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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
SPACE PEOPLE
Partitions à imprimer
128 partitions trouvées
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Space
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.586651 By Adrian Lord. By Adrian Lo…
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Piano Solo - Level 2 - Digital Download SKU: A0.586651 By Adrian Lord. By Adrian Lord. Classical,Contemporary,New Age. Score. 2 pages. Adrian Lord #195939. Published by Adrian Lord (A0.586651). Space is taken from a new collection of calming piano music titled Piano Meditations, inspired by the Facebook Live concerts given during the first lockdown. People told me that it was the slower and more relaxed pieces that they found a connection with during this time. I have decided to continue this theme, and these pieces I have composed are designed to be played with an unhurried feel and a relaxed approach to time. This download contains: 1. Space Also available: Sky Blue Piano and Journey - Twelve Romances for Piano. Adrian Lord's music can be heard on Spotify, Apple Music, YouTube and CD. The sheet music is also available in beautifully printed books from www.adrianlordpiano.com.
$2.99
2.73 €
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Piano seul
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Adrian Lord
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Space
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Adrian Lord
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SheetMusicPlus
Space Shift
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1247738 Composed by Cindy Hil…
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String Orchestra - Level 1 - Digital Download SKU: A0.1247738 Composed by Cindy Hill. Contest,Festival,Instructional. 16 pages. T.U.X. People's Music #842292. Published by T.U.X. People's Music (A0.1247738). This unique work for educational ensembles is perfect for an orchestra learning third and fourth positions for violin, viola and cello. Simple but engaging D major melodies will give the students the opportunity to focus on their position shifting in compelling and appropriate musical context.
$55.00
50.28 €
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Orchestre à Cordes
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Cindy Hill
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Space Shift
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T.U.X. People's Music
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SheetMusicPlus
Space Duel
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.890160 Composed by Andy Schm…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.890160 Composed by Andy Schmidt. 20th Century,Contemporary,Folk,Traditional,Video Game. Score. 4 pages. Andy Schmidt #5359353. Published by Andy Schmidt (A0.890160). I wrote this song in 2018. I have a vintage Atari arcade machine called Space Duel that's just wonderful, but it can be troublesome to maintain. The song is an affectionate tribute to the game and to the people who collect and repair these classic machines. It's in the great tradition of the Classic American Songbook-it should remind you of a slow ballad from the 1930s and 1940s. This is a lush, pianistic arrangement with plenty of helpful fingerings, dynamics, and articulations.
$6.00
5.49 €
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Piano, Voix
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Andy Schmidt
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Space Duel
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Andy Schmidt
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SheetMusicPlus
Ordinary People
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.876165 By John Legend. By John Step…
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Piano Solo - Level 2 - Digital Download SKU: A0.876165 By John Legend. By John Stephens and Will Adams. Arranged by Felix Shepherd. Contemporary,Hip-Hop,Pop,R & B. Score. 2 pages. Felix Shepherd #482570. Published by Felix Shepherd (A0.876165). Simple arrangement of the classic song 'Ordinary People' by John Legend for beginner piano. There is space to improvise and add harmony underneath the melody. Linked to the book 'Accomplished Piano Method' by Felix Shepherd.
$4.99
4.56 €
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Piano seul
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John Legend
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Felix Shepherd
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Ordinary People
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Felix Shepherd
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SheetMusicPlus
Go Down, Moses (Let My People Go) 2 octave, reproducible
Cloches
Handbell - Level 2 - Digital Download SKU: A0.707991 Composed by African American S…
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Handbell - Level 2 - Digital Download SKU: A0.707991 Composed by African American Spiritual. Arranged by Kristine Johanek. Sacred,Spiritual,Standards. Score. 3 pages. Kristine Johanek #5031731. Published by Kristine Johanek (A0.707991). 'Go Down, Moses' is also known as 'Let My People Go' and as 'When Israel Was in Egypt Land'. It is a staple of the African American Spiritual genre. This arrangement for standard 2 octave bell set is playable by handbells, tone chimes, hand chimes, and belle plates. It uses 17 bells, and is at a level of early intermediate - playable by a group with a year of handbell playing experience. It is from two to two and a half minutes long. Well annotated with dynamic and tempo markings, it is an excellent piece for concert use as well as worship.This is a reproducible product. This piece may be purchased as a score for one performing group, and copies made for the members of that one performing group. Save money and space while allowing for more flexibility in annotating from year to year.
