English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
171
Partitions
Numériques
262
Librairie
Musicale
1 082
Matériel
de Musique
82
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
66
PIANO & CLAVIERS
Piano seul
6
Instruments en Do
2
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
GUITARES
Guitare
2
Basse electrique
1
VOIX
Chorale SATB
14
Chorale TTBB
2
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quintette de Saxophone: 5 saxophones
44
Ensemble de Clarinettes
6
Quintette de Flûte : 5 flûtes
3
Flûte traversière
2
Ensemble de saxophones
2
Hautbois (partie séparée)
1
Saxophone Tenor
1
Saxophone Alto et Piano
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Ensemble de Trombones
4
Ensemble de Trompettes
2
Trombone
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette
1
Instrumentations suivantes
Retracter
CORDES
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
4
Ensemble de Violons
4
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violon, Alto (duo)
2
Violon et Piano
2
Violoncelle
1
Alto seul
1
Violon
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1
Ensemble de Percussions
1
Orchestre
1
Orchestre de chambre
1
AUTRES
Vous avez sélectionné:
So We Could Live
Partitions à imprimer
262 partitions trouvées
<
1
26
51
....
251
So We Could Live
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019361 Composed by Kevin …
(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1019361 Composed by Kevin Longley. Christian,Easter,Praise & Worship,Sacred. Octavo. 9 pages. Kevin Longley #6252465. Published by Kevin Longley (A0.1019361). So We Could Live, choral church anthem composed in 2013, revised 2016 Inspiration Why did Jesus come? So we could live! The Music Composed for choir, soloist and piano. The piece speaks to what our response should be to the great sacrifice. The lyrics also depict the signs Jesus gave proving his authority in Heaven and on Earth.
$1.99
1.79 €
#
Chorale SATB
#
Kevin Longley
#
So We Could Live
#
Kevin Longley
#
SheetMusicPlus
We Are One!
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Ri…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99
1.79 €
#
Chorale SATB
#
Zack Richards
#
We Are One!
#
Zack Richards
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for TRUMPET + Written Acc) Hymn
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.875221 Composed by Ludwig van Bee…
(+)
Trumpet Solo - Level 3 - Digital Download SKU: A0.875221 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz. Individual part. 14 pages. Jerry Nelson #3874641. Published by Jerry Nelson (A0.875221). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Trompette
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Also
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for FLUTE + Written Acc) Hymns
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.875216 Composed by Ludwig van Beeth…
(+)
Flute Solo - Level 3 - Digital Download SKU: A0.875216 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874629. Published by Jerry Nelson (A0.875216). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Flûte traversière
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for TROMBONE + Written Acc) Hymns
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.875220 Composed by Ludwig van Be…
(+)
Trombone Solo - Level 3 - Digital Download SKU: A0.875220 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874637. Published by Jerry Nelson (A0.875220). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Trombone
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for VIOLA + Written Acc) Hymns
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.875222 Composed by Ludwig van Beeth…
(+)
Viola Solo - Level 3 - Digital Download SKU: A0.875222 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874639. Published by Jerry Nelson (A0.875222). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Alto seul
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for CELLO + Written Acc) Hymns
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.875215 Composed by Ludwig van Beeth…
(+)
Cello Solo - Level 3 - Digital Download SKU: A0.875215 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874625. Published by Jerry Nelson (A0.875215). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Violoncelle
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-5 for ALTO SAX + Written Acc) Hymns
Saxophone Alto
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.875214 Composed by Ludwig …
(+)
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.875214 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Jazz,Praise & Worship. Individual part. 14 pages. Jerry Nelson #3874621. Published by Jerry Nelson (A0.875214). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Saxophone Alto
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for OBOE + Written Acc) Hymns
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.875218 Composed by Ludwig van Beetho…
(+)
Oboe Solo - Level 3 - Digital Download SKU: A0.875218 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874633. Published by Jerry Nelson (A0.875218). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Hautbois (partie séparée)
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for VIOLIN + Written Acc) Hymns
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.875213 Composed by Ludwig van Beet…
(+)
Violin Solo - Level 3 - Digital Download SKU: A0.875213 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Jazz,Spiritual. 14 pages. Jerry Nelson #3874623. Published by Jerry Nelson (A0.875213). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Violon
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
(+)
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18 €
#
Aaron Gage
#
What Will We Say?
