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Second Dedication
Partitions à imprimer
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Dedication 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992004 Composed by Barry Michael We…
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Piano Solo - Level 4 - Digital Download SKU: A0.992004 Composed by Barry Michael Wehrli. Holiday,Love,New Age,Standards,Wedding. Score. 3 pages. Wehrli Publications #4288005. Published by Wehrli Publications (A0.992004). Recording duration: 1:42. The complete recording begins at measure 1.Originally written as a gift to my wife, this second Dedication is now available to the public. The Dedications are brief descriptives or episodes which convey love, inspiration, admiration, or empowerment. Though written for someone special in my life, I hope these musical vignettes will serve as meaningful gifts for the cherished people in your life. May the music take you both someplace wonderful.For the remaining Dedications and all other works, visit my Sheet Music Plus catalog.Send proof of purchase to customerservice@wehrlipubs.com and I will send the studio recording heard above as a gift.Please enjoy my YouTube video: youtu.be/xTdw_V74v2I.Social media and contact information is available at the Wehrli Publications website: wehrlipubs.com.I welcome your thoughts on the music, just click Write a Review above.Member: ASCAP, Music Teachers Association of California (MTAC) and California Association of Professional Music Teachers (CAPMT).
$1.99
1.84 €
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Piano seul
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Barry Michael Wehrli
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Dedication 2
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Wehrli Publications
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SheetMusicPlus
Fantasia on the 'Dargason' from Second Suite in F
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Downl…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1302637 By Gustav Holst. By Gustav Holst. Arranged by Andrew Lamb. 20th Century. 95 pages. Andrew Lamb #892255. Published by Andrew Lamb (A0.1302637). This arrangement comes in 2 keys, concert Eb and concert F.Introducing Fantasia on the Dargason - Clarinet Ensemble Transcription 🎵🎶🎼 Dive into the enchanting world of Gustav Holst's musical genius with this faithful transcription of Fantasia on the Dargason, the fourth movement of his renowned Second Suite in F for Military Band. Holst, the English composer celebrated for his masterpiece, The Planets, showcases his versatile talent in this mesmerizing composition. Now, this transcription brings his artistry to life for clarinet enthusiasts of all levels.🔥 Level of Difficulty: Advanced 🔥This arrangement for Eb Clarinet, 2 Bb Clarinets, Alto Clarinet, and Bass Clarinets is designed to challenge and captivate seasoned clarinet players. It offers a rich tapestry of harmonies, melodies, and rhythms that will test your skills and captivate your audience.🎓 Potential Uses: 🎓 🎶 Concerts: Elevate your performance with this arrangement's depth and complexity. It's the perfect addition to your concert repertoire, sure to leave a lasting impression on your audience. 🎵 Recitals: Showcase your virtuosity and musicality in a recital setting. Fantasia on the Dargason will captivate your listeners and make your recital an unforgettable experience. 📚 Educational Purposes: Use this arrangement to challenge and inspire students. It's an excellent tool for teaching advanced clarinet techniques and exploring Holst's innovative compositions. 🌟 About Gustav Holst: 🌟Gustav Theodore Holst, a visionary English composer, arranger, and teacher, left an indelible mark on the world of music. Best known for The Planets, his influence extended across various genres. His unique compositional style drew inspiration from Richard Wagner, Richard Strauss, English folksongs, and rising modern composers like Maurice Ravel.🎹 Despite early aspirations as a pianist, Holst overcame adversity to become a renowned composer. He taught at the Royal College of Music, played the trombone professionally, and left a lasting legacy in music education. His contributions to music festivals and his pioneering work at St Paul's Girls' School continue to influence generations of musicians.🌿 Second Suite in F for Military Band by Holst: 🌿Holst's Second Suite in F for Military Band is a gem in the band repertoire. Composed in 1911 and dedicated to James Causley Windram, it remains a staple for bands worldwide. Drawing from his fascination with folk music, Holst seamlessly weaves traditional tunes into this masterful suite. Seven timeless melodies come alive through four captivating movements, showcasing Holst's brilliance.This arrangement pays homage to Holst's dedication to the craft, preserving the suite's complexity and charm while showcasing the clarinet ensemble's prowess.Experience the magic of Holst's Fantasia on the Dargason in this arrangement—a masterpiece that will leave audiences spellbound and musicians inspired. 🌠🎶.
