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14
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5
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Quatuor à cordes: 2 violons, alto, violoncelle
54
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37
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29
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12
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10
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8
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8
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6
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6
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6
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6
Quatuor à cordes : 4 altos
5
Contre Basse
4
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3
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Trio à Cordes: 2 violons, violoncelle
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652
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44
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32
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24
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13
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Fanfare
9
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7
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6
Jazz combo
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Formation musicale - Solfège
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La Formation Musicale Tout Simplement Volume 3
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European, Children's Musicals. Individual Part. 42 pages. Published by MCM Editions Musicales
This methodis for third Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> third year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Horizontal and vertical readingnotes<br> - Reading by the directory<br> - Reading rhythm<br> - Rhythm struck hands together one voice and two voice<br> - Rhythm struck and read by the directory<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$29.00
26.65 €
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Formation musicale - Solfège
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Christian Champeil
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La Formation Musicale Tout Simplement Volume 3
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MCM Editions Musicales
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SheetMusicPlus
La Formation Musicale Tout Simplement Volume 4
Formation musicale - Solfège
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
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Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European. Individual Part. 42 pages. Published by MCM Editions Musicales France
This methodis for fourth Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> fourth year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Readingnotes horizontal and vertical<br> - Reading rhythm by the directory<br> - Rhythm struck hands together one voice two voice<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$29.00
26.65 €
#
Formation musicale - Solfège
#
Christian Champeil
#
La Formation Musicale Tout Simplement Volume 4
#
MCM Editions Musicales France
#
SheetMusicPlus
Four Directional Fanfares for Brass Quintet and optional Timpani
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fr…
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Brass Quintet, Timpani - Early Intermediate - Digital Download Composed by Gregory Fritze. Neo-Classical, Easter, Wedding, Graduation, Recital. Score, Set of Parts. 32 pages. Published by Musica Nova USA
Four Directional Fanfares for Brass Quintet and optional tympani) was arranged and compiled in 2020 expressly for the Spanish Brass. Each fanfare is named after the four directions of the compass with each having a different duration. I. North (70 seconds), II. South (50 seconds), III. East (20 seconds) and IV. West (2 Minuets and 30 seconds).<br> <br> An optional timpani part has been added in the score and may be used to enhance the sound in ceremonial situations.<br> <br> The composer has played and conducted in many brass ensembles over the years as well as composing many fanfares of different lengths to suit the occasion. A brass ensemble can always use new fanfares. These fanfares were recorded by the Spanish Brass in 2020 on the CD “Music for Brass Quintet by Gregory Fritze” on the Spanish Brass label. These fanfares are also on YouTube and Soundcloud.
$15.00
13.78 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gregory Fritze
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Four Directional Fanfares for Brass Quintet and optional Timpani
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Musica Nova USA
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SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
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Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
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Guitare
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Guitar Compendium
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Advance Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.05 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Tsarina the Musical Vocal Music Score
Piano, Voix
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.&q…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Lead Sheet. 90 pages. Published by DJWorks Music
With 90 pages you will love playing and singing through all the songs in this entire musical! It includes all vocal parts (solos, duets, chorus) with chords (lead sheet) including tempo markings and instrumental tags.<br> The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. Perfect for schools and community theatre organizations. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$45.99
42.26 €
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Piano, Voix
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here
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Deborah Johnson
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Tsarina the Musical Vocal Music Score
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DJWorks Music
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SheetMusicPlus
Tsarina the Musical Vocal-Piano Score
Piano, Voix
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here&qu…
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Piano Reduction, Score. 134 pages. Published by DJWorks Music
With 134 pages you will love playing and singing through all the songs in this entire grand musical! It includes all piano parts written out with chords, tempo markings and vocals. The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. More information on https://TsarinaTheMusical.com <br> <br> STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misérables of the Russian Revolution. “Les Mis meets Dr. Zhivago.”
$59.99
55.13 €
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Piano, Voix
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Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here"
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Deborah Johnson
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Tsarina the Musical Vocal-Piano Score
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DJWorks Music
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SheetMusicPlus
You Will Direct Our Paths
Chorale SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5544L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5544L Composed by Larry Shackley. Sacred Anthem. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5544L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5544L). ISBN 9780787772505.With words from the Psalms and Proverbs, this reassuring anthem reminds us that we know, we can be sure, You will direct our paths. The soaring melody of the refrain matches the optimistic spirit of the text.
