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Tri et filtres :
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PIANO & CLAVIERS
Piano seul
112
1 Piano, 4 mains
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Orgue
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5
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2
Pack Instrumental pour Chorale
2
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31
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30
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26
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20
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14
3 Saxophones (trio)
14
2 Flûtes traversières (duo)
13
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12
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12
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10
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2 Flûte à bec (duo)
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Clarinette
8
3 Clarinettes (trio)
7
Saxophone Soprano et Piano
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Quatuor de Flûtes : 4 flûtes
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6
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4
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3
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3
Clarinette (partie séparée)
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Hautbois, Clarinette (duo)
3
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Cor anglais, Piano
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Flûte, Harpe et Violoncelle
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Flûte, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Clarinette, Trompette (duo)
2
Instruments en Mib
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2 Clarinettes, Piano
2
Flûte, Clarinette et Basson
2
Flûte à Bec
2
Hautbois, Flûte
2
Clarinette et Alto
2
Saxophone Soprano
2
Clarinette Basse
1
Flûte, Trompette (duo)
1
Harmonica
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
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Flûte à bec Tenor
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Flûte, Hautbois, Basson
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3 Hautbois
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3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Flûte à bec Soprano, Piano
1
Hautbois, Harpe
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Ensemble de Hautbois
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Piccolo, Piano
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
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CUIVRES
Trombone et Piano
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette
17
Trombone
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Trompettes (duo)
7
Trompette, Piano
7
2 Trombones (duo)
7
Cor et Piano
7
Trompette (partie séparée)
6
Bass Clef Instruments
6
Ensemble de Trombones
5
Euphonium, Piano (duo)
5
Trombone (partie séparée)
5
Ensemble de Trompettes
5
2 Cors (duo)
5
Cor
4
Trompette, Saxophone (duo)
4
Tuba
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres
4
2 Tubas (duo)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
3
Cor anglais, Piano
3
Euphonium
2
Tuba et Piano
2
Trombone basse
2
Trompette, Cor (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums (duo)
2
3 Trombones (trio)
2
3 Tubas (trio)
1
Ensemble de Cors
1
Instruments en Sib
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
26
Violoncelle
21
Alto, Piano
18
Harpe
14
Violon
13
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Harpe, Flûte (duo)
9
Violon (partie séparée)
9
Alto (partie séparée)
8
Violon, Alto (duo)
8
Alto seul
7
2 Violoncelles (duo)
7
2 Altos (duo)
7
Violon, Violoncelle (duo)
6
2 Violons (duo)
5
2 Harpes (duo)
5
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Violon (duo)
3
Contrebasse, Piano (duo)
3
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes
1
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Contre Basse
1
Alto et Harpe
1
Ensemble de Violons
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
46
Cloches
26
Ensemble de cuivres
22
Orchestre
21
Orchestre à Cordes
10
Jazz combo
9
Ensemble Jazz
7
Ensemble de Percussions
7
Orchestre de chambre
5
Percussion (partie séparée)
3
Batterie
3
Fanfare
2
Xylophone, Piano
2
2 Caisses Claires (duo)
1
Batterie (partie séparée)
1
Piano et Orchestre
1
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AUTRES
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Six And Four
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
68 €
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Orchestre d'harmonie
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Fernando
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1401306 By ABBA. By Benny Anderss…
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Concert Band - Level 2 - Digital Download SKU: A0.1401306 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,Pop,Rock. 71 pages. Lorenzo Bocci #984494. Published by Lorenzo Bocci (A0.1401306). FERNANDO Featured In Mamma Mia! Here We Go Again - Performed by ABBAfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Stig Anderson, Benny Andersson, Bjorn Ulvaeus. Arranged by Lorenzo Bocci. Pop/Rock/Musical/Film. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 4'23''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Fernando is a song written by Stig Anderson, Benny Andersson and Björn Ulvaeus, from the Swedish musical group ABBA. The song was written for their fellow group member Anni-Frid Lyngstad and was included on her 1975 album Frida ensam. The following year, Fernando was re-recorded by ABBA. It was released in March 1976 as the brand new track for the 1976 compilation album Greatest Hits, and was also included on the group's fourth studio album, Arrival, in Australia and New Zealand. The song is one of ABBA's best-selling singles of all time, with six million copies sold in 1976 alone.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
80.7 €
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Orchestre d'harmonie
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ABBA
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Stig Anderson, Benny Andersson, Bjorn Ulvaeus
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Lorenzo Bocci
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Fernando
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Lorenzo Bocci
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SheetMusicPlus
Fernando
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1507672 By ABBA. By Benny Anderss…
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Concert Band - Level 3 - Digital Download SKU: A0.1507672 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Arild Mjaaland. 20th Century,Pop. 87 pages. Arild Mjaaland #1083027. Published by Arild Mjaaland (A0.1507672). Fernando is a song written by Benny Andersson and Björn Ulvaeus, from the Swedish musical group ABBA. It was released in March 1976 as the brand new track for the 1976 compilation album Greatest Hits, and was also included on the group's fourth studio album. The song is one of ABBA's best-selling singles, with six million copies sold.