$3.99
3.65 €
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Cloches
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African American Spiritual
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Kristine Johanek
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Go Down, Moses
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Kristine Johanek
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SheetMusicPlus
Short People
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.884305 By Randy Newman. By…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.884305 By Randy Newman. By Randy Newman. Arranged by Aaron Ziegler. Film/TV,Pop. Score and parts. 19 pages. Aaron Ziegler #3925293. Published by Aaron Ziegler (A0.884305). This arrangement of Randy Newman's Short People will have your audience singing along. The pop-y melody and interesting harmonies will keep your band engaged and there is space for optional improvised solos. Difficulty: Easy/BeginnerFor more information on the arranger please visit: www.AaronZieglerPercussion.com .
$20.00
18.28 €
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Ensemble de Percussions
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Randy Newman
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Aaron Ziegler
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Short People
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Aaron Ziegler
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SheetMusicPlus
Wildspace
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1048937 Composed by Geritt W. Davenport. 20th Century,Contemporary,Contest,Festival. Brass Band. 110 pages. T.U.X. People's Music #653331. Published by T.U.X. People's Music (A0.1048937). From the composer: “Wildspace is a dynamic work that takes listeners through a journey of discovery, painting a scenic portrait of a land untouched in all it's beauty. Evoking the wonder and mindfulness that the open air provides the soul.â€.
$85.00
77.71 €
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Geritt W
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Wildspace
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T.U.X. People's Music
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SheetMusicPlus
Comfort, Comfort Now My People - String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.803494 Composed by unknown - …
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String Orchestra - Level 3 - Digital Download SKU: A0.803494 Composed by unknown - Geneva Psalter (1551). Arranged by Phyllis Hopper. Christmas,Easter,Renaissance,Sacred. Score and Parts. 12 pages. HopSez Productions #4108681. Published by HopSez Productions (A0.803494). A hopeful message for Advent, Easter, or any other time of the year. Delightful Renaissance dance melodies are woven into a refreshing tapestry of sound. A comforting bridge provides moments of stillness before the exuberant final flourish that ends with an Amen cadence. Included is optional finger cymbal part.Time: 3:00 minutes. (Note: the recording is 100 bpm; I prefer slightly faster, about 110 bpm - keep it light with space between the notes, except for the legato 5/4 section.)Note: See also similar arrangements of this piece for String Quartet four Cellos Cello and Organ Soprano and Organ Soprano and Piano SATB I'd love to hear from you! Feel free to contact me with feedback, suggestions, and requests at phroglis@tutanota.com.
$16.99
15.53 €
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Orchestre à Cordes
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unknown - Geneva Psalter
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Phyllis Hopper
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Comfort, Comfort Now My People - String Orchestra
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HopSez Productions
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SheetMusicPlus
The Spaces Between Us (Score and Parts)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.969861 Composed by Amy Dunker…
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String Orchestra - Level 5 - Digital Download SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by Amy Dunker (A0.969861). The Spaces Between Us was written during the early stages of the 2020 COVID-19 pandemic. Fear and angst compounded by social distancing created a dark cloud over the lives of people clamoring to make a life during this complicated time. Duration: 14:00
$40.00
36.57 €
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Orchestre à Cordes
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Amy Dunker
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The Spaces Between Us
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Amy Dunker
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SheetMusicPlus
Harvest
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 4 - Digital Download SKU:…
