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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Sing Sang Sung: Score
Sheetmusicplus
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6
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Piano, Voix
5
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4
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1
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Voix
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3
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1
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1
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1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fanfare
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
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MANDOLINE
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Sing Sang Sung: Score
SheetMusicPlus
Partitions à imprimer
28 partitions trouvées
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Sing Sang Sung: Score
Fanfare
Marching Band - Digital Download SKU: AX.00-PR-0006377 Instructional. Score. 11 pag…
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Marching Band - Digital Download SKU: AX.00-PR-0006377 Instructional. Score. 11 pages. Alfred Music - Digital Sheet Music #00-PR-0006377. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0006377). UPC: 038081326481.
$9.00
8.3 €
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Fanfare
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Sing Sang Sung: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Hear the Angels Sing medley - SATB, cello with parts included
Chorale SATB
Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. …
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Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss
This is a medley of It Came Upon a Midnight Clear, Angels from the Realms of Glory, While Shepherds Watched Their Flocks by Night, Infant Holy. Some of the lyrics are changed and it is in SATB choir cello with parts included and piano. There is optional narration before each song change that can be sung with the intro. cdboss@cvalley.net See Lyrics below:<br> Hear the Angels Sing<br> <br> “God sent the angels from heaven down to earth to proclaim the message of His son’s birth”<br> <br> *It came upon the midnight clear<br> <br> That glorious song of old<br> <br> From angels bending near the earth<br> <br> To touch their harps of god<br> <br> Peace on the earth, good will to men<br> <br> From heaven’s all gracious king<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing<br> <br> “The angels proclaimed - Come and worship, Christ the newborn King!”<br> <br> *Angels from the realms of glory<br> <br> Wing your flight o’er all the earth<br> <br> You who sang creations story<br> <br> Now proclaim Messiah’s birth<br> <br> Come and worship, come and worship<br> <br> Worship Christ the newborn King<br> <br> “The angels spread God’s message all around; In the country and in the town. The sight of the angels sent fear in some of the people”<br> <br> *While shepherds watched their flocks by night<br> <br> All seated on the ground<br> <br> The angel of the Lord came down<br> <br> And glory shown around, and glory shown around<br> <br> “The angels and all of the people in the area followed a bright star. It shown it’s great light upon a stable. There they found Mary, Joseph and the newborn King”<br> <br> *Star is shining, in the night sky<br> <br> Lighting up the stable walls<br> <br> Baby’s lying in a manger<br> <br> Where His bed’s a cattle stall<br> <br> Mary’s rocking, Joseph’s walking<br> <br> Angels singing, Bells are ringing<br> <br> For the babe, was born for all.<br> <br> “You could hear the angels beautiful voices all over the land. Proclaiming songs about His birth”<br> <br> *Still through the cloven skies they come<br> <br> With peaceful wings unfurled<br> <br> And still their heav’nly music floats<br> <br> O’er all the weary world<br> <br> Peace on the earth good will to men<br> <br> From heaven’s all gracious King<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing……….This is a medley of It Came Upon a Midnight Clear, Angels from the Realms of Glory, While Shepherds Watched Their Flocks by Night, Infant Holy. Some of the lyrics are changed and it is in SATB choir cello with parts included and piano. There is optional narration before each song change that can be sung with the intro. cdboss@cvalley.net See Lyrics below:<br> Hear the Angels Sing<br> <br> “God sent the angels from heaven down to earth to proclaim the message of His son’s birth”<br> <br> *It came upon the midnight clear<br> <br> That glorious song of old<br> <br> From angels bending near the earth<br> <br> To touch their harps of god<br> <br> Peace on the earth, good will to men<br> <br> From heaven’s all gracious king<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing<br> <br> “The angels proclaimed - Come and worship, Christ the newborn King!”