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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Six Ate
Non classifié
613
Piano & claviers
Piano seul
410
Piano, Voix
134
Piano Facile
89
Piano, Voix et Guitare
52
Orgue
44
Instruments en Do
25
1 Piano, 4 mains
13
1 Piano, 6 mains
8
Piano grosses notes
6
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Clavecin
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
52
Guitare notes et tablatures
25
Ligne De Mélodie, (Paroles) et Accords
14
Ukulele
12
2 Guitares (duo)
5
Basse electrique
3
Mandoline
3
Ukulele Baryton
2
2 Mandolines (duo)
2
Paroles et Accords
2
Dulcimer
2
Dobro
1
Banjo
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Piano, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
136
Chorale 3 parties
23
Chorale 2 parties
17
Chorale Unison
16
Chorale TTBB
13
Chorale SSAA
5
Voix Soprano, Piano
5
Voix Tenor, Piano
2
Chorale SSATTB
2
Voix Baryton, Piano
1
Voix Soprano, Orchestre
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Voix duo
1
Voix, Guitare
1
Voix seule
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
62
Flûte traversière et Piano
60
Clarinette et Piano
40
Quatuor de Saxophones: 4 saxophones
40
Hautbois, Piano (duo)
36
2 Saxophones (duo)
34
Quatuor de Clarinettes: 4 clarinettes
32
2 Flûtes traversières (duo)
29
Saxophone Tenor et Piano
28
Saxophone Alto et Piano
25
2 Clarinettes (duo)
24
Saxophone Soprano et Piano
21
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto
20
Saxophone Baryton, Piano
19
Clarinette
19
Flûte traversière
19
Saxophone Tenor
18
Quintette de Saxophone: 5 saxophones
17
Cor anglais, Piano
17
3 Saxophones (trio)
13
2 Hautbois (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Clarinette Basse, Piano
11
Saxophone (partie séparée)
11
2 Flûte à bec (duo)
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Flûte, Clarinette (duo)
9
3 Clarinettes (trio)
9
Saxophone, Clarinette (duo)
8
Hautbois, Clarinette (duo)
7
Clarinette, Basson (duo)
7
Trio de Flûtes: 3 flûtes
7
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Flûte : 5 flûtes
6
Clarinette, Violon (duo)
6
Ensemble de Clarinettes
6
Flûte, Violon
5
Flûte à bec Soprano
5
3 Flûtes à bec (trio)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Clarinette et Basson
4
Ensemble de saxophones
4
Flûte, Saxophone (duo)
3
Saxophone Soprano
3
Ensemble De Flûte à bec
3
Clarinette, Harpe (duo)
3
Clarinette, Trompette (duo)
3
Flûte à bec Alto
3
Flûte, Violoncelle
3
Flûte et Guitare
3
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle (duo)
3
Clarinette et Alto
3
Hautbois, Flûte
3
Hautbois (partie séparée)
2
Flûte à Bec
2
Hautbois, Harpe
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Flûte à bec Alto, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Hautbois
1
5 Flûtes à bec
1
Ensemble de Hautbois
1
Clarinette Basse
1
Flûte, Violon, Guitare
1
Flûte à bec Soprano, Piano
1
+ 68 instrumentations
Retracter
Cuivres
Trombone et Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trompette
32
Quatuor de Cuivres
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Euphonium, Piano (duo)
24
Cor et Piano
24
Trompette, Piano
23
Cor anglais, Piano
17
2 Trombones (duo)
11
2 Trompettes (duo)
9
Tuba et Piano
9
Ensemble de Trombones
8
2 Cors (duo)
8
Trompette, Trombone (duo)
7
Trombone
7
Trompette, Saxophone (duo)
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
4
Tuba
3
2 Tubas (duo)
3
Trombone, Cor (duo)
3
2 Euphoniums (duo)
2
Trompette, Tuba (duo)
2
3 Euphoniums
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Cor, Tuba (duo)
2
Trombone, Tuba (duo)
2
Cor
2
4 Tubas
2
Cor et Harpe
1
3 Tubas (trio)
1
Euphonium
1
Tuba et Orgue
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Trompette, Cor (duo)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
136
Violon et Piano
60
Violon
49
Violoncelle, Piano
39
Alto, Piano
39
Trio à Cordes: violon, alto, violoncelle
29
2 Violons (duo)
25
Violon, Alto (duo)
20
Violon, Violoncelle (duo)
20
Violoncelle
18
2 Violoncelles (duo)
17
Harpe
13
2 Altos (duo)
11
Alto seul
10
Violoncelle, Contrebasse (duo)
10
Violon (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse, Piano (duo)
6
Alto, Violoncelle (duo)
5
2 Harpes (duo)
4
Harpe, Flûte (duo)
3
Contre Basse
3
Violon, Guitare (duo)
2
Ensemble d'Altos
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
4 Violoncelles
2
Alto (partie séparée)
2
Violoncelle, Basse continue
1
Violoncelle , Guitare (duo)
