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--INSTRUMENTS--
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Silo String Quartet
Partitions à imprimer
10 partitions trouvées
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1
String Quartet - Dance Card
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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String Quartet - Dance Card
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Musicart Publications
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.971662 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 114 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.971662 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 114 pages. Musicart Publications #5992077. Published by Musicart Publications (A0.971662). String Quartet - Dance Card. 2 violins, viola, cello. Duration: 21 minutes. This edition is arranged to print with the correct page turns front-to-back for the score and parts.The music of String Quartet - Dance Card shares three transcendental aspects of life: Time, Death, and Love. It is our relationship with these three that defines our priorities. Set as three dances – Holding on to Time (Bolero), Death Tango (Tango), and Love’s Pas de Deux (Bourrée Nouveau) – Dance Card explores these relationships. Whether our dance card is open or full, in each of these we have choices to make.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com
$23.95
By Cool Siloam's Shady Rill
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Piano Quintette: piano, 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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William Gardiner
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David D
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By Cool Siloam's Shady Rill
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David D Mason
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.770104 Composed by William Gardiner. Arranged by David D. Mason. Contemporary...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.770104 Composed by William Gardiner. Arranged by David D. Mason. Contemporary,Praise & Worship,Sacred,Spiritual,Wedding. Score and parts. 10 pages. David D Mason #5766121. Published by David D Mason (A0.770104). I have arranged this lovely old Hymn for String Quartet and added an optional 3rd Violin (Viola) part. I have also included a Piano part as a rehearsal aid.
$8.99
Toccare - for guitar quartet or ensemble (score and parts)
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4 Guitares (Quatuor)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Toccare - for guitar quartet o
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Musicart Publications
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - SKU: A0.971640 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 39 pages. Musicart Publication...
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Guitar Ensemble Guitar - Level 4 - SKU: A0.971640 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 39 pages. Musicart Publications #3926807. Published by Musicart Publications (A0.971640). The Toccare began in the early 16th century as a virtuosic instrumental work for strings (associated with lutes especially) or keyboard instruments. It is the predecessor to the toccata, requiring quick finger motion, contrapuntal writing, and often possessing an improvisatory quality. Toccare is 8 minutes and 30 seconds in duration. Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.
$21.00
Drama - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Silo String Quartet
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Drama - Score Only
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1156628 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 13 pages. Haydn Brett Reeder #7...
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String Quartet String Quartet - Level 5 - SKU: A0.1156628 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 13 pages. Haydn Brett Reeder #756950. Published by Haydn Brett Reeder (A0.1156628). This is the third of three pieces for string quartet and therefore acts as a finale. Numbers I and II are titled 'Moving Between' and 'Breathing' respectively and all three are available on this site. Any one of these may be performed separately or the three movements can be played as a set. On occasions the textures of 'Drama' hark back to those heard in 'Moving Between', however in the latter there is transitional material between textures, be they melodic or chordal. Here, transitions are absent andcontrasts are starker, being produced by opposites such as slow and fast speeds, symmetrical and asymmetrical harmonies, porous and thick textures and sound and noise.
$4.00
Drama
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Silo String Quartet
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Drama
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1160587 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 14 pages. Ha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1160587 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 14 pages. Haydn Brett Reeder #760882. Published by Haydn Brett Reeder (A0.1160587). Parts only. The score is available on this site. A description accompanies that entry.
$5.00
Moving Between - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Silo String Quartet
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Moving Between - Score Only
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Haydn Brett Reeder
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1156082 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 14 pages. Haydn Brett Reeder #7...
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String Quartet String Quartet - Level 5 - SKU: A0.1156082 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 14 pages. Haydn Brett Reeder #756394. Published by Haydn Brett Reeder (A0.1156082). A fuller title may have been Moving Between Extremes since it deals with the contrast between monody and harmony. Transforming one texture into the other is done in a number of ways. There are not only areas where transformation is occurring, but also others where a texture remains the same for some time.
$6.00
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
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Musique Sacrée
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Johann Sebstian Bach / Alexand
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Präludium h-Moll / Prelud
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Uwe Roessler
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SheetMusicPlus
Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Ro...
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Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Roessler Rassler. Baroque,Instructional,Praise & Worship,Religious,Wedding. 9 pages. Uwe Roessler #825231. Published by Uwe Roessler (A0.1229325). Originally written for piano solo (hence the video link) here comes our arrangement for piano trio/quartet/quintet. Two iterations: In the first one the emphasis is put on the 16th-passages in the piano while all strings play pizzicato. In the second iteration violin1 and cello change to arco for the theme while the piano plays pp and with sostenuto pedal. A very rewarding effect.Minimum instrumentation: violin1, piano. Can be enlarged to piano trio / quartet / quintet.Comes with full score an all individual parts. Professional sheet material!
$20.00
Violet Evergarden Op
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Evan Call
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Henry
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Violet Evergarden Op
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Rassilon Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.492862 Composed by Evan Call. Arranged by Henry. Film/TV. Score and parts. 15 pages...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.492862 Composed by Evan Call. Arranged by Henry. Film/TV. Score and parts. 15 pages. Rassilon Music #108033. Published by Rassilon Music (A0.492862). Full Score and parts/.
$12.99
Ave Maria - Bach/Timofeev (for Mezzo-soprano and Piano)
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Piano, Voix
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AVANCÉ
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Classique
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Johann Sebastian Bach, Alexand
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Ave Maria - Bach/Timofeev
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Alexander Timofeev
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.966150 Composed by Johann Sebastian Bach, Alexander Timofeev. Baroque,Romantic Period,Sacred,Spiritual. Score. 6 p...
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Piano,Vocal,Voice - Level 5 - SKU: A0.966150 Composed by Johann Sebastian Bach, Alexander Timofeev. Baroque,Romantic Period,Sacred,Spiritual. Score. 6 pages. Alexander Timofeev #6670301. Published by Alexander Timofeev (A0.966150). This Ave Maria, for Mezzo-soprano and Piano, was composed in 2013 by Alexander Timofeev. The accompaniment to this new setting of Ave Maria was inspired by Bach/Siloti Prelude BWV 855. Text: Latin. Vocal range: Bb3 - F5. Duration: 4'.This piece is also available in other versions:1. Soprano and Piano2. Soprano and Organ3. Soprano, Piano and String Quartet4. Soprano, Mixed Choir, and Piano5. Soprano, Mixed Choir, and Organ6. Soprano, Piano, Timpani and Strings7. Soprano and Orchestra8. Mezzo-soprano and Organ9. Mezzo-soprano, Mixed Choir and Piano10. Mezzo-soprano, Mixed Choir and Organ.
$4.50
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Silo String Quartet