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Saxophone Quartet,Woodwind Ensemble Soprano Saxophone - Level 4 - Digital Download SKU: A0.831990 Composed by Geritt W. Davenport. Contemporary,Contest,Festival. 18 pages. T.U.X. People's Music #3070659. Published by T.U.X. People's Music (A0.831990). A study in minimalism, this captivating work creates a sound space that immerses listeners of all kinds. Harvest is built upon a tenor saxophone drone, varied only in rhythm, which drives the piece to its subtle and sparse end.View more of Geritt W. Davenport's music at www.tuxpeoplesmusic.com
$22.00
20.11 €
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Quatuor de Saxophones: 4 saxophones
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Geritt W
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Harvest
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T.U.X. People's Music
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SheetMusicPlus
Jingle Bells - Trumpet Quartet
Quatuor de cuivres: 4 trompettes
Trumpet Quartet Trumpet - Level 1 - Digital Download SKU: A0.1315613 Composed by Ja…
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Trumpet Quartet Trumpet - Level 1 - Digital Download SKU: A0.1315613 Composed by James Lord Pierpont. Arranged by Scaver. Children,Christian,Christmas,Holiday,Multicultural,World. 6 pages. Scaver #904355. Published by Scaver (A0.1315613). Jingle Bells - Trumpet QuartetThis arrangment is for four trumpet playersJingle Bells is one of the most popular and enduring Christmas songs, known for its catchy melody and festive lyrics. Here are some interesting facts about this beloved holiday tune:Authorship: Jingle Bells was written by James Lord Pierpont and was originally published under the title One Horse Open Sleigh in 1857. Pierpont composed the song in Medford, Massachusetts, and it was originally intended to be a Thanksgiving song, not specifically a Christmas one.Speedy composition: Legend has it that Pierpont composed Jingle Bells in just a little more than half an hour. It's remarkable how such a short creative burst has resulted in a timeless holiday classic.First performance: The song was first performed at a Thanksgiving service at the Simpson Tavern in Medford. It was so well-received that it quickly gained popularity as a Christmas song as well.Sleigh ride imagery: The lyrics of Jingle Bells evoke the image of a fun and fast-paced sleigh ride through the snow, making it a perfect fit for the winter holiday season.Not a Christmas-specific song: Despite its association with Christmas, the song doesn't actually mention the holiday. Instead, it captures the joy and excitement of wintertime activities like sleigh rides.Multiple versions: Jingle Bells has been covered by numerous artists and musicians in various styles, making it a versatile and adaptable song that can be enjoyed in different ways.NASA's Apollo 12: Jingle Bells holds the distinction of being the first song ever broadcast from space. In December 1965, astronauts Tom Stafford and Wally Schirra played a rendition of Jingle Bells on a harmonica and sleigh bells while orbiting the Earth aboard the Gemini 6 spacecraft.Global popularity: The song is recognized and enjoyed worldwide, transcending cultural and language barriers. Its catchy tune and cheerful lyrics make it a universal favorite during the holiday season.The Jingle Bells tradition: Many people incorporate the song into their holiday celebrations by singing it while decorating the Christmas tree, during sleigh rides, or as part of festive gatherings.Part of pop culture: Jingle Bells has been featured in numerous movies, TV shows, and commercials, making it a ubiquitous part of popular culture during the holiday season.Whether you're dashing through the snow in a one-horse open sleigh or simply enjoying the festive atmosphere, Jingle Bells is a timeless and cheerful song that brings holiday spirit to people all over the world.
$4.99
4.56 €
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Quatuor de cuivres: 4 trompettes
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James Lord Pierpont
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Scaver
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Jingle Bells - Trumpet Quartet
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Scaver
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.86 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Vue du ciel
4 Guitares (Quatuor)
Guitar quartet - easy - Digital Download SKU: ZZ.DZ-4294 Composed by Luc Levesque. …
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Guitar quartet - easy - Digital Download SKU: ZZ.DZ-4294 Composed by Luc Levesque. Score and parts. 40 pages. Les Productions d'OZ - Digital #DZ 4294. Published by Les Productions d'OZ - Digital (ZZ.DZ-4294). View from the sky, is a collection of three landscapes observable from space. Sahara illustrates the caravans moving across this great sandy desert. Machu Picchu composed of forests and mountains lives to the rhythm of Peruvian folklore. Stonehenge is a mythical place where several people gather during the summer solstice to dance a round.Vue du ciel, est un recueil de trois paysages observables de l’espace. Sahara illustre les caravanes qui se déplacent à travers ce grand désert de sable. Machu Picchu composé de forêts et montagne vie au rythme du folklore péruvien. Stonehenge est un lieu mythique ou plusieurs personnes se rassemblent lors du solstice d’été pour danser une ronde.