$2.50
2.3 €
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Chorale SATB
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Larry Shackley
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You Will Direct Our Paths
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Die Walkure
Piano, Voix
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.61 €
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Piano, Voix
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
BEAUTIFUL (medium voice/lead sheet)
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.912047 Composed by Anthony Giaman…
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C Instrument - Level 2 - Digital Download SKU: A0.912047 Composed by Anthony Giamanco. Praise & Worship,Sacred. Lead Sheet / Fake Book. 8 pages. Whole Tone Press #517985. Published by Whole Tone Press (A0.912047). A heartfelt worship song in 6/8 metre based on Isaiah 33:17 and Psalm 27:4 which reference the beauty of God. The chorus begins, 'We fix our gaze on your holy face, O Lord, our God, you're beautiful...' This is the lead sheet version for medium voice in the key of G major, ideal for blended and contemporary worship services. Although it works beautifully as a vocal solo, it may be enhanced with guitar, bass, and drums for a fuller sound. Also available: vocal/piano and lead sheet editions in G major, E-flat major, and B-flat major. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
$2.25
2.07 €
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Instruments en Do
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Anthony Giamanco
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BEAUTIFUL
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Whole Tone Press
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SheetMusicPlus
BEAUTIFUL (high voice/lead sheet)
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.912085 Composed by Anthony Giaman…
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C Instrument - Level 2 - Digital Download SKU: A0.912085 Composed by Anthony Giamanco. Praise & Worship,Sacred. Lead Sheet / Fake Book. 8 pages. Whole Tone Press #518017. Published by Whole Tone Press (A0.912085). A heartfelt worship song in 6/8 metre based on Isaiah 33:17 and Psalm 27:4 which reference the beauty of God. The chorus begins, 'We fix our gaze on your holy face, O Lord, our God, you're beautiful...' This is the lead sheet version for high voice in the key of B-flat major, ideal for blended and contemporary worship services. Although it works beautifully as a vocal solo, it may be enhanced with guitar, bass, and drums for a fuller sound. Also available: vocal/piano and lead sheet editions in G major, E-flat major, and B-flat major. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
$2.25
2.07 €
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Instruments en Do
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Anthony Giamanco
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BEAUTIFUL
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Whole Tone Press
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SheetMusicPlus
BEAUTIFUL (low voice/lead sheet)
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 2 - Digital Download SKU: A0.912043 Composed by Anthony Giaman…
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C Instrument - Level 2 - Digital Download SKU: A0.912043 Composed by Anthony Giamanco. Praise & Worship,Sacred. Lead Sheet / Fake Book. 8 pages. Whole Tone Press #517981. Published by Whole Tone Press (A0.912043). A heartfelt worship song in 6/8 metre based on Isaiah 33:17 and Psalm 27:4 which reference the beauty of God. The chorus begins, 'We fix our gaze on your holy face, O Lord, our God, you're beautiful...' This is the lead sheet version for low voice with lyrics, melody, and chords for guitar and/or keyboard, in the key of E-flat major, ideal for blended and contemporary worship services. Although it works beautifully as a vocal solo, it may be enhanced with guitar, bass, and drums for a fuller sound. Also available: vocal/piano and lead sheet editions in G major, E-flat major, and B-flat major. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through ArrangeMe.com, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org. YouTube Link https://youtu.be/f3wTua50gV0.
