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Sing, Sing, Sing: Tonal Bass Drum
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Sing, Sing, Sing: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0018121_TBD Instructional. 1 pages. …
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Marching Band - Digital Download SKU: AX.00-PC-0018121_TBD Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018121_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018121_TBD). UPC: 038081278070.
$3.00
2.77 €
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Batterie (partie séparée)
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Sing, Sing, Sing: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Oh Sherrie: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016487_OTBD Tonal Bass Drum.…
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Marching Band - Digital Download SKU: AX.00-PC-0016487_OTBD Tonal Bass Drum. Composed by Bill Cuomo, Craig Krampf, Randy Goodrum, and Steve Perry. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016487_OTBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016487_OTBD). UPC: 038081473277.The rock group Journey's lead singer Steve Perry had a huge hit with this one. Lots of block scoring and a short alto sax feature make this chart a winner for the stands this fall! (1:45).
$3.00
2.77 €
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Bill Cuomo, Craig Krampf, Randy Goodrum, and Steve Perry
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Michael Story
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Oh Sherrie: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Cycles for Bassoon Quartet
4 Bassons
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by S…
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Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by Sy Brandon. 20th Century,Contemporary. 47 pages. Sy Brandon #3590241. Published by Sy Brandon (A0.755244). Cycles for bassoon quartet honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity. The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The movement is called The Living Earth as our planet is still evolving by constantly building up pressure and releasing that pressure. The opening serene section uses key clicks and wind sounds in the serenity section. Pitch bends in the melody are designed to resemble a shakuhachi. Syncopated explosions that use polytonal pentatonic scales represent the earthquake. Rapid ascending and descending scale patterns depict the resultant tsunami. The second movement is a hymn song for the souls of the dead. It is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. Pentatonic scales abound once again but this time they modulate gently from one tonality to another instead of being used simultaneously. A song of redemption and hope for the survivors is the theme for the third and final movement, Resiliency of the Spirit. It depicts the strength of the human spirit and it is the cycle of joy growing out of sorrow. Taiko drumming is the major influence in this movement. It begins with a foot stomp followed by the drummers warming up. A staccato rhythmic section that imitates the drums follows this. A hymn-like theme in pentatonic is interpolated over this rhythmic drumming bringing the movement and the piece to a hopeful conclusion.
$14.99
13.83 €
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4 Bassons
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Sy Brandon
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Cycles for Bassoon Quartet
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Sy Brandon
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SheetMusicPlus
Godzilla, Part 1: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016967_OTBD Tonal Bass Drum.…
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Marching Band - Digital Download SKU: AX.00-PC-0016967_OTBD Tonal Bass Drum. Composed by Alexandre Desplat. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016967_OTBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016967_OTBD). UPC: 038081497181.Alfred Music is pleased to present a three-piece halftime show based on the thrilling music from the hit motion picture Godzilla. Composer Alexandre Desplat has crafted a stunning score that translates perfectly to the marching band medium. Part 1 of our show begins quietly and mysteriously before gradually building to the rousing main theme. (2:00).
$3.00
2.77 €
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Batterie (partie séparée)
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Alexandre Desplat
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Michael Story
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Godzilla, Part 1: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Rockin' Sports Jams, Vol. 3: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016481_OTBD Tonal Bass Drum.…
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Marching Band - Digital Download SKU: AX.00-PC-0016481_OTBD Tonal Bass Drum. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016481_OTBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016481_OTBD). UPC: 038081474557.Here is another awesome set of four short, timeout-length charts that will really get the crowd going this year. All of the titles are proven winners. Doug Adams has arranged these using lots of block scoring, making even the smallest bands sound great! (2:30).
$3.00
2.77 €
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Batterie (partie séparée)
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Doug Adams
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Rockin' Sports Jams, Vol. 3: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Steal My Girl: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016988_TBD Tonal Bass Drum. …
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Marching Band - Digital Download SKU: AX.00-PC-0016988_TBD Tonal Bass Drum. By One Direction. By Ed Drewett, John Ryan, Julian Bunetta, and Wayne Hector. Pop/Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016988_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016988_TBD). UPC: 038081501871.The band One Direction is one of the hottest groups around. Here is the lead single from their latest album in a driving yet very playable arrangement by Victor LA3pez! (1:55).
$3.00
2.77 €
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Batterie (partie séparée)
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One Direction
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Steal My Girl: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Burn: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016509_TBD Tonal Bass Drum. …
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Marching Band - Digital Download SKU: AX.00-PC-0016509_TBD Tonal Bass Drum. Composed by Brenth Kutzle, Elena Goulding, Greg Kurstin, Noel Zancanella, and Ryan Tedder. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016509_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016509_TBD). UPC: 038081483580.From pop singer Ellie Goulding comes this great tune that was climbing the charts at the end of 2013. Victor LA3pez's driving arrangement is perfect for the stands or for pep band! (1:37).
