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San Quentin
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Vous avez sélectionné:
San Quentin
Partitions à imprimer
20 partitions trouvées
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Nickelback : San Quentin (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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Pop musique
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Nickelback
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San Quentin
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Tomplay
Téléchargez la partition Batterie San Quentin (niveau intermédiaire) de Nickelback. Partition avec audio Play Along. Pop/rock...
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Téléchargez la partition Batterie San Quentin (niveau intermédiaire) de Nickelback. Partition avec audio Play Along. Pop/rock
5.99€
Nickelback : San Quentin - Version originale (niveau avancé)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Nickelback
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San Quentin
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Tomplay
Téléchargez la partition Batterie San Quentin - Version originale (niveau avancé) de Nickelback. Partition avec audio Play Along. Pop/rock...
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Téléchargez la partition Batterie San Quentin - Version originale (niveau avancé) de Nickelback. Partition avec audio Play Along. Pop/rock
5.99€
Nickelback : San Quentin (niveau facile)
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Batterie
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DÉBUTANT
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Rock
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Pop musique
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Nickelback
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San Quentin
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Tomplay
Téléchargez la partition Batterie San Quentin (niveau facile) de Nickelback. Partition avec audio Play Along. Pop/rock...
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Téléchargez la partition Batterie San Quentin (niveau facile) de Nickelback. Partition avec audio Play Along. Pop/rock
5.99€
Nickelback : San Quentin (niveau débutant)
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Batterie
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Rock
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Pop musique
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Nickelback
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San Quentin
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Tomplay
Téléchargez la partition Batterie San Quentin (niveau débutant) de Nickelback. Partition avec audio Play Along. Pop/rock...
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Téléchargez la partition Batterie San Quentin (niveau débutant) de Nickelback. Partition avec audio Play Along. Pop/rock
5.99€
San Quentin
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Piano grosses notes
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DÉBUTANT
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Country
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Johnny Cash
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San Quentin
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.459815 By Johnny Cash. Country. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.459815). About Hal Leo...
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SKU: HX.459815 By Johnny Cash. Country. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.459815). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
San Quentin by Johnny Cash - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Johnny Cash
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San Quentin
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Musicnotes
Performed by: Johnny Cash: San Quentin Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ...
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Performed by: Johnny Cash: San Quentin Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Country-Pop~~Cowboy~~Traditional Country
$5.50
There'll Be Peace In The Valley For Me (tra.arr.)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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John R Cash
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Timothy Stapay
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There'll Be Peace In The Valle
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pa...
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Piano Solo - Level 4 - SKU: A0.1240614 Composed by John R Cash. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #835999. Published by Timothy Stapay (A0.1240614). This arrangement of There'll Be Peace In The Valley For Me is arranged in a traditional country-style. Sung by many famous country artists, including Johnny Cash. Also known on the song credits as John R Cash.Johnny Cash on his 1969 At San Quentin live album (he recorded the studio version in 1962 and released it as a single).Lyrics:Oh well, I'm tired and so wearyBut I must go aloneTill the lord comes and calls, calls me away, oh yesWell the morning's so brightAnd the lamp is alightAnd the night, night is as black as the sea, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for meWell the bear will be gentleAnd the wolves will be tameAnd the lion shall lay down with the lamb, oh yesAnd the beasts from the wildShall be lit by a childAnd I'll be changed, changed from this creature that I am, oh yesThere will be peace in the valley for me, some dayThere will be peace in the valley for me, oh Lord I prayThere'll be no sadness, no sorrowNo trouble, trouble I seeThere will be peace in the valley for me, for me
$5.99
The Duke of Alva's entry into Brussels for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Classique
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Peter Benoit
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Marc Goris
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The Duke of Alva's entry into
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Brassery Publications
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SheetMusicPlus
Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #602...
