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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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Something Just Like This - Baritone B.C.
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Largo (from Xerxes) for B flat clarinet and piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F …
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.
$3.25
2.9 €
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Clarinette et Piano
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.56 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Triad Chord Worksheet
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. In…
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
1.78 €
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Guitare notes et tablatures
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.78 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
The First Noel
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.796723 Composed by Tradit…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.796723 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score. 6 pages. DR GARY D BELSHAW #3675029. Published by DR GARY D BELSHAW (A0.796723). 2018 Holiday Contest EntryKey F Major (Concert E-flat) A second version in the Key of C (B-flat concert) is also available here.The famous Traditional English Carol is here arranged for two Early Intermediate level Trumpeters. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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2 Trompettes (duo)
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The First Noel
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.796725 Composed by Tradit…
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Trumpet Duet Trumpet - Level 2 - Digital Download SKU: A0.796725 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score. 6 pages. DR GARY D BELSHAW #3675027. Published by DR GARY D BELSHAW (A0.796725). 2018 Holiday Contest EntryKey C Major (Concert B-flat) A second version in the Key of F (E-flat concert) is also available here.The famous Traditional English Carol is here arranged for two Early Intermediate level Trumpeters. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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2 Trompettes (duo)
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The First Noel
Ensemble de cuivres
Brass Ensemble - Level 2 - Digital Download SKU: A0.796727 Composed by Traditional …
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Brass Ensemble - Level 2 - Digital Download SKU: A0.796727 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW #3675585. Published by DR GARY D BELSHAW (A0.796727). 2018 Holiday Contest EntryKey B-flat Major (Concert E-flat) A second version in the Key of C (Concert F) is also available here.The famous Traditional English Carol is here arranged for two Early Intermediate level horns in F. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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Ensemble de cuivres
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The First Noel
Ensemble de cuivres
Brass Ensemble - Level 2 - Digital Download SKU: A0.796730 Composed by Traditional …
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Brass Ensemble - Level 2 - Digital Download SKU: A0.796730 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score and parts. 6 pages. DR GARY D BELSHAW #3675589. Published by DR GARY D BELSHAW (A0.796730). 2018 Holiday Contest EntryKey C Major (Concert F) A second version in the Key of B-flat (Concert E-flat) is also available here.The famous Traditional English Carol is here arranged for two Early Intermediate level horns in F. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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Ensemble de cuivres
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Traditional English Carol
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Gary D
#
The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The First Noel
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796728 Composed by Trad…
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796728 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score. 6 pages. DR GARY D BELSHAW #3675753. Published by DR GARY D BELSHAW (A0.796728). 2018 Holiday Contest EntryKey C Major Two other versions are also available here in Sheet Music Plus, in the key of B-flat Major and D Major.The famous Traditional English Carol is here arranged for two Early Intermediate level trombones. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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2 Trombones (duo)
#
Traditional English Carol
#
Gary D
#
The First Noel
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DR GARY D BELSHAW
#
SheetMusicPlus
The First Noel
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796731 Composed by Trad…
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796731 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score. 6 pages. DR GARY D BELSHAW #3675755. Published by DR GARY D BELSHAW (A0.796731). 2018 Holiday Contest EntryKey D Major Two other versions are also available here in Sheet Music Plus, in the key of B-flat Major and C Major.The famous Traditional English Carol is here arranged for two Early Intermediate level trombones. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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2 Trombones (duo)
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The First Noel
2 Trombones (duo)
Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796729 Composed by Trad…
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Trombone Duet Trombone - Level 2 - Digital Download SKU: A0.796729 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. Score. 6 pages. DR GARY D BELSHAW #3675751. Published by DR GARY D BELSHAW (A0.796729). 2018 Holiday Contest EntryKey B-flat Major Two other versions are also available here in Sheet Music Plus, in the key of C Major and D Major.The famous Traditional English Carol is here arranged for two Early Intermediate level trombones. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
3.56 €
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2 Trombones (duo)
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
The Water is Wide (SSA choir and piano)
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditi…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.
$2.99
2.67 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Water is Wide (SAT choir and piano)
Chorale 3 parties
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditi…
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #866631. Published by Colin Kirkpatrick Publications (A0.1274487). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†(it rhymes with daily) which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAT arrangement by Colin Kirkpatrick is ideal for school choir, amateur choir or college choir especially when there are few male voices. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (the G just above the staff, but only once). The alto part range is of B flat 3 to E5. The tenor range is D3 to D4. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.Â
$2.99
2.67 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
SQ15 ... Hommage à DSCH (2021) for string quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
$9.99
8.92 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
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SheetMusicPlus
Handel: Largo (from Xerxes) for trumpet (or cornet) and piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1311223 Composed by G F H…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1311223 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900215. Published by Colin Kirkpatrick Publications (A0.1311223). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for trumpet (or cornet) and piano is in concert E flat major (F major for solo part). In the transposed solo part, the lowest note is the C just below the treble staff and the highest note is the F on the top line of the staff. The piano part has been kept as simple as possible. Being so well-known, this piece would make a suitable encore. Â
$4.95
4.42 €
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Trompette, Piano
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G F Handel
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Colin Kirkpatrick
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
Largo (from Xerxes) for horn in F and piano
Cor et Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Hand…
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1311533 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #900540. Published by Colin Kirkpatrick Publications (A0.1311533). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for Horn in F (French horn) and piano is in B flat major. The lowest note in the horn part is the C just below the treble staff and the highest note is the F on the top line. The piano part has been kept as simple as possible. Â
$3.25
2.9 €
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Cor et Piano
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
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