$70.00
63.47 €
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Orchestre d'harmonie
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ABBA
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Arild Mjaaland
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Fernando
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Arild Mjaaland
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Hippolyte Escudié: Première Fantaisie Originale for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudi…
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Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudié. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2112289. Published by Musik Fabrik Music Publishing (A0.533230). Hippolyte Escudié was born in 1816 in Castelnaudary, France and died in Paris in 1881. He wrote four fantaisies for saxophone and piano and a number of works for saxophone and organ, including the six Andantes The first Fantasy is in four sections: an opening arioso with a cadenza, a thème and two variations, an expressive Andante et a final brilliant coda.
$12.95
11.74 €
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Saxophone Alto et Piano
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Hippolyte Escudié
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Hippolyte Escudié: Première Fantaisie Originale for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Arizona Centennial Overture - Band Version
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755100 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 130 pages. Sy Brandon #3384569. Published by Sy Brandon (A0.755100). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.26 €
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Orchestre d'harmonie
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Sy Brandon
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Arizona Centennial Overture - Band Version
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Sy Brandon
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SheetMusicPlus
Promised Land
Cloches
Handbell - Level 1 - Digital Download SKU: A0.1308213 Composed by American folk mel…
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Handbell - Level 1 - Digital Download SKU: A0.1308213 Composed by American folk melody from Southern Harmony 1835. Arranged by Cheryl (Sutton) Baker - Bronze:FX. 19th Century,Christian,Praise & Worship,Religious. Score. 4 pages. Bronze:FX #897453. Published by Bronze:FX (A0.1308213). The arrangement is for 5, 6, 7, or 8 ringers using two octaves of handbells or handchimes. Assignments are included according to the quantity of ringers, and the piece is Level 2 when played with seven or eight ringers. This piece may also be performed by four- or six- in-hand ensembles without tables.Combining flowing lines with block chords, this arrangement of the familiar hymn tune is reminiscent of a music box. The melody is played both in the bass and the treble lines, and the easy rhythms never advance beyond the eighth note value. Every ringer is kept busy with lots of ringing, LV, some shakes, and minimal accidentals. There are a two gathering points where the ringers regain those who are lost or no longer together with the group's rhythm.On Jordan's stormy banks I stand, and cast a wishful eyeTo Canaan's fair and happy land, where my possession lie.I am bound for the promised land. I am bound for the promised land.Oh, who will come and go with me? I am bound for the promised land.– lyrics by Samuel Stennet, 1787The piece has a lovely reoccurring pattern that bridges the verses. There are two verses in all, and each one has a fermata (hold) on the question Oh, who will come and go with me?Performance time:• 2 minutes, 30 seconds.
$2.50
2.27 €
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Cloches
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American folk melody from Southern Harmony 1835
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Promised Land
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Bronze:FX
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SheetMusicPlus
Schubert: Original Compositions for Four Hands, Volume I
1 Piano, 4 mains
Piano Duets & Four Hands - Digital Download SKU: AX.00-PC-0009165 Op. 40, Six Gr…
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Piano Duets & Four Hands - Digital Download SKU: AX.00-PC-0009165 Op. 40, Six Grandes Marches. Composed by Franz Schubert. Classical. Part. 32 pages. Alfred Music - Digital Sheet Music #00-PC-0009165. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0009165). ISBN 9780769283753. UPC: 029156683363.Op. 10, 27, 30, 35, 40. The comb binding creates a lay-flat book that is perfect for study and performance.
$2.95
2.67 €
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1 Piano, 4 mains
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Franz Schubert
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Schubert: Original Compositions for Four Hands, Volume I
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
90.67 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.07 €
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Chorale SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
"Allemande" in A Major for piano or harpsichord Op. 8, No. 4
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.980458 Composed by Gary Noland. 20t…
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Piano Solo - Level 4 - Digital Download SKU: A0.980458 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. Score. 7 pages. Freeland Publications #3249375. Published by Freeland Publications (A0.980458). Duration: ca. 2'30 (1986). This piece is the fourth in my set of Six and a Half Piano Pieces Op. 8. It may be performed to good effect on the harpsichord as well as on the piano. It is in a neo-baroque style, and is strongly influenced by the music of J.S. Bach. It serves well as an instructional piece for advanced intermediate level students.
$3.99
3.62 €
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Piano seul
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Gary Noland
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"Allemande" in A Major for piano or harpsichord Op. 8, No. 4
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Freeland Publications
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SheetMusicPlus
Four on Six (22-Piece Digital Pack)
Ensemble Jazz
Level 4 - Digital Download SKU: HX.390023 By John Abercrombie, John Scofield, and W…
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Level 4 - Digital Download SKU: HX.390023 By John Abercrombie, John Scofield, and Wes Montgomery. Arranged by Mike Tomaro. This edition: scorch. Blues,Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.390023).
