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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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PIANO & CLAVIERS
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92
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14
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Mandoline
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Chorale SATB
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VENTS
2 Saxophones (duo)
70
2 Clarinettes (duo)
44
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39
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38
2 Flûtes traversières (duo)
30
Clarinette, Violon (duo)
27
Clarinette, Trompette (duo)
24
Quatuor de Saxophones: 4 saxophones
23
2 Hautbois (duo)
19
Flûte, Hautbois, Clarinette, Basson
18
Quatuor de Clarinettes: 4 clarinettes
17
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16
Flûte traversière et Piano
15
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15
Clarinette
14
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14
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14
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14
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13
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12
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12
Flûte, Alto (duo)
11
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10
Clarinette et Piano
10
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9
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8
Saxophone Alto et Piano
7
Quatuor de Flûtes : 4 flûtes
6
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6
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6
Saxophone Tenor et Piano
6
Saxophone Alto
5
Flûte à bec Alto
5
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5
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4
Piccolo
4
3 Clarinettes (trio)
4
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4
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4
Flûte à Bec
4
Cor anglais, Piano
4
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3
Ensemble de saxophones
3
Quintette de Clarinettes: 5 clarinettes
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3
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2
Hautbois (partie séparée)
2
Quintette de Saxophone: 5 saxophones
2
Hautbois
2
Cor Anglais
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Saxophone Tenor
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton
2
Saxophone Soprano
2
Ensemble de Flûtes
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse, Piano
1
Clarinette (partie séparée)
1
Saxophone, Tuba (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte et Guitare
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Saxophone (partie séparée)
1
3 Flûtes à bec (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Ensemble de Trompettes
33
Trompette, Saxophone (duo)
28
2 Trombones (duo)
18
Trompette, Trombone (duo)
15
2 Trompettes (duo)
14
Trompette
11
Trompette, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Cor et Piano
8
Trombone et Piano
7
Quatuor de cuivres: 4 trombones
7
Trombone
5
Tuba et Piano
5
Quatuor de cuivres: 4 trompettes
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Cor
3
Tuba
3
Trombone basse et Piano
2
Trombone basse
2
3 Trompettes (trio)
2
2 Cors (duo)
2
3 Trombones (trio)
2
Trompette, Cor (duo)
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
26
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
18
2 Violons (duo)
18
2 Altos (duo)
17
Violon, Alto (duo)
16
Alto, Piano
10
Violon et Piano
8
Violoncelle, Piano
7
Violon
7
Harpe
5
Trio à Cordes: violon, alto, violoncelle
5
Violoncelle
5
Alto seul
3
Trio à Cordes: 3 violoncelles
3
Alto, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
Trio à cordes: 3 violins
2
Violoncelle (partie séparée)
1
Harpe et Piano
1
Contre Basse
1
2 Harpes (duo)
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
57
Orchestre à Cordes
27
Orchestre
23
Ensemble de cuivres
9
Orchestre de chambre
6
Cloches
4
Ensemble Jazz
2
Ensemble de Percussions
2
Vibraphone
1
Marimba
1
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AUTRES
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1676
Suite in D Minor for Two Mandolins
Mandoline
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.39 €
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
THE NUTCRACKER (short and) SUITE - for concert band
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.720648 Composed by Peter Ilyich T…
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Concert Band - Level 5 - Digital Download SKU: A0.720648 Composed by Peter Ilyich Tchaikovsky. Arranged by Ralph Raymond Hays. Children,Christmas,Holiday,Romantic Period. 164 pages. Ralph Raymond Hays #4890077. Published by Ralph Raymond Hays (A0.720648). Audiences will be thrilled and enchanted by this clever and expertly crafted synopsis of some of Classical Music's most recognizable and beloved melodies. Ensemble musicians will enjoy the challenge of performing excerpts in their original keys. Flutists will relish the Chinese Dance and Dance of the Reed Flutes. Hornists will revel in their showcase, Waltz of the Flowers, and percussionists will enjoy the enhanced and supplemented parts which provide the work with a fresh energy and grandeur. Other instrumentalists will welcome the opportunity to be featured as never before in the original. This work is certain to highlight a concert performed at the Holidays or any time throughout the year.
