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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Somethin's Not Right
Non classifié
67
Piano & claviers
Piano seul
23
Piano, Voix
9
Piano, Voix et Guitare
5
Piano Facile
3
Instruments en Do
2
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
2
Paroles et Accords
1
Ukulele
1
Voix
Voix Alto, Piano
8
Chorale SATB
5
Chorale 3 parties
3
Chorale 2 parties
2
Voix moyenne, Piano
1
Chorale TTBB
1
+ 1 instrumentations
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Vents
Ensemble de saxophones
10
Quintette de Saxophone: 5 saxophones
5
Ensemble de Clarinettes
4
Ensemble de Flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
2 Flûtes traversières (duo)
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Piano
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
+ 8 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Ensemble de Trombones
4
Ensemble de Trompettes
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Trompettes (duo)
2
2 Trombones (duo)
1
4 Tubas
1
Ensemble de Cors
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
2
Ensemble d'Altos
2
Ensemble de Violons
2
Contre Basse
1
Trio à Cordes: 2 violons, violoncelle
1
4 Contrebasses
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
5
Ensemble de cuivres
4
Orchestre d'harmonie
4
Orchestre
3
Piano et Orchestre
1
Orchestre de chambre
1
Jazz combo
1
Fanfare
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Somethin's Not Right
Partitions à imprimer
235 partitions trouvées
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Somethin's Not Right
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Piano seul
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FACILE
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Rock
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OneRepublic
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JudisPiano
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Somethin's Not Right
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JudisPiano
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SheetMusicPlus
By OneRepublic. By Drew Brown, Ryan B Tedder, Tim Myers, Zach Filkins, Zack Filkins, Eddie Fisher, and Ryan Tedder (1979-). Arranged by JudisPiano. Co...
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By OneRepublic. By Drew Brown, Ryan B Tedder, Tim Myers, Zach Filkins, Zack Filkins, Eddie Fisher, and Ryan Tedder (1979-). Arranged by JudisPiano. Contemporary. Score. 4 pages. JudisPiano #6267087. Published by JudisPiano
$6.99
Christmas Fantasia on Chopin's Étude in F Major
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Chorale 2 parties
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Classique
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Frederic Chopin
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Stephen Smith
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Christmas Fantasia on Chopin's
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Stephen Smith
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SheetMusicPlus
Choral Choir (SA) - SKU: A0.960305 Composed by Frederic Chopin. Arranged by Stephen Smith. Christmas,Romantic Period. Octavo. 11 pages. Stephen Smith #6...
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Choral Choir (SA) - SKU: A0.960305 Composed by Frederic Chopin. Arranged by Stephen Smith. Christmas,Romantic Period. Octavo. 11 pages. Stephen Smith #6508113. Published by Stephen Smith (A0.960305). This is a bit of an oddity, admittedly, but in the event that you have a virtuoso pianist and a treble choir performing together at Christmas, it could be just what you're looking for! Such was the case in 2016, when Vancouver pianist Jane Coop was the guest of Elektra Women's Choir at their annual Chez Nous holiday concert. I created this piece in order to have something on the programme that was both Christmassy and yet involved the full-on pianism that would typically be on display at one of Jane's solo recitals. Somehow I managed to combine the melodies of not one but two familiar carols (Joy to the World and O Thou Joyful Day) with the flamboyant filigree and wild chromatics -- joyful in their own right! -- of Chopin's Étude Op. 10, No.8. The result, according to Elektra's artistic director, Morna Edmundson, is a fun, bright, and somewhat dizzying experience!
$1.99
Another Day
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Pu...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Not that kind of song from Eig
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-3E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-3E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Penn's Landing
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Piano seul
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INTERMÉDIAIRE
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Classique
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Che Buford
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Penn's Landing
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.11...
