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SINGING IN THE CHOIR
Partitions à imprimer
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Christmas Wish (Vocal Solo)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Carol Troutman Wiggins [ASCAP]
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Sing...
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Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
Dance to Your Daddy (When the Boat Comes In) SSAA
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Chorale SSAA
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Folklorique/Traditionel
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Traditional
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Debbie Warren
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Dance to Your Daddy
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #...
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Choral Choir (SSAA) - SKU: A0.843718 Composed by Traditional. Arranged by Debbie Warren. Folk,Traditional. Octavo. 7 pages. Keep Calm and Keep Singing #450402. Published by Keep Calm and Keep Singing (A0.843718). A fishing song from the North East of England, this became popular as the theme tune to 1970’s TV show When the Boat Comes In. However, there is also another melody (in the minor key) also believed to originate from the North East but which was collected by Cecil Sharp in Berkshire. I have combined both melodies giving one to the sops and the other to the altos. Each section then forms an ostinato accompaniment while the other is singing the tune. These “Dance†“Sing†notes although written as dotted minims are to be performed short and light – like bells. The song also works best with a slight northern accent – particularly the short northern ‘a’ vowel on the word Dance and in the phrase “When the boat comes inâ€. NB Although this is written for 4 parts the second alto is optional and the arrangement works just as well without it for SSA choirs. FREE resources are available (backing track, teach tracks) just email keepcalmkeepsinging@gmail.com with proof of purchase Easy Level Duration: 3'30.
$1.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Together As One
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1514589 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publ...
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Choral Choir,Choral,SSA Chorus - Level 4 - SKU: A0.1514589 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #1089079. Published by MTC Publishing (A0.1514589). Together As One - Choral Composition for SSA choir and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. It explores how singing gives us both sides of the emotional coin: from nervousness and even trepidation on one side, to great joy on the other. We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. This original composition for SSA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, SSAA and Unison in F Major, and 2-Part in Eb Major.
$3.99
Together As One
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 4 - SKU: A0.1323492 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publis...
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Choral Choir,Choral (2-Part) - Level 4 - SKU: A0.1323492 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #911718. Published by MTC Publishing (A0.1323492). Together As One - Choral Composition for 2-Part choir and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. Â It explores how singing gives us both sides of the emotional coin: Â from nervousness and even trepidation on one side, to great joy on the other. Â Â We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. Â But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. Â And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. Â This original composition for 2-Part choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. Â A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SSAA, SATB and Unison.
$3.99
Together As One
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1269757 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862265. Published by MTC Publishing (A0.1269757). Together As One - Choral Composition for SSAA and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience.  It explores how singing gives us both sides of the emotional coin:  from nervousness and even trepidation on one side, to great joy on the other.   We all feel nervous before a performance, and even more so when we are actually standing in front of the audience.  But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing.  And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.  This original composition for SSAA choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SATB, 2-Part and Unison.
$3.99
Together As One
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishi...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1269762 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop,Standards. 20 pages. MTC Publishing #862270. Published by MTC Publishing (A0.1269762). Together As One - Choral Composition for SATB and Piano by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. Â It explores how singing gives us both sides of the emotional coin: Â from nervousness and even trepidation on one side, to great joy on the other. Â Â We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. Â But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. Â And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'. Â This original composition for SATB choir and piano accompaniment is an inspirational song that captures the mood and enjoyment of singing, and how singing effects us both individually and as a group. Â A song that your choir will love to sing with beautiful harmonies and a soaring descant part, and perfect to perform at any time of the year.Also available for SSAA, 2-Part and Unison.
$3.99
Together As One
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Michael Thomas Coull
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Together As One
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MTC Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1269767 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop. Score. 12 pages. MTC Publishing #8...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1269767 Composed by Michael Thomas Coull. 21st Century,Contemporary,Pop. Score. 12 pages. MTC Publishing #862275. Published by MTC Publishing (A0.1269767). Together As One - Song Composition for Voice, Piano and Guitar by Michael Thomas CoullTogether As One is a song about singing in a choir and performing to an audience. Â It explores how singing gives us both sides of the emotional coin: Â from nervousness and even trepidation on one side, to great joy on the other. Â Â We all feel nervous before a performance, and even more so when we are actually standing in front of the audience. Â But then we are announced, the choir director raises their arms, the accompanist starts the introduction and we are all brought in and start singing. Â And at that moment we realize something, that when we all sing a great joy overtakes us, lifting us up to another world where our voices meld 'Together As One'.