$2.25
2.07 €
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Ligne De Mélodie, (Paroles) et Accords
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Anthony Giamanco
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BEAUTIFUL
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Whole Tone Press
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SheetMusicPlus
Higher Ground Hymn | LARGE PRINT | Easy Piano | Gospel Music
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1394299 Composed by Oatman Gabriel.…
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Easy Piano - Level 1 - Digital Download SKU: A0.1394299 Composed by Oatman Gabriel. Arranged by Large Print Sheet Music. Christian,Instructional,Praise & Worship,Religious,Sacred. Score. 2 pages. Large Print Sheet Music #977776. Published by Large Print Sheet Music (A0.1394299). This is a LARGE PRINT, easy piano version of the gospel hymn, Higher Ground. It features larger notes and wider staff spacing to assist low vision musicians, senior citizens, and beginner pianists.You can find hundreds of LARGE PRINT music arrangements here on Sheet Music Plus and Sheet Music Direct HERE âž” https://bit.ly/LARGEPRINTSHEETMUSICYou can find an easy piano tutorial here âž” https://bit.ly/3P1REas
$2.99
2.75 €
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Piano Facile
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Oatman Gabriel
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Large Print Sheet Music
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Higher Ground Hymn | LARGE PRINT | Easy Piano | Gospel Music
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Large Print Sheet Music
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SheetMusicPlus
Recercada 1 & 2
Flûte à bec Alto, Piano
Treble recorder and piano - intermediate - Digital Download Composed by Diego Ortiz …
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Treble recorder and piano - intermediate - Digital Download Composed by Diego Ortiz (1510-1570). This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Schott Music - Digital #Q46130. Published by Schott Music - Digital
German - English - French.<br> <br> The viol player Diego Ortiz, who was musical director at the court of the Spanish viceroy in Naples in the mid-16th century, wrote a textbook which became authoritative for the art of improvisation during the Renaissance. This textbook contains pieces with written improvisations in the tradition of the Renaissance period. Although the writing of improvisations was a contradiction in terms even then, Ortiz' pieces are excellent textbooks for the study of the structures and rules of this art.<br> The edition contains information, preparatory exercises and suggestions of the course 'Didaktik Blockflote' of the University 'Mozarteum' in Salzburg under the direction of Maria Dorner-Hofmann.<br> This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
$9.99
9.18 €
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Flûte à bec Alto, Piano
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Diego Ortiz (1510-1570)
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Recercada 1 & 2
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Schott Music - Digital
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SheetMusicPlus
How I Stayed in Shape
Flûte traversière
Flute - intermediate - Digital Download His last book of studies (1974). Composed by …
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Flute - intermediate - Digital Download His last book of studies (1974). Composed by Marcel Moyse. This edition: Sheet music. Instrumentalunterricht, Etuden, Ubungen. Downloadable. Schott Music - Digital #Q3082. Published by Schott Music - Digital
German - English.<br> <br> Marcel Moyse has become one of the legendary great flautists of the 20th century. As a pupil of Tannanel and successor to Gaubert at the Conservatoire National de Paris, he stands in the direct tradition of the 'French School'. How I Stayed in Shape is his last book of studies (1974), presented here for the first time in a trilingual edition (French, German, English). His pedagogic and artistic experiences are set out in their entirety with the aim of helping professional flute players who have little time to practise, and also &lsquo.everyone who loves the flute, while not forgetting the music&rsquo.. This volume aims to improve the basic aspects of flute playing (formation of tone, intonation, articulation, phrasing) using examples from the repertoire and Moyse's own detailed comments.
$19.99
18.37 €
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Flûte traversière
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Marcel Moyse
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How I Stayed in Shape
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Schott Music - Digital
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SheetMusicPlus
Concerto No. 2
Violoncelle, Orchestre
For violoncello and orchestra. Composed by Nino Rota (1911-1979). This edition: stud…
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For violoncello and orchestra. Composed by Nino Rota (1911-1979). This edition: study score. Music Of Our Time. Downloadable. Duration 23 minutes. Schott Music - Digital #Q46148. Published by Schott Music - Digital
The Cello Concerto No. 2 is Nino Rota's third contribution to the genre, but he does not include the early Cello Concerto dating back to 1925 in his own list of works: this composition only received its very much delayed first performance in Milan in November 2010. The much later Cello Concerto No. 2 was created around the same time as Rota's work on the soundtrack for The Godfather II for which the composer received an Oscar in 1975. Although there are no direct quotations from the film-track in this concerto, the section in 6/8-time displays a slight hint of the well-known Sicilian Pastorale.
