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Six Tuba Duets
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Six Tuba Duets
2 Tubas (duo)
Tuba duet - Digital Download SKU: CX.TEP10795 Composed by Scott Schlesinger. Score.…
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Tuba duet - Digital Download SKU: CX.TEP10795 Composed by Scott Schlesinger. Score. 33 pages. Published by Tuba-Euphonium Press (CX.TEP10795).
$15.00
13.86 €
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2 Tubas (duo)
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Scott Schlesinger
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Six Tuba Duets
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Tuba-Euphonium Press
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SheetMusicPlus
15 More Euphonium and Tuba Duets for Fun (popular classics volume 2) - various levels
2 Tubas (duo)
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.563867 Composed by Antonio Vivaldi, Charpentier, Edvard Grieg, Felix Bartholdy Mendelssohn, George Gershwin, Jeremiah Clarke, Johann Strauss Jr., Peter Ilyich Tchaikovsky, Scott Joplin, and Wolfgang Amadeus Mozart. Arranged by Austin Ralphson. 20th Century,Baroque,Classical,Concert,Wedding. Score and parts. 73 pages. Austin Ralphson #5289841. Published by Austin Ralphson (A0.563867). This is a second book of popular pieces arranged for duet. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. Parts are provided in B flat treble and concert pitch bass clefs. This is the full list:1. The Entertainer (Scott Joplin)2. Highlights from Rhapsody In Blue (Gershwin)3. The Blue Danube Waltz (Johann Strauss II)4. Six Christmas Pieces, No.5 (Mendelssohn)5. Für Elise (Beethoven)6. In The Hall Of The Mountain King (Grieg)7. Trumpet Voluntary (Jeremiah Clarke)8. Eine Kleine Nachtmusik No.1 (Mozart)9. The Londonderry Air / Danny Boy (trad.)10. Symphony No.5, Mvt.1 (Beethoven)11. Rondo Alla Turca (Mozart)12. Autumn from ‘The Four Seasons’ (Vivaldi)13. Ode to Joy from Symphony No.9 (Beethoven)14. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)15. Prelude from ‘Te Deum’ (Charpentier)
$16.99
15.7 €
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2 Tubas (duo)
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Antonio Vivaldi, Charpentier, Edvard Grieg, Felix Bartholdy Mendelssohn, George Gershwin, Jeremiah Clarke, Johann Strauss Jr
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Austin Ralphson
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15 More Euphonium and Tuba Duets for Fun
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Austin Ralphson
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SheetMusicPlus
Six Tuba Duets
Tuba duet SKU: TE.TEP10795 Composed by Scott Schlesinger. Score. Published by Tuba-…
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Tuba duet SKU: TE.TEP10795 Composed by Scott Schlesinger. Score. Published by Tuba-Euphonium Press (TE.TEP10795).
$15.00
13.86 €
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Scott Schlesinger
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Six Tuba Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Canonic Duets
Tuba duet SKU: TE.TEP10905 Composed by Georg Philipp Telemann. Arranged by Michael …
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Tuba duet SKU: TE.TEP10905 Composed by Georg Philipp Telemann. Arranged by Michael Forbes. Score. Published by Tuba-Euphonium Press (TE.TEP10905).
$20.00
18.48 €
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Georg Philipp Telemann
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Michael Forbes
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Six Canonic Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Duodecadent Duets
Euphonium duet - Digital Download SKU: CX.TEP10349 Composed by Andrew Glick. Score.…
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Euphonium duet - Digital Download SKU: CX.TEP10349 Composed by Andrew Glick. Score. 37 pages. Published by Tuba-Euphonium Press (CX.TEP10349).
$15.00
13.86 €
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Andrew Glick
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Six Duodecadent Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Duodecadent Duets
Euphonium duet SKU: TE.TEP10349 Composed by Andrew Glick. Score. Published by Tuba-…
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Euphonium duet SKU: TE.TEP10349 Composed by Andrew Glick. Score. Published by Tuba-Euphonium Press (TE.TEP10349).
