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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Small Sonata
Non classifié
436
Piano & claviers
Piano seul
83
Piano Facile
8
Clavecin
2
Piano, Voix et Guitare
1
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Orgue
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
3 Guitares (trio)
3
Orchestre à Plectres
1
Banjo
1
Voix
Vents
Flûte, Violon et Violoncelle
32
Flûte traversière et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
2 Flûtes traversières (duo)
11
Flute, harpe et violon
6
Clarinette et Piano
5
Hautbois, Piano (duo)
4
Ensemble de Clarinettes
2
Quatuor de Saxophones: 4 saxophones
2
2 Clarinettes (duo)
2
3 Clarinettes (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, alto et harpe
2
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2
Trio de Flûtes: 3 flûtes
1
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1
Flûte, Violon
1
Clarinette
1
Clarinette Basse, Piano
1
Saxophone Soprano et Piano
1
2 Flûte à bec (duo)
1
Clarinette (partie séparée)
1
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1
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1
Flûte, Violoncelle
1
Ensemble De Flûte à bec
1
+ 21 instrumentations
Retracter
Cuivres
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Trombone (duo)
2
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette
1
+ 1 instrumentations
Retracter
Cordes
Violon
11
Violon et Piano
11
Alto, Piano
4
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe
2
4 Violoncelles
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violoncelle
1
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Contrebasse, Piano (duo)
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
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6
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COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
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LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Small Sonata
Partitions à imprimer
729 partitions trouvées
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726
Small Sonata
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Contemporain
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João Vicente Ribeiro Marinh
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Small Sonata
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João Vicente Ribeiro Marinho
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SheetMusicPlus
Flute,Instrumental Duet - Level 3 - SKU: A0.1299931 By João Vicente Ribeiro Marinho. By João Vicente Ribeiro Marinho. Arranged by João Vicente ...
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Flute,Instrumental Duet - Level 3 - SKU: A0.1299931 By João Vicente Ribeiro Marinho. By João Vicente Ribeiro Marinho. Arranged by João Vicente Ribeiro Marinho. 20th Century. 3 pages. João Vicente Ribeiro Marinho #889691. Published by João Vicente Ribeiro Marinho (A0.1299931). Small sonata (Pequena sonata) is an atonal piece written for a piano and flute duo.
$19.99
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Abel - 6 Easy Sonatas, WK 141-146
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Easy Sonatas, WK 141-
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and...
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Small Ensemble Continuo,Flute,Harpsichord,Violin - SKU: A0.819757 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 47 pages. J.G. Cuco Barber #6133199. Published by J.G. Cuco Barber (A0.819757). Work Title 6 Easy SonatasAlternative Title Six Easy Sonatas for the Harpsichord or for a Viola da Gamba, Violin or German Flute with a Thorough-Bass AccompanimentComposer Abel, Carl FriedrichOpus/Catalogue Number WK 141-146Movements/Sections 6 sonatas:Sonata in C major, WK 141Sonata in A major, WK 142Sonata in D major, WK 143Sonata in G major, WK 144Sonata in A major, WK 145Sonata in E minor, WK 146First Publication 1771 ca.Composer Time Period ClassicalPiece Style ClassicalInstrumentation harpsichord (viola da gamba), violin (flute), continuoExtra Information Knape classifies these as sonatas for viola da gamba and continuo.
$28.00
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
Abel - 6 Trio Sonatas for a violin, violoncello, with thorough base for the harpsichord, WK 86-91 ;
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Trio Sonatas for a vi
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - SKU: A0.819763 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 7...
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Small Ensemble Cello,Harpsichord,Violin - SKU: A0.819763 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 77 pages. J.G. Cuco Barber #6204043. Published by J.G. Cuco Barber (A0.819763). Work Title Six sonatas for a violin, a violoncello, & base, with thorough base for the harpsichordComposer Abel, Carl FriedrichOpus/Catalogue Number Op.9 ; WK 86-91Movements/Sections 6 sonatasTrio Sonata in A major, WK 86Trio Sonata in C major, WK 87Trio Sonata in G major, WK 88Trio Sonata in B-flat major, WK 89Trio Sonata in D major, WK 90Trio Sonata in F major, WK 91First Publication 1771 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation violin, cello, continuo (harpsichord, bass).
$25.00
Albinoni Sonata per Pisendel in B flat major
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Classique
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Tomaso Giovanni Albinoni
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Sneakwood Editions
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Albinoni Sonata per Pisendel i
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score ...
