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Sinfonia In F - Violin 1
Partitions à imprimer
14 partitions trouvées
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Leopold Mozart : Sinfonia Burlesca Mvt.1 Allegro - clarinet quintet
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.5…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.505902 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #117544. Published by RayThompsonMusic (A0.505902). The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters.It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to:“Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. This is the 1st movement: Sinfonia or ouverture which  was originally written for a string orchestra of 2 viola, 2 celli and bass/bassoon.I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Eb so clarinets are playing in F.
$9.95
9.2 €
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Quintette de Clarinettes: 5 clarinettes
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Ray Thompson Music
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Ray Thompson
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Leopold Mozart : Sinfonia Burlesca Mvt.1 Allegro - clarinet quintet
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RayThompsonMusic
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Horn in F and accompaniment
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Se…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321359. Published by Leyandder Trustworthy (A0.964388). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Horn in F along with a piano accompaniment that comes with the product.
$4.99
4.61 €
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Cor et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for F Tuba and accompaniment
Piano Facile
Piano,Tuba - Level 1 - Digital Download SKU: A0.964398 Composed by Johann Sebastian…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.964398 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321831. Published by Leyandder Trustworthy (A0.964398). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for F Tuba along with a piano accompaniment that comes with the product.
$4.99
4.61 €
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Piano Facile
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Bach: Christmas Oratorio BWV248 "Sinfonia Pastoral" - symphonic wind
Large Ensemble - Level 5 - Digital Download SKU: A0.553809 Composed by Johann Sebas…
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Large Ensemble - Level 5 - Digital Download SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pages. RayThompsonMusic #4762509. Published by RayThompsonMusic (A0.553809). The well known Sinfonia Pastoral comes from the second part of Bach's Christmas Oratorio.It is scored for 2 flutes, 2 oboe d'amore, 2 oboe da caccia, strings, continuoI have added natural horns in G. ( Horns in F are provided as well)Bach uses the 4 oboes to indicate the shepherds, as a counter melody to that of the strings.I have used the 2 oboes and bassoon 1 as the mainstay of the oboe quartet and given the sustained notes played by Bach's 4th oboe to horn or clarinet. This keeps the counter melody on the double reed instruments, and gives a fair refection of Bach's original.Flutes, clarinets and bassoon2 play the original string parts.Arranged here for double wind quintet and bass.
$19.95
18.44 €
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Johann Sebastian Bach
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Ray Thompson
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Bach: Christmas Oratorio BWV248 "Sinfonia Pastoral" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Sinfonia concertante in F major
Violoncelle, Orchestre
Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download S…
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Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download SKU: S9.Q4631 Composed by Johann Christian Bach. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4631. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4631). Key: F major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.16 €
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Violoncelle, Orchestre
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Johann Christian Bach
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Sinfonia concertante in F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
SINFONIA from CANTATA 29 (We Thank You, God)
C Trumpet,Horn,Organ,Piccolo Trumpet,Timpani,Trombone,Tuba - Level 5 - Digital Download
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C Trumpet,Horn,Organ,Piccolo Trumpet,Timpani,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1223679 Composed by Johann Sebastian Bach. Arranged by Mark F. Adler. Baroque,Chamber,Holiday,Wedding. 39 pages. Mark Adler Music #819828. Published by Mark Adler Music (A0.1223679). This arrangement of Bach's Sinfonia from Cantata 29 makes a great prelude or postlude for any festive service! This familiar piece really lets the organist shine, while the brass provide a sparkling accompaniment. Trumpet parts in C and Bb are provided along with a Piccolo Trumpet in A for Trumpet 1.
$25.00
23.11 €
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Johann Sebastian Bach
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Mark F
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SINFONIA from CANTATA 29
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Mark Adler Music
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SheetMusicPlus
Sinfonia N. 9
Chorale SATB
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemisch…
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
51.76 €
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Chorale SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1228233 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 54 pages. Jmsgu3 #824153. Published by jmsgu3 (A0.1228233). Minimum instrumentation: 4 Cornets in Bb, 4 French Horns in F, 1 Tenor Trombone, 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was instead the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can sound perfectly in balance in contrast.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges shown by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller units for vocal soloists, accompanied by a basso continuo.
$47.95
44.33 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch. 178 for Brass Choir à 10
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jmsgu3
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SheetMusicPlus
Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.33 €
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Giovanni Gabrieli
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James M
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1 Bass Trombone
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Gabrieli: Canzon per Sonar à 10 Ch. 177 for Brass Choir
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jmsgu3
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SheetMusicPlus
10 Solos for Cello: Intermediate Advanced Pieces
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arrang…
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Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 20 pages. Clara Obsidian #933005. Published by Clara Obsidian (A0.1348189). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsB. Romberg: Rondo from Sonata no. 4 in E MinorJ. S. Bach: Prélude from Suite no. 2 in D minorG. Goltermann: La Foi G. Bizet: Habanera from CarmenG. Fauré: Sicilienne G. B. Pergolesi: Comodo et Presto from Sinfonia in FA. Vivaldi: Largo from Sonata in A minor, RV 44E. Satie: Gymnopédie No. 1 from Trois GymnopédiesL. V. Beethoven: Adagio Cantabile from ‘Pathetique’ Sonata no. 8E. Elgar: Salut d’amour from LiebesgrussOther Collections also available!---------------------------.
