English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Solemn Mass
Non classifié
14
Piano & claviers
Orgue
4
Piano seul
3
Piano Facile
1
Guitares
Guitare notes et tablatures
1
Voix
Chorale SATB
14
Vents
Saxophone Alto et Piano
2
Flûte traversière et Piano
2
Saxophone Tenor et Piano
2
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette Basse, Piano
1
Saxophone et Harpe
1
Hautbois, Harpe
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Piano (duo)
1
Quatuor de Flûtes : 4 flûtes
1
+ 7 instrumentations
Retracter
Cuivres
Trombone et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor et Harpe
1
Trompette
1
Cor et Piano
1
+ 1 instrumentations
Retracter
Cordes
Harpe
7
2 Harpes (duo)
6
Harpe, Trombone (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe, Violon (duo)
1
Violoncelle, Piano
1
Alto, Piano
1
Harpe, Violoncelle (duo)
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1
Orchestre
1
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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Solemn Mass
Partitions à imprimer
86 partitions trouvées
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Missa Solemnis for mixed choir, soloist voices and organ - Full
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.516511 Composed by Santino Cara. Sacred. Octavo. 90 pages. Santino Cara #13549. Published by Santino Cara (A0.516511). The Solemn Mass CS524 for chorus of mixed voices, soloist voices and organ, was composed in Rome by Santino Cara at the end of 1999, and published in 2001. This Mass retraces the six classical canons Latin of the Roman Missal: Kyrie, Gloria, Credo, Sanctus-Benedictus and Agnus Dei. In addition to the complete score of the entire Mass, within the pdf file, are also included the separate part for choir and soloists voice. Movements and voices: 1. Kyrie - Choir SATB 2. Gloria - SATB choir and soloist voices (soprano, alto, tenor, and bass) 3. Credo - SSAATTBB choir and soloist voices (soprano, tenor and bass) 4. Sanctus - Choir SABrB and Variation on the Sanctus for solo voices 5. Benedictus - Choir SABrB 6. Agnus Dei - Choir SATB.
$20.20
18.62 €
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Chorale SATB
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Santino Cara
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Missa Solemnis for mixed choir, soloist voices and organ - Full
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Santino Cara
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SheetMusicPlus
Small solemn mass for choir brass quartet and organ
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.931797 Composed by Claude Rippas. Co…
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Choral Choir (SATB) - Digital Download SKU: A0.931797 Composed by Claude Rippas. Contemporary. Octavo. 32 pages. Topp Barss #3621709. Published by Topp Barss (A0.931797). Small solemn mass for choir brass quartet and organ Score
$11.00
10.14 €
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Chorale SATB
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Claude Rippas
#
Small solemn mass for choir brass quartet and organ
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Topp Barss
#
SheetMusicPlus
Small solemn mass for choir brass quartet and organ
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.931796 Composed by Claude …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.931796 Composed by Claude Rippas. Contemporary. Octavo. 30 pages. Topp Barss #3621705. Published by Topp Barss (A0.931796). Small solemn mass for choir brass quartet and organ
$7.00
6.45 €
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Chorale SATB
#
Claude Rippas
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Small solemn mass for choir brass quartet and organ
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Topp Barss
#
SheetMusicPlus
Solemn Mass (2014) RTHILL
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1026290 Composed by Richar…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1026290 Composed by Richard T. Hill. 20th Century,Christian,Contemporary,Sacred. Octavo. 112 pages. Richard T. Hill #6049701. Published by Richard T. Hill (A0.1026290). 20 minute setting of the Latin Mass for SATB (brief solos for SAT) and Organ that ranges from nods to pandiatonic polyphony to more modern sororities. SATB is Intermediate difficulty. Organ plays a prominent and complementary role and is Intermediate to Advanced. .