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
2 Violons et Basse continue
1
Violon, Basson (duo)
1
Violon, Tuba (duo)
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
206
Orchestre à Cordes
52
Ensemble de cuivres
50
Orchestre
44
Jazz combo
21
Cloches
19
Orchestre de chambre
14
Batterie
10
Ensemble Jazz
9
Ensemble de Percussions
6
Marimba
4
Fanfare
4
Percussion (partie séparée)
2
Vibraphone
2
2 Marimbas
1
2 Caisses Claires (duo)
1
Piano et Orchestre
1
+ 12 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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VIOLONCELLE
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Joseph White: Six Etudes for Violin
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. A…
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Violin Solo - Level 5 - Digital Download SKU: A0.939440 Composed by Joseph White. Arranged by Robert Debbaut. Instructional,Latin,Romantic Period,World. 64 pages. ROBERT DEBBAUT #6371729. Published by ROBERT DEBBAUT (A0.939440). The talents of Cuban-born violinist Joseph White (born José Silvestre de los Dolores White y Lafitte) were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had accompanied him on an early recital. Gottschalk raised the money so the young Afro-Cuban virtuoso could go to Paris and study with Jean-Delphin Alard, one of the great violinists and teachers of his day. White won the Premier Prix at the conservatory in 1855 and received high accolades from such musical giants as Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. Following his 1855 prize (one of several more to come) Joseph White became a major force in the cultural life of Paris for the next twenty years. His Six Studies, Op. 13, demonstrate to those were never privileged to hear him his absolute command of his instrument. The overall set is dedicated to Alard with individual studies dedicated to Alard and to four of Europe’s premiere violinists, Camillo Sivori, Henri Vieuxtemps, Henryk Wienawski, Hubert Léonard, as well as to his fellow Cuban, Secondino Arango. These are studies for the serious violinist, or for the advanced student aspiring to achieve the same technical prowess of this incredible virtuoso performer and composer. Contained within this volume are the original exercises, biographies of the six dedicatees, as well as extra information about the life and career of this criminally forgotten violin virtuoso. These works should be considered for the studios of master teachers and for live performance as virtuoso showpieces, or recital encores, especially number six, which is dedicated to one of White's first teachers, Afro-Cuban violin virtuoso Secundino Arango (179?-1876).
$9.95
9.16 €
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Violon
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Joseph White
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Robert Debbaut
#
Joseph White: Six Etudes for Violin
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ROBERT DEBBAUT
#
SheetMusicPlus
Sechs Bagatellen
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1022029 Composed by Fredrik Schwenk…
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Piano Solo - Level 4 - Digital Download SKU: A0.1022029 Composed by Fredrik Schwenk. Contemporary. Score. 33 pages. Fredrik Schwenk #6303801. Published by Fredrik Schwenk (A0.1022029). The present cycle of six bagatelles was created on the occasion of the final examination Master Piano by Hector Docx, who studied in my composition class at the Hochschule für Musik und Theater from 2017 to 2020. He had rehearsed Ludwig van Beethoven's Bagatelles, Op. 126, for the occasion and consulted composers to write new bagatelles to be performed along with Beethoven's last piano work. This is how the later fourth Bagatelle first came into being, which takes up the tempo as well as an essential element of Beethoven's material, and from this follows an approach that is consistent in form and content. After the successful premiere, the idea arose to build a six-part cycle from it, which is oriented to Beethoven's material throughout. The cycle can be performed either together and in alternation with or independently and without Beethoven's Bagatelles, whereby a performance of the third Bagatelle without Beethoven makes little sense. The premiere of all the Bagatelles in conjunction with Beethoven's Bagatelles took place on September 26, 2020 at the Tonali Hall in Hamburg. Hector Docx played.
