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Vous avez sélectionné:
Slow Buildings
Partitions à imprimer
4 partitions trouvées
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Slow Buildings
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mathias Kreft
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Slow Buildings
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Mathias Kreft
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1013540 Composed by Mathias Kreft. 20th Century,Contemporary,Film/TV. Score. 2 pages. Mathias Kreft #6416019. Published b...
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Piano Solo - Level 4 - SKU: A0.1013540 Composed by Mathias Kreft. 20th Century,Contemporary,Film/TV. Score. 2 pages. Mathias Kreft #6416019. Published by Mathias Kreft (A0.1013540). A contemporary piano composition with beautiful, free-flowing passages, brilliant details and challenging triplet work. The atmospheric piece explores new musical ground and features some fresh ideas for solo piano work. „Slow Buildings is a great pleasure to play for the late intermediate pianist. The sheet music is easy to read and includes helpful fingering.
$3.99
The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00
Rustic Serenade
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Quatuor à cordes: 2 violons, alto, violoncelle
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Kenneth Piotrowski
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Rustic Serenade
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Imagine Music - Digital
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SheetMusicPlus
String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music -...
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String quartet - SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.
$28.00
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
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Slow Buildings
