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Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Scale & Sight-Reading Exercises for Two Violins Part I
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Classique
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Dr
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Scale & Sight-Reading Exer
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Global Music Partnership Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classi...
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Instrumental Duet Instrumental Duet,Violin - Interactive Download SKU: A0.484843 Arranged by Dr. Vladimir Dyo. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 1370. Published by Global Music Partnership Press (A0.484843). Part I contains 20 selected scales re-arranged for two violins from the Art of Playing on the Violin (1751) by F. Geminiani. These compact scales are designed to equip beginner/intermediate violinists with basic scale and sight-reading skills in a creative and efficient manner. It is suggested to practice both violin parts for greater technical variety.
$7.99
At First Sight: Grade 1
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Piano Facile
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FACILE
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Methodes
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James Kael
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At First Sight: Grade 1
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James Kael
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.934448 Composed by James Kael. Instructional. Score. 12 pages. James Kael #3239103. Published by James Kael (A0.934448). ...
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Easy Piano - Level 1 - SKU: A0.934448 Composed by James Kael. Instructional. Score. 12 pages. James Kael #3239103. Published by James Kael (A0.934448). A selection of 50 sight-reading exercises for piano in 5-finger positions, designed to be accessible to the beginner student. Aimed at piano students of around ABRSM Grade 1 standard, these pieces can be used by students to practice at home or by piano teachers in lessons for skill development or exam preparation.
$6.99
At First Sight: Grade 2
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Piano Facile
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DÉBUTANT
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Methodes
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James Kael
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At First Sight: Grade 2
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James Kael
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.934449 Composed by James Kael. Instructional. Score. 12 pages. James Kael #3563623. Published by James Kael (A0.934449). ...
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Easy Piano - Level 1 - SKU: A0.934449 Composed by James Kael. Instructional. Score. 12 pages. James Kael #3563623. Published by James Kael (A0.934449). A selection of 50 sight-reading exercises for piano in 5-finger positions, designed to be accessible to the elementary student. Aimed at piano students of around ABRSM Grade 2 standard, these pieces can be used by students to practice at home or by piano teachers in lessons for skill development or exam preparation.
$6.99
Beginner Sight Reading Pentascale Book 3 - Beginner Piano Exercises (One Hand at a Time)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Beginner Sight Reading Pentasc
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1303855 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #893377. Publi...
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Easy Piano - Level 1 - SKU: A0.1303855 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #893377. Published by Ylan Chu (A0.1303855). This is a PDF containing 50 sight reading exercises for piano at a beginner level. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and based on the first five notes of the major or minor scale which is also known as a pentascale. This third book includes keys up to two sharps or two flats (C major, A minor, F major, D minor, B-flat major, G minor, G major, E minor, D major, B minor). Excerpts can begin on any finger. Audio for all of these exercises along with other ear training and sight reading material can be found at: https://youtube.com/@ClassicalSqueak | More resources can be found at: https://ylanchu.com/resources | or | https://ko-fi.com/classicalsqueak | This PDF is for personal use only.Links to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213795/Product.aspx C major Pentascale - Book 2: https://www.sheetmusicplus.com/en/product/beginner-piano-exercises-sight-reading-c-major-pentascale-book-2-digital-pdf-download-22537268.html Sight Reading - Level 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213173/Product.aspx Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213175/Product.aspx Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: https://www.ylanchu.comMore resource links can be found here: https://www.ylanchu.com/resourcesSocials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$3.99
Beginner Piano Exercises - Sight Reading C Major Pentascale Book 2 (Digital PDF Download)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Beginner Piano Exercises - Sig
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1256749 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #850121. Publi...
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Easy Piano - Level 1 - SKU: A0.1256749 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #850121. Published by Ylan Chu (A0.1256749). This is a PDF containing 50 sight reading exercises for piano at a beginner level. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and based on the first five notes of the C major scale (C-D-E-F-G) which is also known as a pentascale. This second book focuses on movement by step and skip. Excerpts can begin on any finger. Audio for all of these exercises along with other ear training and sight reading material can be found at: www.youtube.com/classicalsqueak | More resources can be found at: https://ylanchu.com/resources | or | https://ko-fi.com/classicalsqueak | This PDF is for personal use only.Links to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213795/Product.aspx C major Pentascale -Â Book 1: https://www.sheetmusicplus.com/title/beginner-piano-exercises-sight-reading-c-major-pentascale-digital-pdf-download-digital-sheet-music/22365196 Sight Reading - Level 1: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213173/Product.aspx Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicdirect.com/en-US/se/ID_No/1213175/Product.aspx Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$3.99
Sight Reading Chord Progressions with Melodies Book 1 | Intermediate-Advanced Exercises 1-150
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Piano seul
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INTERMÉDIAIRE
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Ylan Chu
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Sight Reading Chord Progressio
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Ylan Chu
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1284524 Composed by Ylan Chu. Classical,Instructional. Score. 54 pages. Ylan Chu #875697. Published by Ylan Chu (A0.12845...
