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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
See description
Sheetmusicplus
Non classifié
108
Piano & claviers
Piano, Voix
38
Piano seul
26
Piano, Voix et Guitare
6
Piano Trio: piano, violon, violoncelle
4
Instruments en Do
3
Piano Facile
2
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue
1
Accordéon
1
+ 6 instrumentations
Retracter
Guitares
Guitare
9
Ligne De Mélodie, (Paroles) et Accords
3
Voix
Chorale SATB
11
Chorale 2 parties
6
Chorale SSAA
1
Voix haute
1
Vents
2 Flûtes traversières (duo)
25
Clarinette et Piano
16
Saxophone Alto et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
4
Flûte, Hautbois, Clarinette, Basson
4
Quintette de Saxophone: 5 saxophones
3
Saxophone Baryton, Piano
2
Saxophone Soprano et Piano
1
2 Saxophones (duo)
1
Saxophone Tenor et Piano
1
Clarinette
1
Flûte traversière et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trompette, Piano
3
Trombone et Piano
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
1
3 Trombones (trio)
1
Tuba et Orgue
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
Trombone
1
Euphonium, Piano (duo)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
5
Alto, Piano
5
Violoncelle
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle, Piano
3
Contre Basse
2
Trio à cordes
2
Violon
2
Alto seul
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
2 Violoncelles, Piano
1
Violon, Alto (duo)
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
12
Orchestre de chambre
6
Ensemble de cuivres
5
Orchestre
3
Cloches
2
Orchestre à Cordes
2
Ensemble Jazz
2
+ 2 instrumentations
Retracter
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
See description
SheetMusicPlus
Partitions à imprimer
422 partitions trouvées
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401
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pl
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Daniel Carter
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. ...
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High Voice,Vocal Solo - Level 5 - SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
Gates Ajar. Descriptive Ballad
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Piano, Voix
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G
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Gates Ajar. Descriptive Ballad
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.3840 Composed by G. Estabrook. Deathbeds, Fathers & children, Prayer, Spouses, Love. Lester S. Levy Collection. 6 pages. Publi...
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Piano and voice - SKU: LV.3840 Composed by G. Estabrook. Deathbeds, Fathers & children, Prayer, Spouses, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3840). Gates Ajar. Descriptive Ballad. Composed by G. Estabrook. Published 1869 by Balmer & Weber, 206 N. 5th St. in St. Louis. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Deathbeds, Fathers & children, Prayer, Spouses, Love. First line reads See! the pearly gates are op'ning, angels wait my fleeting breath.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Midnight Carousel by Grant Horsley. Piano Backing Track(see description)
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Grant Horsley
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Midnight Carousel by Grant Hor
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Grant Horsley
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SheetMusicPlus
B-Flat Clarinet,Flute,Violin - SKU: A0.1466062 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV,Halloween. Accompaniment. Dura...
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B-Flat Clarinet,Flute,Violin - SKU: A0.1466062 Composed by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV,Halloween. Accompaniment. Duration 216. Grant Horsley #1044665. Published by Grant Horsley (A0.1466062). Piano Bacling Track for Midnight Carousel- instruments:Flute Duet,Violin DuetFlute and Clarinet DuetAll in Concert D minor.Very useful for practise, performance or assessment when there is no pianist available.
$3.75
Prelude In C Minor- Homage to JS Bach- Piano Backing Track (see description)
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Musique Sacrée
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Grant Horsley
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Prelude In C Minor- Homage to
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Grant Horsley
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SheetMusicPlus
B-Flat Clarinet,Flute,Oboe - Level 3 - SKU: A0.1468417 Composed by Grant Horsley. 20th Century,Baroque,Classical,Instructional,Praise & Worship. Accompa...
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B-Flat Clarinet,Flute,Oboe - Level 3 - SKU: A0.1468417 Composed by Grant Horsley. 20th Century,Baroque,Classical,Instructional,Praise & Worship. Accompaniment. Duration 265. Grant Horsley #1046735. Published by Grant Horsley (A0.1468417). Piano Backing Track for Prelude In Cminor Homage to JS Bach Composed by Grant Horsley.Suitable for Clarinet in B Flat, Flute and Oboe versions. All in Concert C Minor.Very useful for practise, performance or assessment when there is no pianist available.
