English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
40
Librairie
Musicale
2
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
12
PIANO & CLAVIERS
GUITARES
VOIX
VENTS
3 Clarinettes (trio)
3
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Saxophones: 4 saxophones
2
3 Saxophones (trio)
1
3 Flûtes à bec (trio)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Instrumentations suivantes
Retracter
CUIVRES
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
CORDES
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
PERCUSSIONS & ORCHESTRES
AUTRES
Vous avez sélectionné:
Solage
Partitions à imprimer
40 partitions trouvées
<
1
26
Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
(+)
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
29.63 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Solage
#
James M
#
Solage: Le basile for Clarinet Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
(+)
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
29.63 €
#
Solage, Late 14th Century
#
James M
#
Solage: Le basile for Brass Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by …
(+)
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.63 €
#
Quatuor de cuivres: 4 trombones
#
Solage
#
James M
#
Solage: Le basile for Trombone Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
(+)
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.63 €
#
Quatuor de Flûtes : 4 flûtes
#
Solage
#
James M
#
Solage: Le basile for Flute Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
(+)
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.63 €
#
Solage
#
James M
#
Solage: Le basile for Double Reed Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
(+)
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.63 €
#
Flûte, Hautbois, Clarinette, Basson
#
Solage
#
James M
#
Solage: Le basile for Mixed Woodwind Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
(+)
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.63 €
#
4 Violoncelles
#
Solage
#
James M
#
Solage: Le basile for Cello Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Cello Trio
Trio à Cordes: 3 violoncelles
String Trio Cello - Level 2 - Digital Download SKU: A0.1270982 Composed by Solage. …
(+)
String Trio Cello - Level 2 - Digital Download SKU: A0.1270982 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 16 pages. Jmsgu3 #863369. Published by jmsgu3 (A0.1270982). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:1. Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. 2. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.3. Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
Trio à Cordes: 3 violoncelles
#
Solage
#
James M
#
Solage: Fumeux fume for Cello Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Trombone Trio
3 Trombones (trio)
Trombone - Level 2 - Digital Download SKU: A0.1271003 Composed by Solage. Arranged …
(+)
Trombone - Level 2 - Digital Download SKU: A0.1271003 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863388. Published by jmsgu3 (A0.1271003). INSTRUMENTATION: 1 Tenor Trombone, 2 Bass TrombonesSolage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
3 Trombones (trio)
#
Solage
#
James M
#
Solage: Fumeux fume for Trombone Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Bass Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1271…
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1271286 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863684. Published by jmsgu3 (A0.1271286). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
3 Clarinettes (trio)
#
Solage
#
James M
#
Solage: Fumeux fume for Bass Clarinet Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Contralto Clarinet Trio
Woodwind Ensemble,Woodwind Trio Contra Alto Clarinet - Level 2 - Digital Download SKU: …
(+)
Woodwind Ensemble,Woodwind Trio Contra Alto Clarinet - Level 2 - Digital Download SKU: A0.1271322 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863718. Published by jmsgu3 (A0.1271322). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Fumeux fume for Contralto Clarinet Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Bassoon Trio
3 Bassons
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1271278
(+)
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1271278 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863674. Published by jmsgu3 (A0.1271278). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
3 Bassons
#
Solage
#
James M
#
Solage: Fumeux fume for Bassoon Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Euphonium Trio
Euphonium - Level 2 - Digital Download SKU: A0.1271299 Composed by Solage. Arranged…
(+)
Euphonium - Level 2 - Digital Download SKU: A0.1271299 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863692. Published by jmsgu3 (A0.1271299). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Fumeux fume for Euphonium Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Bass Flute Trio
Woodwind Ensemble,Woodwind Trio Bass Flute - Level 2 - Digital Download SKU: A0.1271330…
(+)
Woodwind Ensemble,Woodwind Trio Bass Flute - Level 2 - Digital Download SKU: A0.1271330 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863726. Published by jmsgu3 (A0.1271330). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning. Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Fumeux fume for Bass Flute Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Fumeux fume for Baritone Sax Trio
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - Digital Download SKU: A0…
(+)
Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 2 - Digital Download SKU: A0.1271294 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863691. Published by jmsgu3 (A0.1271294). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Fumeux fume for Baritone Sax Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Brass Trio
Horn,Trombone - Level 2 - Digital Download SKU: A0.1270186 Composed by Solage. Arra…
(+)
Horn,Trombone - Level 2 - Digital Download SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862614. Published by jmsgu3 (A0.1270186). INSTRUMENTATION: HORN and 2 TROMBONESSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Brass Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Euphonium Trio
Euphonium - Level 2 - Digital Download SKU: A0.1270355 Composed by Solage. Arranged…
(+)
Euphonium - Level 2 - Digital Download SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862762. Published by jmsgu3 (A0.1270355). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Euphonium Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Bassoon Trio
3 Bassons
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1270343
(+)
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862753. Published by jmsgu3 (A0.1270343). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
3 Bassons
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Bassoon Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Baritone Horn Trio
Baritone Horn TC - Level 2 - Digital Download SKU: A0.1270558 Composed by Solage. A…
(+)
Baritone Horn TC - Level 2 - Digital Download SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862930. Published by jmsgu3 (A0.1270558). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Baritone Horn Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1270529
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1270529 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862904. Published by jmsgu3 (A0.1270529). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
3 Clarinettes (trio)
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Clarinet Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Bass Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1270…
(+)
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1270954 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863338. Published by jmsgu3 (A0.1270954). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
3 Clarinettes (trio)
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Bass Clarinet Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Flute Trio
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1270939…
(+)
Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 13 pages. Jmsgu3 #863314. Published by jmsgu3 (A0.1270939). INSTRUMENTATION: 2 Concert Flutes, 1 Alto FluteSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
Trio de Flûtes: 3 flûtes
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Flute Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Trombone Trio
3 Trombones (trio)
Trombone - Level 2 - Digital Download SKU: A0.1270948 Composed by Solage. Arranged …
(+)
Trombone - Level 2 - Digital Download SKU: A0.1270948 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863333. Published by jmsgu3 (A0.1270948). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
3 Trombones (trio)
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Trombone Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Saxophone Trio
3 Saxophones (trio)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 2 - Digital Down…
(+)
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 2 - Digital Download SKU: A0.1270547 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862918. Published by jmsgu3 (A0.1270547). INSTRUMENTATION: ALTO SAX, BARITONE SAX, CONTRABASS SAXSources suggest that the song is a love ballad that praises the beauty and virtues of Calextone, a lady from the town of Arouse. The lyrics describe her as having great value and worth; her beauty and grace are compared to smoke and mist. The song composer, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is a representative example of French secular music from the late fourteenth century. It is unknown whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an essential example of medieval French music and its evolution.
$24.95
22.44 €
#
3 Saxophones (trio)
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Saxophone Trio
#
jmsgu3
#
SheetMusicPlus
Solage: Calextone qui fut dame for Cello Trio
Trio à Cordes: 3 violoncelles
String Trio Cello - Level 1 - Digital Download SKU: A0.1270178 Composed by Solage. …
(+)
String Trio Cello - Level 1 - Digital Download SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862608. Published by jmsgu3 (A0.1270178). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century.  It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
22.44 €
#
Trio à Cordes: 3 violoncelles
#
Solage
#
James M
#
Solage: Calextone qui fut dame for Cello Trio
#
jmsgu3
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