Digital Pack includes:Four on Six - Conductor Score (Full Score)Four on Six - Alto Sax 1Four on Six - Tenor Sax 1Four on Six - Alto Sax 2Four on Six - Tenor Sax 2Four on Six - Baritone SaxFour on Six - Trumpet 1Four on Six - Trumpet 2Four on Six - Trumpet 3Four on Six - Trumpet 4Four on Six - Trombone 2Four on Six - Trombone 1Four on Six - Trombone 4Four on Six - GuitarFour on Six - BassFour on Six - Trombone 3Four on Six - PianoFour on Six - DrumsFour on Six - Eb Solo SheetFour on Six - C Solo SheetFour on Six - Bass Clef Solo SheetFour on Six - Bb Solo Sheet
$55.00
49.87 €
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Ensemble Jazz
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John Abercrombie, John Scofield, and Wes Montgomery
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Mike Tomaro
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Four on Six
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Hal Leonard - Digital
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284659 Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659). PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$17.50
15.87 €
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Piano, Voix et Guitare
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
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James Nathaniel Holland
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SheetMusicPlus
A Baroque Sampler for Octave Mandolin
Mandoline
27 Easy to Intermediate Pieces Selected from the Works of 13 Baroque Composers. Compos…
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27 Easy to Intermediate Pieces Selected from the Works of 13 Baroque Composers. Composed by John Goodin. Classical. E- book. Mel Bay Publications - Digital Sheet Music #30744EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119512.<br> <br> The octave mandolin is valued for its rich tone and wide range of potential use in a variety of musical settings. This book contains 27 easy to intermediate pieces from the Baroque era that have been carefully chosen and arranged to benefit from the longer scale and deeper voice of the big mandolin. The music is presented in both standard notation and tablature, making it easily playable on the mandocello, mandola or standard mandolin. Thirteen composers are represented, including six pieces by J. S. Bach, four by G. F. Handel and three by G. P. Telemann.
$9.99
9.06 €
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Mandoline
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John Goodin
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A Baroque Sampler for Octave Mandolin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Bâ™ Clarinet and accompaniment
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.964371 Composed by Johann Sebas…
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Clarinet,Piano - Level 1 - Digital Download SKU: A0.964371 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320847. Published by Leyandder Trustworthy (A0.964371). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for B♠Clarinet along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Clarinette et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Horn in F and accompaniment
Cor et Piano
French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Se…
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French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321359. Published by Leyandder Trustworthy (A0.964388). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Horn in F along with a piano accompaniment that comes with the product.
$4.99
4.52 €
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Cor et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Basset Horn and accompaniment
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.964374 Composed by Johann Sebas…
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Clarinet,Piano - Level 1 - Digital Download SKU: A0.964374 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320859. Published by Leyandder Trustworthy (A0.964374). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Basset Horn along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Clarinette et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Eâ™ Clarinet and accompaniment
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.964373 Composed by Johann Sebas…
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Clarinet,Piano - Level 1 - Digital Download SKU: A0.964373 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320839. Published by Leyandder Trustworthy (A0.964373). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for E♠Clarinet along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Clarinette et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Flue and accompaniment
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.964367 Composed by Johann Sebastia…
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Flute,Piano - Level 1 - Digital Download SKU: A0.964367 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6320687. Published by Leyandder Trustworthy (A0.964367). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Flute along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for A Clarinet and accompaniment
Clarinette et Piano
A Clarinet,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964372 Comp…
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A Clarinet,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964372 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320853. Published by Leyandder Trustworthy (A0.964372). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for A Clarinet along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Clarinette et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Alto Saxophone and accompaniment
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.964379 Composed by Johann…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.964379 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321031. Published by Leyandder Trustworthy (A0.964379). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Saxophone along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Soprano Saxophone and accompaniment
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.964378 Composed by Joh…
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.964378 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321029. Published by Leyandder Trustworthy (A0.964378). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Soprano Saxophone along with a piano accompaniment that comes with the product.
$1.99
1.8 €
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Saxophone Soprano et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Tuba and accompaniment
Tuba et Orgue
Piano,Tuba - Level 1 - Digital Download SKU: A0.964397 Composed by Johann Sebastian…
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Piano,Tuba - Level 1 - Digital Download SKU: A0.964397 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321821. Published by Leyandder Trustworthy (A0.964397). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Tuba along with a piano accompaniment that comes with the product.
$4.99
4.52 €
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Tuba et Orgue
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Contrabass Trombone and accompaniment
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.964396 Composed by Johann Sebas…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.964396 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321819. Published by Leyandder Trustworthy (A0.964396). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Contrabass Trombone along with a piano accompaniment that comes with the product.
$4.99
4.52 €
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Trombone et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Trombone and accompaniment
Trombone et Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.964393 Composed by Johann Sebas…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.964393 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321379. Published by Leyandder Trustworthy (A0.964393). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Trombone along with a piano accompaniment that comes with the product.
$4.99
4.52 €
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Trombone et Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
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