English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2
Partitions
Numériques
25
Librairie
Musicale
8
Matériel
de Musique
5
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6
PIANO & CLAVIERS
Piano, Voix et Guitare
1
GUITARES
Guitare notes et tablatures
2
4 Guitares (Quatuor)
1
Guitare
1
VOIX
Chorale SSATTB
1
VENTS
Saxophone (partie séparée)
1
2 Saxophones (duo)
1
Saxophone Baryton, Piano
1
CUIVRES
Cor
1
2 Cors (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trombone
1
CORDES
Alto, Piano
1
Violon et Piano
1
2 Violons (duo)
1
PERCUSSIONS & ORCHESTRES
Orchestre
1
Orchestre de chambre
1
Orchestre d'harmonie
1
AUTRES
Vous avez sélectionné:
She's Actin' Single
Partitions à imprimer
25 partitions trouvées
<
1
She's Actin' Single (I'm Drinkin' Doubles)
Guitare
Guitar - Digital Download SKU: A0.1492127 By Gary Stewart. By Wayne Thompson. Arran…
(+)
Guitar - Digital Download SKU: A0.1492127 By Gary Stewart. By Wayne Thompson. Arranged by Bronson Ferdinand Wright. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Bronson Ferdinand #1068800. Published by Bronson Ferdinand (A0.1492127). Guitar chord lead sheet of the 70's country classic.
$4.99
4.57 €
#
Guitare
#
Gary Stewart
#
Bronson Ferdinand Wright
#
She's Actin' Single
#
Bronson Ferdinand
#
SheetMusicPlus
She's Actin' Single (I'm Drinkin' Doubles)
Guitar - Digital Download SKU: A0.1492125 By Gary Stewart. By Wayne Thompson. Arran…
(+)
Guitar - Digital Download SKU: A0.1492125 By Gary Stewart. By Wayne Thompson. Arranged by Bronson Ferdinand Wright. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Bronson Ferdinand #1068798. Published by Bronson Ferdinand (A0.1492125). Nashville number lead sheet of the 70's country classic.
$4.99
4.57 €
#
Gary Stewart
#
Bronson Ferdinand Wright
#
She's Actin' Single
#
Bronson Ferdinand
#
SheetMusicPlus
She's Actin' Single (I'm Drinkin' Doubles)
Piano, Voix et Guitare
By Sara Evans, Ronnie Dunn, Gwyneth Paltrow, Michael Brook, and Gary Stewart. Country; Pop…
(+)
By Sara Evans, Ronnie Dunn, Gwyneth Paltrow, Michael Brook, and Gary Stewart. Country; Pop. Piano/Vocal/Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.57 €
#
Piano, Voix et Guitare
#
Sara Evans, Ronnie Dunn, Gwyneth Paltrow, Michael Brook, and Gary Stewart
#
Pop
#
She's Actin' Single
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
Sailing (Rod Stewart) for Guitar Quartet with Optional Bass
4 Guitares (Quatuor)
Guitar Tab, Guitar ensemble (quartet with optional bass) - Intermediate - Digital Do…
(+)
Guitar Tab, Guitar ensemble (quartet with optional bass) - Intermediate - Digital Download By Rod Stewart (Composed by Gavin Sutherland). Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 35 pages. Published by danjonesguitarist.com
Sailing<br> <br> As performedby Sir Rod Stewart<br> <br> Composedby Gavin Sutherland<br> <br> Arrangedfor Guitar Quartet (with optional bass) by Dan Jones<br> <br> www.danjonesguitarist.com<br> <br> ‘Sailing’originally recorded and released by the Sutherland Brothers in 1972 was recordedand released by Sir Rod Stewart in 1975. The song was an international successfor Stewart.<br> <br> Thisversion is arranged for intermediate guitarists. Upon the request of teachersand players, your single download will contain:<br> <br> · All parts in both notes and TAB on twoseparate sheets<br> <br> · A directors’ score with notes and TAB<br> <br> · A directors’ score with only notes<br> <br> · An optional bass guitar part, presented inbass clef and bass TAB<br> <br> <br> <br> Thearrangement gives every part the chance to play the melody, as well asaccompanying patterns. A recording and film of this arrangement will beuploaded before the end of June 2021.<br> <br> For awealth of arrangements for solo guitar and guitar in ensemble, for players ofall levels of experience, please visit www.danjonesguitarist.com.