$10.00
9.24 €
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Quintette de Clarinettes: 5 clarinettes
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Gustav Holst
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Andrew Lamb
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Fantasia on the 'Dargason' from Second Suite in F
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Andrew Lamb
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SheetMusicPlus
Beethoven - String Quartet No.8 in E minor, Op.59 No.2 "Second Rasumowsky-Quartet"
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.1114345 Composed by Ludwig…
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String Quartet String Quartet - Digital Download SKU: A0.1114345 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical. 80 pages. J.G. Cuco Barber #716276. Published by J.G. Cuco Barber (A0.1114345). Work Title String Quartet No.8 Alternative Title Second Rasumowsky-Quartet Composer Beethoven, Ludwig van Opus/Catalogue Number Op.59 No.2 Key E minor Movements/Sections 4 movements: 1. Allegro (E minor) 2. Molto Adagio. Si tratta questo pezzo con molto di sentimento (E major) 3. Allegretto (E minor) - Maggiore, Thème russe. (E major) 4. Finale. Presto (E minor) Year/Date of Composition 1806 First Publication 1808 (January) - Vienna: Comptoir des Arts et de l'Industrie Dedication Andreas Kyrillowitsch Graf Rasumowsky Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
21.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ludwig van Beethoven
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J
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Beethoven - String Quartet No.8 in E minor, Op.59 No.2 "Second Rasumowsky-Quartet"
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J.G. Cuco Barber
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SheetMusicPlus
Dedication to Bill Evans
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Score. 4 pages. Zellev Music #797617. Published by Zellev Music (A0.1198473). Key Signature: Bâ™ MajTime Signature: 3/4Tempo: Adagio Rubato (Slowly as the performer feels like)Difficulty: Intermediatenot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$4.50
4.16 €
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Piano seul
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Yury Markin
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Yury Chugunov and Zellev
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Dedication to Bill Evans
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Zellev Music
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SheetMusicPlus
Second Dedication
Piano seul
Composed by Ennio Morricone (1928-). Arranged by jeff siesser. Film/TV. Score. 1 pag…
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Composed by Ennio Morricone (1928-). Arranged by jeff siesser. Film/TV. Score. 1 pages. Mercenary Publications #755961. Published by Mercenary Publications
$4.99
4.61 €
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Piano seul
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Ennio Morricone (1928-)
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jeff siesser
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Second Dedication
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Mercenary Publications
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SheetMusicPlus
B-A-C-H / Intermezzo breve
Piano seul
Piano - intermediate to advanced - Digital Download Two Piano Pieces. Composed by Pau…
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Piano - intermediate to advanced - Digital Download Two Piano Pieces. Composed by Paul Dessau (1894-1979). This edition: Sheet music. Downloadable. Duration 2 minutes 30 seconds. Schott Music - Digital #Q5933. Published by Schott Music - Digita
Paul Dessau, whose collaboration with Bertolt Brecht made a significant impression in the consciousness of music-lovers, is an extremely versatile composer. Two short pieces from his piano works are now published for the first time: the unconventional study on "B-A-C-H" and the "Intermezzo breve", whose tempo marking "Grotewohl tempo" serves to point its dedication to the politician Otto Grotewohl.
$10.99
10.15 €
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Piano seul
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Paul Dessau
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B-A-C-H / Intermezzo breve
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Schott Music - Digita
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SheetMusicPlus
A Breeze from Alabama
Trompette, Piano
Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin…
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Trumpet, piano - Level 3 - Digital Download SKU: A0.972642 Composed by Scott Joplin. Arranged by James Siddons. Folk,Holiday,Patriotic,Ragtime. Score and parts. 24 pages. James Siddons Music and Writings #3124007. Published by James Siddons Music and Writings (A0.972642). Although published as a piano solo (1902), A Breeze from Alabama is subtitled March and Two Step and has a dedication on the cover to P. G. Lowery (Perry George Lowery, 1871-1942), World's Challenging Colored Cornetist and Band Master. Thus, A Breeze from Alabama may well have been conceived as a march for military band but published only as a piano solo. No band arrangement by Joplin is known to exist, but Joplin could have done this, as he himself was a cornetist as well as pianist, and had played cornet in bands like Lowery's many times. Drawing on this information, the present arrangement by James Siddons (2017) is based on the following assumptions: 1. A Breeze from Alabama originated as a march (in march-trio form) for military band. 2. The 1902 publication is a piano reduction of that band work. The melodic lines intended for cornet solo are generally discernible in the piano reduction. 3. A setting for piano duet (or ensemble) keeps this work in the tradition of ragtime piano while also emulating the fulsome tone colors of brass instruments to a degree that a solo piano cannot do. Thus this arrangement is not a solo-and-accompaniment setting, but a setting for large ensemble with soloist. It is collaborative music, akin to a concerto. This piano duet part may be performed by two pianists at one piano, or two pianists at two pianos, or four pianists at two pianos, or even six pianists at three pianos, with or without a conductor. The cornet part may be played on trumpet. There are three score or part versions for sale:1. The full score is for use by a conductor or instructor. An audio track (mp3, virtual sounds) is posted here.2. The piano duet (or ensemble) score has the Primo and Secondo parts shown on facing left and right pages as is standard for piano duet music. (No audio recording.)3. The cornet (or trumpet) part is sold separately and has a rehearsal recording posted, in which only the piano duet music is heard. This arrangement features a cadenza for cornet composed by James Siddons. The cadenza is found in measures 115-119 in the score and cornet part. In the rehearsal recording, there is five seconds of silence beginning 2 mins, 44 secs into the audio track. The music resumes at measure 120. To practice with the cadenza, press pause on your media player; to practice without the cadenza, simply wait the silence out.