<br> <br> *Angels from the realms of glory<br> <br> Wing your flight o’er all the earth<br> <br> You who sang creations story<br> <br> Now proclaim Messiah’s birth<br> <br> Come and worship, come and worship<br> <br> Worship Christ the newborn King<br> <br> “The angels spread God’s message all around; In the country and in the town. The sight of the angels sent fear in some of the people”<br> <br> *While shepherds watched their flocks by night<br> <br> All seated on the ground<br> <br> The angel of the Lord came down<br> <br> And glory shown around, and glory shown around<br> <br> “The angels and all of the people in the area followed a bright star. It shown it’s great light upon a stable. There they found Mary, Joseph and the newborn King”<br> <br> *Star is shining, in the night sky<br> <br> Lighting up the stable walls<br> <br> Baby’s lying in a manger<br> <br> Where His bed’s a cattle stall<br> <br> Mary’s rocking, Joseph’s walking<br> <br> Angels singing, Bells are ringing<br> <br> For the babe, was born for all.<br> <br> “You could hear the angels beautiful voices all over the land. Proclaiming songs about His birth”<br> <br> *Still through the cloven skies they come<br> <br> With peaceful wings unfurled<br> <br> And still their heav’nly music floats<br> <br> O’er all the weary world<br> <br> Peace on the earth good will to men<br> <br> From heaven’s all gracious King<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing……….
$5.50
5.07 €
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Chorale SATB
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Connie Boss
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Hear the Angels Sing medley - SATB, cello with parts included
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Connie Boss
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SheetMusicPlus
I'm Always Chasing Rainbows Piano Cover (from the "Hazbin Hotel")
Piano seul
Piano Solo - Digital Download SKU: A0.922402 Composed by Harry Carroll & Joseph McC…
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Piano Solo - Digital Download SKU: A0.922402 Composed by Harry Carroll & Joseph McCarthy. Arranged by Noah & Clyde. 20th Century,Contemporary,Film/TV,Folk,Holiday. Score. 3 pages. Noah & Clyde #4896829. Published by Noah & Clyde (A0.922402). I'm Always Chasing Rainbows is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadwayshow Oh, Look! which opened in March 1918.[1] The song was sung in the show by the Dolly Sisters.[1] Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters (1945 in film), where it was sung by John Payne.[1] It was also included for part of the run (and in the cast album) of the 1973 revival of Irene.The song is a true popular standard, recorded by many artists over the years.
$4.99
4.6 €
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Piano seul
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Harry Carroll & Joseph McCarthy
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Noah & Clyde
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Judy Garland
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I'm Always Chasing Rainbows Piano Cover
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Noah & Clyde
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SheetMusicPlus
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.12…
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
23.05 €
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Con Spirito Music
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SheetMusicPlus
Abgesang
2 sopranos (or soprano and clarinet), violin, viola and percussion - difficult - Digital D…
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2 sopranos (or soprano and clarinet), violin, viola and percussion - difficult - Digital Download SKU: S9.Q6407 (Dafne-Fragment). Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 5 minutes. Schott Music - Digital #Q6407. Published by Schott Music - Digital (S9.Q6407). German.Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz neu vertont. Nach der erfolgreichen Uraufführung fertigte Schweitzer von der vorletzten, zentralen Szene seiner Kammeroper eine berückende Version für den Konzertsaal an. Nach Dafnes tödlicher Verwandlung in einen Lorbeerbaum singen zwei Soprane, die zuvor als Dafne und Venus zu hören waren, einen traurig-elegischen Abgesang, begleitet von Violine, Viola und Schlagzeug. Schweitzer hat von Abgesang auch eine Fassung für Sopran und Klarinette geschrieben, die noch stärker wirkt: Das Blasinstrument verkörpert gleichsam die verstummte, hölzerne Dafne.
