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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Cor
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2 Trompettes (duo)
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Trombone et Piano
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Cor et Piano
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Tuba et Piano
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Tuba
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2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 4 trombones
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7
Quatuor de cuivres: 4 cors
6
Quatuor de cuivres: 4 trompettes
5
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2 Cors (duo)
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Quatuor de Cuivres
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Trompette, Saxophone (duo)
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2 Tubas (duo)
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Euphonium
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Cor (partie séparée)
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2 Euphoniums (duo)
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Tuba (partie séparée)
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4 Tubas
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Trio de Cuivres
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Cor anglais, Piano
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3 Trombones (trio)
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Quatuor de cuivres: 2 trompettes, 2 trombones
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3 Cors (trio)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
203
Violon
68
Harpe
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Alto seul
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2 Violons (duo)
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2 Violoncelles (duo)
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Ensemble d'Altos
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Ensemble de Violons
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Violoncelle (partie séparée)
24
Alto, Piano
20
Violon, Violoncelle (duo)
19
Contrebasse (partie séparée)
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Alto (partie séparée)
10
Violon, Alto (duo)
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Contre Basse
9
Trio à Cordes: violon, alto, violoncelle
8
4 Violoncelles
6
Violon (partie séparée)
5
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
2 Harpes (duo)
4
Quatuor à cordes : 4 altos
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Autoharp
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3 Harpes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
370
Orchestre à Cordes
75
Orchestre
63
Ensemble Jazz
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Ensemble de cuivres
56
Cloches
27
Orchestre de chambre
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Batterie
17
Ensemble de Percussions
14
Jazz combo
13
Batterie (partie séparée)
11
Fanfare
10
Percussion (partie séparée)
5
Marimba
2
Percussion
2
Xylophone
2
Vibraphone
2
Batterie-Fanfare
1
Marimba, Piano (duo)
1
Timbales
1
Piano et Orchestre
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Xylophone, Piano
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Something There
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken an…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.65 €
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Guitare
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Alan Menken and Howard Ashman
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Brad Powell
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Nirvana : Something in the Way - Accordage standard (niveau facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Something in the Way - Acco…
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Téléchargez la tablature et la partition Guitare Something in the Way - Accordage standard (niveau facile, guitare d'accompagnement) de Nirvana. Tab pour Guitare d'accompagnement -- Pop/rock
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Guitare
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Tomplay
Nirvana : Something in the Way - Original Tuning (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Something in the Way - Orig…
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Téléchargez la tablature et la partition Guitare Something in the Way - Original Tuning (niveau très facile, guitare d'accompagnement) de Nirvana. Tab pour Guitare d'accompagnement -- Pop/rock
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Guitare
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Tomplay
Nirvana : Something in the Way - Accordage standard (niveau débutant, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Something in the Way - Acco…
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Téléchargez la tablature et la partition Guitare Something in the Way - Accordage standard (niveau débutant, guitare d'accompagnement) de Nirvana. Tab pour Guitare d'accompagnement -- Pop/rock
5.99 €
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Guitare
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Tomplay
Christina Aguilera,A Great Big World : Say Something (niveau facile/intermédiaire, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Say Something (niveau facil…
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Téléchargez la tablature et la partition Guitare Say Something (niveau facile/intermédiaire, guitare d'accompagnement) de A Great Big World. Tab pour Guitare d'accompagnement -- Pop/rock
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Guitare
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Tomplay
Christina Aguilera,A Great Big World : Say Something (niveau facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Say Something (niveau facil…
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Téléchargez la tablature et la partition Guitare Say Something (niveau facile, guitare d'accompagnement) de A Great Big World. Tab pour Guitare d'accompagnement -- Pop/rock
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Tomplay
Christina Aguilera,A Great Big World : Say Something (niveau très facile, guitare d'accompagnement)
Guitare
Téléchargez la tablature et la partition Guitare Say Something (niveau tr&eg…
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Téléchargez la tablature et la partition Guitare Say Something (niveau très facile, guitare d'accompagnement) de A Great Big World. Tab pour Guitare d'accompagnement -- Pop/rock
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Tomplay
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you canât fully understand no matter how hard you try? Perhaps itâs something from our past that we never invited...or something weâve missed in our closest relationships, maybe itâs just the dread weâve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like weâre just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. Thereâs constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. Weâre spinning our wheelsâ¦But one of the interesting things about great minimalist music is that itâs not merely about repetition. I donât believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mindâs eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer canât free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument heâs always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesnât feel like weâre making headway whenever weâre having to crawl out of our skin - until, suddenly, when itâs all over. And you hear this towards the end of the piece, when thereâs a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One Iâve put my trust in, because I canât reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
