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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
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CLASSIQUE - BAROQUE …
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COUNTRY
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ENFANTS : EVEIL - IN…
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NOËL
OLD TIME - EARLY ROC…
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PIANO & CLAVIERS
Piano seul
5
Orgue
2
Piano, Voix
1
GUITARES
Guitare
1
VOIX
Chorale 3 parties
1
VENTS
2 Flûtes traversières (duo)
1
2 Flûte à bec (duo)
1
Flûte traversière et Piano
1
CUIVRES
Trompette
1
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Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle
1
Violon
1
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Ensemble de Percussions
2
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Vous avez sélectionné:
SEQUENCE N.3
Partitions à imprimer
20 partitions trouvées
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1
Elegia n.3 per strumenti a tastiera
Orgue
Organ - Digital Download SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Chr…
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Organ - Digital Download SKU: A0.978420 Composed by Leonardo Antonio Di Chiara. Christian,Christmas,Contemporary,Easter. Score. 5 pages. LEONARDO ANTONIO DI CHIARA #6413731. Published by LEONARDO ANTONIO DI CHIARA (A0.978420). The melody cell of the first part of Elegy n.3 is mainly made up of a fifth and fourth descending leap supported by voices that proceed in descending chromatisms, amplifying the tension. The second part is formed by a chordal section with overlapping fifths and fourths that leads to a melody line with the same rhythmic sequence but supported by a vigorous chromatism. The third part uses the initial theme again only that it is treated in the opposite direction. I deliberately avoided indicating the choice of stops to use if the piece is played on the organ, thus leaving the performer free to choose. Despite this, it seemed appropriate to indicate the dynamics signs only as a point of reference, but obviously the performer is free to file the sound dynamics of the piece at will. Obviously, playing on the piano also requires the use of the resonance pedal that the performer will use at will.
$2.00
1.83 €
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Orgue
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Leonardo Antonio Di Chiara
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Elegia n.3 per strumenti a tastiera
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LEONARDO ANTONIO DI CHIARA
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SheetMusicPlus
Sequence #2
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.632240 Composed by Fishel Pustilnik…
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Piano Solo - Level 2 - Digital Download SKU: A0.632240 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Instructional,Jazz,Pop. Score. 3 pages. F & N Enterprise #2549139. Published by F & N Enterprise (A0.632240). Piano piece from famous Volume 3 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.82 €
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Piano seul
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Fishel Pustilnik
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Fishel Pustilnik
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Pop Piano Paradise
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Sequence #2
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F & N Enterprise
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SheetMusicPlus
"Sequence Life" for Piano-Video
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.633380 Composed by Fishel Pustilnik…
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Piano Solo - Level 3 - Digital Download SKU: A0.633380 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 3 pages. F & N Enterprise #3388285. Published by F & N Enterprise (A0.633380). Piano piece from famous Volume 5 of Jazz & Pop Piano Paradise. https://www.youtube.com/watch?v=x2pfwFWjeQUThe composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
1.82 €
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Piano seul
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Fishel Pustilnik
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Fishel Pustilnik
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Pop Piano Paradise
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"Sequence Life" for Piano-Video
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F & N Enterprise
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SheetMusicPlus
Sequence Life
Orgue
Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.63…
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.632017 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Children,Film/TV,Jazz,Pop. Score and parts. 3 pages. F & N Enterprise #21383. Published by F & N Enterprise (A0.632017). Piano piece from famous Volume 5 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.82 €
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Orgue
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Fishel Pustilnik
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Fishel Pustilnik
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Pop Piano Paradise
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Sequence Life
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F & N Enterprise
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SheetMusicPlus
SEQUENCE N.3
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1019393 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1019393 Composed by Giorgio Occhipinti. Contemporary,Film/TV. Score and parts. 22 pages. Giorgio Occhipinti #3245075. Published by Giorgio Occhipinti (A0.1019393). FOR STRING QUARTET.
