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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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Sam Roberts Band
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARPE
HAUTBOIS
LIVRES
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MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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Vous avez sélectionné:
Sam Roberts Band
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Macapá (small band)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.913560 Composed by Mike J.D.…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.913560 Composed by Mike J.D. Roberts. Jazz,Latin. Score and parts. 16 pages. Mike Roberts #5754647. Published by Mike Roberts (A0.913560). Macapá is a simple tune featuring a sunny, cheerful melody over a toe-tapping samba beat. It's sure to put a smile on everybody's face and get plenty of bodies on the dance floor.
$3.99
3.68 €
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Ensemble Jazz
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Mike J
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Macapá
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Mike Roberts
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SheetMusicPlus
All Of Us
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247615 By Sam Robert…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247615 By Sam Roberts Band. By Sam Lewis Roberts. Arranged by Emily Gray. Rock. Score. 14 pages. Emily Gray #842168. Published by Emily Gray (A0.1247615). The Sam Roberts Band's inspiring song All Of Us is arranged here for piano/voice/chords.
$9.99
9.21 €
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Piano, Voix et Guitare
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Sam Roberts Band
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Emily Gray
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All Of Us
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Emily Gray
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SheetMusicPlus
Ascension
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.727942 Composed by Sam Lewis…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.727942 Composed by Sam Lewis Roberts. Arranged by Emily Gray. Contemporary. Score. 12 pages. Emily Gray #6733861. Published by Emily Gray (A0.727942). Ascension is an encouraging song by the Sam Roberts Band, from their album All Of Us.This is an arrangement for piano/voice/chords.
$12.00
11.06 €
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Piano, Voix
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Sam Lewis Roberts
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Emily Gray
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Ascension
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Emily Gray
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SheetMusicPlus
Ascension
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1074030 Composed by Sam Le…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1074030 Composed by Sam Lewis Roberts. Arranged by Emily Gray. Rock. Octavo. 18 pages. Emily Gray #678299. Published by Emily Gray (A0.1074030). Ascension is an encouraging song by the Sam Roberts Band, from their album All Of Us. This arrangement is for SATB choir.
$2.99
2.76 €
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Chorale SATB
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Sam Lewis Roberts
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Emily Gray
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Ascension
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Emily Gray
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SheetMusicPlus
Lions Of The Kalahari
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.727902 By Sam Roberts. By S…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.727902 By Sam Roberts. By Sam Roberts. Arranged by Emily Gray. Contemporary. 10 pages. Emily Gray #4890053. Published by Emily Gray (A0.727902). Lions of the Kalahari is a song from the Sam Roberts Band's 2008 album Love At The End Of The World. This is an instrumental arrangement for two violins.This sheet music includes the score (both violins on one page) and the part for each violin.
$12.00
11.06 €
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2 Violons (duo)
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Sam Roberts
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Emily Gray
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Lions Of The Kalahari
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Emily Gray
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SheetMusicPlus
Suite
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1403054 Composed by Rachel Portma…
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Concert Band - Level 2 - Digital Download SKU: A0.1403054 Composed by Rachel Portman. Arranged by John Ivor Holland. 21st Century,Film/TV,Wedding. 77 pages. John Ivor Holland #986254. Published by John Ivor Holland (A0.1403054). 'Mona Lisa Smile' is a 2003 American drama film directed by Mike Newell and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal. The title is a reference to the Mona Lisa, the famous painting by Leonardo da Vinci, and to the song of the same name, originally performed by Nat King Cole, which was covered by Seal for the movie. Julia Roberts received a record $25 million for her performance, the highest ever earned by an actress at that time. Rachel Portman's score for the film is in a similar vein to her others for 'The Cider House Rules' and 'Chocolat', but the lovely flute theme in this suite works nicely for concert band and the combination of piano and vibraphone (originally harp) lend a pulsating texture throughout. Perfect for a quiet moment in a concert of film music and, of course, important music by a woman composer in a crowded market of male writers. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
$59.99
55.31 €
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Orchestre d'harmonie
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Rachel Portman
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John Ivor Holland
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Suite
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John Ivor Holland
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SheetMusicPlus
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.98 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Somewhere In Time
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1405801 By John Barry. By B.A. Ro…
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Concert Band - Level 4 - Digital Download SKU: A0.1405801 By John Barry. By B.A. Robertson and John Barry. Arranged by Christian Fortner. 20th Century,Contemporary,Film/TV. 55 pages. Christian Fortner Music #979581. Published by Christian Fortner Music (A0.1405801). Travel back in time to the beautiful music composed for the 1980 rom-com Somewhere In Time, by John Barry. This arrangement for Wind Ensemble includes the famous piano solo that is featured in the main theme of the film, providing the opportunity to give the spotlight to a pianist in your midst. NOTE: Full Score and Parts are different paper sizes (Legal size and Letter size, respectively), but included within the same PDF download.
$74.95
69.1 €
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Orchestre d'harmonie
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John Barry
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Christian Fortner
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Somewhere In Time
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Christian Fortner Music
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SheetMusicPlus
The Magnificent Seven
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1110782 Composed by Elmer Berns…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1110782 Composed by Elmer Bernstein. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 89 pages. Kevin Riley #713077. Published by Kevin Riley (A0.1110782). The Magnificent Seven is a 1960 American Western film directed by John Sturges. The screenplay by William Roberts is a remake – in an Old West–style – of Akira Kurosawa's 1954 Japanese film Seven Samurai (itself initially released in the United States as The Magnificent Seven). The ensemble cast includes Yul Brynner, Steve McQueen, Charles Bronson, Robert Vaughn, Brad Dexter, James Coburn, and Horst Buchholz as a group of seven gunfighters, and Eli Wallach as their main antagonist. The seven title characters are hired to protect a small village in Mexico from a group of marauding bandits, led by Wallach. The film was released by United Artists on October 12, 1960. It was both a critical and commercial success, and has been appraised as one of the greatest films of the Western genre.[5] It spawned three sequels, a television series that aired from 1998 to 2000, and a 2016 film remake. Elmer Bernstein's film score was nominated for an Academy Award for Best Original Score, and is listed on the American Film Institute's list of the top 25 American film scores. In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.
$80.00
73.75 €
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Orchestre
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Elmer Bernstein
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Kevin Riley
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The Magnificent Seven
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Kevin Riley
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.81 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
The Last Waltz Theme
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1277849 Composed by Jaime Robbie Rober…
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Ukulele - Level 3 - Digital Download SKU: A0.1277849 Composed by Jaime Robbie Robertson. Arranged by Yoko Matsuda. Country,Film/TV,Folk,Pop,Rock. Score. 3 pages. Yoko Matsuda #869550. Published by Yoko Matsuda (A0.1277849). A theme song from 1978 live album The Last Waltz by The Band. The show was filmed as a documentary of the same title, directed by Martin Scorsese.
$9.99
9.21 €
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Ukulele
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Jaime Robbie Robertson
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Yoko Matsuda
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The Last Waltz Theme
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Yoko Matsuda
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SheetMusicPlus
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Sam Roberts Band
