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Singin' In The Rain for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Vous avez sélectionné:
Singin' In The Rain for String Quartet
Partitions à imprimer
16 partitions trouvées
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1
Singin' In The Rain
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Arthur Freed and Nacio Herb Br
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Seán Ó Cléirigh
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Singin' In The Rain
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Seán Ó Cléirigh
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SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1116232 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Se...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1116232 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Seán Ó Cléirigh. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 19 pages. Seán Ó Cléirigh #717867. Published by Seán Ó Cléirigh (A0.1116232). There is a plethora of string quartet arrangements available worldwide but not so much for string quintets including double bass. This arrangement of Singin' In The Rain is reminiscent of the unforgettable film music starring Gene Kelly. The arrangement would also work for a string quartet with two cellos.
$15.00
Singin' In The Rain
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Nacio Herb Brown
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Andrew R
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Singin' In The Rain
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GuarrineMusic
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.785998 Composed by Nacio Herb Brown. Arranged by Andrew R. Guarrine. Film/TV,Standards. Score and part...
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String Quartet String Quartet - Level 3 - SKU: A0.785998 Composed by Nacio Herb Brown. Arranged by Andrew R. Guarrine. Film/TV,Standards. Score and parts. 14 pages. GuarrineMusic #6025905. Published by GuarrineMusic (A0.785998). Singin’ In The Rain (Arthur Freed and Nacio Herb Brown)This light and bouncy adaptation (which is more like the original), is played in a moderate 2 feel is in G with a key change to A. Uses dotted eighth-sixteenth patterns in the violins and viola. It also contains pizz and arco, hooked bows and some basic shifting in the ‘cello (high E). Melody is played by violin 1 with solid accompaniment by the middle voices. Middle section features ‘cello melody with several accidentals in ALL parts. This toe-tapping standard is great for any performance or professional library. Key of G/A Grade 2+
$12.99
We Sing in Prayer - Strings Trio/Quartet and Piano
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Musique Sacrée
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Gospel Spirituel
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you O Lord
We sing in ho
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Connie Boss
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We Sing in Prayer - Strings Tr
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano Accompaniment,Violin - Level 2 - SKU: A0.801616 Composed by Connie Boss. Christian,Gospel,Praise & Worship,Sacred. Sco...
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Small Ensemble Cello,Guitar,Piano Accompaniment,Violin - Level 2 - SKU: A0.801616 Composed by Connie Boss. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 4 pages. Connie Boss #6273497. Published by Connie Boss (A0.801616). Verse lyrics from Matthew 5: 3-8. Singing is praying. It's like praying twice a quote by our church priest, Father Mike Murphy. He loves music and he says this is such a nice way to pray. This can be an upbeat gathering song, or it can be slowed down for offertory or just a prayer song. This version is for a strings trio and piano. On this version, you can play it in different ways. As written, I have a trio with refrain and 3 verses. I then have a final refrain that has an echo part and a little different ending. You could do this as a quartet by a third person playing on the echo part earlier in the refrain. I will leave that open for you to decide how you want to do it. I do have other versions you can purchase as well. cdboss@cvalley.netLyrics:We Sing in PrayerVerses from Matthew 5: 3-12Composed by Connie Boss Refrain:We gather hereWe sing in prayerOur voices heardBy you O LordWe sing in hope we sing in praiseTo you O LordOur voice we raiseIn prayer we sing! V1Blessed be the poor in spiritThe Kingdom of Heaven is theirsBlessed be to those in mourningFor they shall be comforted Refrain: V2Blessed be the meek and gentleFor they shall inherit the earthBlessed be to those who hungerFor they shall be satisfied Refrain: V3Blessed all those who show mercyFor mercy they shall receiveBlessed be those with a pure heartFor they all shall see their God
$5.50
Singin' In The Rain
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Arthur Freed and Nacio Herb Br
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Singin' In The Rain
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Violin - Level 4 - SKU: A0.1189547 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Uwe Rössle...