$8.99
8.31 €
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Violoncelle (partie séparée)
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Various
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Clara Obsidian
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10 Solos for Cello: Intermediate Advanced Pieces
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Clara Obsidian
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SheetMusicPlus
BEST OF BACH (20 TUNES) - Collection [EASY PIANO]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1326457 By Johann Sebastian Bach. B…
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Easy Piano - Level 2 - Digital Download SKU: A0.1326457 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Religious. Score. 56 pages. Darek #914599. Published by Darek (A0.1326457). BEST OF BACH (20 TUNES) - Sheet Music Collection [EASY PIANO]Sheet music for piano or keyboard in easy arrangements for beginner pianists. Johann Sebastian Bach and 20 of the composer's most famous works. Easy sheet music | Baroque | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for Beginners Included: Articulation, Dynamics, Fingering and a simplified Youtube tutorial. Song List:1. Adagio from Oboe Concerto in D Minor (BWV 974)2. Air on the G String from Suite No. 3 (BWV 1068)3. Ave Maria (Prelude in C major, BWV 846) (Bach/Gounod)4. Badinerie from Orchestral Suite No. 2 in B Minor (BWV 1067)5. Bourrée in E Minor (BWV 996)6. Brandenburg Concerto No. 3 in G Major, First Movement (BWV 1048)7. Cantata: Jesu, Joy of Man’s Desiring (BWV 147)8. Cello Suite No. 1, Prelude (BWV 1007)9. Goldberg Variations, Aria (BWV 988)10.  Invention No. 1 in C Major (BWV 772)11.  Invention No. 8 in F Major (BWV 779)12.  Italian Concerto in F Major, First Movement (BWV 971)13.  Minuet in G Major (BWV Anh. 114)14.  Minuet in G Minor (BWV Anh. 115)15.  Minuet in G Major (BWV Anh. 116)16.  Musette in D Major (BWV Anh. 126)17.  Partita No. 2 in C Minor, I. Sinfonia (BWV 826)18.  Passacaglia in C Minor (BWV 582)19.  Prelude in C (BWV 846)20.  Toccata and Fugue in D Minor (BWV 565).
$20.00
18.49 €
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Piano Facile
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Johann Sebastian Bach
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Darek
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BEST OF BACH
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Darek
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SheetMusicPlus
Bach for Trombone Trio, Vol. I
3 Trombones (trio)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928143 Composed by Joh…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928143 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Standards. Score and parts. 88 pages. Pete Strohm Music #5041135. Published by Pete Strohm Music (A0.928143). Volume I of this series, containing five J.S. Bach keyboard works from The Well-Tempered Clavier and Inventions and Sinfonias, expertly arranged for three Trombones (2 Tenor, 1 Bass). This new edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Ornaments are authentic, either from Bach or his immediate students. Tempos, dynamics, and most articulations are my recommendations. The first trombone part is provided in both tenor and bass clefs. There are two complete sets of parts, one with original ornaments and one with the ornaments realized in suggested notation, as well as a guide to interpreting ornaments. Performers are, of course, free to devise their own interpretations.Each volume of Bach for Trombone Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 8:47. Member, ASCAP.
$9.95
9.2 €
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3 Trombones (trio)
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Johann Sebastian Bach
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P
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Bach for Trombone Trio, Vol. I
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Pete Strohm Music
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SheetMusicPlus
Bach for Trombone Trio, Vol. II
3 Trombones (trio)
Brass Ensemble Trombone - Digital Download SKU: A0.928144 Composed by Johann Sebast…
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Brass Ensemble Trombone - Digital Download SKU: A0.928144 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Standards. Score and parts. 76 pages. Pete Strohm Music #5041137. Published by Pete Strohm Music (A0.928144). Volume II of this series, containing five J.S. Bach keyboard works from Inventions and Sinfonias, expertly arranged for three Trombones (2 Tenor 1 Bass). This edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Ornaments are authentic, either from Bach or his immediate students. Tempos, dynamics, and most articulations are my recommendations. The first trombone part is provided in both tenor and bass clef. There are also two sets of first and second parts, one with original ornaments and one with the ornaments realized in suggested notation, as well as a guide to interpreting ornaments. The Bass Trombone has no ornaments added. Performers are, of course, free to devise their own interpretations.Each volume of Bach for Trombone Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Medium-Advanced level of difficulty. Performance time for all five works is 8:17. Member, ASCAP.
$9.95
9.2 €
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3 Trombones (trio)
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Johann Sebastian Bach
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P
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Bach for Trombone Trio, Vol. II
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Pete Strohm Music
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SheetMusicPlus
Bach for Trombone Trio, Vol. III
3 Trombones (trio)
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928154 Composed by Joh…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.928154 Composed by Johann Sebastian Bach. Arranged by P. F. Strohm. Baroque,Contest,Festival,Instructional,Sacred. Score and parts. 76 pages. Pete Strohm Music #5372141. Published by Pete Strohm Music (A0.928154). Volume III of this series, containing five J.S. Bach keyboard works fromThe Well-Tempered Clavier and Inventions and Sinfonias, expertly arranged for three Trombones (2 Tenor 1 Bass). This edition contains tempos, ornamentation, articulation and dynamics to help guide players with less experience performing baroque music. Ornaments are authentic, either from Bach or his immediate students. Tempos, dynamics, and most articulations are my recommendations. The first trombone part is provided in both tenor and bass clef. There are also two sets of first and second parts, one with original ornaments and one with the ornaments realized in suggested notation, as well as a guide to interpreting ornaments. The Bass Trombone has no ornaments added. Performers are, of course, free to devise their own interpretations. Each volume of Bach for Trombone Trio is carefully compiled to work as a single, compatible set with a playing time under ten minutes, excellent for use in both contest and recital. Performance time for all works is 7:57. Member, ASCAP.
$9.95
9.2 €
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3 Trombones (trio)
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Johann Sebastian Bach
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P
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Bach for Trombone Trio, Vol. III
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Pete Strohm Music
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SheetMusicPlus
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