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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Say No To This
Non classifié
115
Piano & claviers
Piano seul
79
Piano, Voix
33
Piano, Voix et Guitare
19
Piano Facile
6
Orgue
4
Instruments en Do
3
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare
11
Guitare notes et tablatures
2
Basse electrique
2
Ukulele
2
Ensemble de guitares
1
Voix
Chorale SATB
30
Chorale 3 parties
6
Chorale 2 parties
3
Chorale Unison
2
Chorale SSAA
2
Chorale TTBB
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix haute
1
Chorale SSAATTBB
1
Voix Soprano, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
13
Hautbois (partie séparée)
11
Clarinette
11
Quatuor de Saxophones: 4 saxophones
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Quintette de Saxophone: 5 saxophones
6
Flûte traversière et Piano
4
Ensemble de Clarinettes
3
Quatuor de Clarinettes: 4 clarinettes
3
Hautbois, Piano (duo)
3
Flute (partie séparée)
2
Quintette de Flûte : 5 flûtes
2
Flûte traversière
2
Saxophone Alto
1
Saxophone et Orgue
1
Clarinette et Piano
1
Saxophone Alto et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon, Piano
1
Saxophone Tenor et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Ensemble de Trombones
3
Trombone
2
Cor et Piano
2
Tuba
2
Ensemble de Trompettes
2
Trombone et Piano
1
Cor
1
+ 5 instrumentations
Retracter
Cordes
Violon
22
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle, Piano
7
2 Violons (duo)
6
Harpe
5
Violoncelle
3
Violon, Violoncelle (duo)
3
Violon et Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Alto seul
2
2 Violoncelles (duo)
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
1
Contre Basse
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle , Guitare (duo)
1
Alto, Piano
1
Harpe, Voix
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre
14
Orchestre d'harmonie
11
Orchestre à Cordes
7
Ensemble Jazz
5
Ensemble de cuivres
4
Cloches
4
Orchestre de chambre
2
Batterie
1
Jazz combo
1
Fanfare
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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Vous avez sélectionné:
Say No To This
Partitions à imprimer
601 partitions trouvées
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601
Say No To This (from Hamilton)
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Piano, Voix
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Comédie Musicale
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Lin-Manuel Miranda
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Say No To This
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.465647 By Lin-Manuel Miranda. Arranged by Alex Lacamoire and Lin-Manuel Miranda. This edition: Interactive Download. Broadwa...
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Interactive Download SKU: HX.465647 By Lin-Manuel Miranda. Arranged by Alex Lacamoire and Lin-Manuel Miranda. This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 15 pages. Published by Hal Leonard - Digital (HX.465647).
$4.99
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu
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Violon
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FACILE
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Film/TV
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Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Violon La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo (Violon-Piano) -- Musique de film...
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Telechargez la partition Violon La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo (Violon-Piano) -- Musique de film
5.99€
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu
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Violoncelle
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FACILE
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Film/TV
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Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Violoncelle La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo -- Musique de film...
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Telechargez la partition Violoncelle La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo -- Musique de film
5.99€
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en mi mineur)
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Piano seul
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INTERMÉDIAIRE
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Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en mi mineur) de Aoi Teshima. Partition pour Duo -- C...
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Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en mi mineur) de Aoi Teshima. Partition pour Duo -- Classique,Musique de film
5.99€
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu
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Alto seul
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FACILE
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Film/TV
#
Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Alto La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo -- Musique de film...
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Telechargez la partition Alto La colline aux coquelicots - Sayonara no Natsu de Aoi Teshima. Partition pour Duo -- Musique de film
5.99€
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur)
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Piano seul
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INTERMÉDIAIRE
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Film/TV
#
Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur) de Aoi Teshima. Partition pour Duo -- M...
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Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur) de Aoi Teshima. Partition pour Duo -- Musique de film
5.99€
Satoshi Takebe,Aoi Teshima : La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur)
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Piano seul
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INTERMÉDIAIRE
#
Film/TV
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Satoshi Takebe,Aoi Teshima
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La colline aux coquelicots
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Tomplay
Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur) de Aoi Teshima. Partition pour Duo -- M...
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Telechargez la partition Piano La colline aux coquelicots - Sayonara no Natsu (piano d'accompagnement en la mineur) de Aoi Teshima. Partition pour Duo -- Musique de film
5.99€
Have Courage My Boy To Say No
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Chorale SATB
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Henry P
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Have Courage My Boy To Say No
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4244 Composed by Henry P. Keens. Angels, Mothers & children, Parlors, Farewells, Advice, Vice. Lester S...
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Piano and voice (solo and SATB chorus) - SKU: LV.4244 Composed by Henry P. Keens. Angels, Mothers & children, Parlors, Farewells, Advice, Vice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4244). Have Courage My Boy To Say No. Cosmopolitan Series. Words by Richard Penrose. Music by Henry P. Keens. Published 1876 by R.S. Holmes, 89 Fourth St. in Brooklyn. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Angels, Mothers & children, Parlors, Farewells, Advice, Vice. First line reads You've started, my boy, on a journey, to tread the rough pathway of life.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Did You Ever Hear A Girl Say No. Song & Chorus
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Piano, Voix
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Joseph P
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Joseph P
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Did You Ever Hear A Girl Say N
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.4731 Composed by Joseph P. Skelly. Courtship, Marriage proposals, Jewelry, Kissing, Food. Lester S. Levy Collection. 4 pages. ...
