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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Something's Wrong
Sheetmusicplus
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12
Piano & claviers
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4
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4
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1
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1
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Chorale TTBB
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2 Trompettes (duo)
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Something's Wrong
SheetMusicPlus
Partitions à imprimer
31 partitions trouvées
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26
Something's Wrong
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Piano, Voix
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INTERMÉDIAIRE
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Kari Tieger
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Something's Wrong
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Vox Tigris Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1009793 Composed by Kari Tieger. Broadway,Musical/Show,Pop,Rock. Score. 6 pages. Vox Tigris Publishing #2029811. P...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1009793 Composed by Kari Tieger. Broadway,Musical/Show,Pop,Rock. Score. 6 pages. Vox Tigris Publishing #2029811. Published by Vox Tigris Publishing (A0.1009793). From Trilogy of Nightsongs: A Romantic View of Vampires by Kari Tieger Something's Wrong: A young woman has become enchanted with a glamorous stranger who is in fact a vampire. Awaiting his visit, she fears he may not show.
$3.99
Somethin' Is Wrong
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Somethin' Is Wrong
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841830 Composed by Andrew Mc Donald. Blues,Christian,Gospel. Score. 5 pages. Andrew Mc Donald (Macka Records) #347...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841830 Composed by Andrew Mc Donald. Blues,Christian,Gospel. Score. 5 pages. Andrew Mc Donald (Macka Records) #3478193. Published by Andrew Mc Donald (Macka Records) (A0.841830). Somethin' Is Wrong is a song about feeling blue knowing that something is wrong with us cause we have sinned. It's a song about repentance and coming to the decision that we need to change our ways to be right with God again.
$4.99
Something's Wrong
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Instruments en Do
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FACILE
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Steve Daily
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Something's Wrong
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Steven Daily
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1247888 By Steve Daily. By Steve Daily. Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Steven Daily #8424...
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C Instrument - Level 2 - SKU: A0.1247888 By Steve Daily. By Steve Daily. Folk,Pop,Singer/Songwriter. Lead Sheet / Fake Book. 2 pages. Steven Daily #842445. Published by Steven Daily (A0.1247888). Inspired by classical Spanish guitar, this is turbulent song about our changing world.
$1.99
Something's Wrong With The Morning
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Ligne De Mélodie, (Paroles) et Accords
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Margo Guryan
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Something's Wrong With The Mor
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.171477 By Margo Guryan. Folk,Pop. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #214337. Published by Hal Leonard - Digital (HX.171477)...
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SKU: HX.171477 By Margo Guryan. Folk,Pop. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #214337. Published by Hal Leonard - Digital (HX.171477).
$3.99
Something like that from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Something like that from Eight
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-2E Composed by Stephen Chatman. Secular, 21st century. Score. 6 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-2E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-2E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
Two Wrongs Don't Make A Right
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Ensemble Jazz
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FACILE
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Shane Vickery
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Two Wrongs Don't Make A Right
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Bandapalooza
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1272953 By Shane Vickery. By Shane Vickery. 20th Century,Blues,Jazz. Score and Parts. 38 pages. Bandapal...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1272953 By Shane Vickery. By Shane Vickery. 20th Century,Blues,Jazz. Score and Parts. 38 pages. Bandapalooza #865113. Published by Bandapalooza (A0.1272953). Two Wrongs Don't Make A Right is something my mother said often when I was growing up. However, I don't think she would have a problem with this 1950's style jazz chart! This bluesy sounding chart in F is remeniscent of tunes from that time period. It is my sincere hope that your students will be inspired to listen to and learn the great music of that period after learning this tune.
$20.00
March no.25
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Ensemble de cuivres
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Contemporain
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Gerardo Torrero
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March no.25
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Gerardo Torrero
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SheetMusicPlus
Brass Ensemble - SKU: A0.1022900 Composed by Gerardo Torrero. Contemporary. Score and parts. 19 pages. Gerardo Torrero #3535199. Published by Gerardo To...