$14.99
13.82 €
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Chorale SATB
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Richard T
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Solemn Mass
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Richard T. Hill
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
81.12 €
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Chorale SATB
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Adrian Gagiu
#
Missa Solemnis, op. 27
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Adrian Gagiu
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.19 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Mass of the Resurrection (Downloadable Organ/Choral Score)
Chorale SATB
SATB choir and organ, or brass quintet, timpani, and organ - Medium - Digital Download …
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SATB choir and organ, or brass quintet, timpani, and organ - Medium - Digital Download SKU: MQ.8325-E Composed by Robert Lehman. Complete Mass, Easter, 20th Century. Downloadable organ/choral score. 16 pages. E. C. Schirmer Music Company - Digital #8325-E. Published by E. C. Schirmer Music Company - Digital (MQ.8325-E). English.The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, (the great Hymn of Thanksgiving, “We praise thee, O God...â€),* the Great Alleluia which is sung thrice at the Great Vigil of Easter, and the splendid Easter Sequence Victimæ Paschali laudes or “Christians, to the Paschal Victim…†These three Easter themes permeate the Mass thus joining us with those of past centuries who have sung these same melodies to celebrate the resurrection of the Lord Jesus Christ who has trampled down death and won for us the life eternal. Resurrexit Christi! Alleluia! -Robert W. LehmanDuration: 7:00.
$2.85
2.63 €
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Chorale SATB
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Robert Lehman
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Mass of the Resurrection
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Requiem (Full Score)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889684 Composed by William…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889684 Composed by William Hawley. Contemporary,Sacred. Octavo. 82 pages. William Hawley #3479653. Published by William Hawley (A0.889684). William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus and Orchestra, with Version for Chorus and Organ, was commissioned and premiered by St. Dominic's Catholic Church, San Francisco, Simon Berry, Director of Music And Liturgy. The Liturgical World Premiere took place on All Souls' Day, November 2, 2007 at Solemn Mass in St. Dominic's Church, with the combined forces of the San Francisco Choral Artists, Magen Solomon, Artistic Director, the St. Dominic's Solemn Mass Choir, and the St. Dominic's Festival Orchestra, conducted by Mr. Berry. The homily was given by the then Archbishop of San Francisco, George Hugh Niederauer.
$29.99
27.65 €
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Chorale SATB
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William Hawley
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Requiem
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William Hawley
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SheetMusicPlus
Requiem (Vocal Score)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889685 Composed by William…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.889685 Composed by William Hawley. Contemporary,Sacred. Octavo. 47 pages. William Hawley #3479659. Published by William Hawley (A0.889685). Vocal Score, with Piano Reduction for rehearsal (47 pp.), with permission to print multiple copies for the Conductor, Rehearsal Pianist, and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus and Orchestra, with Version for Chorus and Organ, was commissioned and premiered by St. Dominic's Catholic Church, San Francisco, Simon Berry, Director of Music And Liturgy. The Liturgical World Premiere took place on All Souls' Day, November 2, 2007 at Solemn Mass in St. Dominic's Church, with the combined forces of the San Francisco Choral Artists, Magen Solomon, Artistic Director, the St. Dominic's Solemn Mass Choir, and the St. Dominic's Festival Orchestra, conducted by Mr. Berry. The homily was given by the then Archbishop of San Francisco, George Hugh Niederauer.
$9.99
9.21 €
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Chorale SATB
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William Hawley
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Requiem
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William Hawley
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SheetMusicPlus
Petite Messe Solennelle
Soloists, choir, harmonium and piano - Digital Download SKU: S9.Q21183 Composed by …
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Soloists, choir, harmonium and piano - Digital Download SKU: S9.Q21183 Composed by Gioacchino Antonio Rossini. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21183. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21183). German • English.Apart from 'Stabat Mater', Rossini's 'little solemn mass', which he composed at the advanced age of 71, is his second major church music composition. In this work, the acclaimed 19th-century opera composer dealt intensively and creatively with Bach's and Palestrina's counterpoint. The edition is based on a revised reprint of the original publisher from Paris.