$10.99
Time for Singing
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Natalie Sleeth
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Time for Singing
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Sacred Music Press
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SheetMusicPlus
2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any Combination of Voices in Two Parts. Composed by Natalie Sleeth. Ch...
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2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any Combination of Voices in Two Parts. Composed by Natalie Sleeth. Choral collection. Sacred, Choral. Sacred Music Press #45/1001. Published by Sacred Music Press (LO.45-1001). UPC: 000308018059.Choirs large and small have discovered the joy of performing Natalie Sleeth's music, as it always produces stunning results with any combination of voices. Each section of the choir receives the opportunity to sing her delightful melodies and counter themes while they are skillfully woven into full and rich choral textures.
Song List
: Time For Singing Has Come The Jesus Brought Us Love All Good Gifts Let All The People Praise Thee Promised Land Hallelujah Glory Hallelujah Sing A New Song To The Lord
$12.95
Bach: Wachet auf for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Flute Cho
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.549859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$39.95
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
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Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
Your Favourite Easter Hymns for Clarinet Choir
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Ensemble de Clarinettes
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FACILE
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Musique Sacrée
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Various
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Your Favourite Easter Hymns fo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Col...
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Woodwind Choir or Ensemble, Clarinet choir, clarinet quartet or ensemble - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 101 pages. Published by Colin Kirkpatrick Publications
YourFavourite Easter Hymns for Clarinet Choir
Arranged by ColinKirkpatrick
Contents:Amazing Grace (trad); And Can it Be? (Sagina); At the Lamb?s High Feast We Sing(Salzburg); Christ the Lord is Risen Again! (Wrtemburg); Crown Him with ManyCrowns (Diademata); Jesus Christ is Risen Today (Easter Hymn); Jesus Lives!(St. Albinus); Love?s Redeeming Work is Done (Savannah); Low in the Grave HeLay (Lowry); There is a Green Hill Far Away (Horsley); Near the Cross (Doane); OSacred Head Now Wounded (Passion Chorale); The Day of Resurrection (Ellacombe);The Strife is O'er, the Battle Won (Victory); Rock of Ages (Toplady); Thine bethe Glory (Maccabus); This Joyful Eastertide (Easter-tide); To God be theGlory! (Doane); When I Survey the Wondrous Cross (Hamburg); When I Survey theWondrous Cross (Rockingham); Were You There When They Crucified my Lord? (trad);Ye Choirs of New Jerusalem (St. Fulbert).
Thisis an essential collection of twenty-two favourite Easter hymns arranged forclarinet choir or for virtually any combination or number of clarinets. The publicationconsists of full scores for each hymn plus parts for 1st clarinet inB flat, 2nd clarinet in B flat, 3rd clarinet in B flatand bass clarinet in B flat. The 1st clarinet and 3rdclarinets have duplicate parts for E flat clarinet and E flat alto clarinetrespectively. You could of course include alto and tenor saxophones if necessary. There?s a piano part too, so you can also use the arrangements assolos, duets or trios. All the parts are contained in a single 100-page PDFfile. They are intended either as stand-alone pieces that could be used asinterludes in an Easter service, or they could be used to accompany solo,choral or congregational singing. The music has been set in clarinet-friendlykeys and they are compatible with the brass collection of the same name. Thepiano part has been written for with the early intermediate pianist in mind,though some hymns are actually quite easy.
$25.99
It's Christmastime (or Hear the Bells Ring)
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Chorale SATB
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INTERMÉDIAIRE
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and large, Christmas music is
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Shaun Parry
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It's Christmastime
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MusicforMillions
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #...
