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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Vous avez sélectionné:
Sit, Walk, Stand!
Partitions à imprimer
121 partitions trouvées
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101
Rags and Cakewalks Arranged for ukulele and bass by Thomas Preece
Ukulele
Bass Guitar,Instrumental Duet,Ukulele - Level 3 - Digital Download SKU: A0.908534 C…
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Bass Guitar,Instrumental Duet,Ukulele - Level 3 - Digital Download SKU: A0.908534 Composed by Bernard Franklin, Ezra Read, James Scott, and Scott Joplin. Arranged by Thomas Preece. 20th Century,Contemporary. 39 pages. Preece Music #3375389. Published by Preece Music (A0.908534). Ragtime music, traditionally played primarily on the piano, is a genre which enjoyed popularity in the early 20th century. It is characterised by a syncopated, or ragged rhythm in the melody, played over a steady bassline. Ragtime was preceded by its close relative, the cakewalk  – a similarly syncopated dance. This collection presents five such pieces arranged for ukulele and bass  some well-known, and some less so. The ukulele and bass parts are shown on opposite pages of each double page spread of this collection, allowing the musicians to play from the same music stand, and for the student to easily crossÂ-reference the two parts. Contents The Entertainer – Scott JoplinHer Very First Cake Walk – Ezra ReadBlackville Society – Bernard FranklinOphelia Rag – James ScottMaple Leaf Rag – Scott Joplin
$9.99
9.22 €
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Ukulele
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Bernard Franklin, Ezra Read, James Scott, and Scott Joplin
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Thomas Preece
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Rags and Cakewalks Arranged for ukulele and bass by Thomas Preece
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Preece Music
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SheetMusicPlus
Sit, Walk, Stand!
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1004200 Composed by Elizabet…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1004200 Composed by Elizabeth Vecchione. Children,Christian. Score. 5 pages. Elizabeth Vecchione #4718185. Published by Elizabeth Vecchione (A0.1004200). Upbeat, fun, Jamaican-style kids' song about their power and identity in Christ. Winning the spiritual battle!
$4.99
4.61 €
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Piano, Voix
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Elizabeth Vecchione
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Sit, Walk, Stand!
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Elizabeth Vecchione
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SheetMusicPlus
Sit, Walk, Stand! - lead sheet
Paroles et Accords
Guitar - Level 2 - Digital Download SKU: A0.1004266 Composed by Elizabeth Vecchione…
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Guitar - Level 2 - Digital Download SKU: A0.1004266 Composed by Elizabeth Vecchione. Children. Chords/Lyrics. 2 pages. Elizabeth Vecchione #6353537. Published by Elizabeth Vecchione (A0.1004266). Children's song.
$4.99
4.61 €
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Paroles et Accords
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Elizabeth Vecchione
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Sit, Walk, Stand! - lead sheet
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Elizabeth Vecchione
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SheetMusicPlus
Die Walküre - Act 3 Prelude - For String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.799745 Composed by Richard Wagner. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 40 pages. Dr. Grant Gilman #3628475. Published by Dr. Grant Gilman (A0.799745). Die Walküre - Act 3 Prelude - For String QuartetArranged in two keys: B minor (original), and D minor.ALL scores and parts for both arrangements are included hereIf you are looking for a challenge, this is it! That soaring, powerful melody that everyone knows, with a great deal of orchestrational detail mixed in. This is for the most advanced string players, covers the entirety of Wagner's Prelude to Act 3, and comes with an automatic standing ovation.I am here to specialize! Please do not hesitate to contact me if you would like some modifications: ggmuze@gmail.com
$14.99
13.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Richard Wagner
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Grant Gilman
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Die Walküre - Act 3 Prelude - For String Quartet
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Dr. Grant Gilman
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.61 €
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Piano, Voix
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Die Walküre - Act 3 Prelude - For Advanced String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.799737 Composed by Richard Wa…
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String Orchestra - Level 5 - Digital Download SKU: A0.799737 Composed by Richard Wagner. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 23 pages. Dr. Grant Gilman #3073463. Published by Dr. Grant Gilman (A0.799737). If you are looking for a challenge, this is it! That soaring, powerful melody that everyone knows, with a great deal of orchestrational detail mixed in. This is for the most advanced string players, covers the entirety of Wagner's Prelude to Act 3, and comes with an automatic standing ovation.This download includes score and all parts. I am here to specialize! Please do not hesitate to contact me if you would like some modifications: conductor@grantgilman.com www.grantgilman.comwww.americanmusepodcast.com
$29.99
27.68 €
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Orchestre à Cordes
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Richard Wagner
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Grant Gilman
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Die Walküre - Act 3 Prelude - For Advanced String Orchestra
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Dr. Grant Gilman
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SheetMusicPlus
He Walked on Water (intermediate piano solo) Clifton Davis
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.927264 Composed by Clifton Davis. 2…
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Piano Solo - Level 3 - Digital Download SKU: A0.927264 Composed by Clifton Davis. 20th Century,Concert,Contemporary,Graduation,Standards. Score. 5 pages. Clifton Allen Davis Music, ASCAP #5316815. Published by Clifton Allen Davis Music, ASCAP (A0.927264). Referencing the miraculous ability to walk on water, the flowing arpeggios support a fluid melody that ever increases in intensity. This piece lies under the hands well and sounds much more difficult than it is. .
