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--INSTRUMENTS--
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Slur It Up
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Crtitères actifs :
Slur It Up
Partitions à imprimer
65 partitions trouvées
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51
Slur It Up
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Violon
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DÉBUTANT
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Matt Grogan
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Slur It Up
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Matt Grogan
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1097290 Composed by Matt Grogan. Children,Funk,Multicultural,Pop,World. 2 pages. Matt Grogan #701244. Published by Matt ...
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Violin Solo - Level 1 - SKU: A0.1097290 Composed by Matt Grogan. Children,Funk,Multicultural,Pop,World. 2 pages. Matt Grogan #701244. Published by Matt Grogan (A0.1097290). A fun Reggae inspired tune in 1st position for beginner violin. This melody is in 1st position and G major key, exploring moving by step on the A, E and D strings. Have fun playing along with our Reggae backing track on youtube.
$5.00
THE WIND-UP TOY
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Contemporain
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Chris Cooke
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THE WIND-UP TOY
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Chris Cooke
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SheetMusicPlus
Small Ensemble - SKU: A0.865230 Composed by Chris Cooke. Contemporary. Score and parts. 3 pages. Chris Cooke #2071025. Published by Chris Cooke (A0.8652...
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Small Ensemble - SKU: A0.865230 Composed by Chris Cooke. Contemporary. Score and parts. 3 pages. Chris Cooke #2071025. Published by Chris Cooke (A0.865230). This joyful windup toy hums merrily along in the key of G major. It begins to lose steam in the E minor section and finally crawls to a stop. Then, someone winds it up again, and off in goes, repeating the first section with a scale for its happy ending. This is within reach of the 2nd year student. It features a variety of dynamics, some slurred phrasing, staccatos, and simple grace notes for the wind-up sound effect.
$2.97
Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales
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Jorg Richter
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Daily Routine and Warm-ups for
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry ...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry #825979. Published by Gordon Cherry (A0.1230258). Here is what Jörg Richter, Bass Trombonist of the Elbland Philharmonic Orchestra says about his special Daily Routine and Warm-ups.The Daily Routine and Warm-ups for Bass Trombone: Extended Slurs and Major Scales is part of my complete personal daily routine and reflects some of the most important areas that I need to practice for my own technique. The Extended Slurs and Major Scales are some of the necessary basics every brass player must practice, and it can really help to improve the skills for playing in the low (and high) register. These two areas are only part of my overall routine and warm-up. I would be happy if other bass trombonists could benefit from what I have gathered and written down over the years. At the moment this book is only a snapshot and I plan to continue writing new chapters.This method book is one part of a series of his complete method for Bass Trombone and is appropriate for advanced performers and can even be used by Tenor Trombonists wishing to increase their proficiency in the low register.
$32.50
Let It Snow! Let It Snow! Let It Snow!
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Piano Facile
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DÉBUTANT
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Jazz
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Lady Antebellum
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Christina Misso
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eighth notes and rests
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Let It Snow! Let It Snow! Let
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Christina Misso
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.896265 By Lady Antebellum. By Jule Styne. Arranged by Christina Misso. Jazz. Score. 2 pages. Christina Misso #3378073. Pu...
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Easy Piano - Level 1 - SKU: A0.896265 By Lady Antebellum. By Jule Styne. Arranged by Christina Misso. Jazz. Score. 2 pages. Christina Misso #3378073. Published by Christina Misso (A0.896265). This arrangement is for Middle C position (LH) with some moves up to e position with RH. Player will need to know or learn sharp, flat, and natural signs; eighth notes and rests; ties; staccato, accents, slurs; dynamics.
$4.99
"It was a dark and stormy night..." 9 Spooky composing prompts
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Piano Facile
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DÉBUTANT
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Halloween
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Elizabeth Essex
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Elizabeth Essex
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"It was a dark and stormy nigh
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1404470 By Elizabeth Essex. By Elizabeth Essex. Arranged by Elizabeth Essex. Children,Halloween,Holiday,Instructional,Thr...