$49.99
45.73 €
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Orchestre d'harmonie
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Peter Ilyich Tchaikovsky
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Ralph Raymond Hays
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THE NUTCRACKER
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Ralph Raymond Hays
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SheetMusicPlus
"Ghost Story" from An Icelandic Suite
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1126731 Composed by Richard Simm. Arranged by Richard Simm. Chamber,Classical,Folk,Multicultural,Traditional,World. Score. 4 pages. Richard Simm #727380. Published by Richard Simm (A0.1126731). The first item in this suite of Icelandic tunes by Richard Simm is a hair-raising ghost story! These Icelandic melodies were originally arranged by Simm for beginner students to play as piano duets with their teachers or with advanced students. In their new form for two pianos, they are more embellished and technically challenging than the originals, but are short enough not to present too much of a hurdle. Four of the five songs are known to every Icelander, and their original texts often have stark, dramatic undertones.
$4.95
4.53 €
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2 Pianos, 4 mains
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Richard Simm
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Richard Simm
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"Ghost Story" from An Icelandic Suite
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Richard Simm
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.02 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.29 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Short and Suite
Clarinette et Piano
Clarinet,Piano - Digital Download SKU: A0.1014307 Composed by Matthew Atherton. Con…
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Clarinet,Piano - Digital Download SKU: A0.1014307 Composed by Matthew Atherton. Contemporary. Score and part. 9 pages. Mr Matthew P Atherton #3141003. Published by Mr Matthew P Atherton (A0.1014307). Three Whimsies for B-flat clarinet (or trumpet) and piano accompaniment. Numerous time signature changes throughout. Modal/chromatic tonality. Essentially comical in nature. Would suit senior school student or professional performers. Complete performance duration (all 3 movements) approximately 5 minutes.
$8.00
7.32 €
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Clarinette et Piano
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Matthew Atherton
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Short and Suite
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Mr Matthew P Atherton
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SheetMusicPlus
MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.553348 Composed by Edward MacDowell. Arranged by Ray Thompson. 20th Century,Contemporary,Holiday,Standards,Wedding. 10 pages. RayThompsonMusic #2081651. Published by RayThompsonMusic (A0.553348). Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches, Op. 51, is a suite of ten short piano pieces . It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscapeThe suite's first piece, To a Wild Rose, is MacDowell's best known single work according to the musicologist H. Wiley Hitchcock,and it achieved what Bomberger described as phenomenal popularity. MacDowell believed the work's popularity arose because the publisher spread its score generously across two pages.The piece begins with a spare melody, based on a simple one from the Brotherton Indians.The melody is played in short fragments and accompanied by chords and pedal points. The climax consists of a repeated dominant ninth chord, which can also be heard as a version of the Tristan chord. The piece concludes with a Scotch snap rhythm. Crawford opined that the piece's harmony saves it from blandness.Arranged for wind quintet…It could have been written for wind quintet!Other pieces are available.
$4.95
4.53 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edward MacDowell
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Ray Thompson
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MacDowell: Woodland Sketches Op.51 No.1 "To a Wild Rose" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.44 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Clair de Lune - 4 hands (D maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135765 By Amanda S…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135765 By Amanda Soares. By Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Romantic Period,Traditional. Score. 5 pages. Amanda Soares #735813. Published by Amanda Soares (A0.1135765). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to D major.
$8.00
7.32 €
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1 Piano, 4 mains
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Amanda Soares
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (F maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135768 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135768 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735817. Published by Amanda Soares (A0.1135768). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to F major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (B maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135780 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135780 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735828. Published by Amanda Soares (A0.1135780). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to B major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (G maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135777 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135777 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735823. Published by Amanda Soares (A0.1135777). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to G major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (E maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135767 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135767 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735815. Published by Amanda Soares (A0.1135767). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to E major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (A maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135779 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135779 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735827. Published by Amanda Soares (A0.1135779). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to A major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (Gb maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135787 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135787 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735835. Published by Amanda Soares (A0.1135787). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to Gb major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (Bb maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135781 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135781 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735830. Published by Amanda Soares (A0.1135781). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to Bb major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (Eb maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135790 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135790 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735838. Published by Amanda Soares (A0.1135790). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to Eb major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Clair de Lune - 4 hands (Ab maj)
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135785 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1135785 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735833. Published by Amanda Soares (A0.1135785). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to Ab major.