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Piano Solo - Level 3 - SKU: A0.1194163 Composed by Che Buford. Classical. Score. 8 pages. Abundant Silence #793584. Published by Abundant Silence (A0.1194163). Penn’s Landing was written for the 2020 Curtis Young Artist Summer Program's Composer-Performer Collective. The inspiration for this piece comes from a very specific memory that I had in May 2019 of me and a friend visiting an empty Penn’s Landing at night. The skyline of Philadelphia was so vibrant as well as the lights coming from different booths and restaurants that were open. Experiencing Penn’s Landing without any people allowed us to witness the beautiful qualities that night brings in Philadelphia.The beginning of this piece starts with a reflective and peaceful feeling. The piano plays a descending two-note figure that resonates on the second note. It then mirrors itself with similar figures that represent the city lights reflecting on the water. The music transforms into something more lively, playful while still using motifs and figures from the beginning. We then move to darker, slightly slower music when the low register of the piano is introduced. The left-hand plays a dark chorale while the right-hand hits high endless, resonant notes. These feelings of elation, admiration, peacefulness, coldness, melancholia were all emotions that I hoped to evoke.
$13.00
It's The New
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Instruments en Do
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FACILE
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Julian Hartwell Project
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Julian Horner
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It's The New
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Julian Hartwell Music
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1130190 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,Standards. Lead Shee...
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C Instrument - Level 2 - SKU: A0.1130190 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,Standards. Lead Sheet / Fake Book. 6 pages. Julian Hartwell Music #730550. Published by Julian Hartwell Music (A0.1130190). A bright, funky modern jazz standard with notes of optimism and excitement. Great for trio and small ensemble playing, with a straightforward and accessible blowing section. Great pick for something fresh and modern sounding in the set, catchy melody included. Notes: Played with an easy, backbeat, groovy feel. D section is noticeably faster and more driving in tempo.
$4.99
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Something like that from Eight
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-2E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-2E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
Brian's Song
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sydney Stevens
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Brian's Song
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Sydney Stevens, Water Music
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #294975...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.859662 Composed by Sydney Stevens. Contemporary,Folk,Holiday,Pop. 7 pages. Sydney Stevens, Water Music #2949759. Published by Sydney Stevens, Water Music (A0.859662). Contact: sydneystevenspianostudio@gmail.comBrian's Song: Emotional piano/vocal composed by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords.Sounds like: Lucy Kaplansky, Loreena McKennittFrom Album: Cycles of Life Theme: The passing of, (letting go of) a father.Mood: Heartfelt, emotional, hopeful.Musical Traits: Strong melody in right hand piano that reflects the vocal line.Performance Time: 2:56Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific compose.
$4.95
Hail to the Lord's Anointed
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Tradtional / James Montgomery
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Leonora Hardy
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Hail to the Lord's Anointed
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Leonora Hardy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1391640 Composed by Tradtional / James Montgomery. Arranged by Leonora Hardy. Christian,Easter,Religious,Sa...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1391640 Composed by Tradtional / James Montgomery. Arranged by Leonora Hardy. Christian,Easter,Religious,Sacred. Score. 3 pages. Leonora Hardy #975154. Published by Leonora Hardy (A0.1391640). An easily learned arrangement for the church pianist who wants to have something more than just hymnal chords to accompany congregational singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It is also suitable for preludes or postludes. Lyrics are included as well as chords for guitar. Â Intermediate level. Right hand melody. Hymn.
$3.99
Preschool Doggie Tales for Piano - Marshall's Big Day
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Piano Facile
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DÉBUTANT
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Elizabeth Essex
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Preschool Doggie Tales for Pia
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Elizabeth Essex
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.920576 Composed by Elizabeth Essex. Children,Instructional. Score. 8 pages. Elizabeth Essex #6626591. Published by Elizab...