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Easy Piano - Level 1 - SKU: A0.1404470 By Elizabeth Essex. By Elizabeth Essex. Arranged by Elizabeth Essex. Children,Halloween,Holiday,Instructional,Thriller. Score. 18 pages. Elizabeth Essex #987552. Published by Elizabeth Essex (A0.1404470). It was a dark and stormy night…†is a collection of songs-writing templates centered around the theme of telling stories around a campfire. Full of spooky-sounding flats and staccato jump-scares, these late primer level songwriting templates work around a basic call-and response framework. The first and every other measure of music are provided; the blank measures are an invitation for the student to add in their own unique creations. I usually suggest the song end on a “C†key and offer similar guidance along the way.The song templates are sequenced in order of difficulty to read and play; each includes a variety of interesting composing problems for primer-level pianists:Rain Storm - harmonic seconds, thirdsLittle Surprise - staccatosCampfire Story - eighth note pairs, repeat barBlack Cats and Bats - flats, quarter restsPumpkin Carving - 3/4 time signaturePotions and Poisons - slurs into staccato groupsCostume Party - review of flats, secondsVampires vs. Zombies - review of flats, seconds, eighth note pairsCandy Bucket - intro to eighth note groups See my other arrangements: Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com
$5.99
The Southwind
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Harpe, Violon (duo)
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Traditional Irish
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Harpoline
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The Southwind
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Harpoline
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 2 - SKU: A0.1160850 Composed by Traditional Irish. Arranged by Harpoline. Celtic,Children,Folk,I...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 2 - SKU: A0.1160850 Composed by Traditional Irish. Arranged by Harpoline. Celtic,Children,Folk,Instructional,Irish. Score and parts. 4 pages. Harpoline #761161. Published by Harpoline (A0.1160850). A very well known Irish traditional tune in a simple arrangement for violin and harp. It is in the key of G. The violin player needs to be able to play with a low second finger and do some slurring. The slurring can also be done with 3 quavers in a slur but that could be a little harder. This has been arranged for and will be played by children who have had lessons for approximately two years. The violin part could be played by another melody instrument like flute. Some notes will need to come up an octave.
$4.00
He Will Lead Me Home
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
Four Short Single Focus Compositions for Guitar Solo
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Guitare
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FACILE
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Contemporain
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Scott A
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Four Short Single Focus Compos
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Ponticello Music
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. P...
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Solo Guitar - Level 2 - SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings.
$5.00
My Funny Valentine
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Richard Rodgers
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Bobby Hesch
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My Funny Valentine
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839209 Composed by Richard Rodgers. Arranged by Bobby Hesch. Pop,Rock. Individual part. 3 pages. Bobby Hesch #53...
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Alto Saxophone Solo - Level 4 - SKU: A0.839209 Composed by Richard Rodgers. Arranged by Bobby Hesch. Pop,Rock. Individual part. 3 pages. Bobby Hesch #5350137. Published by Bobby Hesch (A0.839209). ***MY FUNNY VALENTINE***!!! WHAT A GREAT TORCH SONG!!! ALL TIME FAVORITE!!!LET'S PLAY SOME JAZZ!!!LOTS OF DIFFICULT PASSAGES! I TRIED TO USE THE SLUR MARKS TO PUT THEM IN SOME KIND OF LOGICAL SEGMENTS!! IT IS WORTH IT TO WORK THIS SONG UP!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!! KEY OF G!! LOW B- HIGH D!! WRITTEN IN 1937 FOR BABES IN ARMS RECORDED OVER 600 TIMES!!! I LOVE IT & HOPE YOU WILL TOO! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano seul
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AVANCÉ
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 ...
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Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95
The Tortoise and the Hare
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Allan Herbie Jones
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The Tortoise and the Hare
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Forton Music - Digital
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SheetMusicPlus
Ob. Pft. - Intermediate - SKU: F2.FM465 Composed by Allan Herbie Jones. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital #FM465. Publish...