$15.00
13.8 €
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Piano seul
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Fredrik Schwenk
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Sechs Bagatellen
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Fredrik Schwenk
#
SheetMusicPlus
Six Sonates à Violoncelle et Basse, op. 12
2 Violoncelles (duo)
Cello Duet Cello - Level 4 - Digital Download SKU: A0.841369 Composed by Jean-Bapti…
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.841369 Composed by Jean-Baptiste Bréval. Arranged by Michele Galvagno, Yuriy Leonovich. Classical,Instructional,Standards. Score. 258 pages. Artistic Score Engraving di Galvagno Michele #6607355. Published by Artistic Score Engraving di Galvagno Michele (A0.841369). This edition presents the Six sonatas for cello and basso op. 12 by French cellist and composer Jean-Baptiste Bréval(1753-1823). It comes in a bundle of seven (7) PDFs (combined together because SMP doesn't allow the upload of multiple PDFs), which can be recognised by the label on their cover or by the alphanumerical code following the ASE0020- footer on each of their pages:00: Urtext Score (48pp.)01A: Urtext Cello Part - digital version (39pp.)01B: Urtext Cello Part - print version (40pp.)02A: Basso - digital version (22pp.)02B: Basso - print version (28pp.)03A: Annotated Cello Part - digital version (39pp.)03B: Annotated Cello Part - print version (40pp.)This makes a grand-total of 256 pages! The Annotated Cello parts have been edited by Yuriy Leonovich.
$28.50
26.23 €
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2 Violoncelles (duo)
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Jean-Baptiste Bréval
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Six Sonates à Violoncelle et Basse, op. 12
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Violoncelle, Contrebasse (duo)
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU:…
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
22.96 €
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Violoncelle, Contrebasse (duo)
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Jean-Baptiste Breval
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Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Six Sonates progressives
Violon et Piano
Violin and piano - Digital Download SKU: S9.Q42319 For Violin and Piano. Com…
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Violin and piano - Digital Download SKU: S9.Q42319 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition of sonatas for violin and piano includes practical arrangements based on the text of the Weber Complete Edition. Downloadable. Op. Heft 1. Schott Music - Digital #Q42319. Published by Schott Music - Digital (S9.Q42319). German • English.When Weber offered the sonatas for violin and piano to the publisher André von Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, editors at that time increasingly selected only easily playable works. Fortunately, these sonatas nevertheless found their way into the repertoire. This is a practical edition in two volumes based on the text of the Weber Complete Edition.
$16.99
15.64 €
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Violon et Piano
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Carl Maria von Weber
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Six Sonates progressives
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Schott Music - Digital
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SheetMusicPlus
Six Sonates progressives
Violon et Piano
Violin and piano - Digital Download SKU: S9.Q42368 For Violin and Piano. Com…
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Violin and piano - Digital Download SKU: S9.Q42368 For Violin and Piano. Composed by Carl Maria von Weber. This edition: Sheet music. Violin Library. This edition of sonatas for violin and piano includes practical arrangements based on the text of the Weber Complete Edition. Downloadable. Op. Heft 2. Schott Music - Digital #Q42368. Published by Schott Music - Digital (S9.Q42368). German • English.When Weber offered the sonatas for violin and piano to the publisher André from Offenbach in 1810, the latter refused to print them because they were 'too good and demanding'. In order to reach as large a target group of music-making amateurs as possible, the editors at that time increasingly saw to the works' easy playability. Fortunately, the sonatas nevertheless found their way into the repertoire of the violinists. This is a practical edition in two volumes based on the text of the Weber Complete Edition.
$16.99
15.64 €
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Violon et Piano
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Carl Maria von Weber
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Six Sonates progressives
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Schott Music - Digital
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SheetMusicPlus
Six Violin Duets, Op. 1
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
66.26 €
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Six Violin Duets, Op. 2
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
66.26 €
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2 Violons (duo)
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
St Nectan's Waterfall (from Tales from the Cornish Coast) Bb Clarinet & Piano. By Chris Lawry
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.1247869 Composed by Chris Lawry…
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Clarinet,Piano - Level 1 - Digital Download SKU: A0.1247869 Composed by Chris Lawry. 21st Century,Celtic,Film/TV,Folk,Irish,New Age. Score and part. 4 pages. Masquerade Music #842426. Published by Masquerade Music (A0.1247869). St Nectan's Waterfall by Chris Lawry is a piece from a collection of six ambient original soundscapes for Bb clarinet and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and aimed at grade 2-5 players.St Nectan's Waterfall is suitable for Bb clarinet and piano and the difficulty level of the piece is around grade 2 (approximately).A full Youtube video available if you'd like to hear excerpts of each separate piece from the Tales from the Cornish Coast clarinet book (with sheet music samples shown) here: https://youtu.be/JlhxUwjTWhIYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above);Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Flute edition and Alto saxophone edition.