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Brass Ensemble - SKU: A0.1022900 Composed by Gerardo Torrero. Contemporary. Score and parts. 19 pages. Gerardo Torrero #3535199. Published by Gerardo Torrero (A0.1022900). March no.25 Twisted CarnivalOn a trip you encounter a carnival like no other. Something's wrong and you want to leave, but you can't help staying.Questions?gerardo.torrero01@gmail.comhttps://www.facebook.com/gTortillahttps://www.facebook.com/limitlessbrass/
$13.00
First Love - 1st Movement
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
Chord Progression Generator for Guitar
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Brian Streckfus
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Chord Progression Generator fo
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Brian Streckfus
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 page...
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Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Joy, Joy, Everyone Is Flying - Easy Trumpet Duet
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2 Trompettes (duo)
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FACILE
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including more of the modern d
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Eddie Lewis
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Joy, Joy, Everyone Is Flying -
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Tiger Music
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SheetMusicPlus
Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Pub...
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Trumpet Duet Trumpet - Level 2 - SKU: A0.1088949 Composed by Eddie Lewis. Classical,Contemporary,Instructional. Score. 4 pages. Tiger Music #693161. Published by Tiger Music (A0.1088949). Give your students something modern to work on. Joy, Joy, Everyone Is Flying trumpet duet uses a modern compositional technique. Joy, Joy Everyone Is Flying trumpet duet is actually part of my recent modern composition series. The idea was to see if I could write one of those compositions for trumpet duet with Trumpet Tyro limitations. Being composed from a nontraditional technique, Joy, Joy, Everyone Is Flying does not sound like the typical “do re mi†beginner band music. As an educational piece, it serves as a wonderful opportunity to expose the students to exotic sounds. The piece begins like a traditional imitative piece, but you soon hear a non-traditional modality. That modality is emphasized in the B section with grace notes that give it an eastern hint. Joy, Joy, Everyone Is Flying is a short duet, lasting under a minute. This is because it is written for students who were beginners only months ago. Other Duet Books I have published similar duets to this one in my two other duet books for this level. The first and most popular is Celebrations which has trumpet duets for all skill levels. The second, which has some of the Celebrations duets, is called Twenty Trumpet Tyro Duets. In the trumpet community we use duets as educational tools. They are a wonderful way to expose students to counterpoint, different harmonies and different rhythmic ideas. By including more of the modern duets in the easier duet books, the younger students have an opportunity to experience non-traditional music in what is essentially a chamber music environment. The Experimental Music Series I’ve published a number of these experimental works for trumpet and brass instrumentations. The newer ones were in response to the popularity of the fishing suites. I had gone years without writing any of these compositions and wanted to apply the techniques to trumpet trio. The fishing suites are a suite of suites, each suite being dedicated to a different composition technique. Of those three suites, Catch Suite is the one that uses the same technique as Joy, Joy, Everyone Is Flying. Other compositions utilizing this compositional technique include The Lotus Eater and Voice of the Prophets. SKILL LEVEL The skill level for Joy, Joy, Everyone Is Flying is Trumpet Tyro. Trumpet Tyro is the second of seven levels in our system. This is music for trumpet students with a range up to fourth space E. The music in this level is limited to three flats or sharps. We almost bumped this piece up into the Trumpet Player level because of all the accidentals, but eventually decided to keep it in the Trumpet Tyro level. Technically, the accidentals all fall within acceptable keys for this level, so we kept it at the lower level. That said, because it is non-traditional, it will take a little longer to learn. The melodic sounds will not come as readily as the traditional “do re mi†stuff. Practice Recommendations Listening to the recording is a very important part of learning something with new sounds. You want to be able to hear those sounds. Here’s an interesting bit of trivia for you… When I am using one of these original compositional techniques, I know when I’ve made a mistake because I can hear that it sounds different. I believe this is the sign of a technique that works. If there’s a mistake, the composer should be able to hear that there’s something wrong. Well, performing music that utilizes these sorts of non-traditional techniques goes far better when the performers can also hear the music that way.