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Brass Ensemble - SKU: A0.999619 Composed by Peter Benoit. Arranged by Marc Goris. Romantic Period. Score and parts. 15 pages. Brassery Publications #6025981. Published by Brassery Publications (A0.999619). The Duke of Alva's entry into Brussels from The Pacification of Ghent, duration : 2 min music : Peter Benoit arr. : Marc Goris Peter Benoit composed music based on the historical drama with the title 'De Pacificatie van Gent' by Emiel Van Goethem. Because of the combination of drama and music he defined the piece as a lyrical drama. He completed The Pacification of Ghent on 11 July 1876, the world premiere happening on 3 September at the Ghent Municipal Theatre. On 8 November 1576 a treaty was proclaimed from the balcony of the city hall in Ghent between the different regions of the southern and the northern Netherlands. This Pacification of Ghent occurred after the revolt against the Spanish occupation of Philip the Second and was the great ideal of William of Orange: he was striving for unity in the seventeen provinces in the Netherlands as well as for freedom of religion. Furthermore the treaty stipulated that the Spanish troops were to be removed from the Netherlands. Although this treaty was observed for only three years, the Pacification was embellished with a mythical aura in the Flanders of the 19th century. King Philip II sent the Duke of Alva to Brussels on 22 August 1567, at the head of a powerful army. On arrival, Alva replaced Margaret of Parma, the sister of the Spanish king, as head of the civil jurisdiction. He decided that the local nobility was in open rebellion against the king and supported the new Protestant teachings, heresy in his view. A few days later, on 5 September 1567, Alva established the Council of Troubles, popularly known in the Netherlands as the Court of Blood, to prosecute those responsible for the riots of 1566, especially those who were deemed heretics. Alba also targeted the local Catholic nobility, who favoured dialogue and opposed outside intervention. Two of the three heads of the Flemish nobility, the Count of Egmont, a Catholic General for Philip II, who had led the cavalry that defeated the French at the Battle of San Quentin, and Philip de Montmorency, Count of Horn, were arrested. The court sentenced both counts to death. The Major of Antwerpen, Anthony van Stralen, Lord of Merksem and Jan van Casembroot were other famous victims of the bloody repression, along with a large group of other heretics. The condemned persons were executed on 5 June 1568 in the Town Hall Square in Brussels. Alva had little confidence in Flemish justice, which he perceived as sympathetic to the defendants, and witnessed the executions in person.
$12.00
A Festive Night. Lancers
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Piano seul
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Edward St
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A Festive Night. Lancers
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.10550 Arranged by Edward St. Quentin. Placards, Portraits, Caricatures, Painters. Lester S. Levy Collection. 10 pages. Published by John...
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Piano - SKU: LV.10550 Arranged by Edward St. Quentin. Placards, Portraits, Caricatures, Painters. Lester S. Levy Collection. 10 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10550). A Festive Night. Lancers [Introducing numerous popular melodies, including, We've Been Touching 'Em Up a Bit, They're a Coming on Again, What Will Your Answer Be? etc. Arranged by Edward St. Quentin. Published 1896 by Howard & Co., Music Publishers & Printers, 16 West 27th St. in London. Composition of five sectional movements with piano instrumentation. Subject headings for this piece include Placards, Portraits, Caricatures, Painters. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
San Quentin
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Piano, Voix et Guitare
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Johnny Cash
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Folk
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San Quentin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johnny Cash. Country; Folk. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Johnny Cash. Country; Folk. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Johnny Cash: San Quentin - guitar (chords)
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Paroles et Accords
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INTERMÉDIAIRE
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Country
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Johnny Cash
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Virtualsheetmusic
Instantly printable sheet music by Johnny Cash for guitar (chords) of MEDIUM skill level. / country
Instantly printable sheet music by Johnny Cash for guitar (chords) of MEDIUM skill level. / country
$3.97
Johnny Cash: San Quentin for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Johnny Cash
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Virtualsheetmusic
Instantly printable sheet music by Johnny Cash for voice, piano or guitar of MEDIUM skill level. / country,folk
Instantly printable sheet music by Johnny Cash for voice, piano or guitar of MEDIUM skill level. / country,folk
$5.97
Johnny Cash: San Quentin for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Country
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Johnny Cash
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Virtualsheetmusic
Instantly printable sheet music by Johnny Cash for guitar (chords) of MEDIUM skill level. / country
Instantly printable sheet music by Johnny Cash for guitar (chords) of MEDIUM skill level. / country
$3.97
Johnny Cash: San Quentin for guitar
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Guitare
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INTERMÉDIAIRE
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Johnny Cash
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Virtualsheetmusic
Instantly downloadable sheet music by Johnny Cash for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Johnny Cash for guitar of MEDIUM skill level.
$2.99
San Quentin
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Paroles et Accords
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Country
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Johnny Cash
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San Quentin
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johnny Cash. Country. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.169966). - Guitar (chords only) - Country - Hal Leona...
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By Johnny Cash. Country. Guitar (chords only). 2 pages. Published by Hal Leonard - Digital Sheet Music (HX.169966). - Guitar (chords only) - Country - Hal Leonard - Digital Sheet Music
$1.99
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
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San Quentin 