<br> <br> Musiciansmay enjoy my book, telling of life working as a guitarist in rural France.Entitled Extracting Goats from Jean-Claude’s Kitchen, it is available atamazon or www.danjonesauthor.com.Sailing<br> <br> As performedby Sir Rod Stewart<br> <br> Composedby Gavin Sutherland<br> <br> Arrangedfor Guitar Quartet (with optional bass) by Dan Jones<br> <br> www.danjonesguitarist.com<br> <br> ‘Sailing’originally recorded and released by the Sutherland Brothers in 1972 was recordedand released by Sir Rod Stewart in 1975. The song was an international successfor Stewart.<br> <br> Thisversion is arranged for intermediate guitarists. Upon the request of teachersand players, your single download will contain:<br> <br> · All parts in both notes and TAB on twoseparate sheets<br> <br> · A directors’ score with notes and TAB<br> <br> · A directors’ score with only notes<br> <br> · An optional bass guitar part, presented inbass clef and bass TAB<br> <br> <br> <br> Thearrangement gives every part the chance to play the melody, as well asaccompanying patterns. A recording and film of this arrangement will beuploaded before the end of June 2021.<br> <br> For awealth of arrangements for solo guitar and guitar in ensemble, for players ofall levels of experience, please visit www.danjonesguitarist.com.<br> <br> Musiciansmay enjoy my book, telling of life working as a guitarist in rural France.Entitled Extracting Goats from Jean-Claude’s Kitchen, it is available atamazon or www.danjonesauthor.com.
$7.95
7.28 €
#
4 Guitares (Quatuor)
#
Rod Stewart
#
Gavin Sutherland)
#
Sailing
#
danjonesguitarist.com
#
SheetMusicPlus
You Are The Reason
Guitare notes et tablatures
Guitar - Advanced Intermediate - Digital Download By Calum Scott. Arranged by Dan J…
(+)
Guitar - Advanced Intermediate - Digital Download By Calum Scott. Arranged by Dan Jones. Score, Tablature. 8 pages. Published by danjonesguitarist.com
CalumScott’s You Are The Reason is ahugely popular ballad, particularly with younger listeners.<br> <br> This arrangementcomes in two versions - both are provided with a single purchase (download);<br> <br> These are: Notes and TAB and Notes Only. Full fingering is given provided by the arranger.<br> <br> You Are The Reason is suitable for intermediateto advanced players and is an ideal addition to the repertoire of the workingguitarist for concert items, wedding music and background repertoire.<br> <br> A film of the arranger performing the piece is can be seen by clicking the 'watch' link below. You can hear a recording on Soundcloud here: https://soundcloud.com/user-115466245<br> <br> <br> <br> <br> <br> Dan hasa wealth of music for solo guitar and ensembles of all levels available forimmediate download. For videos and recordings please visit www.danjonesguitarist.com.<br> <br> Dan isalso an author. His memoir of musical and family life in rural France, Extracting Goats from Jean-Claude’s Kitchen ishugely popular amongst Francophiles and musicians alike. Please visit www.danjonesauthor.com.CalumScott’s You Are The Reason is ahugely popular ballad, particularly with younger listeners.<br> <br> This arrangementcomes in two versions - both are provided with a single purchase (download);<br> <br> These are: Notes and TAB and Notes Only. Full fingering is given provided by the arranger.<br> <br> You Are The Reason is suitable for intermediateto advanced players and is an ideal addition to the repertoire of the workingguitarist for concert items, wedding music and background repertoire.<br> <br> A film of the arranger performing the piece is can be seen by clicking the 'watch' link below. You can hear a recording on Soundcloud here: https://soundcloud.com/user-115466245<br> <br> <br> <br> <br> <br> Dan hasa wealth of music for solo guitar and ensembles of all levels available forimmediate download. For videos and recordings please visit www.danjonesguitarist.com.<br> <br> Dan isalso an author. His memoir of musical and family life in rural France, Extracting Goats from Jean-Claude’s Kitchen ishugely popular amongst Francophiles and musicians alike. Please visit www.danjonesauthor.com.