#
Aaron Gage
#
SheetMusicPlus
Joyful, Joyful We Adore Thee (Arrangements Level 3-6 for TENOR SAX + Written Acc) Hymns
Saxophone Tenor
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875219 Composed by Ludwig…
(+)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875219 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874635. Published by Jerry Nelson (A0.875219). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99
4.49 €
#
Saxophone Tenor
#
Ludwig van Beethoven
#
Dr Jerry Nelson
#
Joyful, Joyful We Adore Thee
#
Jerry Nelson
#
SheetMusicPlus
The Clam Song
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1418270 By Granny Ann…
(+)
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1418270 By Granny Annie. By Sandy Riccardi. Arranged by Richard Riccardi. Broadway,Children,Christian,Instructional,Musical/Show,Traditional. Score. 3 pages. Sandra Riccardi #999524. Published by Sandra Riccardi (A0.1418270). Lyrics by Sandy Riccarditune derived from traditional English children's songThere was a little clamWho lived at the bottom of the seaHe snapped at all the fishAnd then he snapped at me So I said Mr. ClamIf you'll be kind to me, then we could live snappily-ever-after at the bottom of the seaAnd so that Mr. ClamHe said right then to meI snap 'cause I'm a clamthat's who I've got to beIt's just a little danceWith all my friends, you seeAnd we all danced so snappily-ever-after at the bottom of the seasnap snap etc.
$3.99
3.59 €
#
Piano, Voix et Guitare
#
Granny Annie
#
Richard Riccardi
#
The Clam Song
#
Sandra Riccardi
#
SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
(+)
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
#
Chorale TTBB
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & His Strange Daughter
#
Edition Craig Hanson
#
SheetMusicPlus
Christmas is Giving, a sacred Christmas hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1340894 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1340894 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #926468. Published by Kevin G. Pace (A0.1340894). A beautiful, sacred Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:On that first Christmas Eve, angels gave their songto lone shepherds in night fields, urging them along.Shepherds gave their voices of a newborn Kingto all creatures on the earth . . . miracles to bring.A new star gave great light. Wisemen gave three giftshonoring this newborn Babe, One whose life would lift.Mary gave her first son through submissive will.Even Joseph gave consent . . . God’s need to fulfill.Our Father gave his Son so a flawless plancould bless ev’ry child of God through our Savior’s hands.Jesus gave compliance from his perfect love . . .ever giving his own life so we’d live above.Chorus:Christmas is giving new songs for all to sing.Christmas is giving God’s light for all to see.Christmas gives of Godly love to all mankind here and to all above.Christmas, . . . Christmas giving, is receiving God’s love.
$1.99
1.79 €
#
Chorale SATB
#
Kevin G
#
Christmas is Giving, a sacred Christmas hymn
#
Kevin G. Pace
#
SheetMusicPlus
Our Living Christ, a sacred hymn
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1409342 Compos…
(+)
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1409342 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Easter,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #991967. Published by Kevin G. Pace (A0.1409342). A beautiful, sacred Easter hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Our living Christ . . . died so all God’s children could be spared;Spared by Him to save each in his care . . .Died to bring all mortals safely home,Home to kneel before his humble throne.Our living Christ . . . died to raise his body from the tomb;Died to raise mankind from endless doom,Saving all God’s children ev’rywhereSo we can be ever where He dwells.Our living Christ . . . died to reunite a spirit soulWith each mortal body and be whole . . .Whole to live again within God’s sphereWith His love forever to be near.Our living Christ . . . lives today wherever we may be;Lives for us through all eternity . . .Lives so we can learn to be like Him;Lives so we can feel his love within . . .Our living Christ!Our living, loving Christ!