$3.99
3.67 €
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Clarinette et Piano
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Chris Lawry
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St Nectan's Waterfall
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Masquerade Music
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SheetMusicPlus
Six Thinking Hats [3 celli]
Trio à Cordes: 3 violoncelles
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Compo…
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String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00
10.12 €
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Trio à Cordes: 3 violoncelles
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
Six Preludes
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Co…
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Piano Solo - Level 3 - Digital Download SKU: A0.1011289 Composed by Ho Jie Rong. Contemporary,Standards. Score. 13 pages. Ho Jie Rong #5794097. Published by Ho Jie Rong (A0.1011289). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Six Preludes I started composing this set of Six Preludes for piano in 2014 and revised in 2020. The first piece of this set is Walking. There are different types of walks one can imagine. Octaves in the left hand at the opening represents walking sluggishly, whilst the middle section’s running right hand and jokingly bass notes representing a quick stroll. The Adagio recititavo part represents tip-toeing and finally the quasi cadenza part represents a trip on the floor, ouch! The second piece, which is nicknamed Joke, is a parody of Chopin’s Scherzo no. 1 in B minor, Op. 20. Take this piece as a lame unfunny joke, as in the slow coda, which is a sigh after listening to this joke. Night Song, as the name says, means a piece to be played at night, most commonly associate with pieces like Nocturnes, Barcarolles etc. The fourth piece, Chopin, is a homage to Chopin. I chose his Prelude in G and B flat minor, Op. 28 no. 3 and no. 16 respectively as sources of inspirations. Vision is a poly-tonality piece. Sometimes what we think or see, may not always end up the way it is. Hence, I hope to create this double effect by using the keys at the same time. The final piece of this set is a Fughetta. A fughetta is a small fugue. This piece is actually a piano transcription of the 3rd movement of my Three Colours (for Clarinet in B flat, Violin and Cello) which is composed and premiered in 2012. I revised and edited some sections. This is a 12-tone work. The P0 and R0 makes up the subject of this piece, while R11 makes up the countersubject. Six Preludes is dedicated to my friend Ng Yu Fei.
$6.00
5.52 €
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Piano seul
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Ho Jie Rong
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Six Preludes
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Ho Jie Rong
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SheetMusicPlus
St Nectan's Waterfall (from Tales from the Cornish Coast) Flute & Piano. By Chris Lawry
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1247383 Composed by Chris Lawry. 2…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1247383 Composed by Chris Lawry. 21st Century,Celtic,Film/TV,Folk,Irish. Score and part. 3 pages. Masquerade Music #842018. Published by Masquerade Music (A0.1247383). St Nectan's Waterfall by Chris Lawry is a piece from a collection of six ambient original soundscapes for flute and piano called Tales from the Cornish Coast by Chris Lawry and Keri Degg inspired by the beautiful coast of Cornwall (UK). It was published in 2023 and is aimed at grades 2-5 ability level.Godrevy Island is suitable for Flute (Standard C flute) and the difficulty level of the piece is around grade 3 (approximately).A full Youtube playlist is also available if you'd like to hear each separate piece in its entirety (with sheet music samples shown) here: https://www.youtube.com/watch?v=hyAj-0RktQoYou may like to see the contents of the full collection; Tales from the Cornish Coast (mentioned above);Godrevy Island - A beautiful blend of bird calls, waves, and flowing lyrical melodic lines coupled with syncopation make this an exhilarating play.Hanover Cove - Tranquil lapping waves and the light glinting on the water introduce this gentle (yet later stormier) soundscape by means of the dorian mode.Piskies Cove - Strangely hypnotising and eerily enchanting, the pesky piskies play...Lankidden - A tranquil and secret place with not a soul to be seen. The mixolydian mode and sparkling sevenths add to the beauty.St Nectan's Waterfall - Delicate and brooding, feel the movement from the chordal harmony. A great piece for tone practise and control.St Clement's Isle - Constantly shifting changing and turning, dark and turbulent, then light and full of tranquility and life.Tales from the Cornish Coast is also available in printed/posted traditional book format (with audio code included to download your tracks) and is also available in Bb clarinet edition and Alto saxophone edition.
