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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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Vous avez sélectionné:
Send Us A Message
Partitions à imprimer
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1
Send Us A Message
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546320 By Rosalee Mea…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546320 By Rosalee Mears Sabado. By Rosalee Mears Sabado. Blues,Praise & Worship,Sacred. Score. 3 pages. Sabado Music Publishing #156378. Published by Sabado Music Publishing (A0.546320). A Christian Blues Ballad.
$3.25
2.99 €
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Piano, Voix et Guitare
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Rosalee Mears Sabado
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Send Us A Message
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Sabado Music Publishing
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SheetMusicPlus
Send Us On Your Way
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927020 Composed by Mary Ro…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927020 Composed by Mary Rose Jensen. Arranged by Dr. Jim Fox, ASCAP. Christian,Graduation,Sacred,Spiritual. Octavo. 8 pages. All Brass Radio Publishing #3566411. Published by All Brass Radio Publishing (A0.927020). Send Us On Your Way is a Christian Anthem that would be terrific for services that challenge people to take their faith into the world. It would also be great for graduation, communion, as a benediction, mission commissioning and any other service where the message is to take heart and bring your faith' to the world. Written for SATB with Piano Accompaniment.Here are the lyrics:Through the world’s confusion, we hear a hopeful sound; Stories You have given tell peace and joy are found. In the One Who rose again when death had had its day; We can travel bravelyfor He had been this way. (Knowing You) Knowing You have loved us so, we come to You and Pray for we ask [Chorus:] Send us on Your way Show us how to walk in grace. Keep us on the road of holy faith, Send us on Your way. If the world were perfect, not damaged by the fall, If our heart were holy, not selfish, hard and small.
$1.99
1.83 €
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Chorale SATB
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Mary Rose Jensen
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Dr
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Send Us On Your Way
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All Brass Radio Publishing
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.66 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
What About Us
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1241421 By Pink…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1241421 By Pink. By Alecia Moore, Johnny McDaid, and Steve Mac. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 9 pages. Sarah Cellobat Chaffee #836785. Published by Sarah Cellobat Chaffee (A0.1241421). Released as a single by P!nk in 2017, What About Us is an epic politically-charged EDM anthem. Fitting in perfectly with the era's zeitgeist of protest and inclusivity, the song's lyrics implore the government not to forget about its people; it also sends a message to those people who feel ignored or forgotten. What About Us received widely favorable reviews and quickly shot to the top of the charts, reaching #1 in eight different countries and even receiving a Grammy nomination -- so you can't go wrong adding this one to your gig books! Originally written for a wedding ceremony, this arrangement for violin and cello duet maintains the catchy synth hooks, soaring melodies, beautiful harmonies, and driving beat of the original for a chart that will be just as much fun to play as it is to listen to! Rated advanced-intermediate for some tricky rhythms and a few high notes in the violin part; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
9.2 €
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Violon, Violoncelle (duo)
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Pink
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Sarah Cellobat Chaffee
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What About Us
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Sarah Cellobat Chaffee
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SheetMusicPlus
Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam G…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve. Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.
$3.99
3.68 €
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Chorale SATB
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Adam Geibel, Evan Stephens, Grace Gordon, and Will L
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Stacey Oakes
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Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel
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Stacey Oakes at Whiting Publishing
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SheetMusicPlus
Just a Little COVID Song
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893865 Composed by Da…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893865 Composed by David Kai. Contemporary,Country,Pop. Score. 3 pages. David Kai #6108841. Published by David Kai (A0.893865). This song has a public health message wrapped up in a bit of humour. This is not to ignore the incredible suffering this virus has caused, but it could be that we need some lightness in these very heavy times. Just a Little COVID Song is based on the previously recorded Just a Little Snowbird Song.JUST A LITTLE COVID SONGWords and music by David Kai ©2020Just a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Looking like a big disgrace, need a mask to hide my faceI’ll sing this little COVID songThis virus has me cooped up but I’ve got to play it safeNot doing very much of anythingWas looking for ideas but it’s tough to get inspiredThen out of nowhere I began to singJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternityNow my style is out of whack, hair is halfway down my back I’ll sing this little COVID song (instrumental chorus)We’re thankful for the workers who are trying to keep us safeAnd searching hard to find a new vaccineSo wash your hands and wear a mask and stay away from crowdsSo maybe next year I won’t have to singJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Waiting in the Costco line, toilet paper’s hard to findI’ll sing this little COVID songJust a little COVID song, stay inside the whole day longWondering how long it’ll be, it’s feeling like eternity Hoping for that happy day, we’ll send that virus on its wayWon’t have to sing this little COVID, sing this little COVID,Sing this little COVID song.