$46.99
43.18 €
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Violoncelle, Orchestre
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Nino Rota
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Concerto No. 2
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Schott Music - Digital
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - intermediate - Digital Download Method for descant recorder. Thi…
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Descant recorder - intermediate - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 2. Schott Music - Digital #Q54874. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.18 €
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Flûte à bec Soprano
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Descant recorder - easy - Digital Download Method for descant recorder. This edition:…
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Descant recorder - easy - Digital Download Method for descant recorder. This edition: performance book. Fun and games with the recorder. Downloadable. Op Tune Book 1. Schott Music - Digital #Q49185. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> three Volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> * Discover the adventure of learning the recorder<br> * Make real progress through games: breathing<br> * A mixture of lively new and traditional tunes<br> * Three supplementery tune books each with a sheet of stickers<br> * Teacher's commentary<br> * Join Dotty-do-a-lot and her friends in the exciting orld of music<br> <br> Fun and Games with the Recorder is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of preofessional instruction for budding performers. Although the recorder is often the instrument with wich children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessable to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, g, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, F2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompainment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. Dotty's Note Book (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor every success and happiness with their recorder playing.
$9.99
9.18 €
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Flûte à bec Soprano
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
Fun and Games with the Recorder
Flûte à bec Soprano
Soprano recorder - easy - Digital Download Method for descant recorder. This edition:…
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Soprano recorder - easy - Digital Download Method for descant recorder. This edition: method. Fun and games with the recorder. Downloadable. Op Tutor Book 1. Schott Music - Digital #Q54873. Published by Schott Music - Digital
English.<br> <br> A special method for beginners. First published by Schott in German in 1990. The translation and adaption into English has been made by Peter Bowman.<br> <br> Three volumes for the descant recorder which advance in small steps and include many playful elements suitable for both group and individual lessons.<br> &bull. Discover the adventure of learning the recorder<br> &bull. Make real progress through games: breathing<br> &bull. A mixture of lively new and traditional tunes<br> &bull. Three supplementary tune books each with a sheet of stickers<br> &bull. Teacher's commentary<br> &bull. Join Dotty-do-a-lot and her friends in the exciting world of music<br> <br> ".Fun and Games with the Recorder". is a comprehensive recorder tutor covering all stages from the first notes of the beginner up to the point of professional instruction for budding performers. Although the recorder is often the instrument with which children will make their first musical discoveries, it is also an instrument of the highest artistic merit. This series of books tries to link these two extremes, providing a carefully planned pathway between first, playful contact with the instrument and professional recorder playing.<br> <br> The three Tutor Books are suitable for use both with small groups and for individual tuition. Progress is methodical and is made in small steps placing great value on consistent work with breathing, sound production and the development of rhythmic security.<br> <br> In the Tutor books we speak directly to the child and provide carefully planned, precisely formulated exercises. We recognise that some children learning the recorder will not yet be able to read, but hope that this will provide an opportunity for a parent or teacher to become involved in the learning process. Each step in this process should be fun and accessible to both the parent/teacher and the child.<br> <br> Tutor Book 1 is intended for children from about six years of age. Previous musical experience is not essential but undoubtedly would prove useful. It concentrates on the notes B, A, G, E1, C2 and D2, leaving sufficient time and space for the development of articulation, rhythmic security and breathing techniques. Tutor Book 2 adds the notes C1, D2, E2, F2 and B flat, whilst Tutor Book 3 completes the range up to C3 - at which point the treble recorder can be introduced.<br> <br> Tutor Books 1, 2 and 3 are complemented by Tune Books 1, 2 and 3. The Tune Books are matched to the stages of learning process of the Tutor Books and provide additional practice pieces and exercises, sometimes with accompaniment.<br> <br> In the Teacher's Commentary we explain the teaching methodology behind the tutor and provide stimulation for ideas for lessons.<br> <br> It will be helpful if the child has a manuscript book of her or his own, or some manuscript book. ".Dotty's Note Book". (ED 12641) is specially designed for the purpose, with large staves suitable for children as well as plain pages for words and pictures.<br> <br> We wish users of this tutor book every success and happiness with their recorder playing.
$9.99
9.18 €
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Flûte à bec Soprano
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Fun and Games with the Recorder
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Schott Music - Digital
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SheetMusicPlus
3 Little Sonatas
2 Flûtes traversières (duo)
Composed by Louis Drouet. This edition: performance score. Il Flauto traverso. Downl…
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Composed by Louis Drouet. This edition: performance score. Il Flauto traverso. Downloadable. Schott Music - Digital #Q11362. Published by Schott Music - Digital
Louis Drouet (1792-1873), much admired virtuoso flautist, composer, musical director and opera director, was 'a flautist of truly European standing and sphere of influence'. His method still forms part of today's standard teaching repertoire. The 'Little Sonatas' published here for the first time as a separate new edition constitute the final part of Part 3 of his method. In accordance with the remarks of Drouet who had two different performance versions in mind, the sonatas are available in two instrumentations: for two flutes and for flute and piano. The piano accompaniment, with its figured bass realized by Gottfried Bach, has been turned into a harmonic accompaniment.
