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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Trompette
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Trombone et Piano
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Trombone
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Euphonium, Piano (duo)
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Cor et Piano
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2 Trompettes (duo)
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Trombone (partie séparée)
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2 Trombones (duo)
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Ensemble de Trombones
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Cor
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Tuba et Piano
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Cor anglais, Piano
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2 Cors (duo)
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Trompette, Saxophone (duo)
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Trompette, Trombone (duo)
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Ensemble de Trompettes
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Tuba
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Quatuor de cuivres: 4 cors
10
Cor (partie séparée)
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Bass Clef Instruments
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Quatuor de cuivres: 4 trombones
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2 Euphoniums (duo)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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2 Tubas (duo)
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2 Euphoniums et 2 Tubas
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Euphonium
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4 Tubas
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Trompette, Cor (duo)
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Tuba et Orgue
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3 Trompettes (trio)
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Trombone basse
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Trio de Cuivres
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3 Tubas (trio)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Ensemble de Tubas
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2 Cors Anglais Et Pianoforte
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3 Euphoniums
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Trombone, Cor (duo)
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Ensemble de Cors
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Cor et Harpe
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Cor, Tuba (duo)
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Euphonium, Tuba (duo)
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Quatuor de cuivres: 4 trompettes
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Trompette, Basson (duo)
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Trompette, Tuba (duo)
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Trombone basse et Piano
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3 Cors (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
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Violon et Piano
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Violon
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Violoncelle, Piano
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Alto, Piano
90
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88
2 Violoncelles (duo)
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Harpe
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Violon, Alto (duo)
62
Trio à Cordes: violon, alto, violoncelle
51
2 Altos (duo)
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Violon, Violoncelle (duo)
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Violoncelle
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Violoncelle (partie séparée)
41
Alto seul
33
Violon (partie séparée)
23
Trio à Cordes: 2 violons, violoncelle
19
Contrebasse, Piano (duo)
18
2 Harpes (duo)
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Alto, Violoncelle (duo)
15
Alto (partie séparée)
14
Violon, Guitare (duo)
12
Contrebasse (partie séparée)
11
Harpe, Flûte (duo)
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Violoncelle, Contrebasse (duo)
10
Contre Basse
9
Trio à Cordes: 3 violoncelles
6
Violon, Basse continue
6
Violoncelle , Guitare (duo)
4
Ensemble de Violoncelles
4
Violon, Basson (duo)
3
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Contrebasses (duo)
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Piano Trio: Violon, Alto, Piano
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4 Violoncelles
3
Trio à cordes
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Quatuor à cordes : 4 altos
3
Violoncelle, Basse continue
3
2 Violons et Basse continue
2
3 Harpes
2
Ensemble d'Altos
2
5 Harpes
2
Trio à cordes: 3 altos
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
2
Violon, Tuba (duo)
1
Trio à cordes: 3 violins
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Alto et Harpe
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Harpe, Voix
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Harpe, Violoncelle (duo)
1
Violoncelle, Orchestre
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Ensemble de Violons
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2 Violons, Piano
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Trio à Cordes: 2 violons, alto
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Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
524
Orchestre à Cordes
150
Cloches
110
Orchestre
92
Ensemble de cuivres
88
Orchestre de chambre
53
Batterie
32
Ensemble Jazz
31
Jazz combo
26
Ensemble de Percussions
24
Percussion (partie séparée)
19
Marimba
8
Fanfare
7
Batterie (partie séparée)
4
Xylophone, Piano
3
Quintette à Vent
3
Vibraphone
2
Caisse Claire
