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Vous avez sélectionné:
Sinfonia F-Dur
Partitions à imprimer
33 partitions trouvées
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Sinfonia OR 3-part Invention in F minor
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.862587 Composed by Bach, J. S. Arra…
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Piano Solo - Level 3 - Digital Download SKU: A0.862587 Composed by Bach, J. S. Arranged by Michael Bomier. Baroque,Contemporary. Score. 4 pages. Michael Butkus-Bomier #442687. Published by Michael Butkus-Bomier (A0.862587). 2015 Piano Contest Here is one of Bach's most haunting and yet intellectually rigorous compositions, set up so the intermediate player can see, at a glance, what hand plays what voice, and which accidental is operating when. The early editions, and many others since concentrate SO much on showing the voices and how long each note should LAST, that the important parts, which in our opinion, are when each note STARTS, and which hand plays it, are either left ambiguous or worse. So, here is an edition/arrangement, with 100% original notes, and precise L-R hand assignments. The French device of the laissez vibre or Tie to no where, is used throughout, for visual simplification. Many cautionary accidentals are included, so as to minimize the questioning of pitch that arises from such chromatic writing. Dur. 4:00 MP3 MIDI audio. Pedaling, ala Paul Badura-Skoda, is encouraged. MBB.
$3.50
3.19 €
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Piano seul
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Bach, J
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Michael Bomier
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Sinfonia OR 3-part Invention in F minor
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Michael Butkus-Bomier
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SheetMusicPlus
Sinfonia F major
Treble recorder, viola da gamba (viola, cello), string orchestra (wind instruments ad lib)…
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Treble recorder, viola da gamba (viola, cello), string orchestra (wind instruments ad lib) and basso continuo - advanced - Digital Download SKU: S9.Q11801 Composed by Georg Philipp Telemann. This edition: score. Concertino. Downloadable, Score. Duration 9 minutes. Schott Music - Digital #Q11801. Published by Schott Music - Digital (S9.Q11801). Key: F major.This edition was arranged for today’s music-mak-ing practice allowing the instrumental enlargement by adding various wind instruments to the simple string scoring.
$21.99
20.07 €
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Georg Philipp Telemann
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Sinfonia F major
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Schott Music - Digital
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SheetMusicPlus
Sinfonia F major
Treble recorder, viola da gamba (viola, cello), string orchestra (wind instruments ad lib)…
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Treble recorder, viola da gamba (viola, cello), string orchestra (wind instruments ad lib) and basso continuo - advanced - Digital Download SKU: S9.Q15516 Composed by Georg Philipp Telemann. This edition: solo part. Concertino. Downloadable, Solo part. Duration 9 minutes. Schott Music - Digital #Q15516. Published by Schott Music - Digital (S9.Q15516). Key: F major.This edition was arranged for today’s music-mak-ing practice allowing the instrumental enlargement by adding various wind instruments to the simple string scoring.
$5.99
5.47 €
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Georg Philipp Telemann
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Sinfonia F major
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Schott Music - Digital
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SheetMusicPlus
Sinfonia F-Dur
Treble recorder and basso continuo SKU: M2.MOS-41109 Sonate. Composed by Gio…
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Treble recorder and basso continuo SKU: M2.MOS-41109 Sonate. Composed by Giovanni Battista Somis. Hausmusik. 14 pages. Möseler Verlag #MOS 41109. Published by Möseler Verlag (M2.MOS-41109). ISBN 9790203731092.
$11.95
10.91 €
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Giovanni Battista Somis
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Sinfonia F-Dur
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Möseler Verlag
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SheetMusicPlus
Sinfonia XI F major
Orchestre à Cordes
String Orchestra - Digital Download SKU: S9.Q49929 Composed by Felix Bartholdy Mend…
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String Orchestra - Digital Download SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Ernst Eulenburg & Co. GmbH - Digital #Q49929. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q49929). Key: F major.The Allgemeine Musikalische Zeitung, Leipzig 1827, reports that Mendelssohn, between the ages of 12-14, and under the guidance of his teacher Carl Friedrich Zelter, composed 'symphonies for strings alone in the style of C. P. E. Bach, which were then performed in the house of his highly refined and cultivated parents.' These remarkably fresh and precociously accomplished works were presented during Sunday musicales held at the Mendelssohn family residence and performed by members of the Berlin Court Orchestra under the direction of the composer himself. The instrumental parts are based on the recently-published Eulenburg study scores of the 12 Sinfonias for strings, newly-edited by Boris von Haken from the extant autograph MSS in the collection of the Staatsbibliothek zu Berlin - Stiftung Preussischer Kulturbestiz.