$3.99
3.67 €
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Flûte traversière et Piano
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Chris Lawry
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St Nectan's Waterfall
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Masquerade Music
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SheetMusicPlus
Pirates of the Carob Bean, for flute and piano
Flûte traversière et Piano
Flute,Piano - Digital Download SKU: A0.851545 Composed by Brett Thompson. Contempor…
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Flute,Piano - Digital Download SKU: A0.851545 Composed by Brett Thompson. Contemporary,Folk. Score and part. 4 pages. Brett Thompson #3125163. Published by Brett Thompson (A0.851545). Many people are unaware of, or have only vaguely heard about, the not especially dreaded pirate Chocolate Beard who specialised in raiding shipments of carob beans during the late sixteenth century. It was not recorded specifically that Chocolate Beard liked to sing but knowing that all pirates like a good sing-a-long after a bottle of rum or two, I am speculating that he and his crew on occasion probably crooned out Yo ho ho and a jar of carob-coated licorice drops - a tune worthy of any self-respecting pirate. If you would like to watch a full video preview, or prefer this product formatted for A4 paper size, please visit: https://www.fourandtwentymusic.com/pieces/pirates-of-the-carob-bean-solo/
$3.50
3.22 €
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Flûte traversière et Piano
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Brett Thompson
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Pirates of the Carob Bean, for flute and piano
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Brett Thompson
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SheetMusicPlus
Six Songs of the Holocaust, - string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330). These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America. Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group. Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
1.83 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Yoel Epstein
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Six Songs of the Holocaust, - string quartet
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Yoel Epstein
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SheetMusicPlus
Six of One
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.998750 Composed by Robert A. Howard…
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Piano Solo - Level 5 - Digital Download SKU: A0.998750 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Film/TV. Score. 7 pages. Robert A. Howard #5722621. Published by Robert A. Howard (A0.998750). These six related piano miniatures take the form of different 'views' of common material. The title is taken from a phrase used in the cult 1960s TV programme 'The Prisoner' (Six of one and half a dozen of the other). The work explores a wide variety of piano textures and techniques, within an angular, post-tonal style. The movements are conceived in the manner of short TV incidental music cues and aim to reflect the austere atmosphere of the TV series. The piece is accessible to the listener and is appropriate for advanced students and professional players.
$5.49
5.05 €
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Piano seul
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Robert A
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Six of One
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Robert A. Howard
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.32 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Six Duets
Piano and organ (harmonium) - advanced - Digital Download SKU: S9.Q423 Composed by …
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Piano and organ (harmonium) - advanced - Digital Download SKU: S9.Q423 Composed by Charles Marie Widor. This edition: Sheet music. Downloadable. Schott Music - Digital #Q423. Published by Schott Music - Digital (S9.Q423). The six Duos for Harmonium and Piano were composed around 1867 in Charles-Marie Widor's first creative period. Twenty years later, in October 1889, they were published by Schott in six separate editions. This reprint is the first publication which contains all pieces, thus supporting the performance of these magnificent pieces for the rare combination of harmonium and piano.
$21.99
20.24 €
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Charles Marie Widor
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Six Duets
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Schott Music - Digital
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SheetMusicPlus
Andromaque : Six Bongatelles (Clar in Bb/Cello)
Duet Clarinet in Bb, Cello - Intermediate / Advanced - Digital Download SKU: D3.SM-05-0…
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Duet Clarinet in Bb, Cello - Intermediate / Advanced - Digital Download SKU: D3.SM-05-0002F Composed by Jack Curtis Dubowsky. Instrumental Duet. Jean Racine's (1639-1699) tragedy Andromaque (1667) inspired these duets. Contemporary. Sheet music; Two copies. 36 pages. De Stijl Music Digital #SM-05-0002F. Published by De Stijl Music Digital (D3.SM-05-0002F). 8.5 x 11 inches.Bongatelles is a pun in homage to Erik Satie's whimsical titles. Satie also found inspiration in Greek antiquity and French literature, most notably his Socrate. Jean Racine's (1639-1699) tragedy Andromaque (1667) inspired these duets. Racine took his characters from Greek and Roman stories and adapted or created new situations for them in accordance with baroque fascination with neo-classicism in literature. Andromaque is a love quadrangle in which all who love die or go insane. Only the prisoner-queen Andromaque, who is incapable of love, survives. Andromaque, icy cold, rejects amorous advances from her captor Phyrrus. She plots her survival, trying desperately to save her infant son Astyanax from the Greek ambassador Oreste who would have her Trojan line finished off for good. The baby Astyanax sleeps silently, unaware of the deadly drama surrounding him. Does he nap peacefully? Or does he dream, like his mother, of revenge for the death of his conquered father, the great Trojan warrior king Hector? Phyrrus awkwardly tries to sweet-talk his captive Andromaque into marriage. She rejects him until he becomes furious and threatens to kill her son Astyanax unless she agrees to wed. Phyrrus alternates between threats and cajoling. Hermione loves Phyrrus, who decides to marry Andromaque instead. She rejects her own suitor Oreste, until she vengefully has him kill Phyrrus. Oreste does her bidding, only to be rewarded by a final rejection. She accuses Oreste of being a murderous monster. When Hermione sees the body of Phyrrus, she kills herself. The Greek soldier and ambassador Oreste sailed to Epire to persuade King Phyrrus to kill or hand over the infant Astyanax, last of the line of Troy. Oreste is torn between duty and love for usury Hermione. Her broken promises and final rejection affect him profoundly. Oreste goes insane upon learning of her death.