$15.00
13.86 €
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Andrew Glick
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Six Duodecadent Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Canonic Duets
Low brass duet SKU: TE.TEP11058 Composed by Georg Philipp Telemann. Arranged by Mic…
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Low brass duet SKU: TE.TEP11058 Composed by Georg Philipp Telemann. Arranged by Michael Forbes. Score. Published by Tuba-Euphonium Press (TE.TEP11058).
$20.00
18.48 €
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Georg Philipp Telemann
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Michael Forbes
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Six Canonic Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.48 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Six Duets
Tuba duet - Digital Download SKU: CX.TEP10413 Composed by Abe Torchinsky. Arranged …
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Tuba duet - Digital Download SKU: CX.TEP10413 Composed by Abe Torchinsky. Arranged by Hartmann. Score. 18 pages. Published by Tuba-Euphonium Press (CX.TEP10413).
$15.00
13.86 €
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Abe Torchinsky
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Hartmann
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Six Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Duets
Tuba duet - Digital Download SKU: CX.TEP10904 Composed by Georg Philipp Telemann. A…
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Tuba duet - Digital Download SKU: CX.TEP10904 Composed by Georg Philipp Telemann. Arranged by Kenneth Drobnak. Score. 53 pages. Published by Tuba-Euphonium Press (CX.TEP10904).
$20.00
18.48 €
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Georg Philipp Telemann
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Kenneth Drobnak
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Six Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Duets
Tuba duet SKU: TE.TEP10413 Composed by Abe Torchinsky. Arranged by Hartmann. Score.…
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Tuba duet SKU: TE.TEP10413 Composed by Abe Torchinsky. Arranged by Hartmann. Score. Published by Tuba-Euphonium Press (TE.TEP10413).
$15.00
13.86 €
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Abe Torchinsky
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Hartmann
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Six Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Six Duets
Tuba duet SKU: TE.TEP10904 Composed by Georg Philipp Telemann. Arranged by Kenneth …
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Tuba duet SKU: TE.TEP10904 Composed by Georg Philipp Telemann. Arranged by Kenneth Drobnak. Score. Published by Tuba-Euphonium Press (TE.TEP10904).
$20.00
18.48 €
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Georg Philipp Telemann
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Kenneth Drobnak
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Six Duets
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Tuba-Euphonium Press
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SheetMusicPlus
Elementary Duets, Volume 1, for Horn in F
2 Cors (duo)
Instrumental Duet Horn,Instrumental Duet - Level 1 - Digital Download SKU: A0.768540
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Instrumental Duet Horn,Instrumental Duet - Level 1 - Digital Download SKU: A0.768540 Composed by Jim Evans. Concert,Contemporary,Standards. Score and parts. 8 pages. Beginning.band #3049853. Published by beginning.band (A0.768540). A collection of four duets written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!No pick-ups! Each piece starts on a downbeat so the kids can come in with confidence!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered! You're welcome! ;)Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentaion you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesSneaking AroundMeter: 4/4Key: BbRange: Low A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: Low A GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be expecially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.
$4.00
3.7 €
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2 Cors (duo)
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Jim Evans
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Elementary Duets, Volume 1, for Horn in F
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beginning.band
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SheetMusicPlus
Elementary Duets, Volume 1, for Tenor Saxophone
2 Saxophones (duo)
Tenor Saxophone Duet Tenor Saxophone - Level 1 - Digital Download SKU: A0.768539 Co…
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Tenor Saxophone Duet Tenor Saxophone - Level 1 - Digital Download SKU: A0.768539 Composed by Jim Evans. Concert,Contemporary,Standards. Score. 8 pages. Beginning.band #3049851. Published by beginning.band (A0.768539). For tenor saxophoneA collection of four duets written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!No pick-ups! Each piece starts on a downbeat so the kids can come in with confidence!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered! You're welcome! ;)Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentaion you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesSneaking AroundMeter: 4/4Key: BbRange: Low A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: Low A GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be expecially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.