$5.95
5.45 €
#
Guitare notes et tablatures
#
Calum Scott
#
Dan Jones
#
You Are The Reason
#
danjonesguitarist.com
#
SheetMusicPlus
The Flower Duet from Lakmé for Solo Guitar
Guitare notes et tablatures
Guitar - Advanced Intermediate - Digital Download Composed by Leo Delibes (1836-189…
(+)
Guitar - Advanced Intermediate - Digital Download Composed by Leo Delibes (1836-1891). Arranged by Dan Jones (www.danjonesguitarist.com). Romantic Period. Score, Tablature. 5 pages. Published by danjonesguitarist.com
The Flower Duet From the opera Lakmé<br> <br> By Léo Delibes (Arranged for Guitar Solo by Dan Jones)<br> <br> www.danjonesguitarist.com<br> <br> TheFlower Duet was writtenby the French composer Léo Delibes. It is set for two voices (sopranoand mezzo-soprano) and occurs during act one of Delibes’ opera Lakmé whichwas premiered in Paris in 1883.<br> <br> Your single download will provide you with the score in notes and TAB and also in a notes-alone version.<br> <br> The work is one ofthe best-loved arias of all time. It has become iconic due to its use in TV, film,and advertising. Most recently, it is known as the soundtrack to a BritishAirways commercial.<br> <br> The aria makes an ideal piece of repertoire foradvanced-intermediate and professional guitarists. It is perfect for thoseplaying gigs, in restaurants, at weddings and as a piece of popular repertoirein a recital.<br> <br> My arrangement is inspired by one made by thefantastic guitarist and arranger Bridget Mermikides. I am grateful to Bridgetfollow allowing me to develop the arrangement to create something which is moresuited to the advanced-level player.<br> <br> Fora huge range of arrangements, lessons, videos and scores for guitar solo, andin ensemble, please visit www.danjonesguitarist.com.<br> <br> To read of life as a guitarist in a sleepyvillage in South West France, check out Dan’s much-loved book, Extracting Goatsfrom Jean-Claude’s Kitchen at www.danjonesauthor.com<br> <br> I will upload a film and recording of this work before the end of May 2021The Flower Duet From the opera Lakmé<br> <br> By Léo Delibes (Arranged for Guitar Solo by Dan Jones)<br> <br> www.danjonesguitarist.com<br> <br> TheFlower Duet was writtenby the French composer Léo Delibes. It is set for two voices (sopranoand mezzo-soprano) and occurs during act one of Delibes’ opera Lakmé whichwas premiered in Paris in 1883.<br> <br> Your single download will provide you with the score in notes and TAB and also in a notes-alone version.<br> <br> The work is one ofthe best-loved arias of all time. It has become iconic due to its use in TV, film,and advertising. Most recently, it is known as the soundtrack to a BritishAirways commercial.<br> <br> The aria makes an ideal piece of repertoire foradvanced-intermediate and professional guitarists. It is perfect for thoseplaying gigs, in restaurants, at weddings and as a piece of popular repertoirein a recital.<br> <br> My arrangement is inspired by one made by thefantastic guitarist and arranger Bridget Mermikides. I am grateful to Bridgetfollow allowing me to develop the arrangement to create something which is moresuited to the advanced-level player.<br> <br> Fora huge range of arrangements, lessons, videos and scores for guitar solo, andin ensemble, please visit www.danjonesguitarist.com.<br> <br> To read of life as a guitarist in a sleepyvillage in South West France, check out Dan’s much-loved book, Extracting Goatsfrom Jean-Claude’s Kitchen at www.danjonesauthor.com<br> <br> I will upload a film and recording of this work before the end of May 2021
$4.95
4.54 €
#
Guitare notes et tablatures
#
Leo Delibes (1836-1891)
#
Dan Jones (www
#
The Flower Duet from Lakmé for Solo Guitar
#
SheetMusicPlus
Celestial
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1150959 By Ed Sheeran. …
(+)
Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1150959 By Ed Sheeran. By Ed Sheeran, Johnny McDaid, and Steve Mac. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop,Wedding. Individual part. 2 pages. Fabio Eduardo #751145. Published by Fabio Eduardo (A0.1150959). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadCelestial is a song by Ed Sheeran, released as a single on 29 September 2022. It was released in collaboration with The Pokémon Company and appeared in the end credits of Pokémon Scarlet and Violet games, released on 18 November 2022. Sheeran co-wrote the song alongside Steve Mac and Johnny McDaid, and produced it with Mac. The song was released alongside its music video, which includes Sheeran interacting with a variety of Pokémon.
