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Vous avez sélectionné:
Satie, Eric
Partitions à imprimer
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Eric Satie: Expanded Edition
Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik…
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Small Ensemble Ukulele - Level 3 - Digital Download SKU: A0.810045 Composed by Erik Satie. Arranged by Michael P. Walker. 20th Century,Romantic Period,Standards. Score. 75 pages. Michael P Walker #6358131. Published by Michael P Walker (A0.810045). Here are compositions by Eric Satie who combined the simple, tuneful melodies of Parisian nightlife with the snappiness of American Jazz, Satie created a new style of musical burlesque which made a lasting impression on many contemporary composers. Transcribed for the baritone ukulele or low G ukelele. Most are also playable on the tenor and soprano ukulele and, of course, they may all be played on the guitar. Recommended for Intermediate and Advanced Performers
$19.95
18.3 €
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Erik Satie
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Michael P
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Eric Satie: Expanded Edition
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Michael P Walker
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SheetMusicPlus
SATIE; THREE GYMNOPEDIES
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1172117 Composed by Eric Satie (1866 - 1925). Arranged by Pat Spence. 20th Century,Chamber,Instructional. 28 pages. Piper Publications #772380. Published by Piper Publications (A0.1172117). Three well-known piano pieces in slow mesmeric triple time arranged to provide a quiet interlude in a quintet concert. The five players share the melodies equally.
$12.00
11.01 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Eric Satie
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Pat Spence
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SATIE; THREE GYMNOPEDIES
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Piper Publications
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SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.71 €
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Gymnopedie No.1 - Eric Satie
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1236683 Composed by Erik Satie. Arr…
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Piano Solo - Level 2 - Digital Download SKU: A0.1236683 Composed by Erik Satie. Arranged by KP82 Music. 19th Century,Classical,Contemporary,Romantic Period,Spiritual. Score. 3 pages. K Pilacki #832204. Published by K Pilacki (A0.1236683). Eric Satie - Gymnopedie No.1.
$1.99
1.83 €
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Piano seul
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Erik Satie
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KP82 Music
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Gymnopedie No.1 - Eric Satie
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K Pilacki
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SheetMusicPlus
Eric Satie - Gymnopedie 1 arr. for guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arr…
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Solo Guitar - Level 3 - Digital Download SKU: A0.790882 Composed by Erik Satie. Arranged by Georg Mertens. 20th Century,Concert,Romantic Period,Standards. Individual part. 4 pages. Georg Mertens #3691539. Published by Georg Mertens (A0.790882). Eric Satie's famous Gymnopedie is written in a slow and transparent manner. This is ideal to be transcribed for guitar, being not too difficult as no fast passages or heavy chords need to be managed.The subtleness comes out very well on the guitar.The original composition is in D major. I chose as the key E major to allow open strings to sound longer out and also making it easier for the left hand.
$4.99
4.58 €
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Guitare
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Erik Satie
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Georg Mertens
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Eric Satie - Gymnopedie 1 arr. for guitar
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Georg Mertens
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SheetMusicPlus
Gymnopédie No.1 - Eric Satie - Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Ar…
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Concert Band - Level 2 - Digital Download SKU: A0.569465 Composed by Erik Satie. Arranged by Thomas Graf. Instructional,Standards. Score and parts. 89 pages. Thomas Graf - the-hit-factory.com #6355159. Published by Thomas Graf - the-hit-factory.com (A0.569465). This piece is perfect as warm up for your band. It will settle up a good intonation while feeling the warmth of this heart taking melody and harmony. It goes through 4! Different keys, from Bb over C, Db to the original key D-Major. So for wind players it might be a great challenge to master the original key, while Bb-major would be the perfect starter key for a rehearsal. The Gymnopédies are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, however they were at first published individually: the first and the third in 1888, the second in 1895. Instrumentation: All Band Instruments, including Piano. Part I (8vb) Baritone Horn, Part I (8vb) Horn in F, Part I (8vb) Tenor Saxophone, Part I (8vb) Trombone, Part I Alto Saxophone, Part I Clarinet 1 in Bb, Part I Flute, Part I Oboe, Part I Trumpet in Bb, Part II Alto Saxophone, Part II Clarinet 2 in Bb, Part II Horn in F, Part II Tenor Saxophone, Part II Trombone, Part II Trumpet in Bb, Part III Baritone, Part III Horn in Eb, Part III IV Alto Saxophone, Part III IV Clarinet 3 in Bb, Part III IV Horn in F, Part III IV Trumpet in Bb, Part III Tenor Saxophone, Part III Trombone, Part IV Bassoon, Part IV Euphonium, Part IV Horn in Eb, Part IV Tenor Saxophone, Part IV Trombone, Part V Baritone Saxophone, Part V Bass Clarinet in Bb, Part V Bass in Bb, Part V Bass in Eb, Part V Bassoon, Part V Tuba B.-Trombone E-Bass, Piano, Listen to the video recording - a challenge for your ensemble. .