$3.00
2.77 €
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Batterie (partie séparée)
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Brenth Kutzle, Elena Goulding, Greg Kurstin, Noel Zancanella, and Ryan Tedder
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Burn: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Problem: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016976_TBD Tonal Bass Drum. …
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Marching Band - Digital Download SKU: AX.00-PC-0016976_TBD Tonal Bass Drum. By Ariana Grande. By Amethyst Ameila Kelly, Ariana Grande, Ilya, and Max Martin. Dance; Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016976_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016976_TBD). UPC: 038081501659.Singer Ariana Grande's catchy dance-pop hit took the charts by storm in 2014. This big and bold Nick Baratta arrangement will be a lot of fun for every section of your band! (1:35).
$3.00
2.77 €
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Batterie (partie séparée)
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Ariana Grande
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Pop
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Problem: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Papa's Got a Brand New Bag: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016989_TBD Tonal Bass Drum. …
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Marching Band - Digital Download SKU: AX.00-PC-0016989_TBD Tonal Bass Drum. Composed by James Brown. Arranged by Victor Lopez. Funk. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016989_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016989_TBD). UPC: 038081502977.The life of singer James Brown was brought to the silver screen in 2014 with the release of the movie Get on Up. Here is one of his biggest hits in a funky new arrangement by Victor LA3pez! (2:00).
$3.00
2.77 €
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James Brown
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Victor Lopez
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Papa's Got a Brand New Bag: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sing Sang Sung: Tonal Bass Drum
Batterie (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0018172_TBD Instructional. 1 pages. …
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Marching Band - Digital Download SKU: AX.00-PC-0018172_TBD Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018172_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018172_TBD). UPC: 038081326481.
$3.00
2.77 €
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Batterie (partie séparée)
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Sing Sang Sung: Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Privateers
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. …
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Concert Band - Level 3 - Digital Download SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99
23.06 €
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Orchestre d'harmonie
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.94 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.64 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cape Breton March: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0017023_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0017023_BC B-flat Bass Clarinet. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017023_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017023_BC). UPC: 038081505909.Cape Breton is a wildly beautiful island on the northeast coast of North America. The Scottish settlers of Cape Breton brought a rich Celtic musical tradition with them. Fiddlers, drummers, pipers, and singers keep that music alive today throughout the island. Cape Breton March pays homage to that rich heritage with its sprightly syncopated rhythms and natural minor tonality. (2:00)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre d'harmonie
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John O'Reilly
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Festival.
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Cape Breton March: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.17 €
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Chorale SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
69.22 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Theme and Variations (Andante) from Symphony No. 94 ("Surprise")
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph H…
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Concert Band - Level 5 - Digital Download SKU: A0.840485 Composed by Franz Joseph Haydn. Arranged by Ted R. Marcus. Classical,Contest,Festival,Historic. Score and Parts. 93 pages. Ted R. Marcus #3368179. Published by Ted R. Marcus (A0.840485). The tonal palette of the modern concert band brings fresh color and variety to the complete second movement of Haydn's Surprise Symphony. The famous theme and one of the variations explore the subtle contrast between bassoon and English horn. The original repeats are opened up and scored differently, using contrasting colors and combinations of solo clarinet, solo flute, piccolo, and soprano saxophone. A repeated section first has a flute and oboe accompanied with clarinets, then a saxophone quartet on the repeat. One variation features a solo piccolo and bells. And a prominent pair of horns recalls the sound of Haydn's divertimenti for wind ensemble. Duration: approx. 6:00. Written for an adult community band, this challenging arrangement is appropriate for a university, college, or community band, or an adventurous high school wind ensemble. The bassoon, English horn, and soprano saxophone parts are all fully cued to allow rehearsal or performance in the absence of any or all of them. Two strong horn players are essential; but the third and fourth horn parts are easier, and cued in trombones and euphonium. The bassoon parts use the tenor clef and ascend to a high B-flat; the second bassoon has only one 8-measure high passage that doubles the horns and can be omitted if necessary. The alternate versions of both bassoon parts use only bass clef but are otherwise identical. All essential bassoon passages are cued in saxophone and bass clarinet parts.Instrumentation: Piccolo / Flute 1-2 / Oboe / English Horn / Clarinet 1-2-3 / Alto Clarinet / Bass Clarinet / Bassoon 1-2 (and alternate parts using only bass clef) / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / Tuba / String Bass / Percussion (snare drum, crash cymbals) / Mallets (xylophone, bells) / TimpaniPlease visit my Web site to explore more classics for adventurous concert bands.
$45.00
41.53 €
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Orchestre d'harmonie
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Franz Joseph Haydn
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Ted R
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Theme and Variations
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Ted R. Marcus
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SheetMusicPlus
CONFUCIUS SAID...å”å說...Woodwind Trio
Woodwind Ensemble,Woodwind Trio - Level 1 - Digital Download SKU: A0.903774 Compose…
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Woodwind Ensemble,Woodwind Trio - Level 1 - Digital Download SKU: A0.903774 Composed by Alan Edgar Ted Moon. 20th Century,Contemporary,Holiday,World. 14 pages. Alan Edgar Ted Moon #6561447. Published by Alan Edgar Ted Moon (A0.903774). This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE. The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player could read out the Confucius quotation at the beginning of each movement. Flute or Oboe, Oboe, Bassoon, optional Narrator. How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu) I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance. A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order. It was by music... uses major triad fanfares where possible, with an occasional glissando. Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated). When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone. If one should desire...is a barefoot parade (gymnopedie?) in Satie's style. Duration 7 minutes.