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Easy Piano - Level 1 - SKU: A0.920576 Composed by Elizabeth Essex. Children,Instructional. Score. 8 pages. Elizabeth Essex #6626591. Published by Elizabeth Essex (A0.920576). Doggie Tales for Piano is a set of fun musical stories meant to entertain preschoolers while reiterating reading skills. These books use finger number and rhythmic notation, and gradually integrate alpha notation.This series is built to correlate with preschool piano method books such as Wunderkeys Piano for Preschoolers, Faber’s My First Piano Adventures, or Alfred’s Music for Little Mozarts. Each method book series works well for preschool-age kids when they are ready to learn something new, but what about when they aren’t? Very young children constantly need new material and activities to stay engaged, but often aren’t ready for the next step in a lesson book. Marshall's Big Day, the first book in the series, follows the Labrador Marshall as he follows his big sister through her basketball-filled day. Young students will enjoy the story and illustrations as they practice reading on the black keys. Book 1 Skills - Practice with pre-reader finger number and rhythmic notation, playing one hand at a time, on two black keys. See my other arrangements: Sheet Music Press (copyrighted music available)
$4.50
Hallelujah
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Chorale SATB
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INTERMÉDIAIRE
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Lee DeWyze
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D
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Hallelujah
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gard...
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Choral Choir (SATB) - Level 3 - SKU: A0.799676 By Lee DeWyze. By Leonard Cohen. Arranged by D. M. Gardner. A Cappella,Rock. Octavo. 10 pages. D. M. Gardner Music #4803255. Published by D. M. Gardner Music (A0.799676). Hallelujah - For Those Who Fight for FreedomA Tribute to VeteransSATB a cappellaMy orders say we're shipping' outWe don’t have long now to talk aboutThe hundred thousand ways I’m gonna’ miss ya’When we told the kids I’d have to leaveThrough tears, they tried to comfort me And my broken heart cried out a Hallelujah!CHORUS: Hallelujah, Hallelujah, Hallelujah, HallelujahMy boots sink in the desert sandAnd all I want is to hold your handAnd kiss you like the day I whisper'd to ya’But reminding me as I left the gateYou said, Freedom’s call, it can never waitAnd you’d be right there when I came back runnin’ to ya’CHORUS****THIRD VERSE HIDDEN IN HOPES YOU WILL PURCHASE THE MUSIC! THANKS!***CHORUS X2My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Daddy’s not gonna’ make it home;I tried so hard, but your not alone,‘Cause from way up here, I can see your Momma’s with ya’!CHORUS X2Alternate lyrics for verse four:My darling, would you please sit downAnd gather all the kids around?I got somethin’ that I really need to tell ya’Sometimes you might feel alone, But please don't cry, 'cause I'm coming' home,And don't be afraid, 'cause you know I'm always with ya'!To learn more about the arranger and poet, please visit https://www.dmgardner.com*Please note, all text above is subject to copyright. Please do not use without purchase!
$1.99
BEGINNER'S WALTZ (very easy)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Vincent Vitale
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BEGINNER'S WALTZ
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835576 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5802985. Published by V...
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String Orchestra - Level 1 - SKU: A0.835576 Composed by Vincent Vitale. Contemporary. Score and parts. 10 pages. Vincent Vitale #5802985. Published by Vincent Vitale (A0.835576). BEGINNER’S WALTZ is written for the elementary level. You will find this to be a very easy composition keeping all instruments in 1st position and utilizing three part harmony that will benefit ensembles lacking adequate instrumentation. This composition contains only dotted half notes, half notes and quarter notes and will be a great addition for your group’s very first concert. If you are looking for something playable and full sounding you found it in this string orchestra series for young players. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$12.00
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...
