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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Saint-Saëns, Camille
Non classifié
155
Piano & claviers
Piano seul
67
Piano, Voix
60
Piano Facile
9
Accordéon
7
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano, Voix et Guitare
3
Orgue
3
1 Piano, 4 mains
3
Piano (partie séparée)
2
2 Pianos, 4 mains
1
Instruments en Do
1
1 Piano, 6 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
3
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Chorale SATB
21
Chorale 3 parties
4
Chorale TTBB
2
Voix duo, Piano
1
Chorale SSAA
1
Vents
Quatuor de Saxophones: 4 saxophones
33
Flûte traversière et Piano
29
2 Saxophones (duo)
24
Clarinette et Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
3 Saxophones (trio)
17
Clarinette
16
Saxophone Alto et Piano
14
Flûte, Hautbois, Clarinette, Basson
14
Hautbois, Piano (duo)
14
Quintette de Saxophone: 5 saxophones
12
Flûte traversière
12
Saxophone Tenor et Piano
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone Baryton, Piano
9
Saxophone Soprano et Piano
9
2 Flûte à bec (duo)
8
3 Clarinettes (trio)
7
2 Flûtes traversières (duo)
7
2 Clarinettes (duo)
7
5 Flûtes à bec
6
Quatuor de Flûtes à bec
6
2 Hautbois (duo)
6
Saxophone Alto
6
Saxophone Tenor
6
Quatuor de Flûtes : 4 flûtes
5
Trio de Flûtes: 3 flûtes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
4
Ensemble de Clarinettes
4
Flûte, Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
Flûte, Hautbois, Piano (trio)
4
Flûte, Hautbois, Basson
4
Hautbois, Basson (duo)
4
Clarinette Basse, Piano
4
Ensemble de saxophones
3
Cor Anglais
2
Flûte à Bec
2
Flûte et Guitare
2
3 Flûtes à bec (trio)
2
Ensemble de Flûtes
2
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Soprano
1
Hautbois
1
Clarinette Basse
1
+ 45 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
8
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 cors
6
Euphonium, Piano (duo)
6
Cor anglais, Piano
5
Trombone
4
Trompette, Piano
4
Cor
3
Cor et Piano
3
Tuba et Piano
3
Cor Anglais
2
Ensemble de Trompettes
2
Tuba
2
Ensemble de Trombones
2
Trombone basse et Piano
2
Euphonium
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trombones
1
Trombone, Tuba (duo)
1
4 Tubas
1
2 Trombones (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et orchestre
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
25
Violoncelle, Piano
23
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violoncelle
22
Violon
22
Alto, Piano
15
Alto seul
11
2 Violoncelles (duo)
10
2 Violons (duo)
9
2 Altos (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
Trio à cordes: 3 violins
6
4 Violoncelles
6
Violon, Alto (duo)
6
Trio à Cordes: 3 violoncelles
5
Quatuor à cordes : 4 altos
5
Violon, Violoncelle (duo)
5
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Contrebasse, Piano (duo)
1
Contre Basse
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto, Guitare (duo)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
14
Orchestre
6
Orchestre à Cordes
6
Ensemble de cuivres
6
Orchestre de chambre
3
Percussion
2
Ensemble Jazz
2
Ensemble de Percussions
1
Orchestre, Violon
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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EUPHONIUM
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Vous avez sélectionné:
Saint-Saëns, Camille
Partitions à imprimer
1 148 partitions trouvées
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Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
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Chorale SSAA
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Roar Kvam
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Saint-Saëns: Oratorio de Noë
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KVAMusic Edition
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SheetMusicPlus
Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pa...
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Level 3 - SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.
$20.00
Adagio from Symphony No. 3 for 8-part Trombone ensemble
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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the late Mrs
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Adagio from Symphony No. 3 for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792308 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Perio...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792308 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and parts. 45 pages. Gordon Cherry #4804495. Published by Gordon Cherry (A0.792308). The Adagio from Symphony No. 3 (also known as the Organ Symphony) is part of the final movement of this great symphony by Saint-Saëns. The music is deeply felt and conveys great spiritual conviction. Mr. Sauer's new arrangement has used all of Saint-Saen's music and he has scored it for 8 trombones with an optional 9th part on contra bass trombone. The Adagio was one of the Chief's (Emory Remington's) favourites; the late Mrs. Laura Remington had been the long-time organist with the Rochester Philharmonic and hearing the music would bring back a flood of memories often with tears. This music is 8 1/2 minutes in length and can be performed by moderately advanced players. Some of the parts are in tenor clef.
$27.50
Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Camille Saint- Saens
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Saint-Saëns: Le Carnaval des
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RayThompsonMusic
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Roma...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Sans. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.
I have arranged a selection of pieces from this suite for wind quintet-
They are:
I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)
II. Poules et Coqs (Hens and Roosters)
IV. Tortues (Tortoises)
V. L'Elphant (The Elephant)
XII. Fossiles (Fossils)
XII. Le Cygne (The Swan)
XIV. Final (Finale)
$19.95
Le Cygne (The Swan) / Camille Saint-Saëns
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Camille Saint-Saens
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Kan Saito / Japan Duo Notes
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Le Cygne
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classic...