$28.99
26.46 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Sinfonia XI F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Sinfonia N. 9
Chorale SATB
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemisch…
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
51.1 €
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Chorale SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
Sinfonia 9 for String Trio MP3 (Version 1)
Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1511987 Composed by Johann …
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Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1511987 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Chamber,Classical,Easter,Instructional. Full Performance. Duration 120. Cristiano Vecchi #1087055. Published by Cristiano Vecchi (A0.1511987). The three-part Sinfonia or Inventio, chromatic masterwork by J.S. Bach, first version for: Violin, Viola and Cello in the original key of F minor.Added dynamic and expression indications that follow and show the formal architecture of the piece.Duration: 2'.Score and parts also available on this web site (two versions collected as an unique item: Vl, Vla, Vc and 2Vls + Vc).Also available for several ensembles.
$1.99
1.82 €
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for String Trio MP3
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Cristiano Vecchi
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SheetMusicPlus
Sinfonia 9 for Brass Trio MP3
Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebasti…
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Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Full Performance. Duration 121. Cristiano Vecchi #4849973. Published by Cristiano Vecchi (A0.1066286). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Duration: 2'00Added dynamic and expression indications that follow and show the formal architecture of the piece.Score and parts also purchasable on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$1.99
1.82 €
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for Brass Trio MP3
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Cristiano Vecchi
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SheetMusicPlus
Fasch: Sinfonia in G Major (Arr. Diehnelt, for String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.809075 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.809075 Composed by Johann Friedrich Fasch. Arranged by Kim Diehnelt. Baroque,Concert,Holiday,Wedding. Score and parts. 30 pages. Kim Diehnelt #6560423. Published by Kim Diehnelt (A0.809075). Johann Friedrich Fasch (1688 – 1758) was a contemporary of J.S. Bach and Georg F. Handel and considered one of the top German composers during his time. This work has four movements (Vivace-Grave-Fuge-Presto). It was originally for strings and basso continuo; the music is well-crafted and has both a flavor of restraint and seriousness, as well as humor and joy. The Fuge movement is especially enjoyable. It is a refreshing addition to the repertoire for string quartet ensembles who perform at ceremonies, receptions, and other social events. Performance time is about 10 minutes with repeats. The final Presto can be played as a trio (violin, viola, cello). Mvt. 1 - Vivace Mvt. 2 – Grave (2:10 in MIDI recording) iMvt. 3 – Fuge (3:50 on MIDI recording) Mvt. 4 – Presto (6:46 in MIDI recording) This arrangement for string quartet was made at the request of the Hildegard String Quartet in Vermont. As professional musicians who perform for weddings and special occasions, they require high-quality arrangements that capture the full sound, color, and texture of the original work. The layout of the printed parts is designed to limited page turns and provide an ease of reading.
$12.95
11.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Friedrich Fasch
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Kim Diehnelt
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Fasch: Sinfonia in G Major
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Kim Diehnelt
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SheetMusicPlus
Sinfonia
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1452250
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1452250 Composed by Antonio Cesti. Arranged by Edition Maulwurf. Baroque,Opera. 16 pages. Edition Maulwurf #1031572. Published by Edition Maulwurf (A0.1452250). Sinfonia from the opera Le Disgrazie d'Amore Music by: Antonio Cesti (1623-1669)arrangement for brass quintet2 trumpets (Bb), French horn (F), trombone, tubaduration: ca. 3:15 min.grade: intermediatescore and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition
$11.99
10.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Antonio Cesti
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Edition Maulwurf
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Sinfonia
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Edition Maulwurf
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SheetMusicPlus
Sinfonia
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1452249
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1452249 Composed by Antonio Cesti. Arranged by Edition Maulwurf. Baroque,Opera. 9 pages. Edition Maulwurf #1031571. Published by Edition Maulwurf (A0.1452249). Sinfonia from the opera L'Argia Music by: Antonio Cesti (1623-1669)arrangement for brass quintet2 trumpets (Bb), French horn (F), trombone, tubaduration: ca. 1:20 min.grade: intermediatescore and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition
$5.99
5.47 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Antonio Cesti
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Edition Maulwurf
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Sinfonia
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Edition Maulwurf
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SheetMusicPlus
Sinfonia
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291313
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291313 Composed by George Frideric Handel. Arranged by Edition Maulwurf. Baroque,Opera. 22 pages. Edition Maulwurf #881982. Published by Edition Maulwurf (A0.1291313). Georg Friedrich Händel (1685-1759)Sinfonia from Acis and GalateaHWV49arrangement for brass quintet2 trumpets (Bb), horn (F), trombone, tubaduration: ca 3m 40s score + partsSee also for more arrangements:https://www.edition-maulwurf.de.