$8.00
7.32 €
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1 Piano, 4 mains
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
Short and Suite for Solo Trombone
Trombone
Trombone Solo - Level 4 - Digital Download SKU: A0.792443 Composed by Armand Russel…
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Trombone Solo - Level 4 - Digital Download SKU: A0.792443 Composed by Armand Russell. 20th Century,Contemporary. Individual part. 5 pages. Gordon Cherry #4823543. Published by Gordon Cherry (A0.792443). Armand Russell has written a delightful new work for Solo (unaccompanied) Trombone in four movements titled: 1. Intrada, 2. Air, 3. Scherzo and 4. Burleska Each movement has its unique feel. The composer uses syncopation and dance rhythms to keep the performer on her/his toes. The melodic 2nd movement Air is all in 5/4 time. In addition, Russell uses different colors with cup and straight mute. Almost 7 minutes in length, this work is appropriate for advanced intermediate performers.
$12.50
11.43 €
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Trombone
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Armand Russell
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Short and Suite for Solo Trombone
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Gordon Cherry
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SheetMusicPlus
Clair de Lune - 4 hands (Cb maj)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1135793 Composed by C…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1135793 Composed by Claude Debussy. Arranged by Amanda Kohn. 19th Century,20th Century,Classical,Instructional,Romantic Period. Score. 5 pages. Amanda Soares #735842. Published by Amanda Soares (A0.1135793). Easy 4 hands version of Clair de Lune by Debussy from his Bergamasque suite, ideal for teacher and student duo. This is a short and easier version of the piece transposed to Cb major.
$8.00
7.32 €
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Piano, Voix et Guitare
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Claude Debussy
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Amanda Kohn
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Clair de Lune - 4 hands
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Amanda Soares
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SheetMusicPlus
A Handful of Pieces - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1284463 Composed by Phil Rawle. Chamber,Classical,Contemporary. 53 pages. Phillip Rawle #875635. Published by Phillip Rawle (A0.1284463). A suite of five, modern short pieces. Written for String quartet. Violin 1, Violin 2, Viola, Cello.1 - Upperhand - Allegro swing2 - Shorthand - Andante3 - Offhand - Con moto swing4 - Freehand - Allegretto swing5 - Longhand - Slow.
$7.50
6.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Phil Rawle
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A Handful of Pieces - String Quartet
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Phillip Rawle
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SheetMusicPlus
Three Cornered Hat Mini-Suite, for wind sextet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 5 - Digital Download …
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B-Flat Bass Clarinet,B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1126331 Composed by Manuel de Falla. Arranged by Philip Le Bas. 20th Century,Chamber,Classical. 139 pages. Philip Le Bas #727035. Published by Philip Le Bas (A0.1126331). Manuel De Falla’s two suites of dances from the ballet “The Three-Cornered Hat†(El sombrero de tres picos) contain the most quintessentially Spanish of all orchestral dances ever written, demanding a large orchestra (and singer.) Philip Le Bas has here arranged a short “mini-suite†of four movements for wind sextet: flute, oboe/cor anglais. clarinet, bass clarinet, french horn, and bassoon. All the major characters of the ballet are represented in the movements chosen, including the pompous, disreputable, and rather tipsy town mayor (played by the bassoon briefly in the third movement), the neighbours (who ultimately see justice done, tossing the mayor up and down on a blanket), and of course the dashing Miller and his electrifying wife! 1. Neighbours' Dance (Seguidillas) 2. Miller’s Dance (Farruca) 3. Afternoon (La Tarde) 4. Dance of the Miller’s Wife (Fandango).
$5.99
5.48 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Manuel de Falla
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Philip Le Bas
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Three Cornered Hat Mini-Suite, for wind sextet
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Philip Le Bas
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SheetMusicPlus
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565434 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Standards,Traditional. Score and parts. 177 pages. Sharon Wilson #4357019. Published by Sharon Wilson (A0.565434). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord chart is also provided for most songs.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Each song in this collection is presented in one of three ways as detailed below:1. Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords for 1 verse and chorus. 2. Two verses are included: The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. 3. Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Are You Sleeping? (Frère Jacques) Aura LeaCan CanFor He's a Jolly Good FellowHome on the RangeI Love Little KittyI'm a Little TeapotI've Been Working on the RailroadIf You're Happy and You Know ItIt's Raining, It's PouringLightly RowLondon BridgeMary Had a Little LambMichael Row the Boat AshoreRed River ValleyThe Farmer in the DellThere's Music in the AirThis Old ManWheels on the BusYankee DoodlePermission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
22.87 €
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Sharon Wilson
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Sharon Wilson Music
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Folk Songs for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
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