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Six Chorales for Band
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Vous avez sélectionné:
Six Chorales for Band
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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Six Chorales for Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Bourgeois, EDWARDS, Jean Sibel
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Jason Adam
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Six Chorales for Band
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Guada-Coma Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1172105 Composed by Bourgeois, EDWARDS, Jean Sibelius, and Traditional. Arranged by Jason Adam. Classical,Contest,Festi...
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Concert Band - Level 3 - SKU: A0.1172105 Composed by Bourgeois, EDWARDS, Jean Sibelius, and Traditional. Arranged by Jason Adam. Classical,Contest,Festival,Instructional,Traditional. Score and parts. 11 pages. Guada-Coma Music #772369. Published by Guada-Coma Music (A0.1172105). A progressive set of six chorales for band. An excellent resource for ensemble training of balance, blend, intonation, and more. These are designed so the ensemble members can read from the score pages and no separate parts are needed!
$5.00
Wo der perlende Wein... (Mozart) - Every combination of Winds
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Orchestre d'harmonie
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DÉBUTANT
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Classique
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Wolfgang Amadeus Mozart
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Ivan Marini
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Wo der perlende Wein...
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www.dalsegno.eu
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages...
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Concert Band - Level 1 - SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #3820009. Published by www.dalsegno.eu (A0.770357). Finally THE definitive transcription of this beloved round by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! You can develop stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C and Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Baritone/Euphonium TC and BC, Tuba).Duration ad lib. (min. 1'20'' for the six entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
Puer Natus In Bethlehem (Ein Kind geborn zu Bethlehem)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Michael Praetorius
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Alessandro Macrì
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brass quintet)
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Puer Natus In Bethlehem
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Music Macri Editions
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SheetMusicPlus
Brass Band Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1306519 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Early Music,Film/TV,R...
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Brass Band Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1306519 Composed by Michael Praetorius. Arranged by Alessandro Macrì. Early Music,Film/TV,Renaissance. Score and Parts. 54 pages. Music Macri Editions #895872. Published by Music Macri Editions (A0.1306519). Puer Natus In Bethlehem (Ein Kind geborn zu Bethlehem)from Polyhymnia Caduceatrix et Panegyrica, 1619for Brass Choir (2 brass quartets & brass quintet).Within a relatively short publishing career, from 1605 to his death in 1621, Praetorius disseminated through print an astonishingly rich array of music for Lutheran liturgical use, focusing particularly on settings of traditional melodies (especially chorales). Writing for double choir predominates in the early volumes of his monumental series Musæ Sioniæ, which includes (in the second volume, 1607) the settings of In dulci jubilo and Puer natus in Bethlehem. Both represent the prominence of macaronic texts—mixing elements in Latin and the vernacular—in the Christmas repertory of the middle ages and beyond, and more generally the juxtaposition of Latin and German which was quite common practice in Lutheran churches. In Puer natus in Bethlehem the first verse of the medieval Latin hymn is then repeated in German translation (‘Ein Kind geborn zu Bethlehem’), whereafter the Christmas scene is presented in German, with a return to a mixture of Latin and German stanzas for the concluding offering of praise. This particular German translation of the Latin hymn, and the associated melody, date from the mid sixteenth century. In this lengthy work Praetorius keeps the listeners’ attention partly through the varied and witty manner in which he treats the ‘alleluia’ which ends every verse, and also through switches between triple and duple metre.
$20.00
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