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Piano Solo - Level 3 - SKU: A0.1284524 Composed by Ylan Chu. Classical,Instructional. Score. 54 pages. Ylan Chu #875697. Published by Ylan Chu (A0.1284524). These exercises were originally used for ear training purposes (students would listen to the exercise twice and write and/or name the chord progression). They were also used as sight reading exercises (as regular playing through and as playing with naming the chords). Every example has the Roman numeral analysis written underneath each chord. This first book containing 150 exercises is the companion to videos 1-30 of the Chord Progressions with Melodies ear training series. This PDF is for personal use only.• Playlist for Book 1: https://youtube.com/playlist?list=PLBjX9Vsck-AC2R9d3SzxW8jNYp7Ib-72B&si=_329F0qnuXM9xBym• Playlist for Chord Progressions Ear Training: https://youtube.com/playlist?list=PLBjX9Vsck-AD1U3fAsRHhFEVBfNiZW6zO&si=02WWov4CcpFjbDWT• Playlist for Sight Reading: https://www.youtube.com/playlist?list=PLBjX9Vsck-ABLcGTqn6S4OEhcLSS5BNxCLinks to other sight reading books: C major Pentascale - Book 1: https://www.sheetmusicplus.com/title/beginner-piano-exercises-sight-reading-c-major-pentascale-digital-pdf-download-digital-sheet-music/22365196 Sight Reading - Level 1: https://www.sheetmusicplus.com/title/sight-reading-level-1-piano-digital-pdf-download-digital-sheet-music/22364469 Sight Reading - Level 2: https://www.sheetmusicplus.com/title/sight-reading-level-2-piano-digital-pdf-download-digital-sheet-music/22364472 -For more information about the composer, Dr. Ylan Chu, please visit her website: www.ylanchu.com.More resource links can be found here: www.ylanchu.com/resources.Socials / Links: YouTube: https://youtube.com/@ClassicalSqueak Bandcamp: https://ylanchu.bandcamp.com/ Lessons (online): https://www.ylanchu.com/teaching For more sheet music or to leave a tip, please visit: https://ko-fi.com/classicalsqueak/shop Video index: https://www.ylanchu.com/videoindex
$8.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Co...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Chorale SATB
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INTERMÉDIAIRE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #47...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Bassoon Sight-Reading
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Basson
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Bassoon Sight-Reading
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Schott Music - Digital
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SheetMusicPlus
Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music ...
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Bassoon - easy to advanced - SKU: S9.Q20293 A Fresh Approach. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Schott Music - Digital #Q20293. Published by Schott Music - Digital (S9.Q20293). English • French • German.Sight-reading is an important aspect of making music and should in some form become a regular part of a student’s routine each time they play their instrument. Regular sight-reading helps the pupil to gain greater confidence when approaching any new piece of music for the first time. Schott's Sight-Reading books aims to establish the habit early in every student’s learning process and the emphasis is on providing idiomatic tunes and structures for the specific instruments rather than sterile sight-reading exercises. Starting from very easy pieces with familiar shapes and rhythms, the range of notes, keys and rhythms gradually develops. In addition to this, each section of the books concludes with duets and accompanied pieces allowing the student to gain experience of sight-reading within the context of ensemble playing. Accompaniment exercises can be found at the end of the piano books.
$15.99
More Piano Sight-Reading 1
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Piano seul
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DÉBUTANT
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Methodes
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More Piano Sight-Reading 1
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Schott Music - Digital
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SheetMusicPlus
Piano (2 and 4 hands) - very easy to easy - SKU: S9.Q19482 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-R...
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Piano (2 and 4 hands) - very easy to easy - SKU: S9.Q19482 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 1. Schott Music - Digital #Q19482. Published by Schott Music - Digital (S9.Q19482). English â?¢ French â?¢ German.- Provides supplementary material to Piano Sight-Reading 1 - An approach based on independent learning and the recognition of rhythmic and melodic patterns - 175 exercises in a range of musical styles and keys - Each section concludes with duets to encourage players to develop musicianship and to have fun playing with your teacher, family or friends - Tunes are progressive with 'hands together' exercises in the final section - Preliminary towards grade 2 PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Beginner Piano Exercises - Sight Reading C Major Pentascale Book 1 (Digital PDF Download)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Beginner Piano Exercises - Sig
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1117884 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #719396. Publi...
