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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Saint-Saëns: The Swan
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55
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22
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8
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6
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3
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3
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1
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1
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1
Saxophone Alto
1
3 Saxophones (trio)
1
Saxophone Soprano
1
Ensemble de Clarinettes
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2
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1
Euphonium
1
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13
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13
Violoncelle, Piano
13
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
6
Violon
6
Violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Violoncelle (duo)
4
Violoncelle , Guitare (duo)
3
Violon, Alto (duo)
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
2
2 Violons (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 altos
1
Alto seul
1
2 Violoncelles (duo)
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Contrebasse, Piano (duo)
1
Quatuor à cordes : 4 altos
1
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Vous avez sélectionné:
Saint-Saëns: The Swan
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Saint-Saëns: The Swan for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Clarinette Basse
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan (for Violin and Piano)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint- Saens
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Harry Walker
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Saint-Saëns: The Swan
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SCORE EDITIONS
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SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Concert, Romantic Period. 8 pages. SCORE EDITIONS #5771453. Published by SCORE ...
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Composed by Camille Saint- Saens (1835-1921). Arranged by Harry Walker. Concert, Romantic Period. 8 pages. SCORE EDITIONS #5771453. Published by SCORE EDITIONS
The Swan (Le cygne) is a movement from The Carnival of the Animals (Le carnaval des animaux), a musical suite of fourteen movements, each representing a different animal or animals. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments.In this version, the composition was arranged for Violin and Piano by Harry Walker.After purchasing the score, I offer the play along, just send an email to score.editions@gmail.com.
$5.99
Saint-Saëns: The Swan for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549127 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. 9...
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Piano,Violin - Level 2 - SKU: A0.549127 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. 9 pages. Jmsgu3 #3452291. Published by jmsgu3 (A0.549127). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.
$32.95
Saint-Saëns The Swan in G Major
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Piano seul
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INTERMÉDIAIRE
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Classique
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Charles Camille Saint-Saëns
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Public Domain
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Saint-Saëns The Swan in G
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John Travos
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1168980 Composed by Charles Camille Saint-Saëns. Arranged by Public Domain. Romantic Period. Score. 3 pages. John Trav...
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Piano Solo - Level 3 - SKU: A0.1168980 Composed by Charles Camille Saint-Saëns. Arranged by Public Domain. Romantic Period. Score. 3 pages. John Travos #769326. Published by John Travos (A0.1168980). Saint-Saëns The Swan in G Major including finger numbers.
$4.85
Saint-Saëns, The Swan for Bassoon Quartet
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4 Bassons
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Gillian Horn
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Saint-Saëns, The Swan for
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G. Horn
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - SKU: A0.1026217 Composed by Camille Saint-Saens. Arranged by Gillian Horn. 20th Century,Romantic ...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - SKU: A0.1026217 Composed by Camille Saint-Saens. Arranged by Gillian Horn. 20th Century,Romantic Period,World. 8 pages. G. Horn #5994719. Published by G. Horn (A0.1026217). The Swan, arranged for Bassoon Quartet (or 'cello or trombone quartet)Considered one of the most beautiful melodies ever written, Saint-Saëns' The Swan portrays the legend of the swan song: a popular Ancient Greek and Roman belief that the swan, the most beautiful of all animals, remained silent until its final moments of life, when it would sing the most beautiful of all songs. Originally portrayed by the ‘cello, this arrangement highlights the expressive tenor register of the bassoon, alongside the warmth of the bass notes and light ripple in the accompaniment.Duration, 3 mins. approx. Original key (G maj). Score and parts included.This arrangement was originally written for Genovia Quartet in 2020 by bassoonist Gillian Horn.www.genoviaquartet.com
$15.99
Camille Saint-Saëns - The Swan arr. for string duo
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Julia Samarska
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Camille Saint-Saëns - The
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Julia Samarska
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.816381 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Concert,Romanti...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.816381 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Concert,Romantic Period,Standards,World. Score and parts. 5 pages. Julia Samarska #5735573. Published by Julia Samarska (A0.816381). Camille Saint-Saëns - The Swan (The Carnival of the Animals) arr. for string duo - violin and viola, score and parts.
$15.00
Camille Saint-Saëns - The Swan arr. for string duo
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Julia Samarska
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Camille Saint-Saëns - The
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Yulia Samarska
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.763169 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Romantic Period...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.763169 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Romantic Period. Score and parts. 5 pages. Yulia Samarska #370822. Published by Yulia Samarska (A0.763169). Camille Saint-Saëns - The Swan (The Carnival of the Animals) arr. for string duo - violin and viola, score and parts.
$15.00
Saint-Saëns - The Swan (Le Cygne) - Arr.For String and Piano Trio
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Classique
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Camille Saint-Saens
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poon
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Saint-Saëns - The Swan
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poon
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SheetMusicPlus
Cello,Keyboard Accompaniment,Violin - Level 3 - SKU: A0.1434989 Composed by Camille Saint-Saens. Arranged by poon. Classical. 10 pages. Poon #1015093. P...
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Cello,Keyboard Accompaniment,Violin - Level 3 - SKU: A0.1434989 Composed by Camille Saint-Saens. Arranged by poon. Classical. 10 pages. Poon #1015093. Published by poon (A0.1434989). Camille Saint-Saëns - The Swan (Le Cygne) - Arr.For for Piano, Violin, and Cello Trio - Full Score and Parts.
