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Vous avez sélectionné:
Schoenberg
CONTEMPORAIN - 20-21EME SIECLE
Partitions à imprimer
34 partitions trouvées
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Schoenberg-Drei Klavierstücke,3 Pieces,Op.11,for Piano
Piano seul
Composed by Arnold Schoenberg (1874-1951). Arranged by MSM. Romantic Period, Classical…
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Composed by Arnold Schoenberg (1874-1951). Arranged by MSM. Romantic Period, Classical Period. Score. 15 pages. Published by Open Cloud
$7.09
6.39 €
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Piano seul
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Arnold Schoenberg (1874-1951)
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MSM
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Schoenberg-Drei Klavierstücke,3 Pieces,Op.11,for Piano
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Open Cloud
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SheetMusicPlus
[Brooks] L'apres midi d'un Schoenberg (Piano Reduction)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.953118 Composed by Richard Brooks. Con…
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Piano,Vocal,Voice - Digital Download SKU: A0.953118 Composed by Richard Brooks. Contemporary. Score. 35 pages. American Composers Alliance Inc. #4639351. Published by American Composers Alliance Inc. (A0.953118). Piano reduction of Brooks' affectionately humorous mini-cantata in three tableaux imagined from several photos of Arnold Schönberg with libretto by Nancy Bogen. Cast for soprano, mezzo-soprano, tenor, and baritone, with flute, clarinet, violin, cello, and piano. PDF download includes piano-vocal score.
$15.95
14.37 €
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Piano, Voix
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Richard Brooks
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[Brooks] L'apres midi d'un Schoenberg
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American Composers Alliance Inc.
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SheetMusicPlus
[Brooks] L'apres midi d'un Schoenberg
Large Ensemble Cello,Clarinet,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,…
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Large Ensemble Cello,Clarinet,Flute,High Voice,Low Voice,Medium Voice,Piano Accompaniment,Violin - Digital Download SKU: A0.953116 Composed by Richard Brooks. Contemporary. Score and parts. 51 pages. American Composers Alliance Inc. #4639343. Published by American Composers Alliance Inc. (A0.953116). An affectionately humorous mini-cantata in three tableaux imagined from several photos of Arnold Schönberg with libretto by Nancy Bogen. Cast for soprano, mezzo-soprano, tenor, and baritone, with flute, clarinet, violin, cello, and piano.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$19.95
17.97 €
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Richard Brooks
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[Brooks] L'apres midi d'un Schoenberg
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American Composers Alliance Inc.
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SheetMusicPlus
The Double Life of Dr. Schoenberg for alto saxophone and live electronics
Saxophone Alto
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1008859 Composed by Michai…
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.1008859 Composed by Michail Goleminov. 20th Century,Contemporary. Individual part. 5 pages. Michail Goleminov #5302705. Published by Michail Goleminov (A0.1008859). Concert piece for alto saxophone and generative live electronics
$9.00
8.11 €
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Saxophone Alto
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Michail Goleminov
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The Double Life of Dr. Schoenberg for alto saxophone and live electronics
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Michail Goleminov
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
22.52 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
Six Little Pieces, op. 19 for Trombone and Piano
Trombone et Piano
Small Ensemble - Level 5 - Digital Download SKU: A0.792480 Composed by Arnold Schoe…
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Small Ensemble - Level 5 - Digital Download SKU: A0.792480 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and parts. 8 pages. Gordon Cherry #4988245. Published by Gordon Cherry (A0.792480). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial. Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers.
$20.00
18.01 €
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Trombone et Piano
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, op. 19 for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.5 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
'Change of scene' from Act III of Wozzeck
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.5 €
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Guitare
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III of Wozzeck
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Maggie Creek Music
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SheetMusicPlus
Excerpt from Lulu Suite
Guitare
Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by R…
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Solo Guitar - Digital Download SKU: A0.899140 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #4349085. Published by Maggie Creek Music (A0.899140). for solo classical guitar 4 pp (7 min.)ALBAN BERG (1885 -1935) Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. With it Berg discovered the way to express what he wanted to.