$3.00
2.76 €
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Piano, Voix et Guitare
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David Kai
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Just a Little COVID Song
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David Kai
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SheetMusicPlus
A Celtic Lament (Medium High)
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1149282 By Old English Air. …
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1149282 By Old English Air. By First printed by William Chappell in his publication National English Airs. Arranged by D. Farrell Smith and Shelley J. Smith. 20th Century,Celtic,Contest,Festival,Folk,Irish. Score. 4 pages. Smith and Smith Music #749422. Published by Smith and Smith Music (A0.1149282). This light Celtic Air is lilting and fluid to show off the lyrical voice as well as presents a strong vocal range for the singer, Arranged for Medium High voice, suitable for Contest. Find and Like Smith and Smith Music on Facebook and message us and we will send accompaniment recording free.
$2.00
1.84 €
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Piano, Voix
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Old English Air
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D
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A Celtic Lament
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Smith and Smith Music
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SheetMusicPlus
A Celtic Lament (Medium Low)
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1149286 By Old English Air. …
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1149286 By Old English Air. By First printed by William Chappell in his publication National English Airs. Arranged by D. Farrell Smith and Shelley J. Smith. 20th Century,Celtic,Contest,Festival,Folk,Irish. Score. 4 pages. Smith and Smith Music #749426. Published by Smith and Smith Music (A0.1149286). This light Celtic Air is lilting and fluid to show off the lyrical voice as well as presents a strong vocal range for the singer, Arranged for Medium Low voice, suitable for Contest. Find and Like Smith and Smith Music on Facebook and message us and we will send accompaniment recording free.
$2.00
1.84 €
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Piano, Voix
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Old English Air
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D
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A Celtic Lament
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Smith and Smith Music
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SheetMusicPlus
Profecías mayas: La nueva era
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1460309 Composed by Darío Estrella…
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Piano Solo - Level 2 - Digital Download SKU: A0.1460309 Composed by Darío Estrella. 21st Century,Chamber,Classical,Jazz,Multicultural,World. Score. 108 pages. Editorial Copistas Acuario #1039240. Published by Editorial Copistas Acuario (A0.1460309). En 2012 se habló bastante del calendario maya y de una interpretación que causó un gran impacto a nivel mundial por sus presagios fatalistas. Sin embargo, entendí que estas Profecías Mayas, más allá de predicar destrucción, enunciaban el inicio de un mundo nuevo, uno que todos nosotros debemos construir. Me inspiré en el tema y decidí escribir 31 composiciones, una por cada día del mes de diciembre —práctica que desde entonces mantengo, siendo el pasado diciembre mi 11o año consecutivo. Ahora, en 2024, el equipo de la Fundación Copistas Acuario —presidida por mi amigo y discípulo Samuel Beethoven—, me honra con la siguiente edición de composiciones para piano, luego de haber también publicado mi libro «A ti Estudiante» en 2019. En cada una de las piezas se presenta una propuesta distinta y diferenciada. Cada título es alusivo al día correspondiente según los almanaques y muchas veces en conexión con la numerología. Es un libro interesante para estudiarlo y ampliar el repertorio, pero que sobre todo busca elevar la capacidad interpretativa. Siempre he tratado de enviar un mensaje de vida a través de mi música y en esta obra, además, quise expresar la fascinación y el asombro que este pueblo antiguo y misterioso me causa. Se dice que este pueblo desapareció, pues decían venir de las estrellas, específicamente de las Pléyades; tal vez regresaron a su origen cósmico de la misma manera en que vinieron. ¡Embárquemonos, pues, nosotros también en este fascinante viaje musical que hoy presentamos ante ustedes! --------------------------------------------------------------------------------------------------In 2012, there was a lot of talk about the Mayan calendar and an interpretation that caused a great impact worldwide for its fatalistic omens. However, I understood that these Mayan Prophecies, beyond preaching destruction, enunciated the beginning of a new world, one that all of us must build. I was inspired by the theme and decided to write 31 compositions, one for each day of the month of December —a practice I have maintained ever since, this past December being my 11th consecutive