$14.99
13.68 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Frideric Handel
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Edition Maulwurf
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Sinfonia
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Edition Maulwurf
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SheetMusicPlus
Sinfonia concertante in F major
Violoncelle, Orchestre
Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download S…
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Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download SKU: S9.Q4631 Composed by Johann Christian Bach. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4631. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4631). Key: F major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.03 €
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Violoncelle, Orchestre
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Johann Christian Bach
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Sinfonia concertante in F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.38 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 C…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.76 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
43.76 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Co…
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.76 €
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
43.76 €
#
Giovanni Gabrieli
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James M
#
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.76 €
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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jmsgu3
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SheetMusicPlus
Sonar's Riddle (Bassoon)
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.983173 Composed by Craig Wadley. …
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Bassoon Solo - Level 4 - Digital Download SKU: A0.983173 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980651. Published by Wadley Publications (A0.983173). The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor. Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia. As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character. Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded. I count myself fortunate to have been one of many. Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.
$12.99
11.86 €
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Basson
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Craig Wadley
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Sonar's Riddle
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Wadley Publications
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SheetMusicPlus
Sonar's Riddle (Oboe)
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.983174 Composed by Craig Wadley. 21s…
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Oboe Solo - Level 4 - Digital Download SKU: A0.983174 Composed by Craig Wadley. 21st Century,Chamber,Contemporary,Contest,Festival. Individual part. 5 pages. Wadley Publications #4980645. Published by Wadley Publications (A0.983174). The title of Sonar’s Riddle is an anagram of Dr. Daniel Ross, and stands as a tribute to a musician known for both his kindness and humor. Dr. Daniel F. Ross (1944-2019) was a Professor of Music at Arkansas State University, where he taught the double reed studio from 1968 to 2018. During his illustrious career, he became known as not only a world-class musician, but an innovator in the field of reed-making with his Ross Gouging Machine. As a performer, he served as Principal Oboist with the Arkansas Symphony and performed with the North Arkansas Symphony, Arkansas Philharmonic Orchestra, Tupelo Symphony, Delta Symphony, Atlanta Symphony, Nashville Symphony, the St. Louis Symphony, and the St. Louis Chamber Music Society. He was a frequent soloist with the Forum Sinfonia of Krakow, Poland, touring with them in the United Stated and Europe. He held the title of Visiting Professor of Oboe at the Academy of Music in Krakow, Poland and has been a soloist with the St. Petersburg and Moscow Philharmonic orchestras in Russia. As a teacher, Dr. Ross stressed the importance of expression. For him, being a musician was an extension of being human. In order to make music, one must cross the threshold from producing technically accurate sounds into a mysterious and sometimes elusive realm of heart, love, compassion, gentleness, and joy. In Dan Ross’ studio, one learned that a musician capable of evoking strong emotions must first be a person of great character. Dan Ross excelled in all things musical, but more importantly, he was an excellent man. He may well be remembered as a great musician, a great performer and teacher, or as an innovator in the art of reed making. But his true legacy lies in the hearts that he touched and the lives that he molded. I count myself fortunate to have been one of many. Sonar’s Riddle is a brief musical portrait of Dr. Dan Ross, attempting to capture the essence of his kind spirit and boundless humor.
$12.99
11.86 €
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Hautbois (partie séparée)
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Craig Wadley
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Sonar's Riddle
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Wadley Publications
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SheetMusicPlus
6 Pieces From Serse
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1264114 Composed by George Frideric Handel. Arranged by Edition Maulwurf. Baroque,Opera. 42 pages. Edition Maulwurf #857028. Published by Edition Maulwurf (A0.1264114). Georg Friedrich Händel6 Pieces From Serse01 – Ouverture02 – Aria „Ombra mai fù“ 03 – Chorus04 – Chorus05 – Sinfonia06 - Giguearrangement for woodwind quintetflute, oboe, clarinet, French horn, bassoonduration: ca 10m 30sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$15.99
14.59 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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George Frideric Handel
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Edition Maulwurf
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6 Pieces From Serse
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Edition Maulwurf
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SheetMusicPlus
Geschwindmarsch by Beethoven
Orchestre d'harmonie
(6 Flöten, Piccolo, 2 Oboen, Englischhorn, 12 Klarinetten in B, Bass-Klarinette, 2 Fago…
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(6 Flöten, Piccolo, 2 Oboen, Englischhorn, 12 Klarinetten in B, Bass-Klarinette, 2 Fagotte, Kontrafagott, 4 Hörner in F, 10 Trompeten in B, 6 Posaunen, 6 Tuben, Pauke, Schlagzeug (kleine Trommel, Becken, Triangel, Glockenspiel, Celesta) wind band - Digital Download SKU: S9.Q2827 Paraphrase from the Sinfonia Serena. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 4 minutes. Schott Music - Digital #Q2827. Published by Schott Music - Digital (S9.Q2827).
$19.99
18.24 €
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Orchestre d'harmonie
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Paul Hindemith
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Geschwindmarsch by Beethoven
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Schott Music - Digital
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SheetMusicPlus
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