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ACCORDEON
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Say Something - Score Only
Partitions à imprimer
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Say Something
Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By C…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
$4.99
4.67 €
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A Great Big World
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B
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Say Something
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B. McCormick
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SheetMusicPlus
Say Something
(Accompaniment Only) - Digital Download SKU: HX.416050 Composed by Chris Stapleton,…
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(Accompaniment Only) - Digital Download SKU: HX.416050 Composed by Chris Stapleton, Justin Timberlake, Larrance Dopson, Nate Hills, and Timothy Mosley. Arranged by Mac Huff. Pop. Choral. Duration 253. Published by Hal Leonard - Digital (HX.416050).
$24.99
23.38 €
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Chris Stapleton, Justin Timberlake, Larrance Dopson, Nate Hills, and Timothy Mosley
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Mac Huff
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Say Something
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Hal Leonard - Digital
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SheetMusicPlus
Somewhere Only We Know
Chorale SATB
Choral Choir (SATB divisi) - Digital Download SKU: A0.978056 By Keane. By Richard H…
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Choral Choir (SATB divisi) - Digital Download SKU: A0.978056 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Alex Silverman. Rock. Octavo. 8 pages. Red Star #5296351. Published by Red Star (A0.978056). Keane's Somewhere Only We Know, in a version for Choir (SSAATB) and Piano. Easy to learn, fun to sing - this arrangement gives everybody a shot at the melody, while delivering on warm harmonies and vocal canons. The irresistible piano line at the heart of the original is preserved, too. Great for ambitious amateur and college choirs looking for something crowd-pleasing, and nuanced choral writing.For more like this, or just to say hello, check out my website - alexsilverman.co.uk - and get in touch by writing to alex@alexsilverman.co.uk.
$2.59
2.42 €
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Chorale SATB
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Keane
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Alex Silverman
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Somewhere Only We Know
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Red Star
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SheetMusicPlus
Say Something [accompaniment only] by TutorialsByHugo - Piano Solo
Piano seul
Performed by: TutorialsByHugo: Say Something [accompaniment only] Digital Sheetmusic - ins…
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Performed by: TutorialsByHugo: Say Something [accompaniment only] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages -- Pop Rock~~Pop~~Solo Instrumental~~Singer-Songwriter~~Adult Alternative
$9.99
9.35 €
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Piano seul
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TutorialsByHugo
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Piano Solo
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Musicnotes
Say Something [accompaniment only] by Aldy Santos - Piano Solo
Piano seul
Performed by: Aldy Santos: Say Something [accompaniment only] Digital Sheetmusic plus an i…
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Performed by: Aldy Santos: Say Something [accompaniment only] Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 2 pages -- Instrumental Pop~~Solo Instrumental~~Pop
$7.99
7.48 €
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Piano seul
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Aldy Santos
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Piano Solo
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Musicnotes
Nothing You Can Take From Me
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1349823 By Rachel …
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1349823 By Rachel Zegler And The Covey Band. By Dave Cobb and Suzanne Collins. Arranged by Javier Soria Laso. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 57 pages. Javier Soria Laso #934588. Published by Javier Soria Laso (A0.1349823). You've heard Nothing You Can Take From Me from the film The Hunger Games: The Ballad of Songbirds And Snakes (sung by Rachel Zegler) many times, but you'll be gladly astounded to hear this big band chart that puts a spin into it with great measure! After a maestoso rendition of the first verse by the brass section, the drums set up the tempo into a tour de force medium fast tempo tune influenced by Duke Jordan's Jordu (recorded by the Clifford Brown-Max Roach Quintet) & Bobby Timmons's Moanin' (recorded by Art Blakey's Jazz Messengers) that while retaining much of the original tune (verse, refrain & bridge) brings out a distinctive hard bop-influenced twist coupled with solos by tenor sax & drums as well as a powerful soli by the trumpet section and a shout chorus moment by the full band. This chart is perfect as a concert opener, anchorer or closer, and it's another good twist of the saying something old, something new in a refreshing way. Enjoy!This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$80.00