$6.00
5.54 €
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Alan Edgar Ted Moon
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CONFUCIUS SAID...å”å說...Woodwind Trio
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Alan Edgar Ted Moon
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SheetMusicPlus
Confucius Said...å”å說...String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edga…
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String Ensemble,String Trio - Digital Download SKU: A0.903776 Composed by Alan Edgar. 20th Century,Contemporary,Holiday,Multicultural,World. Score and parts. 14 pages. Alan Edgar Ted Moon #6561443. Published by Alan Edgar Ted Moon (A0.903776). CONFUCIUS SAID: STRING TRIO violin, viola, cello. An interpretation of some of the annual ceremonial music honouring the great Chinese philosopher. Quotations of his sayings about music are included, for a performer to speak. This piece is inspired by the Confucius Birthday Ceremony, probably dating from the Chou Dynasty, 1046-221BCE.  The music, called Shao Music, has been played in all its magnificence since then. The event is highly choreographed and controlled musically, aiming to reflect and celebrate Confucius' philosphies of peace. Traditional Chinese music is primarily melodic, and western ears may feel the lack of harmonic richness. A player should read out the Confucius quotation at the beginning of each movement.   How to play... The melody and some of the bass line consists of the rows of pitch-classes in verses 1 and 2 of Honouring Confucius (Ta Tsai Kung-Tzu)  I have introduced rhythmic variety, harmony and some phasing and use the traditional pentatonic scale as rendered by the Chinese classical music instruments-drums, bells, flutes, and strings. The flute symbolises balance.  A man without...is a very short saraband, a courtly dance using all the pitches of verse 2 in order, with the strings muted.   It was by music... uses major triad fanfares where possible, with an occasional portamento.  Music produces a special... is a sensuous waltz: as with most of the movements, I have shamelessly used a tonal harmony under the notes of verse 4 (illustrated).  When music and courtesy... plays the notes of Verse 6 in quintuple time over a drone.  If one should desire...is a barefoot parade (gymnopedie?) in Satie's style.    Duration 7 minutes. Â
$6.00
5.54 €
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Trio à Cordes: violon, alto, violoncelle
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Alan Edgar
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Confucius Said...å”å說...String Trio
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Alan Edgar Ted Moon
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
23.06 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.68 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.76 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Le Api
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300006 Composed by Luis Enr…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1300006 Composed by Luis Enrique Bacalov, Sergio Bardotti, and Vinicius De Moraes. Arranged by Davide Bizzarri. Children,Pop,Singer/Songwriter. Score. 3 pages. Davide Bizzarri #889769. Published by Davide Bizzarri (A0.1300006). In this ironic song the buzz of bees is reproduced by the flute, but a kazoo can also be used. The tonality was adapted to the children's register. Three voices, flute/kazoo and piano part included. You can also find in separated files bass, drums and strings parts.
$8.99
8.3 €
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Piano, Voix
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Luis Enrique Bacalov, Sergio Bardotti, and Vinicius De Moraes
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Davide Bizzarri
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Le Api
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Davide Bizzarri
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SheetMusicPlus
Le Api
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1300013 Composed by Luis Enrique Ba…
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Lever Harp - Level 2 - Digital Download SKU: A0.1300013 Composed by Luis Enrique Bacalov, Sergio Bardotti, and Vinicius De Moraes. Arranged by Davide Bizzarri. Children,Pop,Singer/Songwriter. Score. 2 pages. Davide Bizzarri #889778. Published by Davide Bizzarri (A0.1300013). This is a Celtic Harp part from an orchestral set. In this ironic song the buzz of bees is reproduced by the flute, but a kazoo can also be used. The tonality was adapted to the children's register. You can also find in separated files orchestral full score, piano/voices, bass, drums and strings parts.
$4.99
4.61 €
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Harpe
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Luis Enrique Bacalov, Sergio Bardotti, and Vinicius De Moraes
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Davide Bizzarri
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Le Api
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Davide Bizzarri
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SheetMusicPlus
I Mean You
Ensemble Jazz
Jazz Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drum Set,Piano and Keyboard,Te…
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Jazz Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drum Set,Piano and Keyboard,Tenor Saxophone,Trombone,Trumpet - Interactive Download SKU: A0.484044 By Thelonious Monk. By Coleman Hawkins and Thelonious Monk. Arranged by Ryan Erik Adamsons (ASCAP). This edition: Interactive Download. Jazz. Score and parts. 89 pages. Duration 340. Published by Ryan Erik Adamsons (A0.484044). Arrangement of the Monk standard for 12-piece jazz ensemble, using rhythmic variation and polytonality.
$35.00
32.3 €
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Ensemble Jazz
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Thelonious Monk
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Ryan Erik Adamsons (ASCAP)
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I Mean You
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Ryan Erik Adamsons
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SheetMusicPlus
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