$16.99
15.66 €
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Gioacchino Antonio Rossini
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Petite Messe Solennelle
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Requiem (World Liturgical Premiere Recording) Part I
Level 5 - Digital Download SKU: A0.1127881 By St. Dominic's Choir and Orchestra, SF…
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Level 5 - Digital Download SKU: A0.1127881 By St. Dominic's Choir and Orchestra, SF Choral Artists,Simon Berry, Conductor. By William Hawley. Contemporary,Sacred. Full Performance. Duration 924. William Hawley #728486. Published by William Hawley (A0.1127881). This is Part I of the World Liturgical Premiere Recording of William Hawley's Requiem Commemoratio Omnium Fidelium Defunctorum for Chorus, Orchestra, and Organ, commissioned by St. Dominic's Catholic Church, San Francisco. The Premiere took place at St. Dominic's on All Souls' Day, November 2, 2007, performed by the St. Dominic's Solemn Mass Choir; the San Francisco Choral Artists; and the St. Dominic's Festival Orchestra, Simon Berry, Conductor. The timings of the three movements of Part I are as follows: Introit and Kyrie 00:03-5:53 Psalm 6:01-9:31 Gradual and Tract 9:39-15:27 Part II of this recording is also available on this site, along with the Full Score, Vocal Score, Organ Version Score, Orchestral Parts and the complete Composer's Virtual Instruments Demo recording. Total Duration of the work in performance: ca. 29 minutes. The audio clip here consists of excerpts from all six movements of the World Premiere Recording. ASCAP https://williamhawley.net.
$3.99
3.68 €
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St
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Requiem
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William Hawley
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SheetMusicPlus
Messe solennelle
Orgue
Mixed choir (SATB) and organ - Digital Download SKU: S9.Q42372 Composed by Wolfgang…
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Mixed choir (SATB) and organ - Digital Download SKU: S9.Q42372 Composed by Wolfgang Seifen. This edition: score. Downloadable, score. Schott Music - Digital #Q42372. Published by Schott Music - Digital (S9.Q42372). Latin.A solemn mass setting for mixed choir and concert organ.
$36.99
34.1 €
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Orgue
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Wolfgang Seifen
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Messe solennelle
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Schott Music - Digital
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SheetMusicPlus
Messe solennelle
Orgue
Mixed choir (SATB) and organ - Digital Download SKU: S9.Q42373 Composed by Wolfgang…
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Mixed choir (SATB) and organ - Digital Download SKU: S9.Q42373 Composed by Wolfgang Seifen. This edition: choral score. Downloadable, Choral score. Schott Music - Digital #Q42373. Published by Schott Music - Digital (S9.Q42373). Latin.A solemn mass setting for mixed choir and concert organ.
$7.99
7.37 €
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Orgue
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Wolfgang Seifen
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Messe solennelle
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Schott Music - Digital
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SheetMusicPlus
PANIS ANGELICUS (in F) for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.982080 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.982080 Composed by Cesar Franck (1872). Arranged by Alexandre Carvalho. Christian,Concert,Graduation,Romantic Period,World. Score and parts. 7 pages. Alexandre Barros de Carvalho #6350053. Published by Alexandre Barros de Carvalho (A0.982080). Arrangement for string quartet to accompany one, two or three voices in F major. It can be performed in solemn masses as it is a Latin chant; or it can be performed in recitals.
$10.00
9.22 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Cesar Franck
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Alexandre Carvalho
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PANIS ANGELICUS
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Alexandre Barros de Carvalho
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SheetMusicPlus
Lamb of God, 'have mercy on us'
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1016215 Composed by Thomas…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1016215 Composed by Thomas Leke. Arranged by Thomas Leke. Contemporary,Sacred,Spiritual. Octavo. 1 pages. Ezuer Leke #5314381. Published by Ezuer Leke (A0.1016215). Lamb of God ,have mercy on us, is a solemn song that should be song during the celebration of mass during Agnus .It is been written in SOLFA NOTATION , for easy interpretation for those who cant really read music in STAFF so well. Is a very short and repetitive song for solemnity and prayers .