74.85 €
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Ensemble Jazz
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Rachel Zegler And The Covey Band
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Javier Soria Laso
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Nothing You Can Take From Me
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Javier Soria Laso
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SheetMusicPlus
VALS FRÅN DREFVIKEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.86 €
#
Lars Ek
#
VALS FRÅN DREFVIKEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LÄTTA FINGRAR
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.86 €
#
Lars Ek
#
LÄTTA FINGRAR
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.86 €
#
Lars Ek
#
FORNUDDSVALSEN
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
(+)
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.86 €
#
Lars Ek
#
LOVELY THOUGHTS
#
Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
#
SheetMusicPlus
SNÖKÄNGAN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.86 €
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Peace By Piece
Chorale 3 parties
Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.510162 Composed by words an…
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Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.510162 Composed by words and music by Glyn Lehmann. Pop,Rock. Octavo. 6 pages. Glyn Lehmann #3507843. Published by Glyn Lehmann (A0.510162). 'There is no path to peace. Peace is the path'. Mahatma GandhiInspired by the words of Gandhi, an uplifting song encouraging us to make peace everyday - piece by piece. For 2-parts with optional soloPeace By PieceWords and music by Glyn LehmannIntroPeace is the path Not the destinationIt’s a way of living with each otherVerse 1Sister to brotherFather to motherNeighbour to neighbourNation to nationIt takes some patience and inspirationVerse 2It starts with youIt starts with meLike those before usWe join the chorusWe add our voices, we’re making history!ChorusPeace is the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by (S) piece by peace(A) Peace by piece by peace by pieceBy peace by piece by peaceBridgeThey say that Rome wasn’t built in a dayAnd that’s just another way to sayPiece by piece is the only wayTo build something strong that’s here to stay(S) = sopranos (A) = altos© 2016 Glyn Lehmann. All rights reserved.
$2.25
2.11 €
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Chorale 3 parties
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Piece
Words and music by Glyn Lehmann
Intro
Peace is the path
Not the destination
It’s a way of living with each other
Verse 1
Sister to brother
Father to mother
Neighbour to neighbour
Nation to nation
It takes some patience and inspiration
Verse 2
It starts with you
It starts with me
Like those before us
We join the chorus
We add our voices, we’re making history!
Chorus
Peace is the path that we make
With every step that we take
We’re building bridges
Making peace by building bridges
Making peace by the path that we make
With every step that we take
We’re building bridges
Making peace by building bridges
Making peace by
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words and music by Glyn Lehmann
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Peace By Piece
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Glyn Lehmann
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SheetMusicPlus
Custos Caeli
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.836708 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.836708 Composed by Brian Joyce. 20th Century,Contemporary. 24 pages. Brian Joyce #3022299. Published by Brian Joyce (A0.836708). Full disclosure: This work is frankly atonal. Rhythms are tricky. Harmonies are unconventional to say the least. And even the form is nicely aberrant.Yet something magical happens when writing for winds: because of the weak timbre contact between the different instruments, one can write complex textures without losing clarity. One can write dissonant harmonies without having them sound harsh and grating. In fact, there are moments of surprising beauty here. Take for instance the color canons, passages combining all instruments in clusters whose harmonic and rhythmic motion is essentially static, but which shimmer with ever-changing timbres. The title translates - inexactly - to Keeper of Heaven, or Starry Watchman, or Celestial Caretaker, and refers to an imaginary character whose task it is to walk about the heavens at sunset and turn on the stars. He is the galactic equivalent of the old gentlemen who once went about Victorian streets, lighting the gas lamps and generally keeping an eye on things, making sure that all is well. I do not claim that this character is God the Father Almighty, only that he is an old gentleman. But there might very well be something wizard-ish about him!Performance time is approximately seven and a half minutes. The audio excerpt included here is of the last two minutes, where the music comes the closest to being tonal.