$3.50
"Dark Eyes" Traditional Folk Song. Arr G. Horsley- Piano Accompaniment Part ( see description)
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Piano seul
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Folk Song
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Grant Horsley
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"Dark Eyes" Traditio
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Grant Horsley
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SheetMusicPlus
Piano - SKU: A0.1070517 Composed by Folk Song. Arranged by Grant Horsley. Folk,Romantic Period,Standards,Wedding. Accompaniment. Duration 274. Grant Hor...
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Piano - SKU: A0.1070517 Composed by Folk Song. Arranged by Grant Horsley. Folk,Romantic Period,Standards,Wedding. Accompaniment. Duration 274. Grant Horsley #6231333. Published by Grant Horsley (A0.1070517). Dark Eyes Piano accompaniment part for either the Flute Duet or Flute and Clarinet duet (arranged G Horsley).This is the Piano accompaniment part to accompany the sheet music.
$3.50
Morning in New York- by Grant Horsley- Piano accompaniment Track (see description)
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Accompagnement Piano
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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Morning in New York- by Grant
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Grant Horsley
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,Flute,Trumpet - Level 3 - SKU: A0.1266291 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. 21st Century,Con...
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Alto Saxophone,B-Flat Clarinet,Flute,Trumpet - Level 3 - SKU: A0.1266291 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. 21st Century,Contemporary,Film/TV,Latin,Wedding. Accompaniment. Duration 234. Grant Horsley #859021. Published by Grant Horsley (A0.1266291). This is the piano accompanimnet track for Morning in New York composed by Grant HorsleyOnly for use with : Flute, Clarinet in Bflat, Trumpet in B flat and Alto Sax versions.Ideal for those without a pianist or in need of a rehearsal/performance backing.
$4.00
Night-Time in New York by Grant Horsley- Piano Accompaniment Track (see description)
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Accompagnement Piano
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Grant Horsley
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Grant Horsley
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Night-Time in New York by Gran
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Grant Horsley
#
SheetMusicPlus
Alto Saxophone,Flute - SKU: A0.1266292 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Classical,Film/TV,Jazz,Wedding. Accompanimen...
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Alto Saxophone,Flute - SKU: A0.1266292 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Blues,Classical,Film/TV,Jazz,Wedding. Accompaniment. Duration 229. Grant Horsley #859023. Published by Grant Horsley (A0.1266292). This is the piano accompaniment track for Night-Time in New York by Grant Horsley.Only for use : with the Flute or Alto Sax version.Ideal for those without a pianist or who wish to have a reheasal/performance backing.Note- as the piece begins with a blind start- three gentle clicks are given for entry which can be edited out if necessary.
$4.00
The Theremin Play Along Book
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See description
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Tim Labor
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The Theremin Play Along Book
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Tim Labor
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SheetMusicPlus
C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classica...
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C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classical,Contemporary,Instructional,Opera. Individual part. 65 pages. Tim Labor #809664. Published by Tim Labor (A0.1212146). Patented in 1928 by Russian/Soviet television and surveillance researcher Leon Theremin, the instrument named for him is one of the world’s oldest electronic musical instruments.As a performer, the Thereminist pays some prices. They do not touch their instrument when playing, they cannot operate the device with people in range of the sensors (there are no Theremin sections in symphony orchestras), and compared to other instruments there are few teachers. Learning to play a Theremin is a lonely experience.Enter the public domain and the Digital Age, where increased online resources for listening to music on free streaming services and other platforms, form a special opportunity to jam.The Theremin Play-Along Book is a collection of twenty-eight imaginary parts for classical compositions that allow the Thereminist to solo along with existing recordings, integrate into a Western orchestral or chamber concert, or hone playing and listening skills by singing in an online shower. The volume includes selections from Puccini, Verdi, Faure, Debussy and even adaptations of Wagner's Liebestod and Rimsky-Korsakov's Flight of the Bumble Bee.
$15.99
Concerto for Trumpet and Orchestra (trumpet solo and piano reduction only)
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Concerto for Trumpet and Orche
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Gary Friedman
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Trumpet - Level 4 - SKU: A0.889882 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Piano,Trumpet - Level 4 - SKU: A0.889882 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 31 pages. Gary Friedman #12925. Published by Gary Friedman (A0.889882). Please see description of Concerto for Trumpet and Orchestra, sold separately. It includes audio clip of 3rd movement with orchestra. The other 2 movements can be heard at my website, www.garyfriedmanmusic.net. This solo (both B flat and E flat trumpet music is provided) with piano makes a very nice recital piece. Each of the 3 movements is about 5 minutes.