$2.50
2.3 €
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Chorale SATB
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Thomas Leke
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Thomas Leke
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Lamb of God, 'have mercy on us'
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Ezuer Leke
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SheetMusicPlus
Franck: Panis Angelicus for String Trio
String Trio - Level 3 - Digital Download SKU: A0.549171 Composed by César Franck…
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String Trio - Level 3 - Digital Download SKU: A0.549171 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. 13 pages. Jmsgu3 #3455883. Published by jmsgu3 (A0.549171). Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. Panis Angelicus is significant for its musical beauty, historical and liturgical context, and emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$34.95
32.22 €
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César Franck
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James M
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Franck: Panis Angelicus for String Trio
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jmsgu3
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SheetMusicPlus
Franck: Panis Angelicus for Piano Quintet
Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Fran…
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Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552116 Composed by C. Franck. Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 17 pages. Jmsgu3 #6120511. Published by jmsgu3 (A0.552116). Ceasar Franck: Panis Angelicus (Bread of Angels) from Messe a trois voix, Op. 12. A famous Eucharistic hymn, notably sung at the Feast of Corpus Christi. This version suits Lent, Easter, or any Christian eucharistic service. It is also an excellent choice for a recital encore because of the potential for musical expressivity.César Franck's Panis Angelicus is significant for several reasons:Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. In summary, Panis Angelicus is significant for its musical beauty, its historical and liturgical context, and its emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.
$42.95
39.6 €
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C
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James M
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Franck: Panis Angelicus for Piano Quintet
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jmsgu3
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SheetMusicPlus
Missa sacra
Choir and orchestra - Digital Download SKU: S9.Q24158 For four-part choir and or…
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Choir and orchestra - Digital Download SKU: S9.Q24158 For four-part choir and orchestra. Composed by Robert Schumann. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 147. Ernst Eulenburg & Co. GmbH - Digital #Q24158. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24158). Latin.Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.
$21.99
20.27 €
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Robert Schumann
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Missa sacra
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Three Ancient Capitals for Trombone and Piano
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1502105 Composed by Keiko Takashima. Classical,Contest,Festival. Score and part. 27 pages. FOSTERMUSIC.JP Digital Publishing #1077976. Published by FOSTERMUSIC.JP Digital Publishing (A0.1502105). THREE ANCIENT CAPITALS was originally written for Trombone Quartet Zipang in 2007. It was published just after its premiere in December of that year, and I am very glad that it has been played by a number of trombone quartets since then. Following its publication, a female trombonist uttered, “Although quartet is fun, it would be also enjoyable if it was played solo, wouldn’t it? “ and this brought the opportunity for this “solo trombone version” to be born.The whole work consists of three pieces. They were written based on my impression of each place when I visited them. 1. Kamakura: In the Hydrangea Temple I visited Meigetsu-in Temple, which is well-known as “Hydrangea Temple,” on a rainy day in June. There I saw colorful beautiful hydrangeas in full bloom, struck by gentle rain. The motif which is repeated many times in the piece represents each hydrangea. 2. Nara: Consecration of the Great Buddda Among the Great Buddhas all over, Rushana-butsu in Todai-ji Temple in Nara, which is 16 meters tall, is the most famous.I imagined the solemn scene of the Consecration Mass of Great Buddha. 