$4.99
4.57 €
#
Saxophone (partie séparée)
#
Ed Sheeran
#
Fabio Eduardo de Oliveira
#
Celestial
#
Fabio Eduardo
#
SheetMusicPlus
One Second to the Future - Guitar Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.71 €
#
Orchestre de chambre
#
Brent C Robitaille
#
One Second to the Future - Guitar Orchestra
#
Brent C Robitaille
#
SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.57 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Bee Gees
#
Peet du Toit
#
I've Gotta Get A Message To You
#
Peet du Toit
#
SheetMusicPlus
Applause
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis…
(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 10 pages. Jmsgu3 #3031059. Published by jmsgu3 (A0.547661). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
27.44 €
#
Alto, Piano
#
Lady Gaga
#
James M
#
Applause
#
jmsgu3
#
SheetMusicPlus
Applause
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547985 By Lady Gaga. …
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.547985 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 20 pages. Jmsgu3 #3123311. Published by jmsgu3 (A0.547985). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
27.44 €
#
Saxophone Baryton, Piano
#
Lady Gaga
#
James M
#
Applause
#
jmsgu3
#
SheetMusicPlus
Applause
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.548422 By Lady Gaga. By Dino Zisi…
(+)
Piano,Violin - Level 3 - Digital Download SKU: A0.548422 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. 10 pages. Jmsgu3 #3362643. Published by jmsgu3 (A0.548422). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
27.44 €
#
Violon et Piano
#
Lady Gaga
#
James M
#
Applause
#
jmsgu3
#
SheetMusicPlus
Applause
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.548545 By Lady G…
(+)
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.548545 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and parts. 18 pages. Jmsgu3 #3396359. Published by jmsgu3 (A0.548545). In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$59.95
54.92 €
#
Lady Gaga
#
James M
#
Applause
#
jmsgu3
#
SheetMusicPlus
Monster Mash
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1472330 By Bobby Boris Pickett.…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.1472330 By Bobby Boris Pickett. By Bobby Boris Pickett and Leonard Capizzi. Arranged by Kevin Riley. 20th Century,Comedy,Thriller. 43 pages. Kevin Riley #1050034. Published by Kevin Riley (A0.1472330). Monster Mash is a 1962 novelty song by Bobby Boris Pickett. The song was released as a single on Gary S. Paxton's Garpax Records label in August 1962 along with a full-length LP called The Original Monster Mash, which contained several other monster-themed tunes. The Monster Mash single was number one on the BillboardHot 100 chart on October 20–27 of that year, just before Halloween. It has been a perennial Halloween favorite ever since. In 2021, nearly 60 years after its release, Monster Mash re-entered the Billboard Hot 100 chart at number 37.This arrangement is for a community orchestra set up including saxophones although they are not needed if you dont have any!Included are the words to the song that need acting rather than singing.