$5.00
4.5 €
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Guitare
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Alban Berg
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Rod Whittle
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(7 min
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Excerpt from Lulu Suite
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Maggie Creek Music
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SheetMusicPlus
Funf Klavierstucke I sehr langsam
Piano seul
Instrumental Solo - Level 5 - Digital Download SKU: A0.818287 By Stephen R Dalrympl…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). 20th Century. Individual part. 8 pages. Stephen R Dalrymple #4979561. Published by Stephen R Dalrymple (A0.818287). Fünf Klavierstücke I Sehr Langsam (Opus 23 Number 1) (Five Piano Pieces) by Arnold Schönberg (1874-1951). ♫ This opus was written in 1923. Piece # 1 is written in Schoenberg's atonal style, but is a precursor to his 12 tone pieces. Number 5 in the series was Schönberg’s first published 12 tone composition. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.59 €
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Piano seul
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Stephen R Dalrymple
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Funf Klavierstucke I sehr langsam
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Stephen R Dalrymple
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SheetMusicPlus
Three Hopper Paintings
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterso…
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Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published by Geoffrey Peterson (A0.942951). Three Hopper Paintings was written in the early 1990s. The three movements are connected by a ten-note theme. Much of the music, both melodic and harmonic, is derived from this. In my early twenties at the time, and having recently spent some months in Vienna studying the atonal and twelve-tone works of Arnold Schoenberg, I was greatly influenced by the music and compositional techniques of the Second Viennese School. The first movement, Nighthawks, is brooding and mysterious attempting to capture those qualities depicted in the painting. The music takes its cue from the early atonal piano works of Schoenberg. Rooms by the Sea has an impressionistic quality. With some exceptions, the music is predominantly in the sound world of Debussy. Some artistic license is taken with the last two chords to portray a sudden sea breeze closing the door shut. House by the Railroad is musically the most literal representation of the three paintings. The sustain pedal is left down for almost the entire movement to simulate the rumbling of an oncoming train. Allegedly, the house in Alfred Hitchcock's Psycho was inspired by it. Ironically, I lived in a small carriage house a few hundred feet from an active railroad when I composed the work.
$5.99
5.39 €
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Piano seul
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Geoffrey Peterson
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Three Hopper Paintings
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Geoffrey Peterson
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SheetMusicPlus
Transfigured Night (Verklärte Nacht, Op. 4)
Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Ro…
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Composed by Arnold Schoenberg (1874-1951). Arranged by Craig Garner. 21st Century, Post-Romantic. Score, Set of Parts. 57 pages. Published by Dorm 40 Music (S0.171403). - Score,Set of Parts - 21st Century,Post-Romantic - Dorm 40 Music
$30.00
27.02 €
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Arnold Schoenberg
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Craig Garner
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Transfigured Night
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Dorm 40 Music
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SheetMusicPlus
Inevitability
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.921429 Composed by Mat Kim. Contemp…
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Piano Solo - Level 4 - Digital Download SKU: A0.921429 Composed by Mat Kim. Contemporary. Score. 2 pages. Mat Kim #2076275. Published by Mat Kim (A0.921429). A post-tonal piece inspired by, but not wholly written in the style of Schoenberg and Webern's 12-tone and serialist compositions. The piece retains a familiarity to common practice listeners despite its atonal composition.