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Piano Trio,String Ensemble Cello,Double Bass,Violin - Level 4 - SKU: A0.1189547 Composed by Arthur Freed and Nacio Herb Brown. Arranged by Uwe Rössler Roessler Rassler. 20th Century,Film/TV,Jazz,Pop. Score and parts. 19 pages. Uwe Roessler #789180. Published by Uwe Roessler (A0.1189547). Arrangement follows form and keys of Gene Kelly´s famous dance in the 1952 movie.Intro, Theme in violin1 (F major), key change to Eb and G (theme in cello), key change to Bb (theme tutti), Outro in G major. Minimum Instrumentation: Piano Trio (violin1, cello, piano). Arrangement can be expanded to piano quartet/quintet. Additional, independent voices for violin2 and bass included. Comes with full score and all individual parts. Professional sheet material!
$20.00
Faure Cantique de Jean Racine Op. 11 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Paul Wood
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Faure Cantique de Jean Racine
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MyMusicScores.com
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1218123 Composed by Gabriel Faure. Arranged by Paul Wood. Romantic Period,Wedding. 17 pages. MyMusicSc...
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String Quartet String Quartet - Level 4 - SKU: A0.1218123 Composed by Gabriel Faure. Arranged by Paul Wood. Romantic Period,Wedding. 17 pages. MyMusicScores.com #814638. Published by MyMusicScores.com (A0.1218123). Gabriel Faure's Cantique de Jean Racine, Op. 11, is a choral composition originally written for mixed choir and piano or organ. The text, a French paraphrase by Jean Racine of a Latin hymn, was set by the nineteen-year-old Faure in 1864-65 for a competition at the École Niedermeyer de Paris, where he studied. The composition won him the first prize and was first performed on August 4, 1866, with strings and organ accompanying the choir, and Faure himself playing the organ.The style of Cantique de Jean Racine bears similarities to Faure's later work, Requiem, and the two pieces are often performed together. Faure's training at the École Niedermeyer de Paris, under the guidance of his teacher Camille Saint-Saëns, included weekly choir singing as well as instruction in piano, theory, composition, and classical languages. Cantique de Jean Racine was published around 1875 or 1876The PDF contains the score and all parts.
$6.99
GREEK LIFE RONDO for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Trad and Alan Edgar
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GREEK LIFE RONDO for String Qu
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1323031 Composed by Trad and Alan Edgar. Early Music,Folk,Religious,Traditional. 30 pages. Alan Edgar ...
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String Quartet String Quartet - Level 2 - SKU: A0.1323031 Composed by Trad and Alan Edgar. Early Music,Folk,Religious,Traditional. 30 pages. Alan Edgar Ted Moon #911306. Published by Alan Edgar Ted Moon (A0.1323031). GREEK LIFE RONDO String 4tet Based on ancient tunes about Greek life.The lively Food Market song (I'll buy you a rooster) forms the refrain.Paraponiariko moy (Don't be unhappy, little one) is a short melody I found, with a scale I cannot name but very sad.Kariotikos from Ikaria is a slow or accelerating dance with some singing, often seen at weddings, in a flexible mode (partly phrygian).I entered the vineyard (Pour love over me) is related to Solomon's Song. I could only find about 6 bars of this melody: the rest is mine. Aeolian mode.Lullaby: this lovely melody uses the Hitzaz scale, which is common in Greek regions and found in Africa, North America and Spain.Hymn for Matins: this is the oldest Greek Orthodox chant I can find. It is from the 13th C Sticherarion and printed in modern notation in JISOCM Vol 4 (2), p357. Nowadays, chanting there is often a solo, often by a woman, but I believe parallel organum was heard in Greece from the 16th C. Modern services include 4- part hymns. I present all three styles.Song of the Dead Brothers is a complex 9th C Byzantine mourning poem which has since been set to music many times. (The nine brothers died.) I found this phrygian setting from Karystos.