$5.00
4.62 €
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Trompette, Piano
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Scott Joplin
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James Siddons
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dedication on the cover to P
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A Breeze from Alabama
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James Siddons Music and Writings
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SheetMusicPlus
Albinoni Sonata per Pisendel in B flat major
Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.890771 Composed …
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Small Ensemble Cello,Harpsichord,Violin - Digital Download SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 8 pages. Sneakwood Editions #4782289. Published by Sneakwood Editions (A0.890771). While in Venice, Pisendel met another of the great Italian composers of the time, Tomaso Albinoni. Albinoni, too, was captivated by the young virtuoso, to the extent that Pisendel returned to Dresden with three sonatas for violin and continuo copied by the Italian master himself. But, although we can assume that all three sonatas were dedicated in some way to Pisendel, it is the Sonata for violin and continuo in B flat Major that bears a special dedication on its frontispiece: Sonata a Violino solo di me Tomaso Albinoni Composta p[er] il Sig:[re] Pisendel. And not only this dedication but also certain musical aspects lead us to believe that the sonata in question may have been written specifically for Pisendel. The sonata goes beyond Albinoni’s usual technical requirements, exploring the upper register of the violin in a way that appears only rarely in other sonatas by this Italian. And, in the second movement, marked Allegro, we find an unusual and virtuoso use of triple stops in a fast semi-quaver rhythm. This singular effect is used by Albinoni in only one other work, the Concerto for violin and strings in C Major Co2, although with a strange and interesting nuance: of the versions of the concerto that remain we find this technique only in a manuscript version in Dresden, the version that Pisendel brought back from Italy in 1717 together with the sonata. Other versions of the concerto, such as the one published by Roger around 1717, or other manuscript versions do not contain the triple-stop passages. This suggests that they may be a personal touch added by Albinoni in recognition of Pisendel’s remarkable performing skills.
$10.00
9.24 €
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Tomaso Giovanni Albinoni
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Sneakwood Editions
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Albinoni Sonata per Pisendel in B flat major
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Sneakwood Editions
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SheetMusicPlus
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.71 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Gloria - Full Score
Orgue
Organ - Level 3 - Digital Download SKU: C7.CGB609 Composed by Antonio Vivaldi and G…
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Organ - Level 3 - Digital Download SKU: C7.CGB609 Composed by Antonio Vivaldi and Gary Jungkeit. Arranged by Antonio Vivaldi and Gary Jungkeit. Christmas, General. With Organ. Full score. 8 pages. Chorister's Guild - Digital #CGB609. Published by Chorister's Guild - Digital (C7.CGB609). UPC: 749193014431.Levels 1 and 2 * After the Prelude, Year C is the second release in the three-year, lectionary-based worship resource series for handbell directors. As with the previous volume, the original purchaser is granted permission to reproduce the music as needed for ringers and other instrumentalists. Congregational parts also include permission to duplicate and are provided in both PDF and TIFF formats in the Digital Version. The Digital Version includes a CD-ROM containing PDFs of the music, and the Printed Version includes loose-leaf pages for easy photocopying. Both editions contain an audio CD and indexes for worship planning. After the Prelude provides resources for specific days in the church year, as well as additional music for general use. Also included in this volume are resources for weddings, memorial services, and handbell dedications.