$5.00
WW1 Favourties
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Contemporain
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Various
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K Davies
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WW1 Favourties
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Bandmusic.co.uk
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SheetMusicPlus
Small Ensemble Drums,Vibraphone - Level 3 - SKU: A0.867539 Composed by Various (see description). Arranged by K Davies. 20th Century. Score and parts. 6...
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Small Ensemble Drums,Vibraphone - Level 3 - SKU: A0.867539 Composed by Various (see description). Arranged by K Davies. 20th Century. Score and parts. 68 pages. Bandmusic.co.uk #3602663. Published by Bandmusic.co.uk (A0.867539). A fresh arrangement of WW1 favourites including Oh! I hate to get up in the morning (I Berlin), Pack up your troubles (F Powell), It's a long way to Tipperary (J Judge & H Williams), Keep the home fires burning (I Novello), In Flanders field (J P Sousa), Goodbye-ee (R P Weston & B Lee), Take me back to dear old Blighty (A J Mills, F Godfrey & B Scott). (Duration 6:05 with repeats and optional ending).
$45.00
Moving Between
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Haydn Reeder
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Moving Between
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1156088 Composed by Haydn Reeder. Chamber,Contemporary. 16 pages. Haydn Brett Reede...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1156088 Composed by Haydn Reeder. Chamber,Contemporary. 16 pages. Haydn Brett Reeder #756401. Published by Haydn Brett Reeder (A0.1156088). Parts only. See description of score. This movement may be played separately or along with movements II and III titled 'Breathing' and 'Drama' respectively. All three movements are available on this site.
$4.00
Breathing
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Haydn Reeder
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Breathing
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1156077 Composed by Haydn Reeder. Chamber,Contemporary. 8 pages. Haydn Brett Reeder...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1156077 Composed by Haydn Reeder. Chamber,Contemporary. 8 pages. Haydn Brett Reeder #756392. Published by Haydn Brett Reeder (A0.1156077). See description of the score.
$4.00
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
Triptych for String Orchestra (Parts only)
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Orchestre à Cordes
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AVANCÉ
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Igor Korneitchouk
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Triptych for String Orchestra
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Studio at the Post
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published b...
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String Orchestra - Level 5 - SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
$5.02
Vorbeiziehende Bäume [Trees Passing By - 2 Sax]
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Juan MarÃa Solare
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Vorbeiziehende Bäume [Tre
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #33687...
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Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #3368739. Published by Juan Maria Solare (A0.596510). Vorbeiziehende Bäume [Trees passing by] is a piece for 2 saxophones where the Southamerican origin of the composer clearly arises to the surface: an original metamorphosis of the tango argentino flirting with jazz. Vorbeiziehende Bäume is part of a set of eleven pieces for saxophone duo (all others will be uploaded soon) called Eisenbahn (Railroad). All eleven pieces have titles related to the railway. If you are wondering why a German title, the reason is quite simple: that's where the composer lives. In this edition, Vorbeiziehende Bäume is offered in four instrumental combinations: - 2 saxophones (2 Tenor or 2 Alto) - Alto Sax + Tenor Sax - 2 Baritone Sax - Bb Clarinet + Tenor Sax No parts are needed: scores are already transposed (practice showed that it is much efficient to read this piece from the score, seeing also the partner's part). The piece, that is dedicated to Albanian clarinetist Ibrahim Gunbardhi, has been performed by him together with Mr. Thomas Sauer. Here is a rehearsal: https://www.youtube.com/watch?v=Y0_6xIGHRb0 The composer's description on the score reflects an experience that most of us had: Imagine you are on a train. You see different landscapes through the window. But somehow it's always the same.
$2.50
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
A Stroll on Duke Street
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Cloches
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FACILE
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Christian contemporain
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Musique Sacrée
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John Hatton
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A Stroll on Duke Street
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Bronze:FX
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Sc...