year. Now, in 2024, the team of the Fundación Copistas Acuario —chaired by my friend and disciple Samuel Beethoven,— honors me with the next edition of piano compositions, after having also published my book “A ti Estudiante” in 2019. Each of the pieces presents a distinct and different proposal. Each title is allusive to the corresponding day according to the almanacs and often in connection with numerology. It is an interesting book to study and expand the repertoire, but above all it seeks to raise the interpretative capacity. I have always tried to send a message of life through my music, and in this work I also wanted to express the fascination and amazement that this ancient and mysterious people cause me. It is said that this people disappeared, given they claimed to come from the stars, specifically from the Pleiades; perhaps they returned to their cosmic origin in the same way they came. Let us, then, also be embarked in this fascinating musical journey that we present to you today!
$5.99
5.52 €
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Piano seul
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Darío Estrella
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Profecías mayas: La nueva era
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Editorial Copistas Acuario
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SheetMusicPlus
Twitter, for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Gre…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
36.85 €
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Ensemble de Flûtes
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
In the Fulllness of Time
Piano, Voix
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278128 By Judith Van…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1278128 By Judith Vander Wege. By Judith Vander Wege. Arranged by Judith Vander Wege. A Cappella,Barbershop,Celtic,Christian,Irish,Praise & Worship. Score. 3 pages. Spokesman Ink #869825. Published by Spokesman Ink (A0.1278128). This song tells the wonderful message of Christmas, but it is not only a Christmas song. It comes from the scripture in Galatians 4:4 and Isaiah 9:2. After a few measures of simple praise, it tells of the prophecies that God would send a Messiah, his Son, to redeem us from the slavery of sin so he could adopt us as his children. Jesus fulfilled these prophecies. We praise him that we are pure and free and whole within..
$8.99
8.28 €
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Piano, Voix
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Judith Vander Wege
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Judith Vander Wege
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In the Fulllness of Time
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Spokesman Ink
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SheetMusicPlus
I Am Here
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1112582 By MSC Choirs. By …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1112582 By MSC Choirs. By George Edwin Smith, ASCAP. Contemporary. Octavo. 12 pages. GloriaDeoMusic #714588. Published by GloriaDeoMusic (A0.1112582). I Am Here is a song for SATB Choir and accompaniment about caring and compassion, encouraging singers and listeners to be available, to care and never grow weary of lifting each other up. We need to get this message out and to fulfill its meaning, to be aware and be open to all who need. In these tough times when we cannot be with our friends, many are hurting, sad and lonely. Students and teachers alike are silently suffering. Families are missing their loved ones. This simple song sends a powerful message to encourage us reach out, be a friend, to comfort and to support in every way we can.
$2.00
1.84 €
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Chorale SATB
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MSC Choirs
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I Am Here
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GloriaDeoMusic
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.58 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
I'll Bring You Hope (In Troubled Times)
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.902046 Composed by G…
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.902046 Composed by George Edwin Smith. Contemporary. 8 pages. GloriaDeoMusic #6115379. Published by GloriaDeoMusic (A0.902046). In these tough times when we cannot be with our friends, many are hurting, sad and lonely. Students and teachers alike are silently suffering. Families are missing their loved ones. This simple song for SAB Chorus sends a powerful message to encourage us reach out, be a friend, to comfort and to support in every way we can.
$1.99
1.83 €
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Chorale 3 parties
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George Edwin Smith
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I'll Bring You Hope
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GloriaDeoMusic
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.28 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
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