$12.99
11.94 €
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2 Flûtes traversières (duo)
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Louis Drouet
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3 Little Sonatas
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Schott Music - Digital
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SheetMusicPlus
Sing Carols of Joy - Director's Edition
Chorale Unison
Unison/2-part choir - Digital Download SKU: LX.CC105 Composed by Eugene Butler. Cho…
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Unison/2-part choir - Digital Download SKU: LX.CC105 Composed by Eugene Butler. Choral Cantatas. Christmas. Director's Edition. 48 pages. Lorenz Publishing - Digital Sheet Music #eCC105. Published by Lorenz Publishing - Digital Sheet Music (LX.CC105). UPC: 000308021158.This item is for Digital Download.
$9.95
9.14 €
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Chorale Unison
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Eugene Butler
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Sing Carols of Joy - Director's Edition
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Forest Fairytales and Fables Musicals/Plays Piano accompaniment
Piano seul
Piano - Level 1 - Digital Download SKU: A0.1271486 Composed by Connie Boss. Childre…
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Piano - Level 1 - Digital Download SKU: A0.1271486 Composed by Connie Boss. Children,Instructional. Accompaniment. Duration 728. Connie Boss #863887. Published by Connie Boss (A0.1271486). This the piano background accompaniment mp3 for the musicals/plays for Forest Fairytales and Fables which are intended for Pre K—2nd graders. All of the plays teach morals to the children. Purchase the sheet music with script included on here. For requests or questions, email cdboss@cvalley.netCheck out the songs individually on Sheet Music Plus and Sheet Music Direct. You can view parts of the music and listen to the songs. Sheet music as well as a script are included.  1. Goldilocks and the Three Bears2.  Little Red Riding Hood3. The Boy Who Cried Wolf4. The Three Little Pigs5. The Tortoise and the Hare.
$2.50
2.3 €
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Piano seul
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Connie Boss
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Forest Fairytales and Fables Musicals/Plays Piano accompaniment
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Connie Boss
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SheetMusicPlus
Movin' in the Right Direction!
Chorus - Digital Download SKU: AX.00-PO-0005826 Composed by Jay Althouse and Sally …
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Chorus - Digital Download SKU: AX.00-PO-0005826 Composed by Jay Althouse and Sally K. Albrecht. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0005826. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005826). UPC: 038081536149.
$2.05
1.88 €
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Jay Althouse and Sally K
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Movin' in the Right Direction!
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Forest Fairytales and Fables Musicals/Plays
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1267078 Composed by C…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1267078 Composed by Connie Boss. Children,Instructional. Score. 70 pages. Connie Boss #859711. Published by Connie Boss (A0.1267078). These musicals/plays are intended for Pre K—2nd graders. The melody is very simple as well as the piano. The narrator can be a teacher or student. All of the plays teach morals to the children. For requests or questions, email cdboss@cvalley.netCheck out the songs individually on Sheet Music Plus and Sheet Music Direct. You can view parts of the music and listen to the songs. Sheet music as well as a script are included.  1. Goldilocks and the Three Bears2.  Little Red Riding Hood3. The Boy Who Cried Wolf4. The Three Little Pigs5. The Tortoise and the Hare.
$15.00
13.78 €
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Piano, Voix et Guitare
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Connie Boss
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Forest Fairytales and Fables Musicals/Plays
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Connie Boss
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SheetMusicPlus
Alla Turca Jazz
Harpe
Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by…
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Harp - Digital Download Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: single sheet. Eingangsmelodie, Handy- Klingelton, Mozart. Downloadable. Op. 5b. Duration 4 minutes. Schott Music - Digital #Q46259. Published by Schott Music - Digital
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. The very popular piece was now arranged for harp by Ekaterina Afanasieva.
$6.99
6.42 €
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Harpe
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Fazil Say
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Ekaterina Afanasieva
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Alla Turca Jazz
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Schott Music - Digital
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SheetMusicPlus
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