$9.95
9.19 €
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Orgue
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Antonio Vivaldi and Gary Jungkeit
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Gloria - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
Gloria
Cloches
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB610 Composed b…
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB610 Composed by Antonio Vivaldi and Gary Jungkeit. Arranged by Antonio Vivaldi and Gary Jungkeit. Christmas, General. With Organ. Score. 8 pages. Chorister's Guild - Digital #CGB610. Published by Chorister's Guild - Digital (C7.CGB610). UPC: 749193014448.Levels 1 and 2 * After the Prelude, Year C is the second release in the three-year, lectionary-based worship resource series for handbell directors. As with the previous volume, the original purchaser is granted permission to reproduce the music as needed for ringers and other instrumentalists. Congregational parts also include permission to duplicate and are provided in both PDF and TIFF formats in the Digital Version. The Digital Version includes a CD-ROM containing PDFs of the music, and the Printed Version includes loose-leaf pages for easy photocopying. Both editions contain an audio CD and indexes for worship planning. After the Prelude provides resources for specific days in the church year, as well as additional music for general use. Also included in this volume are resources for weddings, memorial services, and handbell dedications.
$4.50
4.16 €
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Cloches
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Antonio Vivaldi and Gary Jungkeit
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Gloria
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Chorister's Guild - Digital
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SheetMusicPlus
Take My Life and Let It Be
Small Ensemble Marimba,Piano Accompaniment,Trumpet,Violin,Xylophone - Level 3 - Digital Do…
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Small Ensemble Marimba,Piano Accompaniment,Trumpet,Violin,Xylophone - Level 3 - Digital Download SKU: A0.969531 Arranged by Zachary Damm. Christian,Instructional,Renaissance,Sacred. Score and parts. 5 pages. Digital Print Publishing #2927269. Published by Digital Print Publishing (A0.969531). This arrangement blends Martin Luther’s baptismal hymn with the more familiar dedicational song Take My Life and Let It Be. The staunch tones that begin and conclude the piece transport one to the Jordan River and invite one to think on the meaning of baptism. The middle of the piece provides a pensive meditation upon Christian service. This conductor’s score contains lead, first, and second trumpet parts, a violin part, a xylophone part (or other tuned mallet instrument), and a piano accompaniment. The trumpet parts could be adapted to other brass instruments.
$5.00
4.62 €
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Zachary Damm
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Take My Life and Let It Be
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Digital Print Publishing
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SheetMusicPlus
[Sacco] Book of Whimsy
Piano seul
Piano Solo - Digital Download SKU: A0.952627 Composed by Steven Sacco. Contemporary…
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Piano Solo - Digital Download SKU: A0.952627 Composed by Steven Sacco. Contemporary. Score. 48 pages. American Composers Alliance Inc. #4611267. Published by American Composers Alliance Inc. (A0.952627). A series of dedications to pianists whose influence upon Sacco was formative, organized in three folios of six pieces each. The first folio comprises the briefest pieces --- the original six; in the second folio the pieces become longer and more intricate, and, in the third folio, they extend into even longer pieces with a greater depth of form. Folio IAndante rubato: C major.....for William KomaikoAllegro furioso: A minor.....for William KomaikoAllegretto poco piu: G major.....for Nathan BucknerAllegro poco schmalzando: D major.....for Nathan BucknerAndante con moto: F# minor.....for William KomaikoAndante poco agitato: F major.....for Nathan BucknerFolio IILento rubato: Db major.....In memoriam Oscar PetersonPrestissimo brillante: B major.....for Olli MustonenModerato con moto: Eb major.....In memoriam Bill EvansVivace: D minor.....for Chick CoreaGrave: B minor.....In memoriam Beveridge WebsterAllegro con fuoco: Bb Major.....In memoriam Rebecca La BrecqueFolio IIIModerato quasi pizzicato: Ab minor.....In memoriam Bud PowellAllegro con brio: Ab major.....for Andras SchiffAdagio: Gb major.....for Amad JamalPresto: E minor.....for Mike NockMaestoso: E Major.....for Andrew ThomasAndante rubato: C Major.....for Alexandra Eames
$14.95
13.81 €
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Piano seul
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Steven Sacco
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[Sacco] Book of Whimsy
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American Composers Alliance Inc.