$8.00
7.36 €
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Jack Curtis Dubowsky
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Two copies
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Andromaque : Six Bongatelles
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De Stijl Music Digital
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
90.97 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298017 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298017 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Instructional. 60 pages. Jmsgu3 #887918. Published by jmsgu3 (A0.1298017). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$74.95
68.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1298019 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 131 pages. Jmsgu3 #887920. Published by jmsgu3 (A0.1298019). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$86.85
79.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Quartet
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jmsgu3
#
SheetMusicPlus
Sweelinck: Six Echo Fantasias Complete for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Piete…
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String Orchestra - Level 4 - Digital Download SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
107.54 €
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Orchestre à Cordes
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias Complete for String Orchestra
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jmsgu3
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SheetMusicPlus
Six Sonates faciles à violoncelle et basso op. 40
2 Violoncelles (duo)
Cello Duet Cello - Level 1 - Digital Download SKU: A0.841355 Composed by Jean-Bapti…
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Cello Duet Cello - Level 1 - Digital Download SKU: A0.841355 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score. 94 pages. Artistic Score Engraving di Galvagno Michele #5888489. Published by Artistic Score Engraving di Galvagno Michele (A0.841355). This product contains all the six cello sonatas op. 40 by Breval. Please give a look at the single sonatas, sold separately, for more details on each of them.This version gives you the whole bundle with a 15% discount over purchasing the single sonatas one by one.
$17.50
16.11 €
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2 Violoncelles (duo)
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Jean-Baptiste Breval
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Six Sonates faciles à violoncelle et basso op. 40
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Forty Six & 2
Guitar Ensemble - Level 3 - Digital Download SKU: A0.1463377 By Tool. By Adam Jones…
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Guitar Ensemble - Level 3 - Digital Download SKU: A0.1463377 By Tool. By Adam Jones, Daniel Carey, Justin Chancellor, and Maynard Keenan. Arranged by Tracy Dean McCallum. 20th Century,Rock. Score and Parts. 16 pages. Tracy Dean McCallum #1042070. Published by Tracy Dean McCallum (A0.1463377). https://tracymccallum.com/ Dive into the Polyrhythmic Depths of Tool's Forty-Six & 2 with This Dual-Guitar Sheet Music! This exclusive PDF download unlocks the secrets of Tool's enigmatic masterpiece, Forty-Six & 2, for two guitars. Features: Accurate Transcription: Master the intricate riffs and harmonies of both Adam Jones and Danny Carey's parts, meticulously transcribed in standard notation and tablature. Dual-Guitar Format: Jam alongside a friend or bandmate with clearly separated parts for each guitar. Dropped D Tuning: Get the signature low-end growl of the song with a clear tuning guide.
$8.88
8.17 €
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Tool
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Tracy Dean McCallum
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Forty Six & 2
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Tracy Dean McCallum
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SheetMusicPlus
Songs of the Nativity (Six Songs)
Choir Sacred - Digital Download SKU: JX.00-VG325 Composed by Ruth Watson Henderson.…
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Choir Sacred - Digital Download SKU: JX.00-VG325 Composed by Ruth Watson Henderson. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Gordon V. Thompson Series. Christmas; Sacred. Choral Octavo. 32 pages. Jubilate Music Group - Digital #00-VG325. Published by Jubilate Music Group - Digital (JX.00-VG325). English.
$4.75
4.37 €
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Ruth Watson Henderson
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Choral Octavo
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Songs of the Nativity
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Jubilate Music Group - Digital
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SheetMusicPlus
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