$4.99
4.49 €
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Piano seul
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Mat Kim
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Inevitability
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Mat Kim
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SheetMusicPlus
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
Voix Tenor, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
59.4 €
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Voix Tenor, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Songs of the Warrior
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.983164 Composed by Craig Wadley…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.983164 Composed by Craig Wadley. 20th Century,Concert,Contemporary. Score and parts. 52 pages. Wadley Publications #3043833. Published by Wadley Publications (A0.983164). This Brass Quintet won the 1996 Fine Arts Festival Music Award at Illinois State University, an international competition. Songs of the Warrior, a Brass Quintet in three movements, utilizes thematic material derived from a twelve-tone row, presented in three contrasting styles. While the piece stands on its own as absolute music following traditional formal structures, the titles of each movement do suggest a setting befitting the mood or atmosphere evoked by the music. I. The Cannon’s Mouth Following a slightly modified version of the classical sonata allegro form, this movement presents the thematic material in a freely atonal setting, Much use is made of variations of ancient two note war-horn calls, which would command soldiers to advance into direct combat with an enemy. II. Amidst the Fallen The second movement evokes images of the aftermath of battle and the horrors left on the field of war. Dynamic and rhythmic elements in the music produce a classic arch form. Melodic and harmonic structures are developed throughout the movement. III. Revelry A complete departure in style from the previous movements, Revelry features upbeat modal harmony and foot-tapping rhythms. Thematic material borrowed from the earlier movements is transformed to conform to the desired atmosphere. The form of the movement is best described as a hybrid rondo and variations. The light-hearted mood is perhaps a reflection of the joy found when a soldier returns to his home. This quintet presents three stylistically distinct movements, yet all are based on the same thematic sources. The first movement is somewhat cerebral and demands much virtuosity from the performers. The second is darker, with some almost lyrical melodic lines. The final movement is nothing if not bombastic. All-in-all, Songs of the Warrior provides a little something for everyone, from Berlioz to Schoenberg, with a little Bernstein on the side.
$29.99
27.01 €
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Ensemble de cuivres
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Craig Wadley
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Songs of the Warrior
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Wadley Publications
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SheetMusicPlus
Pierrot Serrata
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1…
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1004756 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 68 pages. Rocco Di Pietro #4355753. Published by Rocco Di Pietro (A0.1004756). 'Pierrot Serrata' is an instrumental version of 'The Serrata' piano four hand music transcribed by the composer for the Pierrot Ensemble of Schoenberg. It is a light hearted work with each cameo portrait of a friend now turned into a famous clown. Pierrot, Columbina, Ronald, Ubu Roi, Joker Arlecchino, Krusty Scaramouche and Saltembanque, all parade by. Complete with parts.
$16.00
14.41 €
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Rocco Di Pietro
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Pierrot Serrata
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Rocco Di Pietro
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SheetMusicPlus
With Thirteen (with full score and Individual parts)
Small Ensemble B-Flat Clarinet,Cello,Piano,Violin - Digital Download SKU: A0.484646…
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Small Ensemble B-Flat Clarinet,Cello,Piano,Violin - Digital Download SKU: A0.484646 Composed by Andrew Schneider. 20th Century,Classical,Contemporary. Score and parts. 39 pages. Published by Andrew Jeffery Schneider (A0.484646). For Clarinet in Bb, Piano, Violin, and VIolincello. 'With Thirteen' was written in a mostly late 20th-century style with Schoenberg's 12-tone technique creating a lot more dissonance and strange rhythms resulting in a more tense and unresolved feeling throughout the piece. The piece also uses some unique techniques that are not commonly used like the pianist plucking the strings instead of pressing the key, giving the piano a more percussive sound. In the piece, there are not very many melodies, instead, more rhythmic passages, that play as an important section.
$24.99
22.51 €
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Andrew Schneider
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With Thirteen
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Andrew Jeffery Schneider
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SheetMusicPlus
Introspection 1
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte.…
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
3.59 €
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Piano seul
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the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Seven Dedications for Piano Solo (c.1989)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.939776 Composed by Richard St. Clai…
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Piano Solo - Level 4 - Digital Download SKU: A0.939776 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score. 8 pages. Richard St. Clair #3568005. Published by Richard St. Clair (A0.939776). The short dedicatory pieces for piano are for the following composers who significantly impacted the development of the composer: Aaron Copland, Igor Stravinsky, Roger Sessions, Carl Ruggles, Alan Hovhaness, Charles Ives, and Arnold Schoenberg. The recording is by the composer at the piano, recorded in 1989 at Harvard University.