$40.00
36.65 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Giorgio Occhipinti
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SEQUENCE N.3
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Giorgio Occhipinti
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SheetMusicPlus
Rock'n'Roll Party!
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.586624 Composed by Jon Raybould. J…
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Flute,Piano - Level 3 - Digital Download SKU: A0.586624 Composed by Jon Raybould. Jazz. Score and part. 12 pages. Jon Raybould Music #195916. Published by Jon Raybould Music (A0.586624). It's 1950's swingtime! This is my brand new composition for flute and piano - or backing track. It also works as an unaccompanied flute solo. I've based it unashamedly on the 12-bar blues chord sequence. Free backing tracks (piano, bass and drums, plus piano only,) can be downloaded from here: https://drive.google.com/drive/folders/16zK54p_mJ_Ylw7LUDL20RoyBcJImAoO3?usp=sharing It's for intermediate flute players. Have fun folks!! There's a chance to improvise along to the chords from section A to B, or alternatively play the music as written.
$6.00
5.5 €
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Flûte traversière et Piano
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Jon Raybould
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Rock'n'Roll Party!
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Jon Raybould Music
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SheetMusicPlus
CELLOS N°1
Violoncelle
Cello Solo - Level 5 - Digital Download SKU: A0.1019379 Composed by Giorgio Occhipi…
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Cello Solo - Level 5 - Digital Download SKU: A0.1019379 Composed by Giorgio Occhipinti. Contemporary,Film/TV. Individual part. 3 pages. Giorgio Occhipinti #3241889. Published by Giorgio Occhipinti (A0.1019379). SEQUENCE FOR TWO CELLOS.
$40.00
36.65 €
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Violoncelle
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Giorgio Occhipinti
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CELLOS N°1
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Giorgio Occhipinti
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SheetMusicPlus
Sequence
Piano seul
Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Jazz, TV, Repertoire, Pop, Chi…
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Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Jazz, TV, Repertoire, Pop, Children's Music. Lead Sheet, Score, Sheet Music Single. 3 pages. Published by F & N Enterprise (S0.108267). - Lead Sheet,Score,Sheet Music Single - Jazz,TV,Repertoire,Pop,Children's Music - F & N Enterprise
$1.99
1.82 €
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Piano seul
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Fishel Pustilnik
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Fishel Pustilnik
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Sequence
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F & N Enterprise
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SheetMusicPlus
Three Blind Mice (aka A Civilized Discussion on the Size of the Prey) SAT arrangement by S Dalrymple
Chorale 3 parties
Choral Choir (SAB) - Digital Download SKU: A0.818255 By Stephen R Dalrymple. By Ste…
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Choral Choir (SAB) - Digital Download SKU: A0.818255 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Contemporary. Octavo. 26 pages. Stephen R Dalrymple #3563107. Published by Stephen R Dalrymple (A0.818255). Three Blind Mice (aka A Civilized Discussion About the Size of the Prey) arranged for SAT choir by Stephen R Dalrymple music © 2018 Stephen R Dalrymple recording â„— 2018 Stephen R Dalrymple presentation © 2021 Stephen R Dalrymple sequenced by the arranger ♫ Three Blind Mice was first published in 1609 as a round in A minor in Deuteromelia edited by Thomas Ravenscroft. Three Blinde Mice, Three Blinde Mice, Dame Iulian, Dame Iulian, the Miller and his merry olde Wife, shee scrapte her tripe licke thou the knife. ♫ The rhyme entered Children’s literature in 1842 as published by James Orchard Halliwell. ♫ It has been quoted in compositions by Robert Schumann (Kreisleriana #7), Joseph Holbrooke (Symphonic Variations), Franz Joseph Haydn (Symphony 83 – movement 4), Eric Coates (The Three Men), Leroy Anderson (Fiddle Faddle), AntonÃn Dvořák (Symphony No. 9 – movement IV Allegro con fuoco,) Havergal Brian (Fantastic Variations on an Old Rhyme), and possibly Sergei Rachmaninoff (Piano Concerto No. 4 – movement 2). ♫ This humorous version was written for a school choir, based on imaginary banter between between the farmer’s wife and her husband. ♫ This .pdf includes 3 files 1) the full score 2) vocal parts 3) full score - smaller size suitable for 10 inch tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$2.00
1.83 €
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Chorale 3 parties