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Ob. Pft. - Intermediate - SKU: F2.FM465 Composed by Allan Herbie Jones. Oboe and Piano. Score and part. 11 pages. Forton Music - Digital #FM465. Published by Forton Music - Digital (F2.FM465). ISBN 9790570483648.When played with feeling and expertise, the Oboe can produce the articulate and artistic qualities of perfection. The opening melancholy melody depicts the laid back Tortoise going about his (or her) daily business, with not a care in the world and without any hurry. To me, - perfection. Along comes the up tempo Hare with his (or her), 'always on the go' attitude, jumping about like a 'kangaroo on a trampoline'. To me, - passed that stage in my life. Back to the Tortoise melody and a little 'chilled out' cadenza to finish. To me, again, - perfection. The piece should be played with plenty of feeling. The tempo markings are only a guideline and the phrasing and slur markings are there, only to suggest how I would like it played. Feel free to use as much rubato and improvisation. The cadenza has scope for as much ad lib as the soloist and accompanist want to give. The inspiration for the piece came from the menagerie of birds and animals that congregate in my back garden most of the year. I regularly sit and watch with great interest all the antics of these wonderful creatures.
$7.95
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
Cortigiani vil razza dannata (cello solo part and baritone)
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Giuseppe Verdi
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Kovats Istvan
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Cortigiani vil razza dannata
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Kovats Istvan
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SheetMusicPlus
Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan...
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Cello,Instrumental Duet,Voice - Level 5 - SKU: A0.1438245 Composed by Giuseppe Verdi. Arranged by Kovats Istvan. Classical,Opera. 2 pages. Kovats Istvan #1018283. Published by Kovats Istvan (A0.1438245). Hi cellists,I made this score for myself, when I was practicing this solo part.It's has the cello solo (which is in fact accompaniment) and Rigoletto's line. I think the biggest challenge of this piece is to follow the singer, for me it was much easier with this score, I hope it will be useful for you, too.I wrote the fingerings and bowings exactly how I played.TIPS: If you don't like the bowings you can try the original bowing of the group of sixteens: down-down (legato) - up-up (staccato) - down (stacc) - up (stacc) in the bar 13, in the the second group of sixteens the octaves could be slured two by two. It could be VERY HELPFUL to listen to the aria, without playing, just with this score in your hand. Good luck!
$4.99
Rain After That
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Joe Hisaishi
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Eileen Gilligan
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Rain After That
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructio...
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Piano,Soprano Flute - Level 4 - SKU: A0.1437014 By Joe Hisaishi. By Jou Hisaishi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Pop. Score and part. 18 pages. The Flautist #1017082. Published by The Flautist (A0.1437014). The Rain , can be played down the octave ,is an extension exercise to the pitch bend low note chromatic exercise in the Foundation Tools section of The Flautist. The low register of the flute can deliver some beautiful warm deep tone if worked on correctly and controlled. It requires relaxation, flexibility and control. It is an excellent opportunity to find the speaking point of the flute, hold it and carry it through a melody.The melody covers the low to middle register perfectly, demanding an expressive, warm and projective tone.Exercises in order to get the most out of this melody: All of them are in the Foundation Tools section of the website.Whistle tones over the full three registers of the flute, concentrate on the lower fingerings as they are the hardest, if having trouble relax the lips and make sure the airstream is centred.Pitch bend over the full three registers of the flute. Can use arpeggio pattern to do this or chromatic pattern.Pitch bend low note chromatic exercise coming up to the most centred warm tone from the bend and carrying it through down to low C or BHarmonics over the full range and vocalised harmonics. Make sure to test them against the actual note, they must be exactly the same pitch. Aim to get a beautiful tone and singing style when playing harmonics, they can be really beautiful quality wise.If feeling super inspired sing the low register chromatically into the flute whilst fingering it.Do a lot of legato slurred work to warm up before commencing articulation.Air is king and controlling it is the key to everything. If the air speed is not controlled between notes life becomes hard.Keep your tongue low and out of the way of the air stream, never block the air. That is why I use da for tonguing.
$6.95
THE ANGEL GABRIEL FOR THREE VIOLINS AND CELLO/STRING GROUP

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Trio à cordes: 3 violins
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Carol
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HELEN MARPLE-HORVAT
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THE ANGEL GABRIEL FOR THREE VI
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Helen Marple-Horvat
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SheetMusicPlus
Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Wors...
