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Vous avez sélectionné:
Séverin Cornet
Partitions à imprimer
6 partitions trouvées
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1
Christi Virgo Dilectissima (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1083137
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1083137 Composed by Séverin Cornet. Arranged by Murray Robertson. Baroque,Classical,Renaissance,Sacred. Score and parts. 17 pages. Murray Robertson #687353. Published by Murray Robertson (A0.1083137). This polychoral work from lesser-known composer Séverin Cornet was written in the 1500s. The brass sound perfectly fits into the style making the instruments powerful and regal. This music is perfect for any program, and may likely be the oldest piece of music in your collection!
$10.00
9.18 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Séverin Cornet
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Murray Robertson
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Christi Virgo Dilectissima
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Murray Robertson
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SheetMusicPlus
The Clarke Variations
Trompette
Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by…
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Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.55 €
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Trompette
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Eric Bolvin
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Eric Bolvin
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The Clarke Variations
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ERIC V BOLVIN
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SheetMusicPlus
Magical Mystery Tour
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1328676 By The Beatles. By John Lennon and Paul McCartney. Arranged by Phil Lawrence. 20th Century,Pop. Brass Band. 55 pages. Phillip Lawrence #916690. Published by Phillip Lawrence (A0.1328676). Arranged for Brass Band (UK set-up) and percussion. Orff on a Magical Mystery Tour.A speedy version - “Orff†(get it?) from the start. The BBC is now covering a lot of the old Beatles radio broadcasts and shows on “Sounds.†Let’s revive it for the band.
$38.00
34.87 €
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The Beatles
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Phil Lawrence
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Magical Mystery Tour
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Phillip Lawrence
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SheetMusicPlus
Money
Small Ensemble Drum Set,Vibraphone - Level 4 - Digital Download SKU: A0.867508 By P…
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Small Ensemble Drum Set,Vibraphone - Level 4 - Digital Download SKU: A0.867508 By Pink Floyd. By Roger Waters. Arranged by K Davies. Rock. Score and parts. 45 pages. Bandmusic.co.uk #3382205. Published by Bandmusic.co.uk (A0.867508). This unusual arrangement of a Pink Floyd number for brass band is also characterised by its 7 beat bars with swing which in this arrangement is written in 21/8 so that the swing and the triplet are clear. The percussion requires 2 players covering a drum kit with vibra and bell tree plus a glockenspiel and chimes. The solo bridges are on cornet and trombone (cued on solo horn as it's high). Something different to enrich your library.
$45.00
41.3 €
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Pink Floyd
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K Davies
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Money
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Bandmusic.co.uk
#
SheetMusicPlus
BACH: Fifteen Sinfonias BWV 787-801 for Brass Trio
Level 4 - Digital Download SKU: A0.552703 Composed by Johann Sebastian Bach. Arrang…
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Level 4 - Digital Download SKU: A0.552703 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 112 pages. Jmsgu3 #6533319. Published by jmsgu3 (A0.552703). Fifteen Symphonien (3-part inventions) for Brass Trio: 2 Cornets or Trumpets & Bass Trombone The 15 Sinfonias, also known as the Three-Part Inventions, are a collection of short compositions by Johann Sebastian Bach. They were initially written as musical exercises for his students, intended to help keyboard players develop their technique and strength in playing with both hands equally. The Sinfonias are significant as they represent a form of three-part counterpoint, providing explicit instruction for students to learn to deal correctly and well with three obbligato parts and achieve a cantabile playing style. The collection consists of 15 sinfonias, each arranged in ascending order of key, covering eight major and seven minor keys. Bach's 15 Sinfonias are valuable for their educational purpose and contribution to the keyboard technique's development. The main difference between Bach's Inventions and Sinfonias is their musical structure. The Inventions are two-part contrapuntal pieces, while the Sinfonias are three-part contrapuntal pieces.
$36.95
33.91 €
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Johann Sebastian Bach
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James M
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BACH: Fifteen Sinfonias BWV 787-801 for Brass Trio
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jmsgu3
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SheetMusicPlus
The Clarke Variations-bass clef edition
Bass Clef Instruments
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric…
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Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.55 €
#
Bass Clef Instruments
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Eric Bolvin
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The Clarke Variations-bass clef edition
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Faded Duck Music
#
SheetMusicPlus
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