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Stephen R Dalrymple
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Stephen R Dalrymple
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Three Blind Mice
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Stephen R Dalrymple
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SheetMusicPlus
16 Traditional Tunes - 64 easy soprano recorder duets (VOL.3)
2 Flûte à bec (duo)
World, Recital. Score. 66 pages. Published by Glissato Music Publishing
World, Recital. Score. 66 pages. Published by Glissato Music Publishing
Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature.<br> This 64 Soprano recorder duets, of 16 easy melodies (Vol.3), offers simple ideas for ensemble music, the transpositions in 4 keys (the most comfortable) are useful for exploring the instrument in its different ranges. Have fun creating a personal medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! Volume 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide (Waly, Waly),Yankee Doodle.Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature.<br> This 64 Soprano recorder duets, of 16 easy melodies (Vol.3), offers simple ideas for ensemble music, the transpositions in 4 keys (the most comfortable) are useful for exploring the instrument in its different ranges. Have fun creating a personal medley for your recital, in the sequence, key and speed you prefer, the combinations are countless! Volume 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide (Waly, Waly),Yankee Doodle.
$11.99
10.98 €
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2 Flûte à bec (duo)
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16 Traditional Tunes - 64 easy soprano recorder duets
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Glissato Music Publishing
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SheetMusicPlus
16 Traditional Tunes - 64 easy flute duets (VOL.3)
2 Flûtes traversières (duo)
Composed by traditionals, Ivan Larionov, Stephen Foster. Arranged by Francesco Leone. …
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Composed by traditionals, Ivan Larionov, Stephen Foster. Arranged by Francesco Leone. World, Folk, Graduation, Recital. Score. 66 pages. Published by Glissato Music Publishing
Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This flute duets collection of 16 easy melodies (vol.3) offers simple ideas for ensemble music, the transpositions in 4 tones (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless!<br> VOLUME 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide,Yankee Doodle.Traditional / popular music is full of beautiful, simple songs that are familiar to listen to. They offer us a "postcard" of the part of the world they come from, they make us imagine landscapes, characters, happy or sad situations, they speak to us of love and nature. This flute duets collection of 16 easy melodies (vol.3) offers simple ideas for ensemble music, the transpositions in 4 tones (up to 2 alterations) are useful for exploring the instrument in its different ranges. Have fun creating a medley for your recital, in the sequence, key and speed you prefer, the combinations are countless!<br> VOLUME 3 contents: The Bamboo Flute,Big Rock Candy Mountain,<br> Down By The Sally Gardens, El Noi de la Mare,Foggy Dew,The Galway Piper,Homeward from the Mountains,Kalinka,Mary Don't You Weep,Oh! Susanna,The Rising of the Moon,Scarborough Fair, The Skye Boat Song,Suo Gân,The Water is wide,Yankee Doodle.
$11.99
10.98 €
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2 Flûtes traversières (duo)
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traditionals, Ivan Larionov, Stephen Foster
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Francesco Leone
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16 Traditional Tunes - 64 easy flute duets
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Glissato Music Publishing
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SheetMusicPlus
Traditional Welsh Lullaby: Suo Gân, - voice and piano by Jean-Thierry Boisseau
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.534691 Arranged by Musik Fab…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.534691 Arranged by Musik Fabrik Music Publishing. 20th Century,Contemporary,Folk,Standards,World. Score. 7 pages. Musik Fabrik Music Publishing #6234431. Published by Musik Fabrik Music Publishing (A0.534691). This is an arrangement of the famous Welsh lullaby.This work forvoice and piano is not at all a set of variations on a theme, because the singer sings the same unembelished melody for the four stanzas of the song. The four first measure of the this theme are played once as anintroduction. The piano, however, is asked to create a different atmosphere eachtime the theme returns, replacing the meaning of the words. It is therefore the jobof the singer to find a different way of presenting the same theme, sequence bysequence, which is not entirely the easiest thing to do!t thing to do!