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Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
Barbie Girl
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Piano, Voix et Guitare
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DÉBUTANT
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Aqua
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RIS
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Barbie Girl
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RISsounds
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1407711 By Aqua. By Claus Norreen, Johnny Pederson, Karsten Delgado, Lene Nystrom, Rene Dif, and Soren Rast...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1407711 By Aqua. By Claus Norreen, Johnny Pederson, Karsten Delgado, Lene Nystrom, Rene Dif, and Soren Rasted. Arranged by RIS. 20th Century,Contemporary,Disco,Film/TV,Pop. Score. 2 pages. RISsounds #990327. Published by RISsounds (A0.1407711). 🎹 Calling all piano enthusiasts! 🎶 Get ready to dive into the enchanting world of Barbie Girl by Aqua with our Easy Piano Sheet Music. Whether you're a beginner or a more advanced player, our sheet music is the perfect companion for unlocking the magic of this iconic pop hit.🔠Designed with simplicity and clarity in mind, our sheet music features a clear notation of the melody on the staff for the right hand, ensuring that beginners can easily follow along and learn the catchy tune with ease. No more struggling to decipher complex musical notations!💡 But that's not all! Our sheet music also provides ample room for creativity and growth, especially for more advanced players. With the left hand left open for improvisation, you have the freedom to add your personal flair and style to the music, making each rendition uniquely yours.🌟 Whether you're just starting your piano journey or looking to enhance your skills, our Easy Piano Lead Sheet Music for Barbie Girl offers something for everyone. So grab your piano and let's embark on a musical adventure together!🎵 Don't forget to check out our YouTube channel, Easy Piano Tutorials, for a step-by-step video tutorial to complement your sheet music experience. Hit the subscribe button and join our growing community of piano enthusiasts today! Happy playing! 🎹✨.
$4.99
Love Like You (almost Complete Version)
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Guitare notes et tablatures
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Rock
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Rebecca Sugar, Steven Univer
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Daniel Roberts
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Love Like You
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SheetMusicPlus
Guitar Tab - By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts...
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Guitar Tab - By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts
Love like you Acoustic Guitar arrangement.
Lyrics
If I could begin to be
Half of what you think of me
I could do about anything
I could even learn how to love
When I see the way you act
Wondering when I'm coming back
I could do about anything
I could even learn how to love like you
I always thought I might be bad
Now I'm sure that it's true
'Cause I think you're so good
And I'm nothing like you
Look at you go
I just adore you
I wish that I knew
What makes you think I'm so special
If I could begin to do
Something that does right by you
I would do about anything
I would even learn how to love
When I see the way you look
Shaken by how long it took
I could do about anything
I could even learn how to love like you
Love like you
Love me like you
$4.99
Clarinet Trio No. 1
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3 Clarinettes (trio)
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AVANCÉ
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Matthew Nunes
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Clarinet Trio No. 1
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Matthew Nunes Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 5 - SKU: A0.1259401 Composed by Matthew Nunes. 21st Century,Chamber,Classical. 57 pages. Matthew N...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 5 - SKU: A0.1259401 Composed by Matthew Nunes. 21st Century,Chamber,Classical. 57 pages. Matthew Nunes Music #852688. Published by Matthew Nunes Music (A0.1259401). Listen to this piece hereComposer’s NotesI. Capriccio      This lively capriccio features a bouncy melody that is imitated in canon through the other two clarinets. Then the descending fourth motive introduced early is developed in a series of succinct statements. The movement ends with a three part canon with each clarinet racing against the others.  II. Elegy*     After someone leaves our lives there are lingering reminders of the pain of their absence combined with the sweetness of the happiest memories. The middle section represents a flashback to happier times yet the sustained notes hint that something is not quite right. In the end the melody is unable to resolve as it should yet those around it continue on their way.     *Please note that the bass clarinet player should play soprano clarinet for this movement only.  III. Frenetic      This piece would not have been written were it not for the prodding of my friend and fellow composer Felix Rivera. I would joke with him that he may never write a piece not based on tritones and he quipped back that I may never write a piece for clarinets. I decided it was time to fix not having a clarinet selection in my repertoire and this work is the result. This movement is a frenetic and virtuosic dance based off of Rivera’s signature interval of the tritone. - Matthew NunesWindsor, September 2014 - March 2015.