$11.95
11.18 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Brian Joyce
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Custos Caeli
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Brian Joyce
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.71 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Crossed Out of Christmas
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.507484 By Alan Wagst…
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.507484 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Christmas,Country,Praise & Worship. 26 pages. Alan Wagstaff #118734. Published by Alan Wagstaff (A0.507484). This is a country-style waltz, arranged for choir (SAB) and fiddle, harp and piano, which searches for the true meaning of Christmas. here is the lyric: Crossed Out of ChristmasA Good Man was framed, on a bare, rocky hill; it happened somewhere in the distance. Though He paid a high cost, He was not double-crossed, till the day He was crossed out of Christmas. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. The shops and the super-stores tell us the news; the signs. say that X-mas is here. And the message is hurled, right around the whole world –but something seems missing this year. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas. I want to re-write, on this parcel tonight, a word that somehow came adrift. Christmas! Christmas! Christmas! Lord God! ‘cos that is the true Christmas gift. Christmas and X-mas ain’t one and the same, and I guess there is only one reason. So let’s do it right, and by starlight tonight, we’ll unwrap the power of the season. ‘X’ marks the spot where a word is crossed out; ‘X’ marks the strange and suspicious. ‘X’ marks a treasure, without any doubt, since the day Christ was crossed out of Christmas.
$45.00
42.1 €
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Chorale 3 parties
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Alan Wagstaff
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Alan Wagstaff
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Crossed Out of Christmas
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Alan Wagstaff
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SheetMusicPlus
Vasaras vakara mūzika
Piano seul
Piano - advanced - Digital Download SKU: S9.Q7264 (Music for a Summer Evening)
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Piano - advanced - Digital Download SKU: S9.Q7264 (Music for a Summer Evening). Composed by Peteris Vasks. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q7264. Published by Schott Music - Digital (S9.Q7264). PÄ“teris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia; he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature. “I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various; we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic.†In 2009, as a kind of “encoreâ€, Vasks wrote Vasaras vakara mÅ«zika –Music for a Summer Evening based on old sketches and therefore rather strongly anchored in tradition. Vasks says: “It describesthe quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences rise. With the memories’ appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: ‘We have survived the time of tyranny and have kept our identity’. The ending is quiet, everything is asleep.“ (Christoph SchlürenTranslation: John Patrick Thomas and W. Richard Rieves).
$13.99
13.09 €
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Piano seul
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Peteris Vasks
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Vasaras vakara mūzika
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Schott Music - Digital
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SheetMusicPlus
Thank U, Next
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
Here’s how to play “thank u, next” by Ariana Grande on piano!<br> <br> With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of Bb minor, and comes with all parts of the song, full lyrics included.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> <br> Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!<br> <br> “thank u, next” serves as the lead single from Ariana Grande’s fifth studio album.<br> <br> Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0<br> <br> Here are the song’s full lyrics:<br> <br> <br> “Thought I'd end up with Sean<br> <br> But he wasn't a match<br> <br> Wrote some songs about Ricky<br> <br> Now I listen and laugh<br> <br> Even almost got married<br> <br> And for Pete, I'm so thankful<br> <br> Wish I could say, "Thank you" to Malcolm<br> <br> 'Cause he was an angel<br> <br> One taught me love<br> <br> One taught me patience<br> <br> And one taught me pain<br> <br> Now, I'm so amazing<br> <br> I've loved and I've lost<br> <br> But that's not what I see<br> <br> So, look what I got<br> <br> Look what you taught me<br> <br> And for that, I say<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin'<br> <br> Spend more time with my friends<br> <br> I ain't worried 'bout nothin'<br> <br> Plus, I met someone else<br> <br> We havin' better discussions<br> <br> I know they say I move on too fast<br> <br> But this one gon' last<br> <br> 'Cause her name is Ari<br> <br> And I'm so good with that (so good with that)<br> <br> She taught me love (love)<br> <br> She taught me patience (patience)<br> <br> How she handles pain (pain)<br> <br> That shit's amazing (yeah, she's amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching, and for that, I say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> I'm so fucking<br> <br> One day I'll walk down the aisle<br> <br> Holding hands with my mama<br> <br> I'll be thanking my dad<br> <br> 'Cause she grew from the drama<br> <br> Only wanna do it once, real bad<br> <br> Gon' make that shit last<br> <br> God forbid something happens<br> <br> Least this song is a smash (song is a smash)<br> <br> I've got so much love (love)<br> <br> Got so much patience (patience)<br> <br> I've learned from the pain (pain)<br> <br> I turned out amazing (turned out amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching<br> <br> And for that, I'll say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next”
$4.99
4.67 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Balta ainava
Piano seul
Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris…
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Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard Rieves
$10.99
10.28 €
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Piano seul
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Peteris Vasks (1946-)
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
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