$8.95
8.2 €
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Piano, Voix
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Musik Fabrik Music Publishing
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Traditional Welsh Lullaby: Suo Gân, - voice and piano by Jean-Thierry Boisseau
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Musik Fabrik Music Publishing
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SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
274.85 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
137.43 €
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Ensemble de Percussions
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphon…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1380035 By The National Symphony of Ukraine, A. Leytush. By Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov. Arranged by Arkady Leytush. 19th Century. Score and parts. 46 pages. Arkady Leytush #964744. Published by Arkady Leytush (A0.1380035). â??Joke Quadrilleâ? is a collective composition by various composers: N.V. Artsibushev, I.I. Wihtol, A.K. Liadov, N.A. Sokolov, A.K. Glazunov, N.A. Rimsky-Korsakov (the names appears in the sequence corresponding to the order of the six figures of the Quadrille). The quadrille was published by M. Beliaev in 1891. The complete manuscript is kept at the M. I. Saltykov-Schedrin State Public Library (M.P. Beliaev archive, No.c/2a-e). Several of the manuscripts are dated. On A.K. Lyadovâ??s manuscript is â??March 9, 1890â?,on N.A. Rimsky-Korsakovâ??s Manuscript is: â??March 9, 1890. St. Petersburg.â?
$40.00
36.65 €
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Orchestre
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The National Symphony of Ukraine, A
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Arkady Leytush
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â?on N
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Artsibushev, Wihtol, Liadov, Sokolov, Glazunov, Rimsky-Korsakov - JOKE QUADRILLE - Score Only
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Arkady Leytush
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SheetMusicPlus
Alva
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1263839 Composed by Rudesindo Sout…
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Violin Solo - Level 2 - Digital Download SKU: A0.1263839 Composed by Rudesindo Soutelo. Arranged by Solo Violin. 21st Century,Children,Classical,Contemporary. 15 pages. Publisher by Rudesindo Soutelo #856751. Published by Publisher by Rudesindo Soutelo (A0.1263839). A Alva Vidal CapómAlva (2006, revised in 2023) for Solo Violin [ca. 15'] 1. Alvorecer / Dawn 2. Leitura / Reading 3. Vagar / Slowly 4. Apoteose / ApotheosisPremière: 29-IV-2011. CCF Auditorium, Bandung (Indonesia). Int.: Eya Grimonia.Even the simplest things need a solid internal structure that supports their discourse and transcends it. This work was a birthday present to an 11-year-old girl who was born on the 11th of the month 11, and is built on her onomastic numbers [4, 5, 5] which generate the harmonic and melodic basis together with those of the composer [9, 7], those of her mother [6, 5, 7] and those of her brother [5, 5, 5]. Thus, the first movement, “Dawnâ€, is structured in 11 sections (it is a gift from the age of 11) of 4+5+5 bars. “Reading†has 9 sections of 4 bars and the melodic-harmonic sequence is formed by the complex [4, 5, 6, 7, 9], so we all find ourselves involved in the reading plot. The third movement, “Slowlyâ€, in 5/4, a reference to the names of the girl and her brother, has 3 sections of 5+5+5 bars; the brother’s turning round endlessly while the girl thinks about the turns that the world takes. The final “Apotheosisâ€, in the rhythm of 9+7 eighths, has two parts: in the first one there are 3 sections of 6+5+7 (the mother) opening the way to the 3 sections of the second part which represent the effervescence in the dawn of life (4+5+5).The most beautiful expression of mathematics, the language of the most intimate emotions, the essence of our own existence is in the music.