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Small Ensemble Cello,Violin - Level 3 - SKU: A0.749209 Composed by Traditional Carol. Arranged by HELEN MARPLE-HORVAT. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 15 pages. Helen Marple-Horvat #3557715. Published by Helen Marple-Horvat (A0.749209). https://www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune and a short contrapuntal development section in the middle to add some interest. The clip is from the development section. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. In this version there is a viola playing theViolin 3 part but the differences are very small. Mostly I had to put the Violin part up an octave when it went below the lowest string but otherwise the harmony is much the same. The quartet play with few open strings, lots of vibrato and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00
The Entertainer (Excerpt)
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Guitare
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DÉBUTANT
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Ragtime
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Scott Joplin
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Brian Streckfus
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The Entertainer
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual pa...
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Solo Guitar - Level 1 - SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
FROM CHILDHOOD four pieces for violin
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Violon
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FACILE
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Contemporain
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James F
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FROM CHILDHOOD four pieces for
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James Babcock
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1017149 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6350285. Published by James Babcock (A0.101...
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Violin Solo - Level 2 - SKU: A0.1017149 Composed by James F. Babcock. Contemporary. 15 pages. James Babcock #6350285. Published by James Babcock (A0.1017149). FROM CHILDHOOD – Violin part only. 15 pgs. (Piano accomp. 35 pgs. Sold separately. ) Four easy to Intermediate violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) MARGARET DANCING. (SO. ) Like a Beethoven song and country dance, this piece offers pleasing melodies for the beginner who is well along, both to study and to perform in recital. (2) MUSICBOX. (SO. ) This short easy piece imitates the sound of a music box, including its running down at the end. For instruction it can serve to introduce the student to light staccato bowing or up and down slurred staccato bowing. For performance it can serve as an amusing interlude. (3) HYMNSONG. (SO. ) In the form of an etude, this piece consists of a simple theme with numerous variations, somewhat like Paganini’s famous Caprice 24. Of intermediate difficulty, it offers double stops, tremolo, and various bowings. For performance it can be played as is or it can easily be shortened by omission of one or more passages. (4) MOTHER’S STORIES. (SO. ) Varying from sweet to dramatic, this simple composition offers an opportunity for emotional interpretation. Intermediate from that standpoint, It is otherwise basically easy. A nice recital piece. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$5.25
FROM CHILDHOOD piano accompaniment
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Piano seul
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FACILE
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Contemporain
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James Babcock
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FROM CHILDHOOD piano accompani
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James Babcock
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1017150 Composed by James Babcock. Contemporary. Score. 35 pages. James Babcock #6350295. Published by James Babcock (A0....
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Piano Solo - Level 2 - SKU: A0.1017150 Composed by James Babcock. Contemporary. Score. 35 pages. James Babcock #6350295. Published by James Babcock (A0.1017150). FROM CHILDHOOD – Piano accompaniment only. 35 pgs. (Violin part. 15 pgs. Sold separately SO. .) Four easy to Intermediate violin solos for instruction and performance. With piano accompaniments. Each of the four pieces is available separately on SMP. (1) MARGARET DANCING. (SO. ) Like a Beethoven song and country dance, this piece offers pleasing melodies for the beginner who is well along, both to study and to perform in recital. (2) MUSICBOX. (SO. ) This short easy piece imitates the sound of a music box, including its running down at the end. For instruction it can serve to introduce the student to light staccato bowing or up and down slurred staccato bowing. For performance it can serve as an amusing interlude. (3) HYMNSONG. (SO. ) In the form of an etude, this piece consists of a simple theme with numerous variations, somewhat like Paganini’s famous Caprice 24. Of intermediate difficulty, it offers double stops, tremolo, and various bowings. For performance it can be played as is or it can easily be shortened by omission of one or more passages. (4) MOTHER’S STORIES. (SO. ) Varying from sweet to dramatic, this simple composition offers an opportunity for emotional interpretation. Intermediate from that standpoint, It is otherwise basically easy. A nice recital piece. Your compositions are charming and melodic, useful both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony and New Jersey Pops.
$12.25
Psalm 134
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Loys Bourgeois
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Des McNutty
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Psalm 134
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Des Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1081137 Composed by Loys Bourgeois. Arranged by Des McNutty. Baroque,Christ...