$4.99
4.61 €
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Piano seul
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Clifton Davis
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He Walked on Water
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
46.14 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Just A Closer Walk With Thee
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1236818 By Eve C. Mailly. By Gospel Hymn. Arranged by Eve C. Mailly. Christian,Jazz,Religious,Spiritual,Traditional. 20 pages. Zene Strings #832349. Published by Zene Strings (A0.1236818). Just a Closer Walk with Thee is a traditional gospel hymn and jazz standard. It is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. This arrangement is for string quartet, with lots of jazzy excitement in each of the four parts. From you friends at Zene Strings - enjoy! To see our other great arrangements, visit www.ZeneSheetMusic.com. Questions or comments? Email us at Music@ZeneSheetMusic.com -- we're here to help!
$14.99
13.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Eve C
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Eve C
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Just A Closer Walk With Thee
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Zene Strings
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SheetMusicPlus
Walk of Devils Hopyard
Flûte, Hautbois (duo)
Instrumental Duet Flute,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.100…
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Instrumental Duet Flute,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.1004078 Composed by James F. Hodgdon III. Concert,Contemporary,Spiritual,Standards. Score and parts. 2 pages. Jhcompositions #3447311. Published by Jhcompositions (A0.1004078). This flute and oboe duet is short and sweet, just like it's inspiration. Devils Hopyard in East Haddam, CT. was the place I spent many happy days. My wife and I frequented it on my motorcycle regularly when we first met. And, this wonderful place had a beautiful hike and waterfall. This music represents one such hike...Duration: Apx. 1:45.
$3.99
3.68 €
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Flûte, Hautbois (duo)
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James F
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Walk of Devils Hopyard
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Jhcompositions
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SheetMusicPlus
Walk Don't Run
Guitar - Level 3 - Digital Download SKU: A0.1419923 By The Ventures. By Johnny Smit…
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Guitar - Level 3 - Digital Download SKU: A0.1419923 By The Ventures. By Johnny Smith. Arranged by Richard Charlton. Instructional,Jazz,Pop,Rock,Standards. 9 pages. Richard Charlton #1001347. Published by Richard Charlton (A0.1419923). Walk, Don't Run is an instrumental composition written and originally recorded by jazz guitarist Johnny Smith in 1954, which achieved worldwide fame when The Ventures recorded a cover version in 1960.This arrangement is scored for large guitar ensemble in 4 parts - Gu1, 2, 3, 4 & Bass. Gu1 is the hardest with some high position playing, all other parts are Intermediate level.
$19.99
18.45 €
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The Ventures
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Richard Charlton
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Bass
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Walk Don't Run
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Richard Charlton
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SheetMusicPlus
A Walking Song (piano solo - elementary)
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.773801 Composed by Anthony Giamanco…
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Piano Solo - Level 1 - Digital Download SKU: A0.773801 Composed by Anthony Giamanco. Children,Concert,Instructional,Standards. Score. 4 pages. Whole Tone Press #5373331. Published by Whole Tone Press (A0.773801). Ideal for the elementary-level piano student, this charming piece uses C-position (both hands) and F-position (left hand). Notice that the first 8 measures (the A section) are in the key of C, but the B section (measures 9-16) is in the key of F. The last 8 measures (the A section) returns to the key of C. The form of this piece is ABA. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$2.25
2.08 €
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Piano seul
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Anthony Giamanco
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A Walking Song
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Whole Tone Press
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SheetMusicPlus
These Boots Are Made For Walkin'
Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Le…
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Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1316768 By Nancy Sinatra. By Lee Hazlewood. Arranged by Jim Farley. Pop,Rock,Standards. 47 pages. Jim Farley arrangementsone.com #905438. Published by Jim Farley arrangementsone.com (A0.1316768). Arranged for 7-8 piece horn band, including: Directors Score, Piano/Vocal/Guitar, Leadsheet, Guitar (rythm and chords only), Bass Guitar, Alto Sax, Tenor Sax (identical to alto), Trumpets 1 & 2 and Trombone.ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College & High School Pep Band, Orchestra and Show Choir, Cruse Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you need any additional arranging, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!Â
$39.99
36.91 €
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Nancy Sinatra
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Jim Farley
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2
and
Trombone
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These Boots Are Made For Walkin'
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Jim Farley arrangementsone.com
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SheetMusicPlus
These Boots Are Made For Walkin'
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1316774 By Nancy Sina…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1316774 By Nancy Sinatra. By Lee Hazlewood. Arranged by Jim Farley. Pop,Rock,Standards. Score. 11 pages. Jim Farley arrangementsone.com #905450. Published by Jim Farley arrangementsone.com (A0.1316774). ABOUT THE ARRANGER: Jim Farley has been a professional musician, arranger, composer and transcriptionist since the mid 1970's and has thousands of works, spanning various genres, in his catalogue: Musical Theater, College & High School Pep Band, Orchestra and Show Choir, Cruse Ship, Broadway and Las Vegas performers as well as dozens of classic rock horn bands throughout the U.S., Canada & Europe. If you need any additional arranging, please contact Jim at farleyjc@gmail.com and visit his website at ARRANGEMENTS ON E!Â