$4.99
Head Like A Hole
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nine Inch Nails
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Whimsically Macabre (ASCAP)
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Head Like A Hole
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Stacy Fahrion
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy ...
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Piano Solo - Level 4 - SKU: A0.851104 By Nine Inch Nails. By Trent Reznor. Arranged by Whimsically Macabre (ASCAP). Contemporary. Score. 4 pages. Stacy Fahrion #4633863. Published by Stacy Fahrion (A0.851104). This solo piano arrangement was inspired by the version on Black Mirror. It's arranged by Stacy Fahrion/Whimsically Macabre Music (ASCAP).I get really excited when music can carry multiple contradictory meanings, and spend a lot of time thinking about how I can mess with my audience by making things sound familiar but wrong. When I saw the Rachel, Jack, and Ashley Too episode of Black Mirror, I recognized the melody of the oddly upbeat pop song Ashley O was singing but couldn't quite place it because unconsciously I knew something was really off, and then slowly it dawned on me that it was a NIN cover, and I flipped out with utter joy that someone had just done something to me that I'm constantly trying to do to them. Every time the song played throughout the episode, I couldn't stop laughing, not just at the lyrics, but especially at a certain trite & upbeat sounding bassline and all of the different musical elements that completely changed the feel of the original. So of course I needed to write my own arrangement of that arrangement. I hope you enjoy it. You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/
$4.99
Thank U, Next
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ariana Grande
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Sarah Cellobat Chaffee
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Thank U, Next
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.1125723 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx,...
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String Trio Cello,Violin - Level 4 - SKU: A0.1125723 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Tommy Brown, and Victoria McCants. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 14 pages. Sarah Cellobat Chaffee #726459. Published by Sarah Cellobat Chaffee (A0.1125723). *INSTRUMENTATION: 2 VIOLINS & CELLO* Ariana Grande's massive hit song Thank U, Next is nothing short of a cultural phenomenon. Released as a surprise single in 2018, the song is a tongue-in-cheek ode to all of the singer's ex-boyfriends and the experiences with them that turned her into the woman she is today. With massive critical acclaim for the song's catchy melodies and positive message of self-love, the song spent seven straight weeks at the top of the Billboard charts, broke numerous streaming records, and was named as one of Billboards songs that defined the decade. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for your two-violin and cello trio has something for everyone. With the song's beautiful soaring melodies, lush harmonies, and underlying groove passed around from player to player, this will be as much fun for you to play as it is to listen to! Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Thank U, Next
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ariana Grande
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Sarah Cellobat Chaffee
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Thank U, Next
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1125718 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Mic...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1125718 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Tommy Brown, and Victoria McCants. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #726453. Published by Sarah Cellobat Chaffee (A0.1125718). Ariana Grande's massive hit song Thank U, Next is nothing short of a cultural phenomenon. Released as a surprise single in 2018, the song is a tongue-in-cheek ode to all of the singer's ex-boyfriends and the experiences with them that turned her into the woman she is today. With massive critical acclaim for the song's catchy melodies and positive message of self-love, the song spent seven straight weeks at the top of the Billboard charts, broke numerous streaming records, and was named as one of Billboards songs that defined the decade. So you really can't go wrong having this one in your gig books! This Cellobat arrangement for your string quartet has something for everyone. With the song's beautiful soaring melodies, lush harmonies, and underlying groove passed around from player to player, this will be as much fun for you to play as it is to listen to. Rated advanced-intermediate mainly for some tricky rhythms; this will be learnable for students and sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
Dating is a sport from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dating is a sport from Eight L
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-5E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-5E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-5E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Not that kind of song from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Not that kind of song from Eig
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-3E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-3E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-3E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Hanky-panky from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Hanky-panky from Eight Love So
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-6E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-6E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-6E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Dream Girl from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Dream Girl from Eight Love Son
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-4E Composed by Stephen Chatman. Secular, 21st century. Score. 7 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-4E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-4E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$6.25
My Love from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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My Love from Eight Love Songs
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-7E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duratio...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-7E Composed by Stephen Chatman. Secular, 21st century. Score. 9 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-7E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-7E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$7.25
Mr. Smooth from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Mr. Smooth from Eight Love Son
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-8E Composed by Stephen Chatman. Secular, 21st century. Score. 15 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-8E Composed by Stephen Chatman. Secular, 21st century. Score. 15 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-8E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-8E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Excuse Me from Eight Love Songs for High Baritone Voice, Violin, Violoncello and Piano (Full/Vocal Score)
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Stephen Chatman
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Excuse Me from Eight Love Song
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Galaxy Music Corporation - Digital
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SheetMusicPlus
High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-1E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Durati...