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Small Ensemble Cello,Harpsichord,Violin - SKU: A0.890771 Composed by Tomaso Giovanni Albinoni. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 8 pages. Sneakwood Editions #4782289. Published by Sneakwood Editions (A0.890771). While in Venice, Pisendel met another of the great Italian composers of the time, Tomaso Albinoni. Albinoni, too, was captivated by the young virtuoso, to the extent that Pisendel returned to Dresden with three sonatas for violin and continuo copied by the Italian master himself. But, although we can assume that all three sonatas were dedicated in some way to Pisendel, it is the Sonata for violin and continuo in B flat Major that bears a special dedication on its frontispiece: Sonata a Violino solo di me Tomaso Albinoni Composta p[er] il Sig:[re] Pisendel. And not only this dedication but also certain musical aspects lead us to believe that the sonata in question may have been written specifically for Pisendel. The sonata goes beyond Albinoni’s usual technical requirements, exploring the upper register of the violin in a way that appears only rarely in other sonatas by this Italian. And, in the second movement, marked Allegro, we find an unusual and virtuoso use of triple stops in a fast semi-quaver rhythm. This singular effect is used by Albinoni in only one other work, the Concerto for violin and strings in C Major Co2, although with a strange and interesting nuance: of the versions of the concerto that remain we find this technique only in a manuscript version in Dresden, the version that Pisendel brought back from Italy in 1717 together with the sonata. Other versions of the concerto, such as the one published by Roger around 1717, or other manuscript versions do not contain the triple-stop passages. This suggests that they may be a personal touch added by Albinoni in recognition of Pisendel’s remarkable performing skills.
$10.00
Abel - 4 Trio Sonatas, WK 98-101 ; Op.16b
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Flûte, Violon et Violoncelle
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Classique
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Carl Friedrich Abel
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J
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Abel - 4 Trio Sonatas, WK 98-1
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Cello,Flute,Violin - SKU: A0.819762 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 65 page...
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Small Ensemble Cello,Flute,Violin - SKU: A0.819762 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 65 pages. J.G. Cuco Barber #6199075. Published by J.G. Cuco Barber (A0.819762). 4 Trio Sonatas, Op.16Alternative Title 4 trios, for flute, violin and bass, opera XVIComposer Abel, Carl FriedrichOpus/Catalogue Number WK 98–101 ; Op.16bMovements/Sections 4 sonatas:Trio Sonata in G major, WK 98Trio Sonata in D major, WK 99Trio Sonata in C major, WK 100Trio Sonata in G major, WK 101First Publication 1785 ca.Dedication Right Honorable Earl of AbingdonComposer Time Period ClassicalPiece Style ClassicalInstrumentation 2 flutes, cello; flute, violin, cello.
$25.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Abel - 6 Trio Sonatas, Op.3 ; WK 80-85
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Flûte, Violon et Violoncelle
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Classique
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Carl Friedrich Abel
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J
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Abel - 6 Trio Sonatas, Op.3 ;
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J.G. Cuco Barber
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SheetMusicPlus
Small Ensemble Cello,Flute,Violin - SKU: A0.819572 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 73 page...
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Small Ensemble Cello,Flute,Violin - SKU: A0.819572 Composed by Carl Friedrich Abel. Arranged by J.G. Cucó Barber. Classical. Score and parts. 73 pages. J.G. Cuco Barber #5743851. Published by J.G. Cuco Barber (A0.819572). Movements/Sections 6 piecesTrio Sonata in G major, WK 80Trio Sonata in C major, WK 81Trio Sonata in B-flat major, WK 82Trio Sonata in D major, WK 83Trio Sonata in A major, WK 84Trio Sonata in E-flat major, WK 85Year/Date of Composition 1762First Publication 1762 - London: ComposerComposer Time Period ClassicalPiece Style ClassicalInstrumentation 2 Flutes (or Violins) and Cello (or Continuo).
$23.00
5 Sonatas in Tempo di Minuetto
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Domenico Scarlatti
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Roberto GarcÃa
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5 Sonatas in Tempo di Minuetto
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apt4guitar
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SheetMusicPlus
Small Ensemble Guitar - Level 3 - SKU: A0.789342 Composed by Domenico Scarlatti. Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Score a...
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Small Ensemble Guitar - Level 3 - SKU: A0.789342 Composed by Domenico Scarlatti. Arranged by Roberto GarcÃa. Baroque,Instructional,Standards. Score and parts. 10 pages. Apt4guitar #3237215. Published by apt4guitar (A0.789342). Contents: Sonata K.393, Sonata K.42, Sonata K.471, Sonata K.40 and Sonata K.94.Arrangements for solo guitar. Fingered scores.
$9.50
Sonata in C Major, Op. 1, No. 7, - instruments in four parts
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Classique
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Arcangelo Corelli
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Paul Burnell
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Sonata in C Major, Op. 1, No.