$12.95
11.84 €
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4 Guitares (Quatuor)
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Luc Levesque
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Vue du ciel
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Les Productions d'OZ - Digital
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.14 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.82 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.74 €
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Chorale SSATTB
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.63 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Then Nature Breathed
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th …
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Piano Solo - Level 4 - Digital Download SKU: A0.851198 Composed by Dan Jones. 20th Century,Contemporary,New Age. Score. 4 pages. DanJonesGuitarist #6478273. Published by DanJonesGuitarist (A0.851198). Then Nature Breathed (For Flo) During the international pandemic lockdown of 2020, I was living in Perthshire, Scotland. I am a keen road and hill runner, and I often find solitude, fitness, and mental rejuvenation in the foothills of the Ochils. Perthshire is a beautiful place to run. Due to the lack of planes and cars, I was amazed at the sudden abundance of animals and plant growth which appeared quite suddenly during that spring and summer. I felt that nature was thanking us for a brief pause in our frantic lifestyles, where we belch emissions and pollute our souls, minds and the planet in a frantic rush to feed our lust for materialism. I feel that many people (myself included) were able to stop, reflect and re-evaluate our roles in our lives. Pause Mere waves on this ocean navigating currents of precious space Do less or more Home a sacred place for some Breathe Breathe the light of this divine time Nature revisits Clear air Silent paths Moments Time for less, for more Movement Space Open creative pause. (Kirsty Jones) I hope you enjoy playing ‘Then Nature Breathed’. (For Kirsty) Dan Jones ©www.danjonesguitarist.com2021
$7.95
7.27 €
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Piano seul
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Dan Jones
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Then Nature Breathed
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DanJonesGuitarist
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SheetMusicPlus
Gabriel
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra…
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Solo Guitar - Level 5 - Digital Download SKU: A0.978016 Composed by Alfred Feenstra. 20th Century,Concert,World. Individual part. 5 pages. Alfred Feenstra #4984727. Published by Alfred Feenstra (A0.978016). A very special piece. I had in mind to be in contact with the angel Gabriel and floating with him in space where he must be and does his work to protect people from evil and accidents.If you want to learn to play something very different from all existing guitar work and get a special feeling, try this!!!Best results you get playing it in a space with very nice and full acoustics.
$4.50
4.11 €
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Guitare
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Alfred Feenstra
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Gabriel
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Alfred Feenstra
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SheetMusicPlus
While by my Sheep
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1247237 Composed by Trier …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1247237 Composed by Trier Gesangbuch. Arranged by Hugo Jüngst and William J. Bullock. A Cappella,Christmas,Religious,Sacred. Octavo. 12 pages. T.U.X. People's Music #841784. Published by T.U.X. People's Music (A0.1247237). This accessible Christmas carol features joyful choruses and an antiphonal “echo choir,†lending itself to a dynamic use of concert space. It will make a fresh, yet familiar-feeling addition to any Christmas program!
$3.50
3.2 €
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Chorale SATB
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Trier Gesangbuch
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Hugo Jüngst and William J
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While by my Sheep
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T.U.X. People's Music
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SheetMusicPlus
Cygnus X-1 Book Ii: Hemispheres
Basse electrique
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, …
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99
5.48 €
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Basse electrique
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemispheres
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Tracy Dean McCallum
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SheetMusicPlus
La cometa
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1247234 Composed by Ian Eva…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1247234 Composed by Ian Evans Guthrie. Contemporary,Contest,Festival. Octavo. 12 pages. T.U.X. People's Music #841780. Published by T.U.X. People's Music (A0.1247234). Melodic counterpoint, lush piano textures, and evocative imagery from contemporary Italian poet Renzo Montagnoli capture the journey of a comet through space in this accessible work for three-part mixed choir. Perfect for community choruses!
$3.50
3.2 €
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Chorale 3 parties
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Ian Evans Guthrie
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La cometa
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T.U.X. People's Music
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SheetMusicPlus
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