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High baritone voice, violin, cello and piano - Difficult - SKU: MQ.7.0579-1E Composed by Stephen Chatman. Secular, 21st century. Score. 13 pages. Duration 19 minutes, 30 seconds. Galaxy Music Corporation - Digital #7.0579-1E. Published by Galaxy Music Corporation - Digital (MQ.7.0579-1E). English.Eight Love Songs for High Baritone Voice, Violin, Violoncello, and Piano, formerly known as Love Songs, contains eight contrasting love songs. Commissioned in 2010 by MusicFestVancouver for renowned Canadian baritone, Tyler Duncan, and Australia's pre-eminent chamber music ensemble Freshwater Trio. The set of eight songs is the result of ongoing collaborations between lyricist, Tara Wohlberg, and composer, Stephen Chatman. The lyrics, full of inner rhymes and wit, explore far ranging aspects of love, such as unexpected encounters, tenderness, Schubert and his song Gretchen am Spinnrade, dreams, dating, some Hanky-panky, and the wrong and right moves of Mr. Smooth. The contrasting musical settings typify Chatman's eclectic panoply of classical and popular musical styles, from Ragtime and Tango to Neo-Romanticism. Total Duration: 19:30Contents:1. Excuse Me2. Something like that3. Not that kind of song4. Dream Girl5. Dating is a sport6. Hanky-panky7. My Love8. Mr. Smooth.
$8.25
Lizard Person
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Rock
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Sappho
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Sappho Hansen Smythe
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Lizard Person
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Sappho Hansen Smythe
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SheetMusicPlus
High Voice - Level 2 - SKU: A0.1127917 By Sappho. By Sappho Hansen Smythe. Arranged by Sappho Hansen Smythe. Pop,Rock. Full Performance. Duration 203. S...
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High Voice - Level 2 - SKU: A0.1127917 By Sappho. By Sappho Hansen Smythe. Arranged by Sappho Hansen Smythe. Pop,Rock. Full Performance. Duration 203. Sappho Hansen Smythe #728526. Published by Sappho Hansen Smythe (A0.1127917). The 3rd movement of Sappho's FIGHT TO THE DEATH EP, in which our protagonist becomes increasingly paranoid that something is very wrong on planet Earth. Guitar arranged by Bradley Hill.
$1.99
Capriol Suite
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Contemporain
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Peter Warlock
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John Gibson
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Capriol Suite
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.582043 Composed by Peter Warlock. Arranged by John Gibson. Contemporary. 95 pages. J...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.582043 Composed by Peter Warlock. Arranged by John Gibson. Contemporary. 95 pages. JB Linear #4621593. Published by JB Linear (A0.582043). Warlock's Capriol Suite is a set of 6 dances that freely utilize songs found in a Renaissance dancing guide. They vary from soft, gentle pieces to vigorous dance forms. Warlock did not simply transcribe these songs, but added his own touches, sometimes with surprising combinations. So....even if something sounds a little wrong, most likely it is not! The movements include Basse-Danse, Pavane, Tordion, Bransles, Pieds-en-l'air, and Mattachins (Sword Dance). This setting of the string orchestra version for CLARINET CHOIR BY JOHN GIBSON IS FOR Eb SOPRANO, Bb SOPRANO 1-3 ALTO, BASS, AND CONTRA. THERE IS AN ALTERNATE PART IF THERE IS NO ALTO.
$19.25
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Something's Wrong