--oOo--Até mesmo as coisas mais simples precisam duma sólida estrutura interna que sustente o seu discurso e o transcenda.Esta obra foi prenda de anos a uma menina de 11 anos que nasceu no dia 11 do mês 11, e está construÃda sobre os seus números onomásticos [4, 5, 5] que geram a base harmónica e melódica em conjunto com os do compositor [9, 7], os da sua mãe [6, 5, 7] e os do seu irmão [5, 5, 5]. Assim, o primeiro andamento, “Alvorejarâ€, está estruturado em 11 secções (é prenda dos 11 anos) de 4+5+5 compassos. “Leitura†tem 9 secções de 4 compassos e a sequência melódico-harmónica está conformada pelo complexo [4, 5, 6, 7, 9], assim, todos nos vemos envolvidos na trama leitora. O terceiro andamento, “Vagarâ€, em 5/4, referência aos nomes da menina e do seu irmão, tem 3 secções de 5+5+5 compassos; os do irmão a dar voltas sem fim enquanto a menina pensa nas voltas que dá o mundo. A “Apoteose†final, no ritmo de 9+7 oitavos, tem duas partes: na primeira há 3 secções de 6+5+7 (a mãe) abrindo o caminho à s 3 secções da segunda parte que representam a efervescência na alva da vida (4+5+5).A expressão mais formosa da matemática, a linguagem das emoções mais Ãntimas, a essência da nossa própria existência está na música.ISWC: T-045.522.028-6ISMN: 979-0-707704-14-1.
$5.00
4.58 €
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Violon
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Rudesindo Soutelo
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Solo Violin
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Alva
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic.…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
$1.99
1.82 €
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Trompette
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Zoran Radanovic
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SheetMusicPlus
Jacques Leguerney: Impromptu for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerne…
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Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #2343097. Published by Musik Fabrik Music Publishing (A0.533319). This charming piano solo was first performed by its dedicatee, Jacques Leguerney’s good friend and muse Thérèse Cahen (1897-1944), in the Salle Debussy-Pleyel. They met around 1925. Cahen was the first person outside of his family to encourage his musical aspirations. For years, they met every Saturday to read through and discuss his music. She not only helped him with piano and harmony, but also performed his early chamber works, recruiting from her entourage to help him find high level interpreters for his music. Other early Leguerney works that she premiered included the Trio pour violon, violoncello et piano; the Sonatine pour flûte et piano; and two vocal chamber works presented by the Société Musicale Indépendente (S. M. I.), Epitaphe guerrière and Clair de lune for voice, flute and piano. Their friendship lasted until Cahen was deported from Paris on July 31, 1944, only a few weeks prior to the Liberation of Paris. Working with the Center of the Union Générale des Israélites de France in Saint-Mandé (a Parisian suburb), Thérèse Cahen had dedicated herself to the care of children of deported French parents. She left Paris with these children in the Convoy 77, and was taken to the gas chamber of Auschwitz. She left a letter for him, along with her grand piano, which remained in his apartment until his death.My dear Jacques,It is impossible to write on this little page how much I have appreciated your kindness toward me for years and years, and how much happiness this has given me: there have been thousands of Saturdays, and I thought of them every day of the week. Probably you didn’t realize the influence you have had on me: it seems that my whole personality, my way of thinking and feeling has been transformed by you; it is a very deep imprint. If I am taken and in consequence you read this letter, tell yourself that I will continue to count the Saturdays in order to have an idea of the number of songs composed during my absence and that I will be delighted to hear them when I return. If I don’t return, I definitely want you to keep my piano but I don’t think it will happen and I say that I will see you soon.Very tenderly,ThérèsePS Speaking of tenderness, I think with emotion about the little passage concerning tenderness in your latest song.[La Fontaine d’Hélène]
$10.35
9.48 €
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Piano seul
