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Six Sonata for Harp
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Six Sonata for Harp
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.80…
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.808940 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #6040367. Published by Preludio s.r.l. (A0.808940). I am very pleased as well as flattered to present this second volume of Domenico Scarlatti’s Sonatas in the version for solo harp that has been selected, revised and meticulously transcribed by Fabrizio Aiello. The varied and inimitable universe of Scarlatti's genius harpsichord music is, without a doubt, also well represented in these six new sonatas. In this volume, Aiello makes an appropriate selection in order to obtain various levels of technical difficulty and leave a greater freedom of fingerings to future interpreters, giving them the opportunity to make wise personal choices. Positive of a favorable reception of this work by the public and critics, I extend my praise to the author for this commendable initiative, which contributes significantly to enhancing the beauty and tradition of an admirable instrument such as the Harp.Susanna Bertuccioli
$18.99
16.96 €
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Domenico Scarlatti
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Fabrizio Aiello
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Six Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Vivaldi: The Six Sonatas Complete for Harp & Piano
Harpe
Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.551204 Composed b…
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Harp,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.551204 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Wedding. Score and individual part. 124 pages. Jmsgu3 #5004053. Published by jmsgu3 (A0.551204). Antonio Vivaldi: The Six Sonatas - Complete
$59.95
53.56 €
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Harpe
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Antonio Vivaldi
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James M
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Vivaldi: The Six Sonatas Complete for Harp & Piano
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jmsgu3
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SheetMusicPlus
BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLA…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.811687 Composed by MICHEL BLAVET (1700 - 1768. Arranged by Edited by Pat Spence. Baroque,Concert,Instructional,Standards. Score. 17 pages. Piper Publications #3884077. Published by Piper Publications (A0.811687). This sonata ‘Pour deux Flutes transversieres sans Basse’ is the first of a set of six published by Boivin in Paris in 1728 as Blavet’s ‘Premier Oeuvre’. They were dedicated ‘a Son Altesse Serenissime Monsieigneur LE PRINCE DE CARIGNAN Par Mr. Blavet ordinaire de la musique de S. A. S.’ on the suitably elaborate title page.The sonata is written for two equal players and has 4 movements, Adagio, Allegro, Affetuoso & Allegro assai. Players of Intermediate ability and above will enjoy the interplay between the parts. The sonatas were printed using the soprano G clef which places the G on the bottom line of the treble staff, a practice which was not uncommon at the time. Blavet was not only the best flautist in France but also an extremely good bassoon player so would have found this clef easier to read from as he was not a keyboard player. This edition has been transcribed to the now established treble clef with G on the second line. Trills shown in the original as + are shown in this edition as tr. The breath marks in bar/measures 36, 39 & 41 in the final movement are Blavet’s. This is the first instance of his practice of marking the breaths which he developed in his opus 2 set of sonatas for flute and which has proved so useful to today’s performers of music of this period. Curiously Blavet used a flat (b) to cancel a sharp instead of a natural.
$9.50
8.49 €
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2 Flûtes traversières (duo)
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MICHEL BLAVET
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Edited by Pat Spence
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Allegro assai
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BLAVET SONATA No. 1 IN E MINOR FOR 2 FLUTES
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Piper Publications
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SheetMusicPlus
Sonata for Flute, Viola and Fender Rhodes - Score Only
Level 4 - Digital Download SKU: A0.1475341 Composed by Thomas Oboe Lee. 21st Centur…
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Level 4 - Digital Download SKU: A0.1475341 Composed by Thomas Oboe Lee. 21st Century,Chamber,Classical,Contemporary. 36 pages. Thomas Oboe Lee #1052885. Published by Thomas Oboe Lee (A0.1475341). I have always admired Debussy's Sonate pour flûte, alto et harpe. Irecently wrote a couple of solo piano pieces inspired by Debussy:Préludes ... Hommage à C.D. (2020) and Hunt Épigraphes (2021).This is my third tribute and instead of the harp I am using a FenderRhodes.The work is in six movements.1. Moderato2. Allegro, TRIO3. Adagio, Interlude I4. Scherzo ... Allegro, TRIO5. Interlude II ... Moderato6. AllegroEnjoy!
$9.99
8.92 €
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Thomas Oboe Lee
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Sonata for Flute, Viola and Fender Rhodes - Score Only
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Thomas Oboe Lee
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SheetMusicPlus
J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Leve…
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 4 - Digital Download SKU: A0.534363 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Sacred,Standards. 179 pages. Musik Fabrik Music Publishing #3387883. Published by Musik Fabrik Music Publishing (A0.534363). The Six Trio Sonatas, BWV 525-530 were composed about 1727 during Bach’s period in Leipzig. They were not composed for organ, but (according to Forkel, Bach’s first biographer whose information came from Bach’s son Carl Philip Emmanuel Bach) for the pedal harpsichord as means of improiving the pedal technique of his son Wilhelm Friedemann Bach. This instrument, which requires a great deal of precision in performance, contains a normal harpsichord with two manuals attached to a pedal board which activates another harpsichord which is lower to the ground. Many of the movements in these Italian sonatas were used in other settings, in Bach’s Cantatas and in other instrumental works.Bach always tuned his own keyboards and confided his tuning system to his student Johann Kimberger (1721-1788) who used this information to devise several tuning schemes to create a well-tempered system according to Bach’s ideas. The main principal that Bach gave Kimberger was that all thirds should be tuned slightly sharp (...alle grossen Terzen scharf). The saxophone is an ideal instrument to experiment with this sort of tuning, given the possibilities for adjustment in the embouchure. Nothing can replace a good set of ears in the process and use of electronic tuning devices should be avoided, unless they can be specifically programmed to reflect these sorts of non-standard tunings.Sonata no. 1 in Eb major, BWV 525 Sonata no. 2 in c minor , BWV 526 Sonata no. 3 in d minor, BWV 527 Sonata no. 4 in e minor, BWV 528 Sonata no. 5 in C major, BWV 529 Sonata no. 6 in G major, BWV 530
$58.95
52.66 €
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3 Saxophones (trio)
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach; The Six "Trio Sonatas", BWV 525-530, - SAB saxophone trio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
26.79 €
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Piano seul
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
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