$1.99
Camille Saint-Saëns - The Swan (Clarinet Solo)
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Clarinette
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DÉBUTANT
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Classique
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Camille Saint-Saens
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André Laitano
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Clarinet Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 1 - SKU: A0.706144 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Ins...
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Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 1 - SKU: A0.706144 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 6 pages. ANDRÉ DOS SANTOS #5955623. Published by ANDRÉ DOS SANTOS (A0.706144). Camille Saint-Saëns - The Swan (Clarinet Solo)Content:Piano Score; Clarinet Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Flute Solo)
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Camille Saint-Saens
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André Laitano
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Flute Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.706146 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,We...
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Flute,Piano - Level 1 - SKU: A0.706146 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. ANDRÉ DOS SANTOS #5955639. Published by ANDRÉ DOS SANTOS (A0.706146). Camille Saint-Saëns - The Swan (Flute Solo)Content:Piano Score; Flute Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Violoncello Solo)
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Camille Saint-Saens
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André Laitano
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Violoncello Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.706150 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,We...
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Cello,Piano - Level 1 - SKU: A0.706150 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. ANDRÉ DOS SANTOS #5955655. Published by ANDRÉ DOS SANTOS (A0.706150). Camille Saint-Saëns - The Swan (Violoncello Solo)Content:Piano Score; Violoncello Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Viola Solo)
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Alto, Piano
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DÉBUTANT
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Classique
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Camille Saint-Saens
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André Laitano
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Viola Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.706147 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instru...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 1 - SKU: A0.706147 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 6 pages. ANDRÉ DOS SANTOS #5955647. Published by ANDRÉ DOS SANTOS (A0.706147). Camille Saint-Saëns - The Swan (Viola Solo)Content:Piano Score; Viola Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Oboe Solo)
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Camille Saint-Saens
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André Laitano
#
Oboe Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 1 - SKU: A0.706148 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instruc...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 1 - SKU: A0.706148 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and parts. 6 pages. ANDRÉ DOS SANTOS #5955641. Published by ANDRÉ DOS SANTOS (A0.706148). Camille Saint-Saëns - The Swan (Oboe Solo)Content:Piano Score; Oboe Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Violin Solo)
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Violon et Piano
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DÉBUTANT
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Classique
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Camille Saint-Saens
#
André Laitano
#
Violin Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
#
SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.706149 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,W...
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Piano,Violin - Level 1 - SKU: A0.706149 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. 7 pages. ANDRÉ DOS SANTOS #5955651. Published by ANDRÉ DOS SANTOS (A0.706149). Camille Saint-Saëns - The Swan (Violin Solo)Content:Piano Score; Violin Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Camille Saint-Saëns - The Swan (Contrabass Solo)
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Classique
#
Camille Saint-Saens
#
André Laitano
#
Contrabass Solo Part
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Camille Saint-Saëns - The
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ANDRÉ DOS SANTOS
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SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.706145 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,...
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Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 1 - SKU: A0.706145 Composed by Camille Saint-Saens. Arranged by André Laitano. Concert,Instructional,Standards,Wedding. Score and parts. 6 pages. ANDRÉ DOS SANTOS #5955637. Published by ANDRÉ DOS SANTOS (A0.706145). Camille Saint-Saëns - The Swan (Contrabass Solo)Content:Piano Score; Contrabass Solo Part; Piano PartEmail:gotitsheetmusic@hotmail.com.
$3.00
Saint-Saëns - The Swan in A-flat Major - Intermediate
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Classique
#
Camille Saint-Saens
#
Piacere Music Sheets
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Saint-Saëns - The Swan in
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Piacere Music Sheets
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SheetMusicPlus
Instrumental Solo,Piano,Treble Recorder - Level 3 - SKU: A0.1080229 Composed by Camille Saint-Saens. Arranged by Piacere Music Sheets. Instructional,Rom...
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Instrumental Solo,Piano,Treble Recorder - Level 3 - SKU: A0.1080229 Composed by Camille Saint-Saens. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and individual part. 10 pages. Piacere Music Sheets #684443. Published by Piacere Music Sheets (A0.1080229). Opus/Catalog Number: R.125 Key/Tone: A-Flat Major Movements/Sections: Adagio Year/Date of Composition: 1887 Difficulty: Grade 6/12 (Intermediate) Obs.: Also called Le Cygne, The Swan is the 13th and penultimate movement of the Carnaval des animaux. This piece was originally composed for cello and two pianos, this version is an arrangement for Treble Recorder (Alto) with Piano accompaniment (one piano). Included: Full score and separated parts for each instrument.
$7.95
Saint-Saëns - The Swan in E-flat Major - Intermediate
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Classique
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Camille Saint-Saens
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Piacere Music Sheets
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Saint-Saëns - The Swan in
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Piacere Music Sheets
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SheetMusicPlus
Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1080240 Composed by Camille Saint-Saens. Arranged by Piacere Music Sheets. Instructional,Ro...
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Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1080240 Composed by Camille Saint-Saens. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and individual part. 10 pages. Piacere Music Sheets #684447. Published by Piacere Music Sheets (A0.1080240). Opus/Catalog Number: R.125 Key/Tone: E-Flat Major Movements/Sections: Adagio Year/Date of Composition: 1887 Difficulty: Grade 6/12 (Intermediate) Obs.: Also called Le Cygne, The Swan is the 13th and penultimate movement of the Carnaval des animaux. This piece was originally composed for cello and two pianos, this version is an arrangement for Descant Recorder (soprano) with Piano accompaniment (one piano). Included: Full score and separated parts for each instrument.
$7.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
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Saint-Saëns: The Swan