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
72.02 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.67 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thinking Händel for Baroque Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
2.77 €
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Alessandro Macrì
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Thinking Händel for Baroque Horn Quartet
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Music Macri Editions
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SheetMusicPlus
That We May Give Ourselves — SATB voices, organ
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1472849 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050479. Published by Con Spirito Music (A0.1472849). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.85 €
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Chorale SATB
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Todd Marchand
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That We May Give Ourselves — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
That We May Give Ourselves — SAB voices, organ
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1472847 Compose…
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Choral Choir,Choral,SAB Chorus - Level 3 - Digital Download SKU: A0.1472847 Composed by Todd Marchand. Christian,Sacred. 5 pages. Con Spirito Music #1050477. Published by Con Spirito Music (A0.1472847). “That We May Give Ourselves” is a short anthem based on a traditional collect — a prayer comprising an invocation, petition, and conclusion — that appears in various Anglican prayer books. The invocation, “Eternal God and Father, by whose power we are created and by whose love we are redeemed” acknowledges the eternity, creative power, and redeeming love of God. The petition, “Guide and strengthen us by your Spirit, that we may give ourselves to your service, and live this day in love to one another, and live this day in love to you” asks for the aid of the Holy Spirit in service to God and recalls Jesus's words in the Gospel of Matthew, 22:37-39: “And [Jesus] said to him, ‘You shall love the Lord your God with all your heart and with all your soul and with all your mind. This is the great and first commandment. And a second is like it: You shall love your neighbor as yourself.’”The conclusion, “through Jesus Christ our Lord,” reflects the mediating role of Jesus Christ the Son, as expressed in I Timothy 2:5 (“For there is one God, and there is one mediator between God and men, the man Christ Jesus”) and Ephesians 2:18 (“For through him we both have access in one Spirit to the Father”).Appropriate at any time of year, this short anthem of dedication is an ideal offertory selection. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.85 €
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Chorale 3 parties
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Todd Marchand
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That We May Give Ourselves — SAB voices, organ
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Con Spirito Music
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SheetMusicPlus
Elegy In Memoriam Horatio Parker
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393963 Composed by George Whit…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393963 Composed by George Whitefield Chadwick. 19th Century,20th Century,Classical,Romantic Period. 54 pages. RÄ?sFacta Editions #977416. Published by RÄ?sFacta Editions (A0.1393963). George Whitefield Chadwickâ??s Elegy â?? originally composed for organ and later orchestrated by the composer â?? bears the dedication, â??In Memoriam Horatio Parker.â? The Elegy is a mournful and reflective composition written in memory of Horatio Parker, an influential American composer in his own right, and Chadwickâ??s colleague, friend, and one-time pupil. Chadwick and Parker were part of the Second New England School of composers, a group that aimed to establish a distinctly American musical identity in the late 19th and early 20th centuries. Chadwick's Elegy reflects his deep respect and admiration for Parker, as well as his own sense of loss at Parker's passing. The piece embodies somber and contemplative emotions, expressed through lush harmonies, poignant melodies, and moments of dramatic intensity.
$48.00
44.35 €
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Orchestre
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George Whitefield Chadwick
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Elegy In Memoriam Horatio Parker
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RÄ?sFacta Editions
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SheetMusicPlus
Bagatelles Chanteés
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexande…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silence #773511. Published by Abundant Silence (A0.1173365). Bagetelles Chanteés by Alexander Liebermann For Piano and Soprano, Early Advanced, 10 Pages The Bagatelles Chantées is a song cycle based on three poems that I wrote during my two first years in New York City. It is only after my studies at the Juilliard School in 2015 that I decided to set them to music. Each of the songs had to have, like the poems themselves, its distinct style. Accordingly, I came up with the idea of making them - to a certain extent - style studies. In the dedication line under every song title in this edition you will find the name of the composer whose style I gave my best to emulate. The first song, Spleen, is dedicated to Olivier Messiaen. The second song, Silence, is dedicated to Gérard Grisey. The third and last song, La Reine (The Queen), is dedicated to Francis Poulenc.​-Alexander Liebermann.