$1.99
1.79 €
#
Chorale SATB
#
Kevin G
#
Our Living Christ, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.43 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Fragmentos
Flûte traversière
Flute Solo - Digital Download SKU: A0.1456700 Composed by Jailton de Oliveira. 21st…
(+)
Flute Solo - Digital Download SKU: A0.1456700 Composed by Jailton de Oliveira. 21st Century,Classical,Contemporary. Individual part. 4 pages. Jailton de Oliveira #1035769. Published by Jailton de Oliveira (A0.1456700). Fragmentos, for Solo Flute. Fragmentos or Fragments in English. The idea of the fragments is inserted in the work in two ways: first, by the initial motif, which appears fragmented and as it repeats itself, it takes shape, that is, it ceases to be small fragments to become a larger phrase; then the idea of the fragments is related to the fact that the piece has small interconnected sections. They are sections that at the same time have contrasting ideas and also have some elements in common that make them connected. So we could say that the piece is fragmented into small parts. There are five sections. The latter is a variation of the first.
$3.99
3.59 €
#
Flûte traversière
#
Jailton de Oliveira
#
Fragmentos
#
Jailton de Oliveira
#
SheetMusicPlus
Places Near Yet Far Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arrang…
(+)
Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Full Performance. Duration 197. Boothe Publishing #4633733. Published by Boothe Publishing (A0.1069981). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99
1.79 €
#
Steven H
#
Ashley Ivers
#
Places Near Yet Far Piano Vocal Performance
#
Boothe Publishing
#
SheetMusicPlus
Places Near Yet Far Guitar Minus Vocal
Basse electrique
Bass Guitar - Digital Download SKU: A0.1069962 Composed by Steven H. Boothe. Christ…
(+)
Bass Guitar - Digital Download SKU: A0.1069962 Composed by Steven H. Boothe. Christian,Contemporary,Pop,Sacred. Accompaniment. Duration 208. Boothe Publishing #4633677. Published by Boothe Publishing (A0.1069962). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99
1.79 €
#
Basse electrique
#
Steven H
#
Places Near Yet Far Guitar Minus Vocal
#
Boothe Publishing
#
SheetMusicPlus
Places Near Yet Far Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069963 Composed by Steven H. Boothe. Arranged by …
(+)
Piano - Digital Download SKU: A0.1069963 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Accompaniment. Duration 197. Boothe Publishing #4633681. Published by Boothe Publishing (A0.1069963). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99
1.79 €
#
Piano seul
#
Steven H
#
Ashley Ivers
#
Places Near Yet Far Piano Minus Vocal
#
Boothe Publishing
#
SheetMusicPlus
WHERE HAVE YOU BEEN LOVE
Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by …
(+)
Level 2 - Digital Download SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by Stephen Oliver. Blues,Jazz,Latin,Singer/Songwriter,Standards. Accompaniment. Duration 162. BUD LEECH #727255. Published by BUD LEECH (A0.1126622). A FULL BAND INCLUDING A JAZZ SINGER WOULD ENHANCE THE APPEAL OF THIS SONG .,..,....,., ......,,.,... WHERE HAVE YOU BEEN LOVE WHERE HAVE YOU BEEN IT WOULD SEEM YOU HAVE LEFT ME I'M BEREFT AND SO LONELY I THINK ABOUT YOU CAN'T LIVE WITHOUT YOU OH BABY WHERE HAVE YOU BEEN MAYBE YOU'LL COME BACK TO ME AND THEN WE'LL SEE. HOW HAPPY WE COULD BE MY DEAR IT'S QUITE CLEAR YOU'VE FOUND ANOTHER LOVER AND I WONDER WHETHER HE'S ONE WHO'S AS SINCERE IT'S TRUE WE'VE BEEN THROUGH SOME WONDERFUL TIMES TOGETHER YOU MUST NEVER FORGET IT CAN GET EVEN BETTER SWEETHEART OH WHERE HAVE YOU BEEN WHEN WE ARE APART MY WORLD IS EMPTY BELIEVE ME BUT IF YOU COME BACK TO ME MY LIFE WOULD BE HEAVENLY HONEY IT ISN'T FUNNY WITHOUT YOU OH WHERE HAVE YOU BEEN.