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Choral Choir (Mixed) - Level 3 - SKU: A0.935511 Composed by Shaun Parry. A Cappella,Christian,Christmas,Traditional. Octavo. 7 pages. MusicforMillions #4994317. Published by MusicforMillions (A0.935511). Written in the style of classic Christmas carols with fun, memorable melody and lyrics, this new Christmas song will quickly become a part of everyone's caroling canon. By and large, Christmas music is either sacred or secular, about Jesus, Mary, the shepherds and angels or about presents and parties and Santa Claus. We live them both simultaneously. This carol represents that, with the first verse being a patter of excitement and the second more lyrical, focusing on the Advent of the Savior. Then, just as in life, they are sung together, complimenting each other. We end in unison with a glorious and memorable refrain Nativity mangers make friends out of strangers with peace on earth, good will to all men. * Bells/Chimes sound beautiful but it can also be performed with just piano and the voices singing the bell parts.* Perfect of school or church Christmas concerts or caroling. Also great for families around the fireplace or out Christmas caroling. * Written to be sung by two groups, however, there is a cut version (explained in print) that does not require splitting in two groups. It can be sung straight through without overlapping the verses. * Some harmony parts are indicated in the vocal line. Of course you can sing just the melody in unison all the way through, but there are ample opportunities to break out into fun 2,3 and (in some places) 4-part harmonies. Up to you. You can find me at @the_shaunparry or www.shaunparry.com
$3.99
Lights of the Western Sky [SSA, Percussion, and Bluegrass Ensemble]
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Lights of the Western Sky [SSA
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.891215 Composed by Traditional. Arranged by Laurie Betts Hughes. Children,Contemporary,Country,Folk. Octavo. 34 p...
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Choral Choir (SSA) - Level 3 - SKU: A0.891215 Composed by Traditional. Arranged by Laurie Betts Hughes. Children,Contemporary,Country,Folk. Octavo. 34 pages. Dandelion Music Press #3256941. Published by Dandelion Music Press (A0.891215). Lights of the Western Sky is a compilation of 3 celestial American folk songs collected by Ruth Crawford Seeger, commissioned by Casper Children's Chorale to celebrate the 2017 total solar eclipse visible in Casper, Wyoming in honor of Mick McMurray. The pieces are connected not only by the folk style and the star subject, but also by tracing the course of a day, and by focusing on the connection of the outer world to the inner soul.I. Bright Morning Stars-- An additive processional on the ultimate theme of children singing. Though the traditional verses state that the fathers are down in the valley a-prayin''' and the mothers have gone to heaven a-shoutin' (or vice versa), the lyrics have been freely adapted in the folk tradition of floating verses (adapting lyrics to personal experience) to describe the children's experience. The opening percussion motif is intended to evoke Aaron Copland's Fanfare for the Common Man.II. Oh, Watch the Stars-- Oh, Watch the Stars and Great Big Stars, combined in unique ways. The two songs used, Oh, Watch the Stars and Great Big Stars, are distinct in their own right. They have been fused together in this movement, borrowing the text from one and using the tune from the other, and modifying one to partner with the other when presented simultaneously. A fusion of two styles, this movement opens solemnly and culminates in a hoedown showdown.Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$10.00
Beati IV: Pro eis sine domo (For the stateless) (Downloadable)
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Musique Sacrée
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Howard Goodall
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Beati IV: Pro eis sine domo
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 m...
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Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 minutes, 25 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0032-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0032-E). Latin. Isaiah 4:6; Psalms 31:7.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25Instrumentalists play from the choral score.
$3.35
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
The Holly And The Ivy For Solo Jazz B Flat Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Henry R
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By Henry R
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Bobby Hesch
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The Holly And The Ivy For Solo
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839373 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individu...
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Clarinet Solo - Level 4 - SKU: A0.839373 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5742577. Published by Bobby Hesch (A0.839373). THE RISING OF THE SUN, THE RUNNING OF THE DEER, THE PLAYING OF THE MERRY BELLS, SWEET SINGING IN THE CHOIR!!! LET'S PLAY SOME JAZZ!!! ***THE HOLLY AND THE IVY***!!! A BEAUTIFUL SONG!!! KEY OF A/Ab/D!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! A GREAT CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! LOW G - HIGH D!!! PLAYED IN A TRANSPARENT STYLE INCREDIBLY EXPRESSIVELY!!! IMPRESS THEM WITH YOUR VERSATILITY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Holly And The Ivy For Solo Jazz Flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Henry R
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By Henry R
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Bobby Hesch
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The Holly And The Ivy For Solo
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.839375 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual ...