$24.99
I've Gotta Get A Message To You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To Yo
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit....
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
She's Into Something
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Guitare notes et tablatures
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Robert Cray, Albert Collins, C
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Johnny Copeland. Blues
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She's Into Something
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Robert Cray, Albert Collins, Carl Wright, Johnny Copeland, and Albert Collins, Robert Cray & Johnny Copeland. Blues; Pop. Guitar TAB. 11 pages. Published...
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By Robert Cray, Albert Collins, Carl Wright, Johnny Copeland, and Albert Collins, Robert Cray & Johnny Copeland. Blues; Pop. Guitar TAB. 11 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Sunshine On My Shoulders
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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John Denver
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Brendan Elliget MAGA 537
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Sunshine On My Shoulders
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score a...
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Concert Band - Level 3 - SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score and parts. 36 pages. BJE Music #6487663. Published by BJE Music (A0.751041). Sunshine On My Shoulders – Concert Band Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine on My Shoulders (sometimes titled simply Sunshine) is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. Denver wrote this song on an early spring day in Minnesota when the rain was gently falling. He found himself looking forward to spending more time outdoors and enjoying the sunshine. He said of the song, On one level it was about the virtues of love. On another, more deeply felt level, it reached for something the whole world could embrace. This is an arrangement for Concert Band with an optional Piano part...Grade = 3 Duration = 2:45 mins The MP3 and Video audio was recorded with NotePerformer 3. Copyright © 1971; Renewed 1999 BMG Ruby Songs, My Pop's Songs, Dino Park Publishing, Jesse Belle Denver and Reservoir Media Music in the U.S. All Rights for BMG Ruby Songs Administered by BMG Rights Management (US) LLC All Rights for My Pop's Songs and Dino Park Publishing Administered by Kobalt Songs Music Publishing All Rights for Jesse Belle Denver Administered by WB Music Corp. All Rights for Reservoir Media Music Administered by Reservoir Media Management, Inc. (Publishing) and Alfred Music (Print) All Rights Reserved Used by Permission
$49.99
Byzantine Hymn: TI IPERMAHO
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Romanos o Melodos
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Marilena Zlatanou
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Byzantine Hymn: TI IPERMAHO
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatan...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Byzantine hymn: APOLYTIKION of St. DIMITRIOS
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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Byzantine hymn
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Marilena Zlatanou
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Byzantine hymn: APOLYTIKION of
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1343531 Composed by Byzantine hymn. Arranged by Marilena Zlatanou. Classical. 4 pages. Marilena Zlatanou #929061. Published by Marilena Zlatanou (A0.1343531). BYZANTINE HYMN (Apolytikion) for St. DIMITRIOS arrangement for SATB choirSt. Dimitrios was born around 280-284 in Thessaloniki (N. Greece), and martyred under Roman Emperor Diocletian in ca 306. He had become a Roman army officer but was incarcerated after converting to Christianity. In prison he met with Nestor, a gladiator set out to fight the famous and feared Lyeos. Dimitrios gave Nestor his blessing who then won the fight, something that enraged Maximilian (then governor of the city and later emperor), and who then ordered the execution of both Nestor and Dimitrios. St. Dimitrios is the patron saint of Thessaloniki, the second largest city in Greece, which has, since its establishment in 315 BC, been the administrative center of the whole area. duration: 3'25' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$20.00
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
Floating, Falling, Flying (for Flute, Clarinet and Piano)
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Flûte, Clarinette, Piano (trio)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditio...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditional. Score and parts. 17 pages. Brian Chung Music #791812. Published by Brian Chung Music (A0.1192373). This version of Floating, Falling, Flying is optimized for Flute, Clarinet and Piano. The original trio written for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus) is now available for several instrumental combinations.YouTube Composer's Commentary:  https://youtu.be/AGq1Y14PHIUSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying†depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00
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