$3.33
3 €
#
BUD LEECH
#
Stephen Oliver
#
WHERE HAVE YOU BEEN LOVE
#
BUD LEECH
#
SheetMusicPlus
The Prince of Peace, sacred music for choir
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1378102 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1378102 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 10 pages. Kevin G. Pace #962724. Published by Kevin G. Pace (A0.1378102). A gorgeous, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:The Prince of Peace - “For He is our peace . . .†(Ephesians 2:14)Unto us a Child was born, the royal Son of God.He would live as Prince of Peace, sent from a heav’n beyond.He would be our Savior, Christ, loving us each day.Following his ev’ry step is his righteous way.Unto us a Son was given, our Father’s first-born Child.He would grow to save the world, redeeming without guile.He would be our Rescuer, reconciling wrongs.Saving mankind was his call so all could belong. Unto us a King was placed within a manger stall.He will be our Governor and bring true peace to all.Evil will be nullified as He reigns on earth,For He is the Chosen One proving each soul’s worth. Unto us God’s Child was born, the perfect Prince of Peace.As we follow his sure steps, our grateful words increase.On this Christmas day we sing songs because He lives,Showing love for Jesus Christ, and the peace He gives.
$1.99
1.79 €
#
Chorale SATB
#
Kevin G
#
The Prince of Peace, sacred music for choir
#
Kevin G. Pace
#
SheetMusicPlus
The Prince of Peace, a sacred hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1367817 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1367817 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 2 pages. Kevin G. Pace #952193. Published by Kevin G. Pace (A0.1367817). A gorgeous, sacred hymn for Christmas (or not for Christmas).  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:The Prince of Peace“For He is our peace . . .†(Ephesians 2:14)Unto us a Child was born, the royal Son of God.He would live as Prince of Peace, sent from a heav’n beyond.He would be our Savior, Christ, loving us each day.Following his ev’ry step is his righteous way.Unto us a Son was given, our Father’s first-born Child.He would grow to save the world, redeeming without guile.He would be our Rescuer, reconciling wrongs.Saving mankind was his call so all could belong. Unto us a King was placed within a manger stall.He will be our Governor and bring true peace to all.Evil will be nullified as He reigns on earth,For He is the Chosen One proving each soul’s worth. Unto us God’s Child was born, the perfect Prince of Peace.As we follow his sure steps, our grateful words increase.On this Christmas day we sing songs because He lives,Showing love for Jesus Christ, and the peace He gives.
$1.99
1.79 €
#
Chorale SATB
#
Kevin G
#
The Prince of Peace, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
Because of Him, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1171868 Composed by Kevin …
(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1171868 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #772145. Published by Kevin G. Pace (A0.1171868). A beautiful Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Because of Him a brilliant star brought fire to the sky.Because of Him a shepherd’s fright received an answer “why?â€From angelic voices came the joyous, holy news:A Savior had been born that night for all the world to view.Because of Him this Child of God, who slept in Mary’s arms,Would now provide true healing from distress and endless harms.All the world would shout a new, blessed carol to their King:Our Savior had been born that night so all the earth could sing.Because of Him there could be peace in stinging, painful hearts.Because of Him, of Jesus Christ, this Baby could impartFather’s love and tenderness to ev’ry aching soul.Our Savior had been born that night so men could now be whole.Because of Him we now can live with blessings to be claimed.Because of Him we now can sing all glory to his Name!
$1.99
1.79 €
#
Chorale SATB
#
Kevin G
#
Because of Him, a sacred hymn
#
Kevin G. Pace
#
SheetMusicPlus
<
1
26
51
....
251
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