$45.99
42.4 €
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Benjamin Schweitzer
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Abgesang
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Schott Music - Digital
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Piano, Voix
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.29 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
David Bowie: Life On Mars for Clarinet & Piano
Clarinette et Piano
Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged…
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Clarinet in Bb & Piano - Intermediate - Digital Download By David Bowie. Arranged by James M. Guthrie, ASCAP. Score, Set of Parts. 12 pages. Published by jmsgu3
Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-WikipediaDuration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.<br> <br> "When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:<br> <br> Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie’s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]<br> <br> In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song – filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]<br> <br> The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".<br> <br> Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.<br> <br> The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).<br> <br> Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia
$49.95
46.05 €
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Clarinette et Piano
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David Bowie
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James M
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David Bowie: Life On Mars for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Baby, It's Cold Outside
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.886403 By Ray Charles & Betty Carter. By …
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Brass Ensemble - Digital Download SKU: A0.886403 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Chris Osborn. Film/TV. Score and parts. 49 pages. Chris Osborn Music #3896901. Published by Chris Osborn Music (A0.886403). Frank Loesser's Academy Award winning Baby It's Cold Outside is a Christmas Classic but started life as a party piece for Loesser and his wife to sing at at celebrity parties. It has been covered by dozens of singers, including Zooey Deschanel and Leon Redbone for the 2003 film Elf. However, this version is based on Tom Jones & Cerys Matthews' recording from his 1998 album Reload. During the 1940s, when Hollywood celebrities attended parties, they were expected to perform. In 1944, Frank Loesser wrote Baby, It's Cold Outside for his wife, Lynn Garland, and himself to sing at a housewarming party in New York City at the Navarro Hotel. They sang the song to indicate to guests that it was time to leave. The song was an instant success and according to his wife We become instant parlor room stars. We got invited to all the best parties for years on the basis of 'Baby.' It was our ticket to caviar and truffles. Parties were built around our being the closing act. The song started to reach a wider audience when in 1948, after years of performing the song, Loesser sold it to MGM for the 1949 romantic comedy Neptune's Daughter. In the film, Baby, It's Cold Outside was sung by Esther Williams and Ricardo Montalbán, then by Betty Garrett and Red Skelton, who reversed the roles. The song won the Academy Award.
$30.00
27.66 €
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Ensemble de cuivres
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Ray Charles & Betty Carter
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Chris Osborn
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Baby, It's Cold Outside
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Chris Osborn Music
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SheetMusicPlus
Alfie
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1260003 By Dionne …
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1260003 By Dionne Warwick. By Burt Bacharach and Hal David. Arranged by Arr. Zack Smith. 20th Century,Jazz,Singer/Songwriter,Standards. Score and Parts. 30 pages. Zack Smith #853241. Published by Zack Smith (A0.1260003). This is a fairly faithful big band adaptation of the Burt Bacharach/Hal David classic as sung by Dionne Warwick. Â It is in the same key that Dionne sang it with a short two bar intro to establish key center. Â 16 bars have been added to the middle of the arrangment to accomodate a trumpet solo (written in the 4th trumpet part). Â Alto 1 needs to double on flute (though the chart will still work if they can't). Â Not too rangy in the trumpets or trombone--top trumpet note is a written B, top trombone note is a written F. This arrangement will be a great way to showcase a strong female singer.