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Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 2 pages. Japan Duo Notes #1068411. Published by Japan Duo Notes (A0.1491737). Title: Le Cygne (The Swan) by Camille Saint-Saëns – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Camille Saint-Saëns’ Le Cygne (The Swan) with this exquisite flute duet arrangement. Originally composed as part of Le Carnaval des Animaux (The Carnival of the Animals), this iconic piece is known for its graceful melody that evokes the image of a swan gliding gracefully across the water. Perfectly adapted for two flutes, this arrangement captures the tranquil elegance and emotional depth of Saint-Saëns’ beloved work.Key Features:Composer: Camille Saint-SaënsArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet version of Le Cygne showcases the beautiful lyrical qualities of the flute, with both parts engaging in expressive and melodic interplay. Ideal for both performance and teaching, this arrangement is perfect for musicians looking to explore the delicate artistry of Saint-Saëns’ composition.Why Choose This Arrangement?Iconic Melody: Enjoy one of classical music’s most recognizable and beautiful pieces in a new flute duet adaptation.Versatile Performance: Suitable for recitals, concerts, and special occasions, offering a peaceful and lyrical moment in any program.Expressive and Accessible: Designed for intermediate flutists, allowing performers to engage with the emotional depth of the piece while refining their expressive techniques.Enhance your flute repertoire with this refined arrangement of Le Cygne by Camille Saint-Saëns. Its serene melody and flowing lines make it a timeless favorite for both performers and audiences alike.Keywords: Camille Saint-Saëns, Le Cygne, The Swan, flute duet, flute sheet music, classical music, intermediate flute music, Saint-Saëns arrangements, lyrical flute duet, recital music, chamber music.
$4.99
The Nightingale (Le Rossignol) for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score...
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Euphonium,Piano - Level 5 - SKU: A0.792311 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804505. Published by Gordon Cherry (A0.792311). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental orchestral music for the play, Parysatis written in 1902. This 4 minute work is all about mood. For this arrangement, Mr. Sauer transposes into the key of C, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
The Nightingale (Le Rossignol) for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Saint-Saëns, Camille
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Sauer, Ralph
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The Nightingale
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score ...
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Piano,Trombone - Level 5 - SKU: A0.792309 Composed by Saint-Saëns, Camille. Arranged by Sauer, Ralph. 20th Century,Classical,Romantic Period. Score and part. 3 pages. Gordon Cherry #4804499. Published by Gordon Cherry (A0.792309). Le Rossignol or the Nightingale is originally a vocalise for Soprano solo from Saint-Saën's incidental music for the play, Parysatis written in 1902. This 4-5 minute work is all about mood. Mr. Sauer uses the original key of B-flat, which lays perfectly for all of the bird-like calls that are in phrases which are slurred. The music has a lot of ad lib. tempo sections which gives the performer plenty of time to create that magic call of the Nightingale. Early writers thought it was the female that sang, but in fact it is the male. The Nightingale usually sings at night or just before dawn when other birds are silent and has a strong spontaneous song with an impressive range of trills and whistles.
$10.00
Saint-Saens: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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FACILE
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
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Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Peri...
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Sans? 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.
Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.
Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Saint-Saens: The Swan for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Danse Macabre by Camille Danse Macabre by Camille Saint-Saëns
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Classique
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Halloween
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Camille Saint-Saens
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Rika K
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Danse Macabre by Camille Danse
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Rika K.
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1478860 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Cent...
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Instrumental Duet,Piano Bassoon,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1478860 Composed by Camille Saint-Saens. Arranged by Rika K. 19th Century,Chamber,Halloween,Romantic Period,Thriller. 5 pages. Rika K. #1056184. Published by Rika K. (A0.1478860). Step into the mysterious and captivating world of Camille Saint-Saëns' Danse Macabre with our exclusive sheet music arrangement, wrote for Flute and Bassoon Duet with Piano.Originally composed in 1874, Danse Macabre vividly depicts the medieval legend of Death summoning the dead to dance at midnight on Halloween. Saint-Saëns' evocative score weaves haunting melodies with lively rhythms, creating a vivid musical narrative that entrances listeners with its eerie allure and supernatural charm.Whether for performances at themed events, educational settings exploring musical storytelling, or professional seeking to showcase the rich tapestry of classical repertoire, this adaptation ensures accessibility without compromising the intricate beauty and thematic depth of Danse Macabre.Embrace the allure of Saint-Saëns' masterwork, delve into its narrative richness, and experience the thrill of bringing its chilling melodies to life. Expand your musical repertoire and capture the imagination with our essential sheet music arrangement of Danse Macabre – available now to enrich your musical journey.Don’t miss your chance to summon the magic of this timeless composition – secure your copy today!
$5.99
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB
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Chorale TTBB
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DÉBUTANT
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Christmas,Classical,...
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Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Christmas,Classical,Religious,Sacred. 16 pages. Müller Publishing company #1088864. Published by Müller Publishing company (A0.1514381). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBBExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB A Cappella
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Chorale TTBB
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DÉBUTANT
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
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Choral Choir,Choral (TTBB Chorus) - Level 1 - SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1088867. Published by Müller Publishing company (A0.1514383). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBB A CappellaExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent a cappella arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies without instrumental accompaniment. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional a cappella rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual version
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Chorale SATB
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DÉBUTANT
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
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Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1089230. Published by Müller Publishing company (A0.1514739). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual versionExperience the pure vocal beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this stunning a cappella arrangement for SATB in F Major with bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, emphasizes the rich and harmonious vocal lines, making it perfect for sacred services, concerts, and recitals. This arrangement will bring a timeless elegance to your choir’s performances, highlighting the spiritual and joyful essence of Saint-Saëns’ masterpiece.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - with Optional Accompaniment
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Chorale SATB
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DÉBUTANT
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Camille Saint-Saens
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L
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Bring Forth Your Offerings
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
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Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089227. Published by Müller Publishing company (A0.1514735). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano and English lyrics by L. Müller. Titled “Bring Forth Your Offerings”, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment
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Chorale SATB
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DÉBUTANT
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Re...
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Choral Choir,Choral (SATB Chorus) - Level 1 - SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089220. Published by Müller Publishing company (A0.1514729). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano by L. Müller. Featuring the original Latin lyrics, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
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Saint-Saëns, Camille
