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Vous avez sélectionné:
Sacred Prelude No. 12 for Trumpet
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Sacred Prelude No. 12 for Trumpet & Organ
Trompette, Piano
Small Ensemble Piano,Trumpet - Level 4 - Digital Download SKU: A0.573083 Composed b…
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Small Ensemble Piano,Trumpet - Level 4 - Digital Download SKU: A0.573083 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #4820143. Published by James M Stevens Music ASCAP (A0.573083). This is an original composition for Trumpet and Organ in a festive and regal style in the key of G major. There is a separate trumpet part in the score and the organ part can be used as a stand alone solo. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.42 €
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Trompette, Piano
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James Michael Stevens
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James Michael Stevens
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Sacred Prelude No. 12 for Trumpet & Organ
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James M Stevens Music ASCAP
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SheetMusicPlus
Sacred Prelude No. 12 for Trumpet & Organ
Orgue
Organ,Trumpet - Digital Download SKU: A0.1061810 Composed by James Michael Stevens.…
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Organ,Trumpet - Digital Download SKU: A0.1061810 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Wedding. Full Performance. Duration 128. James M Stevens Music ASCAP #4820139. Published by James M Stevens Music ASCAP (A0.1061810). This is the Trumpet and Organ performance of Stevens' Sacred Prelude No. 12 for Trumpet & Organ.
$1.99
1.83 €
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Orgue
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James Michael Stevens
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James Michael Stevens
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Organ.
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Sacred Prelude No. 12 for Trumpet & Organ
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James M Stevens Music ASCAP
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.32 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Sacred Prelude No. 12 for Trumpet, Organ, and Orchestra
Large Ensemble Cello,Flute,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - L…
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Large Ensemble Cello,Flute,Oboe,Organ,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.573180 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Wedding. Score and parts. 33 pages. James M Stevens Music ASCAP #4986461. Published by James M Stevens Music ASCAP (A0.573180). This is an original composition for Solo Trumpet, Organ, and Orchestra premiered at A Welch College Christmas concert on December 6, 2019. The recording is of the Trumpet and Organ version. Parts in include: Flute I & II, Oboe, Trumpet I & II, Trombone, Tuba, Timpani, Piano (optional), Organ, Violins I & II, Viola, Cello. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$29.95
27.5 €
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James Michael Stevens
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James Michael Stevens
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II, Oboe, Trumpet I &
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Sacred Prelude No. 12 for Trumpet, Organ, and Orchestra
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James M Stevens Music ASCAP
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.91 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Were You There (Trio for Trumpet, Cello and Piano)
B-Flat Trumpet,Cello,Piano - Level 3 - Digital Download SKU: A0.525101 Composed by …
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B-Flat Trumpet,Cello,Piano - Level 3 - Digital Download SKU: A0.525101 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Sacred,Spiritual,Traditional. 12 pages. John A. Dempsey #6667109. Published by John A. Dempsey (A0.525101). This trio for Bb trumpet, cello and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful Chopin etude, Op. 10, No. 3, (Tristesse). Â Recommended for traditional Easter church services and other worship events, including Good Friday services, Easter sunrise worship and Communion. Â Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Â Appropriate year-round! Â 8 pages of music (that includes separate one-page parts for trumpet and cello). Â Concert Key: C major. Trumpet/Cello Level: Intermediate. Â Piano Level: Late Intermediate
$11.99
11.01 €
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Traditional Spiritual, Frederic Chopin
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John A
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Were You There
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John A. Dempsey
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SheetMusicPlus
Christmas Carols for Brass: Noel Nouvelet (Sing We Now of Christmas)
Large Ensemble Euphonium,Handbell,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download …
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Large Ensemble Euphonium,Handbell,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.934848 Composed by Traditional. Arranged by Ben Mulholland. Christian,Christmas,Praise & Worship,Renaissance,Sacred. Score and parts. 27 pages. Benjamin D Mulholland #6135617. Published by Benjamin D Mulholland (A0.934848). Part of Christmas Carols for Brass: Noël NouveletFor Brass Trio, Quartet, Quintet, or more including Handbell choir parts for Prelude 1select parts depending on instrumentation- For trio: parts 1,2,3; for Quartet: parts 1,2,3,4; for Quintet: parts 1-5Balanced for all combinations and full brass ensemble as well (12+players)for examples: 3 trumpets could play parts 1-3; or 4 horns could play parts 1-4 together; 4 trombones could play parts 1-4 together without additional voices or combined with any other of the instruments. 'Prelude 1 and 2' can be played separately or sequentially, 'Verse and Refrain version 1 and 2' can be used in any order and repeated as needed. Final 'Verse and Refrain - Interlude or Coda' can be omitted or played following any combination of Prelude and/or Verse and Refrain.Euphonium would read Trombone parts, Score and Euphonium parts sold separately.
$7.99
7.34 €
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Traditional
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Ben Mulholland
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for Quartet: parts 1,2,3,4
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Christmas Carols for Brass: Noel Nouvelet
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Benjamin D Mulholland
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SheetMusicPlus
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