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Flute Solo - Level 4 - SKU: A0.839375 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5743363. Published by Bobby Hesch (A0.839375). THE RISING OF THE SUN, THE RUNNING OF THE DEER, THE PLAYING OF THE MERRY BELLS, SWEET SINGING IN THE CHOIR!!!LET'S PLAY SOME JAZZ!!! ***THE HOLLY AND THE IVY***!!! A GREAT RENDITION OF A BEAUTIFUL SONG!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! KEYS OF G/Gb/C!!! A GREAT CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! PLAYED IN A TRANSPARENT STYLE INCREDIBLY EXPRESSIVELY!!! IMPRESS THEM WITH YOUR VERSATILITY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Holly And The Ivy For Solo Jazz Trombone
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Henry R
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By Henry R
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Bobby Hesch
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The Holly And The Ivy For Solo
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839376 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individu...
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Trombone Solo - Level 4 - SKU: A0.839376 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5743391. Published by Bobby Hesch (A0.839376). THE RISING OF THE SUN, THE RUNNING OF THE DEER, THE PLAYING OF THE MERRY BELLS, SWEET SINGING IN THE CHOIR!!! LET'S PLAY SOME JAZZ!!! ***THE HOLLY AND THE IVY***!!! A GREAT RENDITION OF A BEAUTIFUL SONG!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! KEYS OF G/Gb/C!!! A GREAT CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! PLAYED IN A TRANSPARENT STYLE INCREDIBLY EXPRESSIVELY!!! IMPRESS THEM WITH YOUR VERSATILITY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Holly And The Ivy For Solo Jazz Tenor Saxophone
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Henry R
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By Henry R
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Bobby Hesch
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The Holly And The Ivy For Solo
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839374 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. I...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839374 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5742739. Published by Bobby Hesch (A0.839374). THE RISING OF THE SUN, THE RUNNING OF THE DEER, THE PLAYING OF THE MERRY BELLS, SWEET SINGING IN THE CHOIR!!! LET'S PLAY SOME JAZZ!!!***THE HOLLY AND THE IVY***!!! A GREAT RENDITION OF A BEAUTIFUL SONG!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! KEY OF A/Ab/D!!! LOW G - HIGH D!!! A GREAT CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! PLAYED IN A TRANSPARENT STYLE INCREDIBLY EXPRESSIVELY!!! IMPRESS THEM WITH YOUR VERSATILITY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Holly And The Ivy For Solo Jazz Alto Saxophone
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Henry R
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By Henry R
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Bobby Hesch
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The Holly And The Ivy For Solo
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839372 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. In...
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Alto Saxophone Solo - Level 4 - SKU: A0.839372 Composed by By Henry R. Bramley & John Strainer. Arranged by Bobby Hesch. Christian,Christmas,Concert. Individual part. 3 pages. Bobby Hesch #5742523. Published by Bobby Hesch (A0.839372). THE RISING OF THE SUN, THE RUNNING OF THE DEER, THE PLAYING OF THE MERRY BELLS, SWEET SINGING IN THE CHOIR!!! LET'S PLAY SOME JAZZ!!! ***THE HOLLY AND THE IVY***!!! A GREAT RENDITION OF A BEAUTIFUL SONG!!! CHECK OUT THE MP3 FOR STYLE & INTERPRETATION!!! KEYS OF E/Eb / A!!! A GREAT CHANGE OF PACE FOR YOUR CHRISTMAS PARTIES!!! PLAYED IN A TRANSPARENT STYLE INCREDIBLY EXPRESSIVELY!!! IMPRESS THEM WITH YOUR VERSATILITY!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
Choral - "A House of Prayer" with optional children's choir
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Chorale SATB
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Musique Sacrée
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Dan Cutchen
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Choral - "A House of Pray
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.844324 Composed by Dan Cutchen. Sacred. Octavo. 12 pages. Dan Cutchen Music #3114473. Published by Dan Cutchen Music (A0.8...