$20.00
18.48 €
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Piano, Voix
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Alexander Liebermann
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Bagatelles Chanteés
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Abundant Silence
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SheetMusicPlus
I am Thine, O Lord
Chorale 2 parties
Two-part chorus - Digital Download SKU: C7.CGA881 Composed by Mark Patterson and Pe…
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Two-part chorus - Digital Download SKU: C7.CGA881 Composed by Mark Patterson and Pete Butler. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA881. Published by Chorister's Guild - Digital (C7.CGA881). UPC: 749193006788.This fresh, new arrangement of a well known Fanny Crosby text set to a new tune by Pete Butler is a must have for every children's choir. The optional second part can easily be learned by young singers, adding dimension to the sturdy melody. Gentle syncopation in the accompaniment keeps the melody flowing throughout. Perfect for use in a service of dedication, hymn festival, or any worship occasion.
$1.95
1.8 €
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Chorale 2 parties
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Mark Patterson and Pete Butler
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I am Thine, O Lord
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Chorister's Guild - Digital
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SheetMusicPlus
Music of Creation
Unison, SATB - Digital Download SKU: C7.CGA875 Composed by Anna Laura Page. General…
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Unison, SATB - Digital Download SKU: C7.CGA875 Composed by Anna Laura Page. General. Combined Choirs. With 3 octaves handbells. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA875. Published by Chorister's Guild - Digital (C7.CGA875). UPC: 749193006467.This fresh, new arrangement of a well known Fanny Crosby text set to a new tune by Pete Butler is a must have for every children's choir. The optional second part can easily be learned by young singers, adding dimension to the sturdy melody. Gentle syncopation in the accompaniment keeps the melody flowing throughout. Perfect for use in a service of dedication, hymn festival, or any worship occasion.
$2.10
1.94 €
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Anna Laura Page
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Music of Creation
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Chorister's Guild - Digital
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SheetMusicPlus
Sing Joyfully to God!/Go Forth into the World! (Downloadable Choral Score)
Chorale SATB
SATB choir, congregation, organ, brass quartet, timpani - Moderately Easy - Digital Downlo…
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SATB choir, congregation, organ, brass quartet, timpani - Moderately Easy - Digital Download SKU: MQ.60-6300-E Composed by James Chepponis. Ascension, Good Shepherd Sunday, Thanksgiving, Trinity, Building Dedication, Church Anniversary, Confirmation, Ordination/Installation. Instrument part. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6300-E). English. Psalms 100;Matthew 28:19-20.This hymn concertato on FESTAL SONG contains two complete texts, increasing its usefulness. The first text is based on Psalm 100 and is suitable as a hymn to begin a service, and the second is based on Matthew 28:19-20 and is suitable to conclude a service. (They are not intended for use in the same service.) It begins with a brass and choral fanfare that leads into a sturdy unison rendition of the first stanza, and develops from there, including the option of a choral stanza without organ, brass, timpani, or congregation. A modulation recaps the opening fanfare and leads into the final stanza with a vocal descant and a florid part for a solo reed stop on the organ. A reproducible page for congregation is included.Parts included:Trumpets I and II in B-flatTrumpets I and II in CTrombones I and IIopt. Horn in F (sub. for Trombone I)TimpaniOrgan.
$2.65
2.45 €
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Chorale SATB
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James Chepponis
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Sing Joyfully to God!/Go Forth into the World!
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Allegro con grazia from Symphony no. 6 'Pathétique', Op. 74 - PI Tchaikovsky (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802566
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802566 Composed by PI Tchaikovsky. Arranged by Peet du Toit. Contemporary. Score and parts. 12 pages. Peet du Toit #5793667. Published by Peet du Toit (A0.802566). Tchaikovsky’s Symphony No. 6 in B minor, known as the Pathetique, was composed in 1893, and had its premiere that fall. The symphony is the last of Tchaikovsky, who died nine days after its premiere. A memorial concert of the work was performed 21 days later. This work of Tchaikovsky evokes much mystery as it is programmatic, however Tchaikovsky did not divulge the program. Theories of its intended program lie in its dedication, to his nephew (with whom he was said to be in love), and also in the fact that his death soon followed, evoking the theory that the symphony was a musical suicide note. Regardless of Tchaikovsky’s intent, the symphony is filled with emotion, suffering, and passion, (hence the name, Pathetique) and is at the pinnacle of music of the late Romantic period and an expression of Tchaikovsky’s inner world. Here is an excerpt of the second movement, a dance movement in ternary form, is in 5/4 time. It has been described as a limping waltz.
$15.00
13.86 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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PI Tchaikovsky
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Peet du Toit
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Allegro con grazia from Symphony no. 6 'Pathétique', Op. 74 - PI Tchaikovsky
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Peet du Toit
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SheetMusicPlus
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