2
Percussion
2
Timbales (partie séparée)
2
2 Marimbas
1
2 Caisses Claires (duo)
1
Piano et Orchestre
1
Timbales
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Quintette de Cuivres: autres combinaisons
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2 Xylophones
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Batterie-Fanfare
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AUTRES
Formation musicale - Solfège
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9976
Sebastian Lee: Six Etudes Melodiques Op. 76 instantly for cello solo
Violoncelle
Instantly downloadable sheet music by Sebastian Lee for cello solo of MEDIUM/HIGH skill le…
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Instantly downloadable sheet music by Sebastian Lee for cello solo of MEDIUM/HIGH skill level. Contents: opus 76, op.76,exercises,studies, 6 studies, six studies,study, studies, etudes, exercises / classical,instructional
$4.99
4.61 €
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Violoncelle
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Sebastian Lee
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Virtualsheetmusic
Six Thinking Hats [3 celli]
Trio à Cordes: 3 violoncelles
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Compo…
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String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00
10.17 €
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Trio à Cordes: 3 violoncelles
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
Maestro Guitar Method - Chapter Six
Guitar Ensemble Guitar - Digital Download SKU: A0.1351599 By Daniel Charles Kotval.…
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Guitar Ensemble Guitar - Digital Download SKU: A0.1351599 By Daniel Charles Kotval. By Daniel Charles Kotval. Arranged by Daniel Charles Kotval. Blues,Classical,Folk,Rock,Traditional. Educational Method. 84 pages. Daniel Charles Kotval #936425. Published by Daniel Charles Kotval (A0.1351599). Maestro Guitar Method Chapter Six of six chapters. Learn to play guitar and read music with this effective and innovative approach that uses step-by-step instruction in a smooth and thorough progression. A journey from the beginning for all ages and levels suitable for students and teachers. This sixth chapter covers lessons for notes on the sixth string along with a review of the previously introduced notes. Refer to chapter one for a full list of contents and essential fundamentals. The complete method (208 pages) is available, but cannot be previewed due to the large file size. 84 pages. This extensive chapter includes advancing levels of songs, concepts and materials.
$20.00
18.49 €
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Daniel Charles Kotval
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Daniel Charles Kotval
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Maestro Guitar Method - Chapter Six
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Daniel Charles Kotval
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SheetMusicPlus
One Sixty Six - for Bb Clarinet & Piano (from Scenes from a Parisian Cafe)
Clarinette et Piano
Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.749910 Composed by Chris Lawry. Contemporary,Instructional,Standards. Score and parts. 6 pages. Moonhouse Music #18489. Published by Moonhouse Music (A0.749910). One Sixty Six is a quirky, fun little concert item for Solo Bb Clarinet and piano accompaniment. This piece is roughly equivalent to Grade 5 ABRSM/Trinity/LCM etc. Written in 2013, the piece is from the sheet music album 'Scenes from a Parisian Café', a collection of 14 concert and educational pieces for beginner to intermediate Bb Clarinet (roughly grades 2 - 5) by UK composer Chris Lawry. - The pieces cover the course of a day in a Parisian scene, from morning to night, and cover a range of tempos and styles with something to suit any occasion and mood.
$3.99
3.69 €
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Clarinette et Piano
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Chris Lawry
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One Sixty Six - for Bb Clarinet & Piano
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Moonhouse Music
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SheetMusicPlus
Sixtus Kargel: Ten Lute Pieces Transcribed For the Renaissance Guitar and Baritone Ukulele
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.810005 Composed by Sixtus Kargel. Arra…
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Ukulele - Level 2 - Digital Download SKU: A0.810005 Composed by Sixtus Kargel. Arranged by Michael P. Walker. Renaissance. Score. 47 pages. Michael P Walker #5805911. Published by Michael P Walker (A0.810005). Here are ten fun to play pieces by Sixtus Kargel transcribed from his 1574 Book of Lute Pieces for the six-course lute transcribed for the Renaissance guitar, guitar, and for the baritone ukulele. Recommended: Intermediate to Advanced
$19.95
18.45 €
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Ukulele
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Sixtus Kargel
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Michael P
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Sixtus Kargel: Ten Lute Pieces Transcribed For the Renaissance Guitar and Baritone Ukulele
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Michael P Walker
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SheetMusicPlus
Mazurka (from "Circus Minimus: Six Vignettes for Wind Octet")
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1103764 Composed by Timothy L, Mill…
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Piano Solo - Level 3 - Digital Download SKU: A0.1103764 Composed by Timothy L, Miller. 20th Century,Classical,Contemporary. Score. 11 pages. TLM Music Publishing #707046. Published by TLM Music Publishing (A0.1103764). The sixth movement, Lions, Tigers, Bears & Elephants, from Circus Minimus: Six Vignettes for Wind Octet, arranged for solo piano.