$25.00
Singin' In The Rain
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Violon
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FACILE
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Film/TV
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Nacio Herb Brown
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Lee Mitchell
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Singin' In The Rain
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Lee Mitchell
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.826496 Composed by Nacio Herb Brown. Arranged by Lee Mitchell. Film/TV. 2 pages. Lee Mitchell #6366237. Published by Lee...
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Violin Solo - Level 2 - SKU: A0.826496 Composed by Nacio Herb Brown. Arranged by Lee Mitchell. Film/TV. 2 pages. Lee Mitchell #6366237. Published by Lee Mitchell (A0.826496). Cello part. For string quartet.
$4.99
Guthrie: Ding Dong! Merrily on High for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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French Traditional
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James M
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Guthrie: Ding Dong! Merrily on
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1490683 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1490683 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 15 pages. Jmsgu3 #1067489. Published by jmsgu3 (A0.1490683). Ding Dong! Merrily on High is a well-loved Christmas carol with a rich history that connects secular and sacred traditions. Here are the key points to know about this festive song:Origins and CompositionMelody: The tune of Ding Dong! Merrily on High derives from a secular French dance song titled Branle de l’Official, published in 1588 by Thoinot Arbeau, a French cleric and composer. The original piece was part of a collection that included dance instructions and melodies from the Renaissance period.Lyrics: The English lyrics were written by George Ratcliffe Woodward in the early 20th century. An Anglican priest, Woodward published the carol in 1924 as part of The Cambridge Carol Book. His text celebrates the joy of Christmas, echoing the angelic announcement of Jesus' birth as described in Luke 2:13-14.Themes and SignificanceJoyful Celebration: The lyrics express a jubilant celebration of the Christmas season, invoking imagery of bells ringing and angels singing. The refrain Gloria, hosannah in excelsis! reflects the joyous proclamation of peace and goodwill associated with the birth of Christ.Cultural Impact: Over the years, Ding Dong! Merrily on High has become a staple in Christmas caroling and church services, appreciated for its lively and dance-like rhythm. Its playful nature makes it a favorite among singers and listeners, contributing to its enduring popularity during the holiday season.Musical CharacteristicsStructure: The carol features a catchy refrain and a structure that invites participation, making it suitable for group singing. The melody's ascending lines mimic the sound of ringing bells, enhancing its festive spirit.Public Domain Status: As of January 1, 2020, the song entered the public domain in the United States, allowing for broader access and use in various musical arrangements and performances.Ding Dong! Merrily on High stands as a joyful reminder of the Christmas story, blending historical melodies with contemporary celebration, making it a cherished part of holiday traditions.
$34.95
Bach's Arioso for String Quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Johann Sebastian Bach
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Inacio Saldanha
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Bach's Arioso for String Quint
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Inacio Saldanha
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.798106 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Co...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - SKU: A0.798106 Composed by Johann Sebastian Bach. Arranged by Inacio Saldanha. Baroque,Concert,Contemporary,Wedding,World. Score and parts. 12 pages. Inacio Saldanha #5205469. Published by Inacio Saldanha (A0.798106). In classical music, arioso [aˈrjoËzo] (also aria parlante[1] [ˈaËrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato.Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition.Sinfonia from Cantata Ich steh’ mit einem Fuß im Grabe (BWV 156)
$14.99
Singin' In The Rain for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Arthur Freed
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David Burndrett
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Singin' In The Rain for String
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David Burndrett
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SheetMusicPlus
By Arthur Freed. Arranged by David Burndrett. Set of Parts. 8 pages. Published by David Burndrett (H0.115253-741721). - Set of Parts - - David Burndrett...
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By Arthur Freed. Arranged by David Burndrett. Set of Parts. 8 pages. Published by David Burndrett (H0.115253-741721). - Set of Parts - - David Burndrett
$12.99
Singin' In The Rain (for String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Arthur Freed
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Stephen DeCesare
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Singin' In The Rain
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Exultet Music
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SheetMusicPlus
By Arthur Freed. Arranged by Stephen DeCesare. Score. 30 pages. Published by Exultet Music (H0.182425-741721). - Score - - Exultet Music...