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Easy Piano - Level 1 - SKU: A0.1117884 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #719396. Published by Ylan Chu (A0.1117884). This is a PDF containing 50 sight reading exercises for piano at a beginner level. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and based on the first five notes of the C major scale (C-D-E-F-G) which is also known as a pentascale. This first book focuses on movement by step or with note repetition. Each excerpt begins on either finger 1 or 5. Audio for all of these exercises along with other ear training and sight reading material can be found at: www.youtube.com/classicalsqueak | More resources can be found at: https://ylanchu.com/resources | or | https://ko-fi.com/classicalsqueak | This PDF is for personal use only.
$3.99
Sight Reading - Level 2 Piano (Digital PDF Download)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Sight Reading - Level 2 Piano
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1117253 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #718835. Publi...
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Easy Piano - Level 1 - SKU: A0.1117253 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #718835. Published by Ylan Chu (A0.1117253). This is a PDF containing 50 sight reading exercises for piano at level 2. Exercises are divided between hands. They are 4-measures in length, 4/4 time, written on the grand staff, and in the key of C major, F major, G major, A minor, or D minor. Audio for all of these exercises along with other ear training and sight reading material can be found at: www.youtube.com/classicalsqueak. More resources can be found at: https://ko-fi.com/classicalsqueak or https://ylanchu.com/resources This PDF is for personal use only.
$4.99
Sight Reading - Level 1 Piano (Digital PDF Download)
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Piano Facile
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DÉBUTANT
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Ylan Chu
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Ylan Chu
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Sight Reading - Level 1 Piano
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Ylan Chu
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1117251 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #718833. Publi...
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Easy Piano - Level 1 - SKU: A0.1117251 By Ylan Chu. By Ylan Chu. Arranged by Ylan Chu. Classical,Instructional. Score. 12 pages. Ylan Chu #718833. Published by Ylan Chu (A0.1117251). This is a PDF containing 50 sight reading exercises for piano at level 1. Exercises are divided between hands and each hand has notes within the five-finger position. They are 4-measures in length, 4/4 time, written on the grand staff, and in the key of C major, F major, G major, or A minor. Audio for all of these exercises along with other ear training and sight reading material can be found at: www.youtube.com/classicalsqueak More resources can be found at: https://ylanchu.com/resources or https://ko-fi.com/classicalsqueak This PDF is for personal use only.
$4.99
Sight-singing exercises for two part choirs vol. 1B - eighth and sixteenth notes
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782805 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3490147. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782805 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3490147. Published by Nicholas D Palmer (A0.782805). SIGHT-SINGING EXERCISES - SA/TB - Volume 1BDiatonic seconds and repeated notes; eighth notes and sixteenth notesThe purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. In general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.Volume 1 series - Diatonic secondsVolume 1 - mixed rhythms and meters reviewVolume 1A - Quarter, half, whole, dotted half note rhythmsVolume 1B - Eighth and sixteenth notesVolume 1C - Compound and mixed metersVolume 1D - melodic minor
$9.99
More Piano Sight-Reading 2
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2 Pianos, 4 mains
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FACILE
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More Piano Sight-Reading 2
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Schott Music - Digital
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SheetMusicPlus
Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sig...
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Piano (2- and 4-hands) - easy to intermediate - SKU: S9.Q19483 Additional material for piano solo and duet. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 2. Schott Music - Digital #Q19483. Published by Schott Music - Digital (S9.Q19483). English â?¢ French â?¢ German.This collection of original tunes is an ideal extension of Piano Sight-Reading 2 (ED 12791), or a continuation of Piano Sight-Reading 1 (ED 12736), which presents 144 carefully graded sight-reading pieces and exercises in a range of musical styles. Taking an approach based on self-learning, the 7 sections of the book focus on developing different key technical skills as well as introducing the student to a plethora of musical terms. Each section of the book contains solos, as well as piano duets for practising ensemble sight-reading. Suitable for preliminary, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING and MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kemberâ??s â??Piano Sight-Reading Seriesâ?? jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Sight-Singing 2
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
Voice - advanced to difficult - SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blat...
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Voice - advanced to difficult - SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Chorale SATB
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DÉBUTANT
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by N...