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burn...
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Small Ensemble,Strings - Level 3 - SKU: A0.835910 Composed by Arcangelo Corelli. Arranged by Paul Burnell. Baroque. Score and parts. 54 pages. Paul Burnell #6857749. Published by Paul Burnell (A0.835910). Sonata in C Major, Op. 1, No. 7 by Arcangelo Corelli, arranged by Paul Burnell for instruments in four partsDownload comprises both score and partsDuration 4:20Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:The 12 'Sonate da Chiesa' by Italian violinist and composer Arcangelo Corelli were published in Rome in 1681. These 'Church Sonatas' were originally intended for performance in church by two violins with the organ as 'basso continuo' reinforced by the bass viol. These types of work are sometimes known as 'Trio Sonatas' but, because there normally are two people playing the continuo part, there are usually four players in all.The seventh sonata has three movements, with the tempo markings Allegro, Grave, and Allegro.
$3.99
Handel: Sonata No. 1 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 1 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552874 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552874 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6345077. Published by jmsgu3 (A0.552874). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 2 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 2 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552875 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552875 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 28 pages. Jmsgu3 #6349019. Published by jmsgu3 (A0.552875). Sonata No. 2, K. 555I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 3 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 3 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552876 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552876 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 27 pages. Jmsgu3 #6353539. Published by jmsgu3 (A0.552876). Sonata No. 3, K. 555I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 4 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 4 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552877 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552877 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 26 pages. Jmsgu3 #6355379. Published by jmsgu3 (A0.552877). Sonata No. 4 I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 PagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 5 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 5 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552878 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552878 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6358177. Published by jmsgu3 (A0.552878). Sonata No. 5I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12George Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 6 for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 6 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552879 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552879 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6361859. Published by jmsgu3 (A0.552879). Sonata No. 6I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Pisendel. Sonata for Violin and continuo in G major (New Violin Sonata No.3)
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Classique
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Johann Georg Pisendel
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Sneakwood Editions
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Pisendel. Sonata for Violin an
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890782 Composed by Johann Georg Pisendel. Arranged by Sneakwood Editions. Baroque. Score and...
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Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890782 Composed by Johann Georg Pisendel. Arranged by Sneakwood Editions. Baroque. Score and parts. 41 pages. Sneakwood Editions #6217661. Published by Sneakwood Editions (A0.890782). This is the edition of the recently discovered violin sonatas by Johann Georg Pisendel. A very important addition to the violin repertoire of the 18th century.You can also purchase the recording and the edition of the music (much cheaper!) on our website:https://www.snakewoodeditions.com/product/pisendel-three-new-sonatas-for-violin-pdf/
$16.00
Pisendel. Sonata for Violin and continuo in A minor (New Violin Sonata No.2)
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Classique
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Johann Georg Pisendel
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Sneakwood Editions
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Pisendel. Sonata for Violin an
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890781 Composed by Johann Georg Pisendel. Arranged by Sneakwood Editions. Baroque. Score and...
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Small Ensemble Cello,Harpsichord,Violin - Level 5 - SKU: A0.890781 Composed by Johann Georg Pisendel. Arranged by Sneakwood Editions. Baroque. Score and parts. 29 pages. Sneakwood Editions #6217659. Published by Sneakwood Editions (A0.890781). This is the edition of the recently discovered violin sonatas by Johann Georg Pisendel. A very important addition to the violin repertoire of the 18th century.You can also purchase the recording and the edition of the music (much cheaper!) on our website:https://www.snakewoodeditions.com/product/pisendel-three-new-sonatas-for-violin-pdf/
$16.00
Vivaldi: Sonata No. 3 for Oboe & Piano
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Oboe
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jmsgu3
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.550448 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score an...
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Small Ensemble - Level 3 - SKU: A0.550448 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and parts. 21 pages. Jmsgu3 #4635247. Published by jmsgu3 (A0.550448). Sonata da Chiesa No. 3 in A Minor for Oboe & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
BUXTEHUDE TRIO SONATA IN F MAJOR OPUS 1 BuxWV252 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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BUXTEHUDE TRIO SONATA IN F MAJ
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Bar...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811770 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 22 pages. Piper Publications #6113219. Published by Piper Publications (A0.811770). This Trio Sonata is an arrangement of the first of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. When most composers at this time would compose a trio sonata with all the movements in the same key, Buxtehude composed the movements of this sonata alternately in F major and D minor. The movements are: Vivace - Lento, Allegro, Adagio, Andante, Grave and Presto. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano seul
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AVANCÉ
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 ...
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Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95
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