barcode 9120007611861 available at https://naxosdirekt.de/items/von-der-donau-zur-wolga-557958
$88.00
Polka Russe-Czerny-Bb Clarinet Solo
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Clarinette
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Bb Clarinet
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Phil Beaman
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.844580 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pa...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.844580 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925305. Published by Phil Beaman (A0.844580). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99
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