$59.99
55.31 €
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Ensemble Jazz
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Dionne Warwick
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Arr
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Alfie
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Zack Smith
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.82 €
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.66 €
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Someone To Say (fr. 'cyrano')
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301453 By Haley Bennett Lon…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301453 By Haley Bennett London Contemporary Orchestra. By Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D. Berninger. Arranged by David Richard Corkill. Broadway,Film/TV,Musical/Show. Score. 9 pages. David Richard Corkill #891081. Published by David Richard Corkill (A0.1301453). Someone to Say from Cyrano (2021) Arranged for Piano, Snare Drum, Female Solo, Men/Women Ensemble, and 3 Small Solos at the EndArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comThis hopeful and uplifting piano and vocal arrangement of a love song sung by a female soloist is perfect for any singer or pianist looking to perform a moving and inspiring piece of music. This arrangement is perfect for a variety of settings, including concerts, recitals, and weddings. It is also a great choice for singers and pianists who are looking for a challenging and rewarding piece to learn and perform.The arrangement is very free-sung by the female vocalist in the beginning before adding some structure as the song goes on. The piano is also very free and out of the time signature before lining up as the song goes on. A large ensemble repeats the chorus that the female soloist sang and snare drum introduces them. There is also a small female solo part, female duet, and male solo that lasts just a few measures. Features:Hopeful and uplifting arrangementTechnically challenging and rewarding to playShowcases the singer's vocal range and expression in a truly unforgettable wayPerfect for a variety of settingsBenefits:Add a powerful and moving ballad to your repertoireChallenge yourself as a singer or pianistImpress your audience with a unique and unforgettable performanceInspire others with your musicPurchase this arrangement today and start practicing! You'll be glad you did.
$4.99
4.6 €
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Piano, Voix
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Haley Bennett London Contemporary Orchestra
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David Richard Corkill
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Someone To Say
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David Richard Corkill
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.22 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Don't Rain On My Parade
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.986777 Composed by Bob Merrill and Jule Styne. Arranged by Felix Linsmeier. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 24 pages. Felix Linsmeier #591751. Published by Felix Linsmeier (A0.986777). Arrangement for Brass Quintet: 3 trumpets, 2 trombones, tuba Don't Rain on My Parade is a popular song from the 1964 musical Funny Girl. It was also featured in the 1968 movie version of the musical. The song was written by Bob Merrill and Jule Styne. Both the movie and stage versions feature Barbra Streisand performing the song. In 2004, it finished No. 46 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. Streisand has sung the song live on many occasions, including during her comeback tour. The instrumental of this song can be heard during the Overture of the stage show, the film and on Streisand's 2006–2007 Tour. There is a reprise version of this song with alternate lyrics which served as the finale for the stage show. This number was cut from the film. Streisand sang this version live for the first time since her run in the original Broadway production as an encore during her 2006–07 Tour. This arrangement for brass sextet adapts the singer's and the orchestra's parts, mostly as a trombone solo feature. The song is packed with classic-broadway-harmony and phrasing, climactic tempo changes and some high notes for the lead trumpet to shine.
$24.99
23.04 €
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Flûte, Hautbois, Clarinette, Basson
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Bob Merrill and Jule Styne
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Felix Linsmeier
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Don't Rain On My Parade
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Felix Linsmeier
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SheetMusicPlus
The Wexford Carol for Voice and Piano (Omnibus Edition)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
$9.99
9.21 €
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Piano, Voix
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M
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M
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The Wexford Carol for Voice and Piano
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Vocal Works
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.52 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
Georgia On My Mind
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923846 By Ray Charles. By Hoagy Carmichael. Arranged by Steve William Lussing. R & B,Soul. Score and parts. 4 pages. S. W. Lussing #2958031. Published by S. W. Lussing (A0.923846). Every artist who has ever entertained us with this classic Hoagy Carmichael creation has jumped right to the chase, that being the verse that begins with Geor - gia,.. Wikipedia refers to the missed component as, the commonly excised introductory verse. Well, I took a good look at that introductory verse, and concluded that there was a pretty good reason nobody sang it. It needed more work than the writers had put into it, in my opinion, which is a nice way of saying that it sucked. So I fixed it, so to speak. I believe that it stands up to scrutiny.The melody line throughout has some modifications in note lengths. It is a piece originally written in cut time, which it isn't really, since it is always being sung in a moody fashion you don't normally expect to find written in 2/2 time. I think maybe that Hoagy had a secret desire to write for movie musicals.I adapted the chord diagrams to make them more suitable for playing along with on the guitar. This arrangement will appeal to anyone who has ever studied Mickey Baker's jazz guitar chords. As I see it, every song is still a tune and should be fun to play. Georgia is no exception.