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By Arthur Freed. Arranged by Stephen DeCesare. Score. 30 pages. Published by Exultet Music (H0.182425-741721). - Score - - Exultet Music
$12.99
"Christmas Carol" for String Quartet by Anatoly Lyadov
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Anatoly Lyadov
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Robert Debbaut
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"Christmas Carol" fo
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ROBERT DEBBAUT
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.939415 Composed by Anatoly Lyadov. Arranged by Robert Debbaut. Children,Christmas,Romantic Period,Sacr...
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String Quartet String Quartet - Level 2 - SKU: A0.939415 Composed by Anatoly Lyadov. Arranged by Robert Debbaut. Children,Christmas,Romantic Period,Sacred. Score and parts. 15 pages. ROBERT DEBBAUT #6345487. Published by ROBERT DEBBAUT (A0.939415). Lyadov's music largely concerned the legends and folklore of olden Russia. This Christmas Carol from his Eight Russian Folk Songs, Op. 58, is a melody of the old tradition of Kolyadki, or house-to-house caroling common among the Ukrainian people. Much like our modern tradition of Halloween, children would travel door-to-door singing songs of the season and would be invited in from the cold for some warm dumplings, pastries and tea.
$4.95
We Sing in Prayer - Strings Trio/Quartet and Piano
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Musique Sacrée
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you O Lord
We sing in ho
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Connie Boss
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cdboss@cvalley
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We Sing in Prayer - Strings Tr
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Connie Boss
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SheetMusicPlus
Cello,Piano,Violin - SKU: A0.1067506 Composed by Connie Boss. Praise & Worship,Sacred. Accompaniment. Duration 225. Connie Boss #6283111. Published by C...
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Cello,Piano,Violin - SKU: A0.1067506 Composed by Connie Boss. Praise & Worship,Sacred. Accompaniment. Duration 225. Connie Boss #6283111. Published by Connie Boss (A0.1067506). Verse lyrics from Matthew 5: 3-8. Singing is praying. It's like praying twice a quote by our church priest, Father Mike Murphy. He loves music and he says this is such a nice way to pray. cdboss@cvalley.netLyrics:We Sing in PrayerVerses from Matthew 5: 3-12Composed by Connie Boss Refrain:We gather hereWe sing in prayerOur voices heardBy you O LordWe sing in hope we sing in praiseTo you O LordOur voice we raiseIn prayer we sing! V1Blessed be the poor in spiritThe Kingdom of Heaven is theirsBlessed be to those in mourningFor they shall be comforted Refrain: V2Blessed be the meek and gentleFor they shall inherit the earthBlessed be to those who hungerFor they shall be satisfied Refrain: V3Blessed all those who show mercyFor mercy they shall receiveBlessed be those with a pure heartFor they all shall see their God
$1.99
Hey Jude
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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The Beatles
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Sarah Cellobat Chaffee
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Hey Jude
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1432737 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellob...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1432737 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 24 pages. Sarah Cellobat Chaffee #1013162. Published by Sarah Cellobat Chaffee (A0.1432737). Hey Jude is truly a song that needs no introduction! Released by the Beatles as a single in 1968, the song was originally intended as a missive to John Lennon's son Julian (or Jules, which later evolved into Jude), to help him come to terms with his parents' divorce. With lyrics encouraging listeners to put a positive spin on unhappy situations and reminding them not to let bad experiences keep them from seeking out love and happiness, the song's joyful message and catchy ending refrain made it an instant hit; it immediately topped the charts in a number of countries, and has been included on many critics' lists of the greatest songs of all time! This Cellobat arrangement for your string quartet maintains the catchy melodies, beautiful harmonies, dynamic passion, and of course the beloved ending refrain of the original for a chart you and your audience will love. Originally written for a wedding ceremony, this will also be perfect for receptions, parties, cocktail hour, solo & ensemble contest, or any other occasion you want to get your audience singing along! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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Singin' In The Rain for String Quartet