$4.00
3.7 €
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2 Saxophones (duo)
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Jim Evans
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Elementary Duets, Volume 1, for Tenor Saxophone
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beginning.band
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SheetMusicPlus
Sixteen Duets from selected Vocalises (No. 17-32) for Euphonium & Tuba volume 2
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.811119 Composed by Giuseppe Concone. Arranged by Ran Whitley. Classical,Opera,Romantic Period. Score and parts. 39 pages. Gordon Cherry #5212747. Published by Gordon Cherry (A0.811119). The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. Volume 2 (No. 17-32) of these duets or counterparts for Euphonium and Tuba are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate + difficulty.
$22.50
20.79 €
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Giuseppe Concone
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Ran Whitley
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Sixteen Duets from selected Vocalises
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Gordon Cherry
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SheetMusicPlus
Sixteen Duets from selected Vocalises for Euphonium & Tuba volume 1
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 3 - Digital Download SKU: A0.792090 Composed by Giuseppe Concone. Arranged by Whitley, Ran. Instructional,Opera,Romantic Period,Standards. Score and parts. 40 pages. Gordon Cherry #3420609. Published by Gordon Cherry (A0.792090). The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. These duets or counterparts for Euphonium and Tuba are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate difficulty.
$20.00
18.48 €
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Giuseppe Concone
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Whitley, Ran
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Sixteen Duets from selected Vocalises for Euphonium & Tuba volume 1
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Gordon Cherry
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SheetMusicPlus
TRIPLE PACK of Euphonium and Tuba Duets - contains over 50 duets including Christmas, classical and jazz
2 Euphoniums (duo)
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Sco…
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 191 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. Parts are provided in B flat treble and concert pitch bass clefs. This is the full list:<br> <br> <br> 1. Jingle Bells v1<br> 2. Jingle Bells v2<br> 3. Ding Dong Merrily On High v1<br> 4. Ding Dong Merrily On High v2<br> 5. Ding Dong Merrily On High v3<br> 6. Joy To The World v1<br> 7. Joy To The World v2<br> 8. Joy To The World v3<br> 9. Deck The Halls v1<br> 10. Deck The Halls v2<br> 11. Deck The Halls v3<br> 12. O Christmas Tree v1<br> 13. O Christmas Tree v2<br> 14. Silent Night v1<br> 15. Silent Night v2<br> 16. Silent Night v3<br> 17. O Little Town Of Bethlehem v1<br> 18. O Little Town Of Bethlehem v2<br> 19. O Little Town Of Bethlehem v3<br> 20. God Rest Ye Merry, Gentlemen v1<br> 21. God Rest Ye Merry, Gentlemen v2<br> 22. All Through The Night (Welsh trad.)<br> 23. Amazing Grace (Newton)<br> 24. American Patrol (Meacham)<br> 25. David of the White Rock (Welsh trad.)<br> 26. Fanfare from ‘Water Music’ (Handel)<br> 27. Happy Birthday<br> 28. Largo from ‘Xerxes’ (Handel)<br> 29. Myfanwy (Welsh trad.)<br> 30. Pizzicati from ‘Sylvia’ (Delibes)<br> 31. Prelude in C (Bach)<br> 32. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)<br> 33. Rondo from ‘Abdelazer’ (Purcell)<br> 34. Scherzo from Symphony No. 2 (Beethoven)<br> 35. Suo Gan (Welsh trad.)<br> 36. Concerto for Mandolin and Strings (Ugolino)<br> 37. The Entertainer (Scott Joplin)<br> 38. Highlights from Rhapsody In Blue (Gershwin)<br> 39. The Blue Danube Waltz (Johann Strauss II)<br> 40. Six Christmas Pieces, No.5 (Mendelssohn)<br> 41. Für Elise (Beethoven)<br> 42. In The Hall Of The Mountain King (Grieg)<br> 43. Trumpet Voluntary (Jeremiah Clarke)<br> 44. Eine Kleine Nachtmusik No.1 (Mozart)<br> 45. The Londonderry Air / Danny Boy (trad.)<br> 46. Symphony No.5, Mvt.1 (Beethoven)<br> 47. Rondo Alla Turca (Mozart)<br> 48. “Autumn” from ‘The Four Seasons’ (Vivaldi)<br> 49. “Ode to Joy” from Symphony No.9 (Beethoven)<br> 50. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)<br> 51. Prelude from ‘Te Deum’ (Charpentier)
$39.99
36.94 €
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2 Euphoniums (duo)
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Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J
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Austin Ralphson
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TRIPLE PACK of Euphonium and Tuba Duets - contains over 50 duets including Christmas, classical and jazz