$4.99
4.6 €
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Ray Charles
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Steve William Lussing
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Georgia On My Mind
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S. W. Lussing
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SheetMusicPlus
Faroese National Anthem for Piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1431316 By Keith Terrett. By Petur …
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Piano Solo - Level 3 - Digital Download SKU: A0.1431316 By Keith Terrett. By Petur Alberg. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Keith Terrett #1011784. Published by Keith Terrett (A0.1431316). An arrangement of the Faroese National Anthem for Piano.Tú alfagra land mítt (Thou fairest land of mine), officially Mítt alfagra land (My fairest land), is the national anthem of the Faroe Islands. It was written in 1906 by headteacher Símun av Skarði, and the melody was composed in 1907 by violinist Petur Alberg.The song was written in a work dated 1 February 1906 by Símun av Skarði, the headmaster of a high school in Føgrulið, southwest of Klaksvík. It was written during a time of strong division in the Faroe Islands between conservatives who wanted to preserve Danish rule and autonomists who wanted more self-government, of which Símun was the latter.Violinist Petur Alberg wrote the first notes of the music of the anthem on 4 September 1907, after the melody came to him that evening. He later sang the melody down the phone in the Løgting to Símun av Skarði, who liked it. Petur then sent it to a music teacher he knew in Akureyri, Iceland, and to asked him to harmonise it for a male quartet. In October 1907, the male quartet arrangement arrived, and singers began to practice it for a Boxing Day concert in Sloan's Hall in Tórshavn. Petur, not daring to reveal the song's author, told the singers the song was Icelandic, by a certain Jón Sveinsson. However, the singers liked the song. The song was performed at the concert on 26 December 1907, which was the first time any song by Petur had been performed publicly and the first time Tú alfagra land mítt was performed publicly.On 8 January 1908, Tú alfagra land mítt was published in the Faroese newspaper Tingakrossur. It was then published in the Lesibók, a literary history in chronological order, in 1911. It was later published in many editions of the Songbók Føroya fólks (Faroese People's Songbook), generally in the number one position, from 1913 through 1959.In 1925, a Nynorsk translation of the song by Rolf Hjort Schøgen was published in the Tingakrossur. In 1928, a Danish translation by university student Tormod Jørgensen was published in Højskolebladet No. 7928.[1][2] An Icelandic translation by Jochum M. Eggertsson appeared in the magazine Dvöl in 1935. The same year, a German translation by Ernst Krenn was published in the Føroyaheftið (Faroese Instalment), a Faroese booklet at the Nordic Society in Vienna, Austria. In 1943, an English translation by Padre G. C. C. Knowleson was featured in the notes of the magazine The Pioneer by some British soldiers in the Faroe Islands during World War II. As the national anthem Tú alfagra land mítt won out in a rivalry with Eg oyggjar veit (I know some islands), from 1877, on which song should become the national anthem of the Faroe Islands. Tú alfagra land mítt has been sung at all festivals in the Faroe Islands, and it has been in the psalm book of the Faroese Church since 1990. The national radio station Útvarp Føroya, established in 1957, played it every night before ending its broadcast for the evening.
$4.99
4.6 €
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Piano seul
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Keith Terrett
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Keith Terrett
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Faroese National Anthem for Piano
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Keith Terrett
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SheetMusicPlus
Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart (Violin & Cello)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802613 Composed by Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Contemporary. Score and parts. 2 pages. Peet du Toit #6012569. Published by Peet du Toit (A0.802613). Der Hölle Rache kocht in meinem Herzen (Hell's vengeance boils in my heart), commonly abbreviated Der Hölle Rache, is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife into the hand of her daughter Pamina and exhorts her to assassinate Sarastro, the Queen's rival, else she will disown and curse Pamina.Memorable, fast-paced, and menacingly grandiose, Der Hölle Rache is one of the most famous of all opera arias. This rage aria is often referred to as the Queen of the Night Aria, although the Queen sings another distinguished aria earlier in the opera, O zittre nicht, mein lieber Sohn.The opera is set in ancient Egypt. Mozart's sister-in-law - Josepha Hofer - sang it in 1791 at the premiere of this opera.Here's your opportunity to excite your audiences with this short, but well-known aria.