$6.95
6.43 €
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Piano seul
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Timothy L, Miller
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Mazurka
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TLM Music Publishing
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SheetMusicPlus
Six Sketches
Flûte traversière et Piano
Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM448 Composed by Geoff …
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Fl.pft. - Intermediate-Advanced - Digital Download SKU: F2.FM448 Composed by Geoff Warren. Flute and Piano. Score and part. 30 pages. Forton Music - Digital #FM448. Published by Forton Music - Digital (F2.FM448). ISBN 9790570483471.I wrote these pieces towards the end of summer 2014 at the request of various flautist colleagues who were telling me I should get back to writing for flute and piano. Five of the six pieces are dedicated to musician colleagues; all flautists except Walter the percussionist. The sixth is to myself, perhaps a portait of the artist as a young boy. These compositions, however, are not really meant to be portaits, just pieces dedicated to people I work with, and to some extent inspired by how I see them, so I have called them Sketches. The Sketches offer short expositions of themes which I hope will be enjoyable to play and to listen to. They offer some technical challenges for the flautist but are mostly in a 'medium difficulty' range, in attractive jazz/pop styles.
$12.95
11.98 €
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Flûte traversière et Piano
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Geoff Warren
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Six Sketches
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Forton Music - Digital
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SheetMusicPlus
Bach: Six Little Preludes BWV 933-938 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1128370 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 30 pages. Jmsgu3 #728962. Published by jmsgu3 (A0.1128370). J. S. Bach's Six Little Preludes BWV 933-938 were composed during the Baroque period. The preludes are in the key of C major and are among Bach's most famous works. They are short pieces, each lasting about two minutes in duration. Each prelude is a miniature, self-contained piece with its own musical ideas and themes. The preludes demonstrate Bach's mastery of counterpoint and his ability to create complex, interesting musical textures. The first prelude is simple and joyful, while the second prelude features a fugue. The third prelude is a chromatic, slightly more serious piece. The fourth prelude is a bright, joyful piece with a lot of counterpoint. The fifth prelude is quiet and contemplative, and the sixth is more lively and upbeat. These preludes provide an excellent example of Bach's mastery of the Baroque style.
$32.95
30.47 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Johann Sebastian Bach
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James M
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Bach: Six Little Preludes BWV 933-938 for String Quartet
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jmsgu3
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SheetMusicPlus
Fernando Sor: Bagatelles, 6 Op.43 for guitar solo
Guitare
Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM/HIGH skill le…
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Instantly downloadable sheet music by Fernando Sor for guitar solo of MEDIUM/HIGH skill level. Contents: mes ennuis, opus 43, six bagatelles / classical,spanish
$4.99
4.61 €
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Guitare
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Fernando Sor
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Virtualsheetmusic
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.25 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.25 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Francesco Molino: Three Sonatas and Six Themes with Variations For Low G Ukulele
Ukulele
Ukulele - Level 3 - Digital Download SKU: A0.1151103 By Michael P Walker. By France…
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Ukulele - Level 3 - Digital Download SKU: A0.1151103 By Michael P Walker. By Francesco Molino. Arranged by Michael P Walker. 19th Century,Classical. Score. 53 pages. Michael P Walker #751283. Published by Michael P Walker (A0.1151103). Who would have thought you could play classical music on a ukulele? But you can! Francesco Molino was an Italian musician and composer, born at Ivrea near Turin on 4 June 1768. At the age of fifteen, in 1783, he enrolled in the band of the Piedmont Regiment as an oboist, a post from which he resigned in 1793. He often traveled to Spain to give concerts. From 1786 to 1789, he played the viola in the orchestra of the Teatro Regio in Turin, and from 1814 to 1818, he was employed in the royal chapel in Turin. By 1817 he had published two guitar methods. Then in about 1820, he moved to Paris where he was very active as a teacher and composer, until his death there in 1847. His works were largely neglected until the twentieth century when many of them were republished. Have fun! Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Sixty-five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
$19.95
18.45 €
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Ukulele
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Michael P Walker
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Michael P Walker
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Francesco Molino: Three Sonatas and Six Themes with Variations For Low G Ukulele
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Michael P Walker
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SheetMusicPlus
Nicola Vaccai : Leçon III. - Sauts de sixte
Voix seule
Téléchargez la partition Chant Leçon III. - Sauts de sixte de Vaccai.…
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Téléchargez la partition Chant Leçon III. - Sauts de sixte de Vaccai. Partition pour Avec piano d'accompagnement -- Classique
3.99 €
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Voix seule
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Nicola Vaccai
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Leçon III.