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1081137 Composed by Loys Bourgeois. Arranged by Des McNutty. Baroque,Christmas,Praise & Worship,Renaissance,Traditional. Score and parts. 21 pages. Des Press #685273. Published by Des Press (A0.1081137). Lip-slurs: Not every brass player's idea of fun but an essential facet of technique. In this treatment of Psalm 134, all instruments, except the bass trombone, play their entire part in one position or valve combination with a lot of slurs. Attention must be paid to rhythmic accuracy, both at the beginning of notes and their precise ending. For the best effect, a full tenuto is observed, sustaining each note until it either stops or clicks to the next. Not as easy as it looks! The instruments played can be varied; • Voice 1: Trumpet/cornet/flugelhorn in B♠pressing 1-3; or low F-trumpet open. • Voice 2: Trumpet/cornet/flugelhorn in B♠or bugle or clarion. • Voice 3: Alto trombone (4th pos.); an E♠horn, pressing 1 & 2; or natural trumpet in C. • Voice 4: Tenor trombone in 6th pos. or French horn (open in F) or a baritone/euphonium pressing 1-3. • Voice 5: Tenor trombone in 1st pos. or baritone/euphonium open. • Voice 6: Ideally Bass trombone but fits on tuba, tenor trombone/euphonium etc. A standard brass quintet plus one guest could distribute the parts thusly: • Voices 1 & 2: Two trumpets. • Voice 3: Guest on alto trombone, E♠horn or natural trumpet in C. • Voice 4: Horn open in F as 1st trombone. • Voice 5: Trombone as 2nd trombone • Voice 6: Tuba Some tune-up/ ensemble tuning exercises are included. This setting is a mixture of styles described as contre-pointillist; counterpoint in a natural pointillism where the Cantus Firmus and other lines weave between overlapping harmonic series; and diatonic clusters, which at best will remind listeners of a carillon of church bells. Loys Bourgeois' melody for Psalm 134, better known to Anglophones as The Old Hundredth, was added to the Genevan Psalter in 1551. Leading reformist Calvin had commissioned vernacular (spoken language of the people; in this case, French) settings of Psalm melodies for Protestants to sing and the Genevan Psalter was first published in 1539. Subsequent editions added further melodies but some were still used for more than one Psalm. The lesser-known Lausanne Psalter was the first to give each Psalm its own melody. Psalm 134 is associated with Michaelmas (29th September) and Christmas festivities. Enjoy!
$12.99
Patapan - Carol for easy guitar quartet
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4 Guitares (Quatuor)
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FACILE
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Bernard de la Monnoye
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Derek Hasted
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Patapan - Carol for easy guita
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pa...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797756 Composed by Bernard de la Monnoye. Arranged by Derek Hasted. Baroque,Christmas. Score and parts. 17 pages. Derek Hasted #4836609. Published by Derek Hasted (A0.797756). PATAPAN - traditional carol - 4 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There are TWO ARRANGEMENTS in this one edition.Derek Hasted writes This Burgundian Carol, first published in 1720, usually has four verses in the French version and three in the English. This arrangement has three verses, all in slightly different styles.The melody and the onomatopoeia in the lyrics are together meant to symbolise the fife (“Ture-lure-luâ€) and the drum (“Pata-pata-panâ€).In both arrangements Guitar One has melody, and it fits nicely in a mix of IV and V position. There is no fingering, because your ensemble might want to choose between two different approaches...A less experienced ensemble might prefer to venture up the neck just to reach for the A and B notes, and return to the first position as soon as possible...A more experienced group might want to stay up the neck to get a more rounded tone throughout. Depending on your choice of fingering, slurs might be possible to improve the flow.There are two versions of the lower parts. In the first arrangement, in “SATB†style, Guitar 4 plays the bass; Guitar 3 provides, in the three verses, percussion, a choral countermelody, and finally a Hurdy-Gurdy style drone; Guitar provides a countermelody.In the second arrangement, the roles rotate at the end of each verse, so that all the accompanying players have three very different verses to play. Guitar 1 stays with the tune, because in a mixed ability ensemble, moving the tune about tends to highlight any weaknesses. This arrangement highlights the strengths!Percussion (the X-headed notes) works well if you tap the guitar near the bridge to get a deep bass drum.At the end, the brave amongst you can shout “Patapan†to bring the piece to a surprise conclusion...I hope you enjoy this piece!