$60.00
54.97 €
#
Orchestre
#
Bobby Boris Pickett
#
Kevin Riley
#
Monster Mash
#
Kevin Riley
#
SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.75 €
#
Chorale SSATTB
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.82 €
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.66 €
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Stamitz: Duet Op. 27 No. 6 for Alto Saxophone Duo
2 Saxophones (duo)
Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1372047 Comp…
(+)
Alto Saxophone,Baritone Saxophone - Level 3 - Digital Download SKU: A0.1372047 Composed by Carl Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Historic,Wedding. Saxophone Duet. 14 pages. Jmsgu3 #956264. Published by jmsgu3 (A0.1372047). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$24.95
22.86 €
#
2 Saxophones (duo)
#
Carl Stamitz
#
James M
#
Stamitz: Duet Op. 27 No. 6 for Alto Saxophone Duo
#
jmsgu3
#
SheetMusicPlus
Stamitz: Duet Op. 27 No. 2 for French Horn Duo
2 Cors (duo)
French Horn Duet Horn - Level 3 - Digital Download SKU: A0.552253 Composed by Carl …
(+)
French Horn Duet Horn - Level 3 - Digital Download SKU: A0.552253 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score. 14 pages. Jmsgu3 #6306433. Published by jmsgu3 (A0.552253). I. Andante II. Menuetto III. Allegro The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$32.95
30.19 €
#
2 Cors (duo)
#
Carl Stamitz
#
James M
#
Stamitz: Duet Op. 27 No. 2 for French Horn Duo
#
jmsgu3
#
SheetMusicPlus
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz…
(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 19 pages. Jmsgu3 #938888. Published by jmsgu3 (A0.1354186). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with that of other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Additionally, Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$24.95
22.86 €
#
2 Violons (duo)
#
Stamitz
#
James M
#
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
#
jmsgu3
#
SheetMusicPlus
Company
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1261666 Composed by Stephen Sondh…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1261666 Composed by Stephen Sondheim. Arranged by John Ivor Holland. 20th Century,Broadway,Musical/Show,Pop. Score and Parts. 93 pages. John Ivor Holland #854744. Published by John Ivor Holland (A0.1261666). Company is a musical with music and lyrics by Stephen Sondheim and book by George Furth. The original 1970 production was nominated for a record-setting 14 Tony Awards, winning six. It was among the first musicals to deal with contemporary dating, marriage, and divorce and is a notable example of a concept musical lacking a linear plot. In a series of vignettes, Company follows singleton Bobby interacting with married friends, who throw a party for their 35th birthday - in recent years, the lead role has been presented as either male or female. This opening number is bustling, full of early 70's pop energy and introduces us to the characters in all their ugly-pretty splendour.
$49.99
45.8 €
#
Orchestre d'harmonie
#
Stephen Sondheim
#
John Ivor Holland
#
Company
#
John Ivor Holland
#
SheetMusicPlus
Entrainment (2009)
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download …
(+)
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
7.32 €
#
Guy Bunce
#
Entrainment
#
Enigma Music
#
SheetMusicPlus
Futility
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Gie…
(+)
Trombone Solo - Level 4 - Digital Download SKU: A0.1025109 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4365582. Published by Benjamin Giesbrecht (A0.1025109). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Trombone and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score.Program Note from the score:Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futility features an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the trombonist struggles against is both musically and literally commercial. The trombonist begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
2.75 €
#
Trombone
#
Benjamin Giesbrecht
#
Futility
#
Benjamin Giesbrecht
#
SheetMusicPlus
Futility [Horn Transcription]
Cor
French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht…
(+)
French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
2.75 €
#
Cor
#
Benjamin Giesbrecht
#
Futility [Horn Transcription]
#
Benjamin Giesbrecht
#
SheetMusicPlus
Filigree, for contrabass and piano
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 5 - Digital Download SKU:…
(+)
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.977044 Composed by Paul SanGregory. Contemporary. Score and parts. 15 pages. Distant Engraver Music #4627993. Published by Distant Engraver Music (A0.977044). Even though I had an image of certain types of Chinese painting or silk ornamentation in mind when composing this piece, I chose the title Filigree because such jewelry is constructed out of similarly delicate lines. As one might expect, then, this piece is essentially a weave of intricately interacting melodies. Technically, it’s based on a series of overlapping pentatonic scales that appear as short melodic fragments and longer lines. There is a continual rising of overlapping patterns as the piece builds to its most luxurious and complex climax, then the texture simplifies as delicate lines trace out the ending. In terms of expression, I hope the bass will be played in ways that call to mind the thin and delicate lines of an erhu.Performance time is ca. 5:30.The single downloadable file for this piece contains the full score and two versions of the bass part: one in concert pitch and the other transposed for solo tuning.
$10.00
9.16 €
#
Paul SanGregory
#
Filigree, for contrabass and piano
#
Distant Engraver Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