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Choral Choir (SATB) - SKU: A0.844324 Composed by Dan Cutchen. Sacred. Octavo. 12 pages. Dan Cutchen Music #3114473. Published by Dan Cutchen Music (A0.844324). This lovely SATB choral piece focuses on Isaiah 56:7 and Matthew 21:12-13. There is an optional melody part for children (children's choir).The presence of children in a choir presentation can be quite charming and encouraging for the congregation. Plus, these kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.Voicing for choir SATB (measures 1-57 are two-part vocals; measures 58 to 73 are SATB.)Isaiah 56:7; these I will bring to my holy mountain, and make them joyful in my house of prayer; their burnt offerings and their sacrifices will be accepted on my altar; for my house shall be called a house of prayer for all peoples.Matthew 21:12-13 Then Jesus went into the temple courts and drove out all who were buying and selling there. He overturned the tables of the money changers and the seats of those selling doves. And He declared to them, It is written: ‘My house will be called a house of prayer.’ But you are making it ‘a den of robbers.’.
$1.99
Lesson ONE S-Cubed Sight Singing Program for Beginners
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Chorale Unison
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DÉBUTANT
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Music in the Middle with Mr D
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Lesson ONE S-Cubed Sight Singi
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Music in the Middle with Mr. D
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. ...
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Choral Choir (Unison) - Level 1 - SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. Octavo. 33 pages. Music in the Middle with Mr. D #457905. Published by Music in the Middle with Mr. D (A0.851245). SCHOOL DISTRICTS! If you are interested in purchasing more than license, you are eligible for excellent discounts. The first S-Cubed license is regular price, but all subsequent licenses are sold at a significant discount. Or reach out directly to me at inthemiddlewithmrd@gmail.com. Please write Multiple License Purchase in the subject line. This discount is also available for schools with more than one music teacher. Recognize what the children don't know. Don't fault them for not knowing it... Then, teach it to them in a fun way they will remember forever. ...That's the philosophy of S-Cubed. Motivate your beginners! That is the goal of S-Cubed Middle School Sight Singing Program! You should purchase this Kodaly Hand/Ladder Chart from Dancing Crayon to help your students on this journey! This lesson is the first in a series of lessons called S-Cubed that Music in the Middle with Mr D is offering for your upper elementary and middle school music students that will help you teach your children how to sight sing 2 part music with syncopated rhythms and skips as wide as an octave in 27 weeks if you see your students daily. It is the perfect game for the first weeks of school! It will help you establish a positive relationship with your students. It will help their focus, and it will teach them valuable skills for sight singing that are critical to the S-Cubed method of Sight Singing! In this lesson, you will learn about the FUN part of the method! You will learn the rules and philosophies associated with the game Forbidden Pattern that will reflect your approach throughout your teaching of the entire method. It is presented in a Power Point that includes YouTube links to Mr D actually teaching the method to real students. It also includes YouTube links of Mr D explaining the rules of the game. This game is the hook for your young singers. They love playing this game because they want to beat the teacher! For the best value, purchase the MEGA Bundle It includes Levels ONE and TWO combine. It is essentially a two to three year commitment depending on how often you see your students and other factors.
$20.00
The King of Glory
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Chorale SATB
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Musique Sacrée
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Austin C Lovelace
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The King of Glory
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's ...
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SATB chorus - SKU: C7.CGA198 Composed by Austin C Lovelace. Advent, Palm Sunday. With Unison, Congregation. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA198. Published by Chorister's Guild - Digital (C7.CGA198). UPC: 749193004128.Here we have a practical setting of the familiar hymn tune TRURO that combines children's and adult choirs. The text is based on Psalm 24 and is equally suitable for use during the Advent season or on Palm Sunday when nearly all children's choirs participate in the worship service. Further, it is written so that all ages of choirs could participate. The hymn tune is punctuated by the powerful dialogue from the Psalm: 'Who is the King of Glory' The Lord of hosts, He is the King of Glory!' This ties very well the Psalm ideas to Weissel's paraphrase, and then the closing stanza concludes with a personal response EUR to open the portals of one's heart. Another feature of the anthem s that the entire congregation can join in the singing at the appropriate places by either singing directly from the hymnal or by printing the words in a bulletin (permission is granted). The work can, of course, be used as an anthem, or as an elaborated congregational hymn in addition to another 'anthem' for the day.
$1.95
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