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Jacques Leguerney
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Jacques Leguerney: Impromptu for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fandango de Huelva
Guitare
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.57 €
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Guitare
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Traditional
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Richard Hirsch
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
PIANO PUR
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century,…
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Piano Solo - Intermediate - Digital Download Composed by Rainer Fabich. 21st Century, Romantic Period, Contemporary Classical, Impressionistic, Post-Romantic. Individual Part, Score. 80 pages. Published by Fajora Music
Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16Orginal scores from the Rainer Fabich`s CD PIANO PUR played by Michaela Puehn.<br> Piano solo, 80 pages.<br> <br> About the music:<br> In Piano Scenes musical associations are reflected, strung together in a loose sequence of imaginary pictures, such as Water Visions, Waves, Fallen Angel. Images of abstract, musical style (Gradus Ad Parnassum and Homage To Satie) refer in an idealistic way to musical precursors of piano literature.<br> In the very emotional Four Nocturnes there are both exuberant and flirtatious moments, such as the night walk of a lady (Promenade D `une Dame) and Valse Pour ... Thoughtful and sometimes brooding moods sound in Songes De La Nuit (Night Thoughts ) and Une Illusion.<br> The sonic world of Latin America appears in the Imprésiones Latinas. Short snapshots characterize the typical, playful pride and charm of female sex in Cuba (Habañera) or they evoke the untamed vitality of Brazil (Impresión Brasiliana).<br> In addition to the new compositions for piano, the music edition also includes a commissioned composition for Bavarian Television, Piano Reflections and excerpts from a film score for the short film Queen of the Night (directed by Hans Lang, HFF 1996, actors and others by Juliane Köhler). In the dance of puppets, Mozart's famous aria sounds like something from the distant world, slightly alienated.<br> All pieces of the CD Rainer Fabich - Piano Pur, were recorded on a Steinway grand piano (D) in 2005 by the Munich concert pianist Prof. Michaela Puehn in the Great Concert Hall of the Academy of Music and Theater, Munich. Recording, editing and mastering: Prof. Ulrich Kraus. The notes for the film music of the CD, Memoirs of a Frustrated Hedonist (ISBN: 9783737578295) have been published in an extra volume.<br> The first live premiere and American premiere of the two pieces Bulgarian Dance / Bulgarian Dance and Homage to Satie took place in 2018 (The National Opera Center, New York) by Tania Stavreva (piano).<br> Szenen für Klavier / Scenes for piano<br> <br> 01 Opener 1:18 
02 Visionen im Wasser – Water visions 2:33<br> 03 Wellen – Waves 2:43<br> 04 Fallen Angel 2:36 <br> 05 Gradus ad parnassum 2:09 <br> 06 Wiegenlied – Lullaby 2:41<br> 07 Bulgarischer Tanz – Bulgarian dance 2:02 <br> 08 Hommage an Satie – Hommage to Satie 2:31 <br> 09 Just an affair 4:33<br> <br> Vier Nocturnes / Four Nocturnes<br> <br> 10 Songes de la nuit – Night muses 2:18<br> 11 Valse pour … – Waltz for … 2:37<br> 12 Une illusion- An illusion 2:25<br> 13 Promenade d’une dame – Promenade of a lady 3:38<br> <br> Impresiónes latinas<br> <br> 14 Habanera 2:04<br> 15 Canción triste – Melancholic song 1:28<br> 16 Impresión brasiliana - Brasilian impression 2:23<br> <br> Filmmusik “König der Nacht” / Filmmusic “Queen of the night”<br> <br> 17 Tanz der Marionetten – Dance of the marionettes (Piano) 2:06<br> 18 Tanz der Marionetten – Dance of the marionettes (Celesta) 2:00<br> <br> Piano Pur<br> <br> 19 Piano reflections 3:16
$29.95
27.44 €
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Piano seul
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Rainer Fabich
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PIANO PUR
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Fajora Music
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SheetMusicPlus
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