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Austin Ralphson
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SheetMusicPlus
COMPLETE Book of 30 Euphonium and Tuba Duets for Fun (popular classics volumes 1 and 2) - various levels
2 Euphoniums (duo)
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Sco…
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Wedding, Recital. Score. 136 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, making a total of 30 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. Music is provided in B flat treble and concert pitch bass clefs. This is the full list:<br> <br> 1. All Through The Night (Welsh trad.)<br> 2. Amazing Grace (Newton)<br> 3. American Patrol (Meacham)<br> 4. David of the White Rock (Welsh trad.)<br> 5. Fanfare from ‘Water Music’ (Handel)<br> 6. Happy Birthday<br> 7. Largo from ‘Xerxes’ (Handel)<br> 8. Myfanwy (Welsh trad.)<br> 9. Pizzicati from ‘Sylvia’ (Delibes)<br> 10. Prelude in C (Bach)<br> 11. La Réjouissance from ’Music for the Royal Fireworks’ (Handel)<br> 12. Rondo from ‘Abdelazer’ (Purcell)<br> 13. Scherzo from Symphony No. 2 (Beethoven)<br> 14. Suo Gan (Welsh trad.)<br> 15. Concerto for Mandolin and Strings (Ugolino)<br> 16. The Entertainer (Scott Joplin)<br> 17. Highlights from Rhapsody In Blue (Gershwin)<br> 18. The Blue Danube Waltz (Johann Strauss II)<br> 19. Six Christmas Pieces, No.5 (Mendelssohn)<br> 20. Für Elise (Beethoven)<br> 21. In The Hall Of The Mountain King (Grieg)<br> 22. Trumpet Voluntary (Jeremiah Clarke)<br> 23. Eine Kleine Nachtmusik No.1 (Mozart)<br> 24. The Londonderry Air / Danny Boy (trad.)<br> 25. Symphony No.5, Mvt.1 (Beethoven)<br> 26. Rondo Alla Turca (Mozart)<br> 27. “Autumn” from ‘The Four Seasons’ (Vivaldi)<br> 28. “Ode to Joy” from Symphony No.9 (Beethoven)<br> 29. March of the Toy Soldiers from ‘The Nutcracker’ (Tchaikovsky)<br> 30. Prelude from ‘Te Deum’ (Charpentier)
$29.99
27.7 €
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2 Euphoniums (duo)
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Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier
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Austin Ralphson
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COMPLETE Book of 30 Euphonium and Tuba Duets for Fun
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Austin Ralphson
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.48 €
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
Building a Hypercube (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1158195 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Film/TV,Instructional. 41 pages. Https://gildedmusicpress.com/ #758471. Published by https://gildedmusicpress.com/ (A0.1158195). A hypercube is a theoretical cuboid-like fourth-dimensional object. In an attempt to explain spatial dimentions, I created an 18-minute video presentation titled “Dimensions Unfurled†exposing some initial fallacies of common thought, which can be seen on YouTube. All of the music for the above-mentioned video is original. There are two trumpet duets in the section that depicts a hypercube net folding into a hypercube model, starting at 13’20†and 14’51, respectively. Both duets are published in a collection titled “Fifteen-Course Dinner for Two†(available through Gilded Music Press). The two duets share thematic material, and are combined and greatly expanded for this present major six-minute work for brass quintet, “Building a Hypercubeâ€. The first short duet, “Drawing a Hypercube Netâ€, is presented as the quintet’s introduction, quite faithfully to the original, shared through five parts with harmonic expansion. The material from the second duet is essentially unadulterated starting at measure 27, spanning through measure 70 (up to letter D). From there, the development of thematic material is extensive and interesting, morphing into Escher-types of additional themes and melodies, many of which overlap and intertwine in a fascinatingly complex manner. This unsettling compositional style is indicative of years of profound pondering to fathom the mysterious matter of the fourth spatial dimension. Musically the piece is motivically and thematically unified. All the parts share in the rhythmic complexity fitting for the ponderous topic. The form is roughly sonata form with an introduction and coda, though the recapitulation (Del Segno) occurs in its original key. The majority of the piece (about three minutes, almost exactly half) is the symbolically explorative development section, from D to O. A point of interest: in spite of the piece’s high harmonic rhythm, the introduction is diatonically modal (G Mixolydian). The exposition, after a brief building transition, shifts to the relative D Dorian mode. The lengthy development section shifts tonal centers throughout, visiting various major and minor keys. Beginning at letter O, modality returns for a smooth transition into the recapitulation. The piece ends with an exhilarating coda.