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Tomplay
Chopin : Étude n° 8 en ré bémol majeur 'En sixtes', Opus 25
Piano seul
Téléchargez la partition Piano Étude n° 8 en ré bém…
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Téléchargez la partition Piano Étude n° 8 en ré bémol majeur 'En sixtes', Opus 25 de Chopin. Partition pour Piano seul -- Classique
3.99 €
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Piano seul
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Chopin
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Étude n° 8 en ré bémol maj
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Tomplay
Bela Bartok : Mikrokosmos, Volume II - N° 62 Sixtes mineures en mouvement parallèle
Piano seul
Téléchargez la partition Piano Mikrokosmos, Volume II - N° 62 Sixtes min…
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Téléchargez la partition Piano Mikrokosmos, Volume II - N° 62 Sixtes mineures en mouvement parallèle de Bartók. Partition pour Piano seul -- Classique
2.99 €
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Piano seul
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Bela Bartok
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Mikrokosmos, Volume II
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Tomplay
Bela Bartok : Mikrokosmos, Volume III - N° 73 Sixtes et accords
Piano seul
Téléchargez la partition Piano Mikrokosmos, Volume III - N° 73 Sixtes et…
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Téléchargez la partition Piano Mikrokosmos, Volume III - N° 73 Sixtes et accords de Bartók. Partition pour Piano seul -- Classique
3.99 €
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Piano seul
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Bela Bartok
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Mikrokosmos, Volume III
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Tomplay
Traditionnel : Variations en sixtes
Piano seul
Téléchargez la partition Piano Variations en sixtes de Traditionnel. Partiti…
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Téléchargez la partition Piano Variations en sixtes de Traditionnel. Partition pour Piano seul -- Classique
1.99 €
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Piano seul
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Traditionnel
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Variations en sixtes
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Tomplay
Descending Minor Sixth - Serenade
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1452097 Composed by Christine Donki…
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Piano Solo - Level 5 - Digital Download SKU: A0.1452097 Composed by Christine Donkin. Contemporary. Score. 4 pages. Chrisitne Donkin #1031413. Published by Chrisitne Donkin (A0.1452097). This is from a set of what will be 25 pieces, all based on the sounds of specific melodic intervals.The sound of the descending minor sixth is favoured throughout this piece. It contains many other intervals as well, as you'll hear, but the descending minor sixths are the ones that are guiding my decisions about where the music is going.
$2.99
2.76 €
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Piano seul
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Christine Donkin
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Descending Minor Sixth - Serenade
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Chrisitne Donkin
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SheetMusicPlus
You're Sixteen (you're Beautiful And You're Mine)
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1205874 By Ringo Starr. By…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1205874 By Ringo Starr. By Richard M. Sherman and Robert B. Sherman. Arranged by Konrad Harley. Barbershop,Rock. Octavo. 10 pages. Konrad Harley #804064. Published by Konrad Harley (A0.1205874). In this version, the lyrics have been modified by the Queensmen Male Chorus of Toronto (2023) to be suitable for a group of older gentlemen singers. Instead of You're Sixteen, this version is entitled You Were Sixteen. The song now ends with the words, You're sixty, you're beautiful, and still mine.The same arrangement is also available on Sheet Music Plus (or Sheet Music Direct) with the original lyrics.
$1.99
1.84 €
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Chorale TTBB
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Ringo Starr
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Konrad Harley
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You're Sixteen
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Konrad Harley
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SheetMusicPlus
Sweet Sixteens
Ensemble de Percussions
Percussion Ensemble - Level 1 - Digital Download SKU: A0.913462 Composed by Sue Mor…
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Percussion Ensemble - Level 1 - Digital Download SKU: A0.913462 Composed by Sue Morris. Instructional,Standards. Score and parts. 12 pages. Susan M Morris #3056355. Published by Susan M Morris (A0.913462). Written for a very excellent 10 year old percussion student named Ricky Lugo. Three types of sixteenth note patterns are utilized. This is a great composition for drum ensemble: snare drum, two pairs of concert tenors and bass drum.Toms or snare drums may be utilized if concert tenors are not available. .
