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Someone Knows
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
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Crtitères actifs :
Someone Knows
Partitions à imprimer
40 partitions trouvées
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26
Someone is praying for you 有人在为你祷告
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Ida L
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Ida L
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Someone is praying for you 有
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Steven See
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SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1510237 By Ida L. Reed. By Ida L. Reed. Arranged by Ida L. Reed. Christian,Praise & Worship,Religi...
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Choral 4-Part Chorus,Choir,Choral - Level 1 - SKU: A0.1510237 By Ida L. Reed. By Ida L. Reed. Arranged by Ida L. Reed. Christian,Praise & Worship,Religious,Spiritual. 4 pages. Steven See #1085443. Published by Steven See (A0.1510237). Someone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youHave the crowds 'round you gathered in the midst of the storm?Is your ship tossed and battered, are you weary and worn?Don't lose hope, someone's praying for you this very dayAnd peace be still is already on the waySomeone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youWhen it seems that you've prayed 'til your strength is all goneAnd your tears fall like raindrops all the day longHe cares and He knows just how much you can bearHe'll speak your name to someone in prayerSomeone is praying for youSomeone is praying for youSo when it seems you're all aloneAnd your heart will break in twoRemember someone is praying for youRemember someone is praying for you.
$3.99
Someone You Loved
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Lewis Capaldi
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Juan MarÃa Solare
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received 5
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Someone You Loved
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Juan Maria Solare
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1316515 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barne...
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1 Piano,4 Hands,Piano Duet - Level 4 - SKU: A0.1316515 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Juan MarÃa Solare. Chamber,Classical,Contemporary,Film/TV,Singer/Songwriter. Score. 6 pages. Juan Maria Solare #905253. Published by Juan Maria Solare (A0.1316515). Argentina’s finest neo-classical composer, Juan MarÃa Solare, is releasing his classical rendition of Lewis Capaldi's ‘Someone You Loved’ to be featured in his upcoming album devoted to Love songs. This piece is about loss and hope, telling a story of a husband who is trying to cope with the death of his wife. She became the heart donor for the young mother of another family, saving her life. Eventually the two families are brought together and the main character knows that his wife's heart continues to live on.Juan MarÃa was runner-up of the 2020 Classical Album of the Year on Solo Piano & received 5.000 Euro scholarship from the German Council for the Music!Find Juan MarÃa's rendition of Lewis Capaldi's ‘Someone You Loved' on Spotify and all other digital streaming platforms.(https://open.spotify.com/intl-es/track/1iaqQUlMFjpHhwn6m1yDAz?si=c526e9c3f21b4554)
$5.00
Someone Knows
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Alice B
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Someone Knows
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Alice B. Dearden
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1312363 Composed by Alice B. Dearden. 21st Century,Classical,Contemporary. Individual part. 5 pages. Alice B. Dear...
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Instrumental Solo - Level 4 - SKU: A0.1312363 Composed by Alice B. Dearden. 21st Century,Classical,Contemporary. Individual part. 5 pages. Alice B. Dearden #901216. Published by Alice B. Dearden (A0.1312363). A lyrical late intermediate piano solo with a simple, but compelling, theme. Approximately Level 6/7 RCM.
$3.95
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
The Light Is You
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Hilmar Leujes
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The Light Is You
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Hilmar Leujes
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755....
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Choral Choir (SATB) - Level 4 - SKU: A0.1009750 Composed by Hilmar Leujes. Christian,Gospel,Jazz,Pop,Spiritual. Octavo. 5 pages. Hilmar Leujes #2025755. Published by Hilmar Leujes (A0.1009750). A spiritual song in four part harmony, but you could also use the soprano line and chords to perform it as a normal song. In the audio file I have used strings instead of vocals to emphasize the harmony. The Light Is You No one here knows who you are No one knows your name No one likes the things that you like No one plays your game No one tells you everything And knows just what to say No one asks you what you want And no one finds a way No one finds a way And it’s overflowing When you think of all that’s going for you And it keeps on growing Knowing there is someone to adore You open up ever so slightly Let a tiny light wade through Nurse it till it shines so brightly That you find the light in you You will find the light is you No one here knows who you are No one takes the blame No one’s standing here before you No one be my name No one is my name.
$4.99
Bright Cap and Streamers
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Colin Mawby
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Bright Cap and Streamers
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Seolta Music Limited
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291787 Composed by Colin Mawby. 20th Century,A Cappella,Celtic,Irish. 11 pages. Seolta Music Limi...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1291787 Composed by Colin Mawby. 20th Century,A Cappella,Celtic,Irish. 11 pages. Seolta Music Limited #882399. Published by Seolta Music Limited (A0.1291787). Bright Cap and Streamers from Chamber Music, a 1907 collection of poems by celebrated Irish author and poet James Joyce.James Joyce considered the poems from his Chamber Music collection ‘pretty enough to be put to music’ and expressed the hope to his brother that ‘someone will do so, someone that knows old English music, as I like’. One of two poems set by English composer Colin Mawby, Bright Cap and Streamers draws on references to song, whilst the youthful passion is reflected in the writing for clarinet and choir.To explore all choral titles in College Choral Series please click here.
$2.50
Be Our Guest
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Piano Facile
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DÉBUTANT
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Alan Menken and Howard Ashman
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Rebecca Bijkerk
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Be Our Guest
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Rebecca Bijkerk
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1413531 Composed by Alan Menken and Howard Ashman. Arranged by Rebecca Bijkerk. Broadway,Children,Film/TV,Musical/Show,Po...