$13.50
12.45 €
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Wolfgang Amadeus Mozart
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Peet du Toit
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Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart
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Peet du Toit
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SheetMusicPlus
Strangers In The Night
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1440658 By Frank Sinatra. By…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1440658 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Karya Sucipta. 20th Century,Film/TV,Jazz,Pop,Singer/Songwriter. Score. 4 pages. Karya Sucipta #1020635. Published by Karya Sucipta (A0.1440658). The song Strangers in the Night is a very memorable and famous song of all time. A legendary song sung by Frank Sinatra. You can try playing this solo piano which is also equipped with lyrics, it will feel like you are back in that era. Happy nostalgia and thank you for purchasing sheet music on this website.Lagu Strangers in The Night merupakan lagu yang sangat berkesan dan tenar sepanjang masa. Sebuah lagu legendaris yang dinyanyikan oleh Frank Sinatra. Anda bisa mencoba memainkan piano solo ini yang juga dilengkapi dengan lirik, maka akan terasa kembali berada ke zaman itu. Selamat bernostalgia dan terima kasih telah membeli partitur musik di situs web ini.
$4.99
4.6 €
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Piano, Voix
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Frank Sinatra
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Karya Sucipta
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Strangers In The Night
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Karya Sucipta
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SheetMusicPlus
Can't Help Lovin' Dat Man
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802545
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802545 By Helen Morgan. By Jerome Kern. Arranged by Peet du Toit. Musical/Show. Score and parts. 9 pages. Peet du Toit #5776417. Published by Peet du Toit (A0.802545). This is one of the most famous songs of the 1927 musical play Showboat. It has a blues tempo. It is also a pivotal song showing that music is a universal language. Though only sung by African-Americans at the time, 'Julie' was singing this on the Cotton Blossom (boat) when 'Queenie', the black cook, remarked that it is strange that a lighter skinned person knew and sang that song. Nonetheless, she joined in and soon their was an ensemble of other dockworkers joining in, singing and dancing with.Experience some of this joy when playing it on your brass instruments. Your crowds will love you for it too!
$13.00
11.98 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Helen Morgan
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Peet du Toit
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Can't Help Lovin' Dat Man
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Peet du Toit
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SheetMusicPlus
Over The Rainbow
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462672 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Will Corbin. Film/TV. 25 pages. Will Corbin #1041432. Published by Will Corbin (A0.1462672). Judy Garland sang this (it would become her signature tune) in 1939's The Wizard Of Oz. It would win that year's Oscar for best original song. Since then, it has been sung by just about everyone on the planet. One notably different version, from which I've borrowed shamelessly for this arrangement, is the one from the late Hawaiian singer Israel Kamakawiwo'ole. This one is scored for two trumpets, horn, baritone TC and tuba. If you'd prefer a trombone part sted baritone, it's part of the basic package.If you need other alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
13.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Judy Garland
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Will Corbin
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Over The Rainbow
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Will Corbin
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SheetMusicPlus
Ooh Ahh Ha Ge
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1012840 By TWICE. By Joo Young Song…
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Piano Solo - Level 3 - Digital Download SKU: A0.1012840 By TWICE. By Joo Young Song, Kyu Sung Choi, and Sam Lewis. Arranged by PL Ting. Contemporary. Score. 5 pages. Pek Ling Ting #5733723. Published by Pek Ling Ting (A0.1012840). A Piano solo piece suitable for intermediate learner. Total of 5 pages hit song sang by Korean group singers Twice.
$4.99
4.6 €
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Piano seul
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TWICE
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PL Ting
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Ooh Ahh Ha Ge
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Pek Ling Ting
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
11.02 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gaetano Donizetti
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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