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Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Score. 6 pages. Bronze:FX #897142. Published by Bronze:FX (A0.1307883). The title is derived from the tune name “Duke Street†and it depicts both the tempo and style of the arrangement. It is flowing and meditative, with colorful LV patterns and melody both in the bass and treble.The arrangement is for full bell choir using 3-6 octaves of handbells. Rated at a Level 2 when played with 11-12 ringers because of its slow tempo and easy rhythms, “A Stroll on ‘Duke Street’†can be interpreted very musically, with crescendos and spiritually high moments. Its three verses are each treated differently, with the last verse raises the key signature a half step and then yet another half step as it grows with intensity. Although based on a hymn tune, the title allows this arrangement to be used for any audience.For sacred environments, the arranger suggests that the text be studied for inspiration. There are several words set to the tune “Duke Street,†although the arranger favors the text that begins, “I know that my redeemer lives.†When performing the piece, use the first verse as a humble (and somewhat hesitant) prayer, the second verse more confident (by relying for God's promises), and the third verse as if obtaining divine reassurance. This would place the prayer-giver in a place of wonder – a spiritual mountain-top experience. Also, see the next paragraph's description, which could also be used for a spiritual experience with God the Creator.For secular environments, use the visual imagery of an early morning walk. You start out just before sunrise, when nature is quiet and there is still dew on the grass. As you continue your upward path, the sky begins to change colors and the birds to sing. Aiming for the viewpoint at the hilltop, tree shadows begin to form and the brush mirrors the orange and grey from the new sunrise about to appear. When the sun does rise, it seems to wash all the darkness away in a single instant, making this new day clean and perfect.Performance time:• 3 minutesPerformance notes are included.
$2.50
For the straight way was lost - Bb Clarinet & Viola duet
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Contemporain
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Charles Griffin
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For the straight way was lost
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Coriolis Press
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SheetMusicPlus
Clarinet,Instrumental Duet,Viola - SKU: A0.1000882 Composed by Charles Griffin. Contemporary. 23 pages. Coriolis Press #6096901. Published by Coriolis P...
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Clarinet,Instrumental Duet,Viola - SKU: A0.1000882 Composed by Charles Griffin. Contemporary. 23 pages. Coriolis Press #6096901. Published by Coriolis Press (A0.1000882). For the straight way was lost was commissioned and premiered by The Darkwood Consort in Boise, Idaho. But it has since been performed throughout the US and Europe many times in many duet combinations: Bb Clarinet and Viola, Bb Clarinet and Cello; Alto Sax and Viola, Alto Sax and Cello, and Viola and Bass Clarinet (the original!). The live video concert performance seen here is for Bb Clarinet and Cello, performed by Natalie Grata and Chris Erickson in Orlando, Florida. The title became unintentionally more and more appropriate over time, as the work has undergone multiple revisions and tweaking, and experiments. The title comes from a passage in Dante’s The Divine Comedy, and I chose it because, first, it includes the name of the ensemble that commissioned it from me, but second, it also seems a good description of how the compositional process sometimes goes and did go with this piece; sometimes while working, the piece takes unexpected turns (almost of its own volition) that must then be dealt with: Nel mezzo del cammin di nostra vitami retrovai per una selva oscura,che la diritta via era smarrita. In the middle of the journey of our lifeI found myself in a dark wood,for the straight way was lost. -Dante, from The Divine Comedy
$12.00
La Chapelle des Abîmes
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Orgue
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AVANCÉ
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Jean Guillou
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La Chapelle des Abîmes
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6220 D'après Julien Gracq. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 26....
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Organ - advanced to difficult - SKU: S9.Q6220 D'après Julien Gracq. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 26. Duration 17 minutes. Schott Music - Digital #Q6220. Published by Schott Music - Digital (S9.Q6220). Julien Gracq's novel Au château d'Argol° includes a chapter in which one of the heroes, Herminien, discovers a chapel hidden deep within a forest. Soon ... through the branches, twisted in fantastic arabesques, appeared the grey wall of a chapel hanging in the midst of an abyss. He sees an organ there, and, climbing the steps of the loft, he starts to improvise. Then, from the depts of his disquiet, a sound rose up. The author gives a description of this improvisation that, musically, expresses all the psychological tension that has built up in the course of the novel. The musical work bearing the title of this chapter does not claim to respond the letter of the literary description of this improvisation, which would be as impossible as describing Proust's Sonate de Vinteuil, but it is inspired by both - this description and by the novel itself.
$17.99
The Paths We Take: Solo for Chosen Skins
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Jordan Morrison
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The Paths We Take: Solo for Ch
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Jordan Morrison Music
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SheetMusicPlus
Multi-Percussion,Percussion Solo - Level 4 - SKU: A0.1391893 By Jordan Morrison. By Jordan Morrison. 21st Century,Contemporary,Contest,Festival,Instruct...