$2.99
THE ANGEL GABRIEL for STRING QUARTET AND/OR STRING ORCHESTRA
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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HELEN MARPLE-HORVAT
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THE ANGEL GABRIEL for STRING Q
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.749200 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christmas,Classical,Sacred,Spiritual. Score and...
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String Quartet String Quartet - SKU: A0.749200 Composed by Traditional. Arranged by HELEN MARPLE-HORVAT. Christmas,Classical,Sacred,Spiritual. Score and parts. 13 pages. Helen Marple-Horvat #3362307. Published by Helen Marple-Horvat (A0.749200). www.youtube.com/watch?v=BCM1oh2jWA0 I have always loved the gorgeous false relations in the harmony of this carol, and enjoyed singing it in choirs down the years, as well as organising choral groups to sing it. I have included various harmonisations of the wonderful tune, and a short contrapuntal development section in the middle to add some interest. If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs, Capriccio Quartet, The Angel Gabriel. They play with lots of vibrato, few open strings, and slurred bows. That would be fine for Grade 5 players and above. However, open strings and one note per bow could still sound good, and the violin in the high positions could easily be played down an octave. All the double stopping includes an open string but could be divided between parts in a string orchestra. If teachers want to buy this for a young string orchestra or quartet, drop me a line on Facebook, or below the performance on my Youtube Channel, and I will upload an easier version to the site for you, with some small changes. The key is easy for strings and with a bit of rehearsal, the counting can be mastered. Have fun, and let me know if you have performed it!
$20.00
Gentle Snow
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Basson, Piano (duo)
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FACILE
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Angela Salvaggione
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Gentle Snow
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Angela Salvaggione
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SheetMusicPlus
Bassoon,Piano - Level 2 - SKU: A0.1313147 Composed by Angela Salvaggione. Contest,Festival,Instructional. Score and part. 4 pages. Angela Salvaggione #9...
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Bassoon,Piano - Level 2 - SKU: A0.1313147 Composed by Angela Salvaggione. Contest,Festival,Instructional. Score and part. 4 pages. Angela Salvaggione #901981. Published by Angela Salvaggione (A0.1313147). I wrote this song on the first day of spring break, when it decided to snow. I definitely wasn’t expecting that! It was a softly falling snow, and inspired me to write this piece.Play as smoothly as you can throughout the whole piece. Make sure you count very carefully in measure 21 and 22; the rhythms might surprise you. Also pay close attention to how the music is slurred. When you tongue, do so gently. The more you can help others imagine a quiet day with snow falling slowly and gently, the better. Nowhere in this piece should you play very loudly – even the mezzo forte sections should be on the softer side.Time: ca. 1:30Range: Bb2-C4Key: Bb MajorTime Signature: 4/4I would generally use this piece with a solid first year bassoon student transferring from another instrument, or a second year bassoonist. There are a couple places where flicking up to Bb is advised. Other technical considerations are moving between D and Eb, and F and G. There are also a few rhythmic challenges such as eighth to dotted quarter, and eighth note and two sixteenths.Once the student has purchased this piece, an adjudicator’s copy may be made. Teachers may purchase individual copies for each student’s use. Studio licensing is not available.
$10.00
Soldier's Fanfare-piano solo
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Piano seul
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FACILE
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Phil Beaman
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Soldier's Fanfare-piano solo
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Phil Beaman
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.844760 Composed by Phil Beaman. Classical,Patriotic. Score. 2 pages. Phil Beaman #5347829. Published by Phil Beaman (A0.8...
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Piano Solo - Level 2 - SKU: A0.844760 Composed by Phil Beaman. Classical,Patriotic. Score. 2 pages. Phil Beaman #5347829. Published by Phil Beaman (A0.844760). Soldier's Fanfare is an energetic fanfare made up of triads, scales, and arpeggios in very basic form. It is in the Key of C with an occasional F# accidental. This piece is excellent for studying different articulations, contrasting between detached, staccato, and slurred. The majestic nature of the piece makes it a great recital performance that sounds very professional when all put together.
$3.99
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Slur It Up