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Easy Piano - Level 1 - SKU: A0.1413531 Composed by Alan Menken and Howard Ashman. Arranged by Rebecca Bijkerk. Broadway,Children,Film/TV,Musical/Show,Pop,Traditional. Score. 2 pages. Rebecca Bijkerk #995349. Published by Rebecca Bijkerk (A0.1413531). This is an easy arrangment of Be Our Guest from Beauty and the Beast. I've simplified it enough that is should be playable by anyone who is just starting to read the staff and has a basic understand of rhytymn and keyboard geography. All the notes and finger numbers are writtin in. There are some complex rhytymns like dotted quarter notes. However, that shouldn't be an issue, even if the student haven't learned these yet because they will mostly be playing from memory. This song should be taught by a teacher or someone else who knows piano as there are some hand movements that need to be explained. Besides that, this song is fairly easy and I am sure your students will love it!
$4.99
Fools are put in many high positions
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Chorale SATB
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Musique Sacrée
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Shiu yu chuen
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Fools are put in many high pos
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Shiu yu chuen
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1021715 Composed by Shiu yu chuen. Christian,Praise & Worship,Sacred. Octavo. 15 pages. Shiu yu chuen #6207699. Published ...
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Choral Choir (SATB) - SKU: A0.1021715 Composed by Shiu yu chuen. Christian,Praise & Worship,Sacred. Octavo. 15 pages. Shiu yu chuen #6207699. Published by Shiu yu chuen (A0.1021715). and fools multiply words. No one knows what is coming- who can tell someone else what will happen after them?
$2.50
Sing Loud (SSA)
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Chorale 3 parties
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FACILE
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.723491 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760219. Pub...
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Choral Choir (SSA) - Level 2 - SKU: A0.723491 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760219. Published by Lagom Music (A0.723491). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
Sing Loud (SATB)
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Chorale SATB
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FACILE
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.723490 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 14 pages. Lagom Music #6760215. Pu...
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Choral Choir (SATB) - Level 2 - SKU: A0.723490 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 14 pages. Lagom Music #6760215. Published by Lagom Music (A0.723490). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
Sing Loud (Two-Part)
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Chorale 2 parties
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FACILE
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.723493 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760223. Publ...
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Choral Choir (SA) - Level 2 - SKU: A0.723493 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760223. Published by Lagom Music (A0.723493). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Sing Loud (SAB)
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Chorale 3 parties
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FACILE
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.723489 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760217. Pub...
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Choral Choir (SAB) - Level 2 - SKU: A0.723489 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Octavo. 13 pages. Lagom Music #6760217. Published by Lagom Music (A0.723489). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$2.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 1
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. P...
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Trumpet Solo - Level 5 - SKU: A0.1018933 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072969. Published by Benjamin Sajo (A0.1018933). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Trumpet in C 2
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Trompette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. P...
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Trumpet Solo - Level 5 - SKU: A0.1018934 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072971. Published by Benjamin Sajo (A0.1018934). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Viola
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Alto seul
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Pub...
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Viola Solo - Level 5 - SKU: A0.1018938 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072979. Published by Benjamin Sajo (A0.1018938). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinette
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. ...
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Clarinet Solo - Level 5 - SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
My Kids
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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My Kids
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842175 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Re...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842175 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #5213525. Published by Andrew Mc Donald (Macka Records) (A0.842175). My Kids is a song about my children and how they do things that drive me crazy! But even so I love them anyway and I am blessed to have them 'cause God gave them to me.This is a fun song meant for someone who knows what it is like to have kids.
$4.99
Witness Me
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Piano, Voix et Guitare
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FACILE
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Jazz
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Contemporain
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Jacob Collier Ft
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AD MusicProduction
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Witness Me
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Alex Diego
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1345116 By Jacob Collier Ft. Shawn Mendes/stormzy & Kirk Frankin. By Jacob Collier, Kirk Franklin, Michael ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1345116 By Jacob Collier Ft. Shawn Mendes/stormzy & Kirk Frankin. By Jacob Collier, Kirk Franklin, Michael Ebenezer Kwadjo, Michael Ebenezer Kwadjo Omari Owuo Jr., Scott Friedman, Scott Harris, and Shawn Mendes. Arranged by AD MusicProduction. Broadway,Christian,Christmas,Holiday,Musical/Show,Spiritual. Score. 12 pages. Alex Diego #930050. Published by Alex Diego (A0.1345116). Step into the mesmerizing world of Jacob Collier's Witness Me, a musical masterpiece that transcends genres and captivates the senses. This enchanting composition is a testament to Collier's unparalleled musical prowess, showcasing his ability to seamlessly blend jazz, funk, and soul into a harmonious tapestry of sound.As you immerse yourself in the rich layers of Witness Me, you'll be taken on a sonic journey unlike any other. Collier's innovative use of harmony and rhythm creates a symphony of emotions that will resonate with music enthusiasts seeking a unique and transformative experience. The song's intricate arrangements and Collier's virtuoso performance on various instruments elevate it to a level of artistic brilliance that is truly awe-inspiring.Whether you're a seasoned music connoisseur or someone just beginning to explore the vast landscape of contemporary sound, Witness Me promises to be a revelation. Collier's ability to push the boundaries of musical expression while maintaining accessibility makes this track a perfect addition to any playlist.Feel the pulsating energy of the rhythm section, savor the lush harmonies that cascade like a waterfall of sound, and let the evocative melodies transport you to a realm where music knows no bounds. Witness Me isn't just a song; it's an auditory adventure that will leave you craving more.Indulge your senses and witness the genius of Jacob Collier in this musical odyssey that defies categorization. This is more than a song; it's a testament to the boundless possibilities of artistic expression. Don't just listen—immerse yourself in the extraordinary world of Witness Me and let the magic unfold.
$7.99
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