$4.99
4.61 €
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Piano, Voix et Guitare
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Nancy Sinatra
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Jim Farley
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These Boots Are Made For Walkin'
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Jim Farley arrangementsone.com
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SheetMusicPlus
I Am Holding You: Spacewalk (piano solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.850798 Composed by Shelley Rink. 20…
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Piano Solo - Level 3 - Digital Download SKU: A0.850798 Composed by Shelley Rink. 20th Century,Concert,Contemporary,Standards. Score. 4 pages. Shelley Rink #5867265. Published by Shelley Rink (A0.850798). I Am Holding You: Spacewalk, for piano solo, is an intermediate level recital piece, and is also arranged for piano and strings, available on this website. This piece was inspired by the October 2019 first all-female spacewalk. With an ethereal and expansive quality, this soaring piece honors the special nature of this historic achievement, and the female astronauts who have inspired women all over the world. May be performed by solo piano, or piano with strings (string quartet or string orchestra). Duration about 5 minutes. Another original from Shelley Rink Music.
$7.99
7.37 €
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Piano seul
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Shelley Rink
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I Am Holding You: Spacewalk
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Shelley Rink
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SheetMusicPlus
Busy Cat - Rhapsody Series no. 2 (D position - EASY PIANO) with note names, finger numbers and lyric
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.804951 Composed by Teacher Valarie.…
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Easy Piano - Level 1 - Digital Download SKU: A0.804951 Composed by Teacher Valarie. Children,Standards. Score. 1 pages. Published Harmony Valarie #5751189. Published by Published Harmony Valarie (A0.804951). Real life story of my cat, Rhapsody was walking around the room finding his sweet spot to sleep. We are all just disturbing him every where. THis piece is in D position, five-finger position on each hand. Very easy for late elementary. .
$2.50
2.31 €
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Piano Facile
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Teacher Valarie
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Busy Cat - Rhapsody Series no. 2
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Published Harmony Valarie
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SheetMusicPlus
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson,…
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
26.3 €
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Jazz combo
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Deborah Johnson, Various Public Domain
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DJWorks Music
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Deborah Johnson
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SheetMusicPlus
Bartok - Step One and Walking (Nos. 1 & 2) in C Major - Easy
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1086605 Composed by Bela Bartok. Ar…
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Easy Piano - Level 1 - Digital Download SKU: A0.1086605 Composed by Bela Bartok. Arranged by Piacere Music Sheets. 20th Century,Children,Instructional,Standards. Score. 2 pages. Piacere Music Sheets #690808. Published by Piacere Music Sheets (A0.1086605). Opus/Catalog Number: Sz. 53; BB 66, Nos. 1 & 2 Key/Tone: C Major Movements/Sections: Moderato Year/Date of Composition: 1913/1929 Difficulty: Grade 0/12 (Beginner) Obs.: This very easy teaching piece is intended for beginning piano students. It is to be played in the five-finger hand position.
$1.99
1.84 €
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Piano Facile
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Bela Bartok
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Piacere Music Sheets
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BB 66, Nos
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Bartok - Step One and Walking
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Piacere Music Sheets
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
BLESSED IS THE MAN
Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962920 Composed by Sonny …
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Low Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.962920 Composed by Sonny Rios. Christian,Concert,Jewish,Sacred. 5 pages. Sonny Rios #4310415. Published by Sonny Rios (A0.962920). BLESSED IS THE MAN (Low Voice): A song in the religious classical genre by Sonny Rios for Low Voice. The song’s English lyrics were taken from Psalm 1 (KJV), where God calls the man who does not walk, stand or sit with the wicked as blessed. The song’s range is from A3-C#5 as read in the treble clef for the benefit of both altos and bass/baritones. The song may be sung in Jewish or Christian services as well as in religious or classical concerts or UIL competitions. The song has been registered with the US Copyright Office and ASCAP. An MP3 of the piano accompaniment (with or without lead example) is available for purchase at tenor@sonnyrios.com. If you wish to record this song, please obtain a license by emailing tenor@sonnyrios.com.
$5.99
5.53 €
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Sonny Rios
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BLESSED IS THE MAN
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Sonny Rios
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.68 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Four for Five
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Compose…
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95
16.57 €
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
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