3. Kyoto: The Golden Pavilion in the Sunset It was toward dusk when I visited the Rokuon-ji Temple, known as “Temple of Golden Pavilion,” which was built by Ashikaga Yoshimitsu, the third shogun in the Muromachi period. It shined like gold in the light reflected by the setting sun.It was fun for me to arrange the trombone quartet into solo trombone with piano, and I chose every single note carefully while building the relationship between the trombone and piano. I hope the audience will enjoy a different experience from the original quartet. I hope this work, born by Zipangu Quartet, will be loved by more people beyond the frame of its original setting. Performance Time: 12’00” PROFILE: Keiko Takashima Keiko Takashima was born in Takamatsu, Kagawa in 1962 and grew up mainly in Hiroshima.She began taking piano lessons at the age of four and enjoyed chorus as a club activity in junior and senior high school. She started learning harmony and composition theory while she was in high school and enrolled in the composition department at Tokyo University of the Arts of Music in 1982. After graduation, in the wake of providing new arrangements of CHANSON JAPONAISE (YUYAKE-KOYAKE) and FANTASIE (WARABE-UTA) as encore pieces for the Paris Trombone Quartet for their first tour to Japan, she has written many works for trombone.Her repertoire for trombone quartet includes PASSEPIED, MEMORIES, SQUARE DANCE, THREE ANCIENT CAPITALS, THE INTERSECTION OF CROSSING PATHS, SONG OF HOMETOWN, JAPANESE FOUR SEASONS, DOGWOOD PRAYER, and BEYOND THE SANDY HILL. She also wrote for solo trombone and piano: FANTASY ON ITSUKI LULLABY, which is included in Mr. Michel Becquet’s solo album, as well as BREEZE IN THE HEARTS - BLOOM IN THE WORLD, IN THE QUIET OF THE NIGHT, and HEAR THE SPRING CALLING. Her choral works are TOKI-SOBA (for mixed chorus) based on Japanese comic storytelling, LOVE IN KYOTO (suite for female chorus, lyrics by Madoka Mayuzumi), and FLOWER TIDING (lyrics by Urara Takahashi). PIANO RECITAL STORY, a suite for piano, is also on sale at PTNA Musse.jp (a music delivery service on the Internet).Ms. Takashima also wrote the fanfares for the opening and closing ceremonies at the National Sports Festival, held in Hiroshima in 1998. She is a regular member of the the Piano Teachers’ National Association of Japan.*The YouTube sample is a performance of oboe d'amore for reference of the music.
$29.95
27.61 €
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Trombone et Piano
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Keiko Takashima
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Three Ancient Capitals for Trombone and Piano
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Lamb of God
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030892 Composed by Anders…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030892 Composed by Anderson Isiagu. Christian,Easter,Sacred. Octavo. 5 pages. Anderson Isiagu #51911. Published by Anderson Isiagu (A0.1030892). Lamb of God with Amen is a sacred/religious choral music ideal for contemplative and solemn Christian worship. Suitable for performance in a Catholic Mass setting but with the Amen omitted. Released in early 2015, it runs for approximately 2 minutes and sixteen seconds. E-mail:aoa_i@yahoo.com Facebook: Anderson Isiagu Twitter: @Andersonisiagu Instagram: andersonisiagu.
$1.99
1.83 €
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Chorale SATB
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Anderson Isiagu
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Lamb of God
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Anderson Isiagu
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SheetMusicPlus
Pater Noster of Peace
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1016217 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1016217 Composed by Thomas Leke. Arranged by Thomas Leke. African,Contemporary,New Age,Sacred. Octavo. 1 pages. Ezuer Leke #5314523. Published by Ezuer Leke (A0.1016217). Pater Noster of Peace , is the lord's prayer with the mixture of both Latin and English languages. can be rendered at mass or in solemn religious occasions . Attached is a simple and local audio recording for guides.
$3.20
2.95 €
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Chorale SATB
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Thomas Leke
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Thomas Leke
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Pater Noster of Peace
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Ezuer Leke
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SheetMusicPlus
Requiem for a Cat/Requiem pour un chat
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001360 Composed by Alexandra Delga…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001360 Composed by Alexandra Delgado. Contemporary. Score. 4 pages. Alexandra Delgado #6549469. Published by Alexandra Delgado (A0.1001360). Intermediate level. SOCAN. ISMN 979-0-706116-07-5A requiem being a Mass for the souls of the dead, this requiem was written in honor of a well-loved kitty. It is a musically imaginative piece where both grief and remembrance are expressed. A solemn beginning, cheerful memories, tender nostalgia...An excellent piece to develop interpretation.
$4.99
4.6 €
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Piano seul
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Alexandra Delgado
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Requiem for a Cat/Requiem pour un chat
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Alexandra Delgado
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SheetMusicPlus
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