$3.99
3.69 €
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Ensemble de Percussions
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Sue Morris
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Sweet Sixteens
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Susan M Morris
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SheetMusicPlus
Henry Schradieck : École de la technique du violon, Livre 1 - N° 16 Exercices à la sixième position
Violon
Téléchargez la partition Violon École de la technique du violon, Livr…
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Téléchargez la partition Violon École de la technique du violon, Livre 1 - N° 16 Exercices à la sixième position de Schradieck. Partition pour Violon seul -- Classique
3.99 €
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Violon
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Henry Schradieck
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École de la technique du viol
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Tomplay
Six Times Six is Thirty-Six, And Six is Forty-Two
Piano, Voix
Piano and voice - Digital Download SKU: LV.8697 Composed by William White. Portrait…
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Piano and voice - Digital Download SKU: LV.8697 Composed by William White. Portraits, Cartoons, Blackboards, Monkeys, Children, Girls, School, Education, Mathematics. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8697). Six Times Six is Thirty-Six, And Six is Forty-Two. Lyric by Bert Hanlon. Music by Wm. White. Published 1917 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Cartoons, Blackboards, Monkeys, Children, Girls, School, Education, Mathematics. First line reads Ever since I've been so very high I've tried to multiply.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.54 €
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Piano, Voix
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William White
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Six Times Six is Thirty-Six, And Six is Forty-Two
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Six Penny Money
Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397585 By T…
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Instrumental Solo,Piano,Voice - Level 1 - Interactive Download SKU: A0.1397585 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #3N5fVFPk4HwLsY1dlkNS3I. Published by Heather Mueller Music (A0.1397585). Key: D major.Title: Six Penny Money Type/Genre: Traditional Fiddle Tune - Jig Availability: Sheet Music for Sale Embark on a lively journey through Irish musical heritage with Six Penny Money, a spirited jig that captures the essence of Celtic tradition. Key Features: Interactive Sheet Music: Set the tempo and adjust the key with interactive sheet music, providing flexibility and adaptability to suit your playing style. Dive deep into the intricacies of Six Penny Money at your own pace, enhancing your learning experience and refining your performance. Versatile Addition: Six Penny Money is a versatile gem in the treasury of traditional fiddle tunes, seamlessly fitting into collections and anthologies. Whether you're compiling resources for performance or enriching your personal repertoire, this jig shines as a captivating addition. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Six Penny Money. Delve into scales, rhythmic patterns, and bowing techniques derived from this jig, laying a solid foundation for mastering the art of Irish fiddling. Creative Playground: Explore the vibrant landscape of musical creativity with Six Penny Money as your guide. Embrace improvisation and personal expression, infusing your rendition with unique embellishments and variations. Unlock the full potential of this jig as a canvas for artistic exploration and self-expression. Whether you're a seasoned fiddler or a newcomer to the world of Irish melodies, Six Penny Money offers a captivating voyage of musical discovery and growth, promising endless opportunities for expression and enjoyment.
$2.99
2.76 €
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Traditional Fiddle Tunes
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Heather M Music
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Six Penny Money
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Heather Mueller Music
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SheetMusicPlus
Six Forays for Flute & Clarinet
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.981221
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Digital Download SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690315. Published by Judith Cloud (A0.981221). Six Forays for Flute and Clarinet1. Questioning with hesitation2. Slowly and freely with rubato3. Snappy and perky!4. Tenderly, with much sensitivity5. Nagging relentlessly6. Aggressively insistentThe genesis of this diminutive composition, and its subsequent title Six Forays for Flute and Clarinet had its inception at a dinner party held by flutist, Emily McKay. Jeremy and Emily were planning a collaboration including a CD recording featuring flute and clarinet music, and wanted me to compose a piece for them. I decided against a formal plan, and began in a sense, to unravel sound organization from the inside out. Imagining myself an audience participant, I wanted to hear clarity through brevity. I definitely did not want to impose gimmickry, but did choose to play with slight pitch bending-something to arouse the listener, but not to bore her with 20th century musical clichés. The result is a six-movement piece, around six minutes long. Organizing the music through titles allows for imagination for both the listener and the performers.Beauty of tone, magnificent musicianship, and virtuosity-these qualities in instrumentalists inspire all who create music. I am very grateful to Emily McKay and Jeremy Reynolds for commissioning me to write this music for them.
$6.99
6.46 €
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Flûte, Clarinette (duo)
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Judith Cloud
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Six Forays for Flute & Clarinet
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Judith Cloud
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SheetMusicPlus
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