$8.99
8.1 €
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Piano seul
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Richard St
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Seven Dedications for Piano Solo
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Richard St. Clair
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SheetMusicPlus
"Humoresque" for piano Op. 3
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.980421 Composed by Gary Noland. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.980421 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 21 pages. Freeland Publications #3238021. Published by Freeland Publications (A0.980421). Duration: ca. 6 minutes (1987). A masterful piece…-Ernesto Ferreri, composer. The Humoresque is in a post-romantic, pre-impressionist style with a dash of Second-Viennese for good measure. Stylistic influences abound, including those of Emmanuel Chabrier, Richard Strauss, Arnold Schoenberg, George Gershwin, and many others. Fun and full of musical humor and wit.Listen to pianist Randall Hodgkinson's interpretation: https://www.youtube.com/watch?v=5M9jK9kEH5g
$4.50
4.05 €
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Piano seul
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Gary Noland
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"Humoresque" for piano Op. 3
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Freeland Publications
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SheetMusicPlus
Sonata in 014 & 016
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1027156 Composed by Diana Meux. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.1027156 Composed by Diana Meux. 20th Century,Contemporary. Score. 5 pages. Diana Meux #2024647. Published by Diana Meux (A0.1027156). Piano sonata in 20th century music style - Schoenberg-esque - based on 014 and 016 chord clusters, for advanced pianist.
$3.99
3.59 €
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Piano seul
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Diana Meux
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Sonata in 014 & 016
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Diana Meux
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SheetMusicPlus
Two Piano Pieces (1970)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.939791 Composed by Richard St. Clai…
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Piano Solo - Level 5 - Digital Download SKU: A0.939791 Composed by Richard St. Clair. Contemporary. Score. 14 pages. Richard St. Clair #3663969. Published by Richard St. Clair (A0.939791). These two extended pieces for solo piano require an adept specialist in modern music performance. A close attention to the fine details in this expressionistic music is a must. Musicians of 20th century music will probably notice a debt to the 20th century masters, Roger Sessions (to whom the pieces are dedicated) and Arnold Schoenberg. Total time in performance: ca. 10 minutes. The audio clip is of the entire work, the premiere performance by the composer himself at Harvard University in 1971.
$12.99
11.7 €
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Piano seul
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Richard St
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Two Piano Pieces
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Richard St. Clair
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SheetMusicPlus
Twinkle Pluto planet no more for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
9.01 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more for string quartet
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David Warin Solomons
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SheetMusicPlus
String Quartet (1987)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.924842 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.924842 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913593. Published by stanleymhoffman.com (A0.924842). Considered by the composer to be among his very finest chamber music works to date, this piece performed by the Boston Composers String Quartet at the New England Conservatory of Music in Jordan Hall, Boston, January 29, 1989, and in Weill Recital Hall, Carnegie Hall, New York City, February 12, 1989. The music is unabashedly 12-tone, but is also very lyrical much of the time. The climax of the piece is quite is triad/trichord-based and tonal-sounding. The biggest influence on the piece formally is Schoenberg's String Trio. Duration: 18:00.
$50.00
45.03 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Stanley M
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String Quartet
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stanleymhoffman.com
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SheetMusicPlus
Quintet for Flute, Oboe, Clarinet, Horn and Bassoon.
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.95…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.950853 Composed by Moshe S. Knoll. 20th Century,Contemporary. Score and parts. 61 pages. ArtsAhimsa #4969185. Published by ArtsAhimsa (A0.950853). This is a Quintet intended for concert performance, perhaps as a companion piece to the standard Quintets by Reicha and Schoenberg. The somber tone of the music makes it suitable for solemn ceremonies.
$27.00
24.32 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Moshe S
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Quintet for Flute, Oboe, Clarinet, Horn and Bassoon.
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ArtsAhimsa
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SheetMusicPlus
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