$29.95
27.67 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Building a Hypercube
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https://gildedmusicpress.com/
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SheetMusicPlus
Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
Ensemble de cuivres
Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. C…
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Brass Ensemble - Level 1 - Digital Download SKU: A0.768557 Composed by Jim Evans. Concert,Standards. Score and parts. 160 pages. Beginning.band #5372703. Published by beginning.band (A0.768557). A collection of six duets and six trios written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part is numbered! You're welcome! Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentation you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Trios should be performed by two higher pitched instruments and one lower pitched instrument. Parts 1 and 2 could be flute, clarinet, alto sax, tenor sax, trumpet, or horn. Part 3 should be at least one octave lower, and should be bassoon, bass clarinet, baritone saxophone, trombone, baritone, or tuba.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesDuetsSneaking AroundMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: A - GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be especially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.Night SongMeter: 4/4Key: EbRange: Ab - AbFocus: Legato, Phrasing, BalanceAdagiettoMeter: 3/4Key:EbRange: Ab - AbFocus: Legato, Phrasing, Balance, IndependenceTriosParlor DanceMeter: 4/4Key: BbRange: A - GFocus: Staccato, Slur, PhrasingBow and CurtsyMeter: 3/4Key: EbRange: Low A GFocus: Pickups, Staccato, Triple MeterHopscotchMeter: 4/4Key: EbRange: Ab - AbFocus: Staccato, BalanceGalliardMeter: 3/4Key: BbRange: A - GFocus: Phrasing, BalanceOn a CarouselMeter: 4/4Key: EbRange: Ab - AbFocus: Pickups, IndependenceHymnMeter: 3/4Key:EbRange: Low G - AbFocus: Legato, Phrasing, Balance
$30.00
27.71 €
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Ensemble de cuivres
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Jim Evans
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Elementary Ensembles, Volume 1, for Winds and Melodic Percussion
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beginning.band
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.66 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.66 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
Georgia National Anthem: Tavisupleba (Freedom)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.522165 Composed by Zakharia Palia…
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Concert Band - Level 3 - Digital Download SKU: A0.522165 Composed by Zakharia Paliashvili (1871-1933). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 32 pages. Colin Kirkpatrick Publications #4289039. Published by Colin Kirkpatrick Publications (A0.522165). This quick and easy national anthem arrangement is essential for traveling musicians,bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band,clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of a three-page score with six instrumental staves (including timpani) and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute,oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in British-style brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone,bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium,bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (bass clarinet, B flat tuba); Part 5 in E flat (baritone sax, E flat tuba); Part 5 in C (bass clef for trombone, euphonium, bassoon, tuba, double bass. There’s also apart for timpani, percussion (3 players) and a piano reduction.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$11.99
11.08 €
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Orchestre d'harmonie
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Zakharia Paliashvili
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Colin Kirkpatrick
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Georgia National Anthem: Tavisupleba
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Colin Kirkpatrick Publications
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.97 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
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