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Piano and voice - SKU: LV.4731 Composed by Joseph P. Skelly. Courtship, Marriage proposals, Jewelry, Kissing, Food. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4731). The Latest Success. Did You Ever Hear A Girl Say No. Song & Chorus. By Joseph P. Skelly. Published 1889 by Harding's Music Office, 229 Bowery in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Marriage proposals, Jewelry, Kissing, Food. First line reads There are many words we hear, some are kind and some are queer.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Just Say No March
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Nick Talarico
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Just Say No March
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Stonata Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1031025 Composed by Nick Talarico. 20th Century,Contemporary,Folk,Pop. Score and parts. 84 pages. Stonata Music #283688...
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Concert Band - Level 4 - SKU: A0.1031025 Composed by Nick Talarico. 20th Century,Contemporary,Folk,Pop. Score and parts. 84 pages. Stonata Music #2836885. Published by Stonata Music (A0.1031025). I wrote this march as a commission from WLS Television in Chicago, for President and Mrs. Reagan's Just Say No to Drugs campaign parade. The march has a modern sound, employing pop and jazz rhythms and and harmonies. The orchestration is appropriate for playing outdoors or as an indoor concert march. The pdf contains all parts and a complete score,
$40.00
You Say
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Lauren Daigle
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Sarah Cellobat Chaffee
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You Say
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1075005 By Lauren Daigle. By Bebo Norman, Jason Ingram, Lauren Daigle, Michael Donehey, and Paul Mabury. Ar...
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String Trio Cello,Violin - Level 3 - SKU: A0.1075005 By Lauren Daigle. By Bebo Norman, Jason Ingram, Lauren Daigle, Michael Donehey, and Paul Mabury. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Praise & Worship,Wedding. 14 pages. Sarah Cellobat Chaffee #679269. Published by Sarah Cellobat Chaffee (A0.1075005). *INSTRUMENTATION: TWO VIOLINS AND CELLO* You Say was originally released by Christian singer-songwriter Lauren Daigle as the lead single from her third album in 2018. An instant success, the song was her first hit on the Billboard Hot 100, and it has also been certified multi-platinum and won a Grammy award -- so you can't go wrong having this one in your gig books! With its lyrics describing the fight against self-doubt and the realization that God will always find you worthy, it's no wonder this heartfelt song has resonated with so many. This Cellobat arrangement for your two-violin and cello string trio maintains the beautiful soaring melodies, lush harmonies, and driving piano rhythms of the original for a chart that's sure to pull at your audience's heartstrings. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, proposals, parties, and more. Rated intermediate; this will be playable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
I Never Say No
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Jazz combo
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INTERMÉDIAIRE
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Music: Joel Evans, Lyrics: Adr
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CDBaby
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I Never Say No
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One Hundred Percent Pub. Co.
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.930359 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Holiday,Jazz,Love,Pop. Score and parts. 4 pages. One H...
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Jazz Combo - Level 3 - SKU: A0.930359 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Holiday,Jazz,Love,Pop. Score and parts. 4 pages. One Hundred Percent Pub. Co. #3436819. Published by One Hundred Percent Pub. Co. (A0.930359). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Maggie Herron, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe.In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight.For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL). Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless
$3.99
TomRhythm : Pop-Rock avec soft sticks, Intermédiaire/Difficile n° 7 (Lauren Daigle, You Say)
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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TomRhythm
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Pop
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Tomplay
Telechargez la partition Batterie Pop-Rock avec soft sticks, Intermediaire/Difficile n° 7 (Lauren Daigle, You Say) de TomRhythm. Partition avec audio Play A...
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Telechargez la partition Batterie Pop-Rock avec soft sticks, Intermediaire/Difficile n° 7 (Lauren Daigle, You Say) de TomRhythm. Partition avec audio Play Along. Pop/rock
5.99€
Say What?
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Say What?
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Hope Publishing - Digital
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SheetMusicPlus
Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H...
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Reproducible Score-Digital Version - SKU: H1.9171DP Choral score. 76 pages. Hope Publishing - Digital #9171DP. Published by Hope Publishing - Digital (H1.9171DP). Allen Pote.A Musical for Young Voices - The Story of the Tower of Babel Leading to Pentecost In Genesis 11 and Acts 2 we read about two events where languages helped fulfill God's purpose. When the people of Babel built the tower, they were led by the human spirit and ended up in confusion, scattered over the earth, speaking different languages. At Pentecost, people from many nations, speaking different languages, were led by the Holy Spirit; and even in their diversity, they were united. This 35-minute musical for young voices (Unison w/opt. Two-Part) links together these Old Testament and New Testament stories with songs, humor and heart. The message is, if we follow the Great Commandments - ?loving God and loving our neighbors, no matter how different from us they are or what language they speak - we will surely be filled with the Holy Spirit. A score with piano accompaniment and a singers edition without the piano part are both included for the one price. You may make as many copies as you require for use by your choir. Separate audio MP3s and instrumental parts are available, and there is a video of the debut performance on the Hope YouTube channel.
Song List
: Love Your Neighbor The Journey Everybody Think! Building a Tower Say What? The Festival of Harvest Haida Hallelujah Pentecost Scene Breathe On Me, Breath Of God Spirit Of God Go Make Disciples
$99.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
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