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Should I Stay Or Should I Go - Electric Bass
Partitions à imprimer
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Should I Stay Or Should I Go
Basse electrique
Easy Bass Guitar - Digital Download SKU: HX.1218849 By The Clash. This edition: sco…
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Easy Bass Guitar - Digital Download SKU: HX.1218849 By The Clash. This edition: scorch. Jazz,Pop,Rock. Score. 1 pages. Hal Leonard - Digital #734471. Published by Hal Leonard - Digital (HX.1218849).
$2.99
2.72 €
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Basse electrique
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The Clash
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Should I Stay Or Should I Go
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Hal Leonard - Digital
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SheetMusicPlus
The Clash : Should I Stay Or Should I Go
Basse electrique
Téléchargez la tablature et la partition Basse Should I Stay Or Should I Go …
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Téléchargez la tablature et la partition Basse Should I Stay Or Should I Go de The Clash. Tab pour Basse avec band -- Pop/rock
5.99 €
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Basse electrique
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The Clash
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Should I Stay Or Should I Go
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Tomplay
Should I Stay Or Should I Go
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.596693 By The Clash. …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.596693 By The Clash. By Joe Strummer and Mick Jones. Arranged by James H. Marler, II. Punk,Rock. Score. 9 pages. Alicorn Music (ASCAP) #3224461. Published by Alicorn Music (ASCAP) (A0.596693). This sultry jazz arrangement is a fresh take on the classic hit by The Clash. Arranged for piano and voice.This arrangement is also available with orchestration for a jazz combo (Piano, Bass, Drums, Guitar, 2 Trumpets, and 2 Trombones) at https://smppress.sheetmusicplus.com/p/manage-products/261049.
$4.99
4.54 €
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Piano, Voix et Guitare
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The Clash
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James H
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Should I Stay Or Should I Go
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Alicorn Music
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SheetMusicPlus
Should I Stay Or Should I Go
Digital Download SKU: HX.416314 By The Clash. Pop,Rock. Bass. 3 pages. Published by…
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Digital Download SKU: HX.416314 By The Clash. Pop,Rock. Bass. 3 pages. Published by Hal Leonard - Digital (HX.416314).
$2.99
2.72 €
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The Clash
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Should I Stay Or Should I Go
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Hal Leonard - Digital
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SheetMusicPlus
Mick Jones: Should I Stay Or Should I Go for bass
Basse electrique
Instantly printable sheet music by The Clash for bass (tablature) (bass guitar) of MEDIUM …
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Instantly printable sheet music by The Clash for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,punk,rock
$8.97
8.16 €
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Basse electrique
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Mick Jones
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Virtualsheetmusic
Mick Jones: Should I Stay Or Should I Go for bass
Basse electrique
Instantly printable sheet music by The Clash for bass (tablature) (bass guitar) of MEDIUM …
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Instantly printable sheet music by The Clash for bass (tablature) (bass guitar) of MEDIUM skill level. / alternative,pop,punk,rock
$6.97
6.34 €
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Basse electrique
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Mick Jones
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Virtualsheetmusic
The Clash: Should I Stay Or Should I Go - bass solo
Basse electrique
Instantly printable sheet music by The Clash for bass solo of MEDIUM skill level. / jazz,p…
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Instantly printable sheet music by The Clash for bass solo of MEDIUM skill level. / jazz,pop,rock
$2.97
2.7 €
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Basse electrique
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The Clash
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Virtualsheetmusic
The Clash: Should I Stay Or Should I Go - bass solo
Basse electrique
Instantly printable sheet music by The Clash for bass solo of MEDIUM skill level. / pop,ro…
(+)
Instantly printable sheet music by The Clash for bass solo of MEDIUM skill level. / pop,rock
$4.97
4.52 €
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Basse electrique
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The Clash
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Virtualsheetmusic
Should I Stay Or Should I Go
Basse electrique
By The Clash. Pop; Punk; Rock. Bass TAB. 7 pages. Published by Hal Leonard - Digital Sheet…
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By The Clash. Pop; Punk; Rock. Bass TAB. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
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Basse electrique
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The Clash
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Punk
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Should I Stay Or Should I Go
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Should I Stay Or Should I Go
Basse electrique
By The Clash. Alternative; Pop; Punk; Rock. Bass TAB. 6 pages. Published by Hal Leonard - …
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By The Clash. Alternative; Pop; Punk; Rock. Bass TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.54 €
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Basse electrique
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The Clash
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Pop
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Should I Stay Or Should I Go
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Should I Stay Or Should I Go - Multiple Bass Drums
Level 3-4 - Digital Download SKU: HX.411274 By Joe Strummer, Mick Jones, The Clash,…
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Level 3-4 - Digital Download SKU: HX.411274 By Joe Strummer, Mick Jones, The Clash, and Will Rapp. Arranged by Paul Murtha. This edition: scorch. Pop,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.411274).
$6.00
5.46 €
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Joe Strummer, Mick Jones, The Clash, and Will Rapp
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Paul Murtha
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Should I Stay Or Should I Go - Multiple Bass Drums
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Hal Leonard - Digital
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SheetMusicPlus
I Was Only Nineteen
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.
$60.00
54.58 €
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Orchestre
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Various Artists
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Brett A Foster (BF Music)
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Contra Bassoon
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I Was Only Nineteen
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Brett A Foster
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.42 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.42 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
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