$29.99
27.51 €
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Orchestre d'harmonie
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Erik Satie
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Thomas Graf
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Gymnopédie No.1 - Eric Satie - Concert Band
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Eric Satie: For Low G Ukulele
Ukulele
By Michael P Walker. By Erik Satie (1866-1925). Arranged by Michael P Walker. Classica…
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By Michael P Walker. By Erik Satie (1866-1925). Arranged by Michael P Walker. Classical, Contemporary, Romantic Period. Score. 77 pages. Michael P Walker #695512. Published by Michael P Walker
$19.95
18.3 €
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Ukulele
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Michael P Walker
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Michael P Walker
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Eric Satie: For Low G Ukulele
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Michael P Walker
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SheetMusicPlus
Mon Satie for Stringquintet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.984320 Composed by Johan de Wit. 20th Century,Concert,World. Score and parts. 40 pages. Concustic #3684815. Published by Concustic (A0.984320). Mon Satie for Stringquintet. 2 Violins, Viola, Violoncello and Double Bass. Duration aprox. 5 minutes. As the title shows a reminiscence to Eric Satie the inspirator of the impressionism mouvement and a lot of other composers of the 20th century. A rhythmic melancholic piece. Suits in every modern or jazzy program. An unexpected sound for a classical ensemble.
$32.50
29.81 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johan de Wit
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Mon Satie for Stringquintet
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Concustic
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SheetMusicPlus
Away in a Manger ala Satie
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.954595 Composed by Public Domain. Arranged b…
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Flute,Piano - Digital Download SKU: A0.954595 Composed by Public Domain. Arranged by Laurel Gonzalo. Christmas. Score and part. 5 pages. Sugarboll Music #3681297. Published by Sugarboll Music (A0.954595). A relaxing and beautiful arrangement for Flute of the traditional Away in a Manger with piano accompaniment reminiscent of Eric Satie. The flute part could also be played by violin.
$6.00
5.5 €
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Flûte traversière et Piano
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Public Domain
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Laurel Gonzalo
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Away in a Manger ala Satie
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Sugarboll Music
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SheetMusicPlus
Satie: Sarabande No.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1302815 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 10 pages. RayThompsonMusic #892418. Published by RayThompsonMusic (A0.1302815). Satie: Sarabande No.1  Arranged standard wind quintetThe Sarabandes are three dances for solo piano composed in 1887 by Erik Satie. Along with the famous Gymnopédies (1888) they are regarded as his first important works, and the ones upon which his reputation as a harmonic innovator and precursor of modern French music, beginning with Debussy, principally rests. The Sarabandes also played a key role in Satie's belated discovery by his country's musical establishment in the 1910s, setting the stage for his international notoriety.French composer and critic Alexis Roland-Manuel wrote in 1916 that the Sarabandes represented a milestone in the evolution of our music...pieces of an unprecedented harmonic technique, born of an entirely new aesthetic, which create a unique atmosphere, a sonorous magic of complete originality.The sarabande is a dance in triple meter that originated in the Spanish colonies of Central America in the mid-1500s. It had migrated to Europe by the 17th Century, where in France it became a popular slow court dance. Satie's modern reinterpretations consist of three dances with a total duration of roughly 15 minutes:Sarabande No. 1 - A-flat major (This one)Sarabande No. 2 - D-sharp minorSarabande No. 3 - B-flat minorThe melody is shared amongst the top 4 instruments, and the quintet do not play tutti all of the time. This adds more interest and variation to the piece.Enjoy.
$9.95
9.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Erik Satie
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Ray Thompson
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Satie: Sarabande No.1 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.13350…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
13.71 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.12937…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
4.58 €
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.3 €
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.3 €
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Gymnopédie No. 1
Quatuor de Cuivres
Brass Quartet Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1260484 Co…
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Brass Quartet Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1260484 Composed by Eric SatieEric Satie. Arranged by Alex Nunes Rodrigues. Classical. 9 pages. Alex Rodrigues #853648. Published by Alex Rodrigues (A0.1260484). Gymnopédie No.1 is a beautiful musical composition by French composer Erik Satie. This piece is known for its calm and gentle atmosphere, characterized by delicate melodies and simple harmonies. With a sense of serenity and contemplation, the music evokes an aura of tranquility and inner peace. The captivating and repetitive melody of Gymnopédie No.1 creates a mesmerizing atmosphere that transports the listener to a state of relaxation and introspection. It is a striking and distinctive piece that captures the essence of musical minimalism and enchants with its simplicity and timeless beauty.
$1.99
1.83 €
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Quatuor de Cuivres
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Eric SatieEric Satie
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Alex Nunes Rodrigues
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Gymnopédie No. 1
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Alex Rodrigues
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SheetMusicPlus
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