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Multi-Percussion,Percussion Solo - Level 4 - SKU: A0.1391893 By Jordan Morrison. By Jordan Morrison. 21st Century,Contemporary,Contest,Festival,Instructional,Multicultural,World. Individual part. 17 pages. Jordan Morrison Music #975381. Published by Jordan Morrison Music (A0.1391893). This is a multiple percussion solo that is a choose your own adventure musical expedition. You can read the description from the performance notes below and be sure to check out the preview photos to see how this adventure looks along the way.Description: The Paths We Take is a musical reflection on the choices we make in life. One choice leads to another choice and dictates a path. As the piece moves towards an ending, the performer matures and is allowed to make more choices (ex: dynamics, accents, tempo). The section markers Child, Youth, Adult, and Elder should be considered as style indications and a suggested mindset. Instrumentation is left up to the performer so long as the instruments have a skin or plastic head. The bottom notes should be played with a foot pedal.Feel free to connect with me on Instagram @jordan.morrison.music.
$12.00
Bach's Air & co - music for funeral ceremony & Auferstehungsmesse
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Classique
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Johann Sebastian Bach
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Sophia Johanna
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Bach's Air & co - music fo
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by...
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Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by Johann Sebastian Bach. Arranged by Sophia Johanna. Christian,Classical,Contemporary,World. Score and parts. 13 pages. Sophia Transistor #3511437. Published by Sophia Transistor (A0.851116). English description:Originally I played this arrangement on trombone together with my little brother who played violin at the funeral ceremony of our grandma Ruth (see live recording).Core-theme is from the orchestral suite #3 in D Major, BWV 1068 Air by Johann Sebastian Bach. This arrangement is presented as a duet between two solo instruments. Both instruments have leading parts.3 different movements are included in this arrangement.They can be combined ad lib and can also played as stand alone pieces.Total playtime with all movements and all repetitions: 5 min 33 sMovement 1 as stand alone: 42 secondsMovement 2 as stand alone: 1 min 14 secondsAir Movement as stand alone: 3 min 37 secIncluded Key Notations of the piece:- treble clef and bass clef in C- both voices as treble clef in C- both voices as treble clef in Bb- treble clef in Bb and treble clef in C- treble clef in Bb and bass clef in C- both voices as bass clef in CFollowing Instruments can be covered by this:Violin, Cello, Trombone, Trumpet, Clarinet, Vocal, Flute, Tenorsaxophone, Tenorhorn, BassWhen playing the notes as if it was written in Eb or F, both players should have the same instrument with the same clef tune notation.Playalong Youtube-Video can be watched here:https://youtu.be/Iiy48Yik2FwGerman description:Dieses Arrangement habe ich zusammen mit meinem kleinen Bruder auf der Auferstehungsmesse für unsere Oma Ruth gespielt. Er spielte Geige und ich die Posaune.Kernmelodie ist die berühmte Suite Air, Aria oder Ayre von Johann Sebastian Bach. Dieses Arrangement ist ein Duett für zwei Soloinstrumente. Beide Instrumente haben Melodiestellen.Dieses Stück umfasst 3 verschiedene Einheiten.Die können alle hintereinander oder alleine für sich gespielt werden oder frei kombiniert werden.Spielzeit insgesamt mit allen 3 Movements mit allen Wiederholungen: 5 Minuten 33 SekundenMovement 1 als Einzelstück: 41 SekundenMovement 2 als Einzelstück: 1 Minute 14 SekundenMovement 3 als Einzelstück: 3 Minuten 37 SekundenFolgende Notationsformen und Schlüssel sind in den Noten mit enthalten:- Violinschlüssel und Bassschlüssel in C- Beide Stimmen als Violinschlüssel in C- Beide Stimmen als Violinschlüssel in Bb- Violinschlüssel in Bb und Violinschlüssel in C- Violinschlüssel in Bb und Bassschlüssel in C- Beide Stimmen als Bassschlüssel in CDamit können folgende Instrumente abgedeckt werden:Geige, Cello, Posaune, Trompete, Klarinette, Querflöte, Tenorsaxofon, Tenorhorn, BassRein theoretisch könnten auch F und Eb-Instumente das spielen, dann sollten bloß beide Spieler ein Instrument der selben Stimmung spielen.####Have fun and leave a comment, so that I can improve!Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$5.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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A
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Stephen Davies
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"Clarinet Concert Concert
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen...
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Concert Band - Level 4 - SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
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