11.18 €
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Guitare
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Edwin Culver
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Edwin Culver: a bridge a-way, exits within
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Edwin Culver
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but Iâd still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or â Heaven forbid- something that maybe we ourselves wrote? Or some âunknown guy.â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Letâs face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying âthey donât write âem like that anymore,â are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isnât that pioneering spirit just plain olâ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. Itâs climbing the mountain simply because it is there. So, for right now, Iâm that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. Itâs what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.66 €
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Guitare
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Sweet Caroline
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamon…
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Guitar - Level 3 - Digital Download SKU: A0.1214983 By Neil Diamond. By Neil Diamond. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Pop,Singer/Songwriter. 55 pages. DanJonesGuitarist #811570. Published by DanJonesGuitarist (A0.1214983). Sweet Caroline - by Neil DiamondArranged for Guitar Quartet (with Optional Bass Guitar) by Dan Joneswww.danjonesguitarist.comThis arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.Sweet Caroline was released as a single by Neil Diamond in 1969. It enjoyed immediate chart success in the US, and further success in the UK in 1971. In recent years, it has had a resurgence in popularity, as it has been sung by supporters at sporting events due to its epic, stadium-rock quality. It is therefore much-known and loved by audiences of all generations.This arrangement is designed for advanced-intermediate ensembles, but could also be used by professional groups seeking something original and popular for repertoire or encore works.Your download provides you with:⦠  A score showing notes and TAB⦠  A score with only notes (to facilitate page turns)⦠  All parts in notes only⦠  All parts in notes and TAB⦠  A bass guitar part is provided, but the arrangement will work effectively with or without this part.For a wealth of arrangements for guitar in ensemble or solo, writings, original works, teaching material, compositions and much more, please visit www.danjonesguitarist.com
$7.95
7.42 €
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Guitare
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Neil Diamond
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Dan Jones www
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Sweet Caroline
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DanJonesGuitarist
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
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Guitare
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Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
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Guitare
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Richard Strauss
#
Rod Whittle
#
Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
#
Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Something To Believe In (from Newsies) - Guitar
Guitare
By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Sho…
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By Newsies (Musical). By Alan Menken. Arranged by Mac Huff. Broadway; Concert; Musical/Show. EPak. 2 pages. Duration 3:10. Published by Hal Leonard - Digital Sheet Music
$7.00
6.53 €
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Guitare
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Newsies
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Mac Huff
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Concert
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Something To Believe In
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I'll Think Of Something
Guitare
Easy Guitar (no TAB) - Digital Download SKU: HX.1400882 By Mark Chesnutt. This edit…
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Easy Guitar (no TAB) - Digital Download SKU: HX.1400882 By Mark Chesnutt. This edition: scorch. Country. Score. 2 pages. Hal Leonard - Digital #379325. Published by Hal Leonard - Digital (HX.1400882).
$2.99
2.79 €
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Guitare
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Mark Chesnutt
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I'll Think Of Something
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Hal Leonard - Digital
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SheetMusicPlus
The Painter
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1025659 Composed by Lance Olivieri. Concert,Contemporary. Individual part. 3 pages. Lance Olivieri #4966143. Published by Lance Olivieri (A0.1025659). The Painter was inspired by living my life close to an artist. I wanted to portray the difficulty, passion and elation an artist of any type experiences when creating a piece that aims to express emotions or a meaning that is something not tangible; the enlightening that an artist feels when a painting finally comes together after a long struggle for the subject, composition and color. It consists of 3 separate parts or conversations she is having with her work. 6th string to D, 2nd string to A tuning allows for an ease to fingering.
$1.99
1.86 €
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Guitare
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Lance Olivieri
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The Painter
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Lance Olivieri
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SheetMusicPlus
Sacred Music for Solo Guitar
Guitare
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-H…
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-Hand Simplified. Composed by Rick Foster. Gospel/Sacred, Christian. Style. E-book. Mel Bay Publications - Digital Sheet Music #30797EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30797EB). ISBN 9781619119611. 8.75x11.75 inches.This book presents sixteen right-hand simplified arrangements of sacred music that can be played with just the thumb or both the thumb and fingers. The first twelve arrangements are written for thumb-only playing and will allow you to appreciate the beauty of simplicity, something often overlooked on the guitar. The music is written in standard notation and tablature.
$9.99
9.32 €
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Guitare
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Rick Foster
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Sacred Music for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
There's Something About That Name
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.1163320 By Bill & Gloria Gaithe…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1163320 By Bill & Gloria Gaither. This edition: Interactive Download,scorch. Christian,Gospel,Sacred. Score. 1 pages. Hal Leonard - Digital #831800. Published by Hal Leonard - Digital (HX.1163320).
$2.99
2.79 €
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Guitare
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Bill & Gloria Gaither
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There's Something About That Name
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Hal Leonard - Digital
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SheetMusicPlus
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