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Choral Choir (Mixed) - Level 1 - SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
Sight-singing exercises for two-part choirs vol. 1A - quarters, halves, wholes
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Chorale 2 parties
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DÉBUTANT
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Methodes
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Nicholas Palmer
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Sight-singing exercises for tw
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Nicholas D Palmer
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nich...
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Choral Choir (SA) - Level 1 - SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nicholas D Palmer (A0.782807). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses. This volume contains the first 10 exercises of Volume 1, and then 10 more exercises that use only longer note values. Since Volume 1 also covers eighth note and sixteenth note rhythms and some compound meters, I decided to provide a volume with only the longer note values and then restructure the collection in the following way: in each series of volumes, A includes only longer note values, B introduces eighths and sixteenths, C introduces compound meter, and D introduces melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing. If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmer www.nicholaspalmer.com nicholasdpalmer@gmail.com
$9.99
More Piano Sight-Reading 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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More Piano Sight-Reading 3
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate to advanced - SKU: S9.Q41707 Additional Material for piano solo. This edition: Sheet music. Schott Sight-Reading Series. Dow...
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Piano - intermediate to advanced - SKU: S9.Q41707 Additional Material for piano solo. This edition: Sheet music. Schott Sight-Reading Series. Downloadable. Op. 3. Schott Music - Digital #Q41707. Published by Schott Music - Digital (S9.Q41707). English • French • German.This collection presents over 100 carefully graded sight-reading pieces and exercises in a range of musical styles, for piano. Taking an approach based on self-learning, the book focuses on developing different key technical skills. Suitable for intermediate, to advanced level students. Part of the comprehensive Sight-Reading series published by Schott and edited by John Kember. PIANO SIGHT-READING & MORE PIANO SIGHT-READING - press reviews The books have a classy presentation, with notation nicely engraved and well spaced ... For those looking for an authoritative and well structured approach to learning real-world sight-reading skills, John Kember’s ‘Piano Sight-Reading Series’ jumps to the top of my list of recommendations. - PIANODAO.COM.
$13.99
Sight Reading Tonal Patterns - Short Reading Exercises for Beginner Piano
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Piano seul
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DÉBUTANT
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Sally Beaumont
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Sight Reading Tonal Patterns -
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Sally Beaumont
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1164060 Composed by Sally Beaumont. Children,Instructional. Score. 26 pages. Sally Beaumont #764409. Published by Sally B...
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Piano Solo - Level 1 - SKU: A0.1164060 Composed by Sally Beaumont. Children,Instructional. Score. 26 pages. Sally Beaumont #764409. Published by Sally Beaumont (A0.1164060). Teach your students to recognise common tonal patterns found in beginner piano music.From very short to longer (1-4 bars) patterns, use these short sightreading exercises to help students identify step and skip patterns, enhance ability to recall note names at sight and develop their reading confidence.Covers common hand positions found in beginner piano music - C position (in 3 different registers), middle C position, G position (in 3 different registers) and Treble FACE patterns.I often uses these in my studio as short breaks between other activities. Great for teaching students to focus and analyse the passage before playing. A wonderful educational resource to have in your tool-kit, especially for young students.An educational piano publication.
$4.99
Javisst A-vista - A sight reading game
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Gustaf Rosenberg
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Gustaf Rosenberg
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Javisst A-vista - A sight read
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Gustaf Rosenberg
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SheetMusicPlus
Vocal Ensemble 1 Piano,2 Pianos,4 Hands,6 Hands,8 Hands,C Instrument,Choir,Digital Keyboard,Electronic Keyboard,Flute,Mallet Percussion,Synthesizer,Vibraphone,V...
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Vocal Ensemble 1 Piano,2 Pianos,4 Hands,6 Hands,8 Hands,C Instrument,Choir,Digital Keyboard,Electronic Keyboard,Flute,Mallet Percussion,Synthesizer,Vibraphone,Violin,Voice - Level 1 - SKU: A0.1517804 By Gustaf Rosenberg. By Gustaf Rosenberg. Arranged by Gustaf Rosenberg. Children,Classical,Instructional,Jazz. Educational Exercises. 11 pages. Gustaf Rosenberg #1091967. Published by Gustaf Rosenberg (A0.1517804). Javisst is swedish for Absolutely!/Sure! and A-vista is a different term for sight reading. In this game the players get to exercise their sight reading in a fun manner! I created this sheet because I had trouble finding exercises basic enough for my students, and when I tried this in a group setting it was a success! I hope it can bring joy to more students around the world!It's nice to have a drumloop or metronome to play along with! See the attatched rules for more info and enjoy!
$10.00
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